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The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds is illustrated by Rachel Cloyne and published and kindly sent to me to review by Nosy Crow. This book is the latest in a huge series of Colouring Books of Cards and Envelopes, the others have all been illustrated by Rebecca Jones and had nature and animal themed cards, this new book is one of two which have been created in partnership with the British Museum and while the production quality and style is identical, the content is quite different, to read more about that skip to the third paragraph.

The book itself is large at 28cm square, it’s paperback with a flexible card cover with gold foiling lettering and detail. Inside the front cover are instructions detailing how to fold the envelopes for the cards. Following this are pages of colourable cards with two on each page connected by tabs on perforated pages which are very easy to remove from the book with no issues or bending and a thin strip that the perforation is attached to that you can cut off with scissors to neaten up the card edges. There are 24 cards, each with a unique design, and all 4 sides of the cards have illustrations on that you can colour including a “Coloured For You By…” section on the back, they measure 13.5cm square when folded. Following the card pages are 24 unique envelope designs that match the cards perfectly and are printed in the same order as the cards so it’s very easy to match up the paired cards and envelopes together. The envelopes have illustrations on the front, each of the four flaps, and the whole of the back of the page which makes up the inside of the envelope has a repeating design on it that can be coloured if you wish. The folding instructions are very clear and easy to follow and the pre-scored lines on the cards and envelopes allow for a perfect fold every time. On the very last page of the book are 24 circular stickers with matching designs to seal the envelopes with. One small gripe I have is that these stickers are arranged in a random order and it’s not clear which card many of them are designed for, with many being suitable for a number of cards which just irks the perfectionist in me.

The card itself is bright white, medium thickness and lightly textured. I experienced absolutely no bleeding and very minimal shadowing when using water-based pens; alcohol markers will bleed through. Pencils would be ideal for these cards if you’re wanting more subtle colours, or wanting to blend and shade. The envelopes are printed onto bright white, thick paper which I didn’t experience any bleed through of water-based pens on but did get the lightest of shadowing when I coloured too slowly and the ink saturated the paper a bit much so do be careful if you’re wanting the inside of your envelopes to remain pristine for colouring too. Sadly, the space left on the front of a few of the envelopes is pretty small and not exactly suitable for a normal length postal address and there is also no space for a postage stamp. You could add an address label, and simply stick the postage stamp over the design but for perfectionists like me this isn’t an option and it is a shame this wasn’t quite thought through. When posting these cards to friends and family I will be popping the whole thing inside a normal envelope so that I can keep the envelope design intact.

The content is unusual to say the least, the artist took inspiration from objects from the British Museum’s collections and so rather than showing scenes or the objects themselves each card shows a pattern inspired by the original object. The theme is animals and birds and each card has an animal or bird themed pattern or scene on it, similar to that found on the original object. I wasn’t a fan of how the patterns translated into cards in the other title Fabulous Flowers and Perfect Patterns, but these animal cards have actually worked quite well, there is a good level of interest and the scenes and patterns are nicely drawn and seem a bit less random. I still don’t like these cards as much as the original sets created in conjunction with the National Trust as they were cuter and more fun to colour but these are nice nonetheless. The artwork in this book is much more polished than that in the other British Museum title and there are no issues with varying line thicknesses or pale print, these lines are a consistent size and properly black. There is a good variety of images inspired by all sorts of different objects, each one handily noted on the back of the card so you can research each object to find out what it looks like and use the original colours or your own imagination if you choose. On the inside of the back cover are small photographs, each shown in order and labelled, of the objects the cards are based on, these are a bit small to see for giving proper inspiration but it’s nice to know what you’re looking for when researching the objects online if you wish. The animals and birds include all sorts from camels to dragons, peacocks to horses, elephants to tigers and rabbits to hippopotami, there’s a great range of animals included and all sorts of types of images including mosaics, patterns and scenes.

In terms of mental health, this book is pretty good, it’s got loads to colour and makes a great project, it’s always nice to colour something with a purpose and you could either display the cards yourself once they’re finished, or send them coloured or uncoloured to family and friends, they could be a great way of getting non-colourers started! The line thickness is consistent throughout and remains thin but not spindly thin. The intricacy and detail levels vary with the envelopes being less intricate than the cards which are highly detailed and intricate, therefore, you’ll need pretty good vision and fine motor control to enjoy these cards. You will need good levels of concentration but the cards do have lots of component parts so you can always colour a small section on a bad day or a full card and envelope on days when you’re feeling more capable. These cards take a surprisingly long time to colour so you’re really getting good value for money with these sets as you’ve got hours and hours of colouring time as well as something really useful and usable that can then be sent to others to share the colouring joy! The content is nature-inspired and quite cute, not as cute as the original titles but pleasing to colour nonetheless.

Overall, these cards are nice, I’m not wowed by the content but they’re a clever idea and they’re cute designs, certainly unlike any I’ve seen in any other book. They are a good combination of history, antiques and colouring and would make a great quirky present for someone. The production quality, as always, is outstanding and I’m sure these cards will appeal to many.

If you’d like to purchase a copy, it’s available here:
Amazon UK – The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds
Book Depository Worldwide – https://www.bookdepository.com/British-Museum-The-Colouring-Book-of-Cards-and-Envelopes-Amazing-Animals-and-Beautiful-Birds-Rachel-Cloyne/9781788000017/?a_aid=colouringitmom

The card below was coloured with Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns is illustrated by Rachel Cloyne and published and kindly sent to me to review by Nosy Crow. This book is the latest in a huge series of Colouring Books of Cards and Envelopes, the others have all been illustrated by Rebecca Jones and had nature and animal themed cards, this new book is one of two which have been created in partnership with the British Museum and while the production quality and style is identical, the content is quite different, to read more about that skip to the third paragraph.

The book itself is large at 28cm square, it’s paperback with a flexible card cover with gold foiling lettering and detail. Inside the front cover are instructions detailing how to fold the envelopes for the cards. Following this are pages of colourable cards with two on each page connected by tabs on perforated pages which are very easy to remove from the book with no issues or bending and a thin strip that the perforation is attached to that you can cut off with scissors to neaten up the card edges. There are 24 cards, each with a unique design, and all 4 sides of the cards have illustrations on that you can colour including a “Coloured For You By…” section on the back, they measure 13.5cm square when folded. Following the card pages are 24 unique envelope designs that match the cards perfectly and are printed in the same order as the cards so it’s very easy to match up the paired cards and envelopes together. The envelopes have illustrations on the front, each of the four flaps, and the whole of the back of the page which makes up the inside of the envelope has a repeating design on it that can be coloured if you wish. The folding instructions are very clear and easy to follow and the pre-scored lines on the cards and envelopes allow for a perfect fold every time. On the very last page of the book are 24 circular stickers with matching designs to seal the envelopes with. One small gripe I have is that these stickers are arranged in a random order and it’s not clear which card many of them are designed for, with many being suitable for a number of cards which just irks the perfectionist in me.

The card itself is bright white, medium thickness and lightly textured. I experienced absolutely no bleeding and very minimal shadowing when using water-based pens; alcohol markers will bleed through. Pencils would be ideal for these cards if you’re wanting more subtle colours, or wanting to blend and shade. The envelopes are printed onto bright white, thick paper which I didn’t experience any bleed through of water-based pens on but did get the lightest of shadowing when I coloured too slowly and the ink saturated the paper a bit much so do be careful if you’re wanting the inside of your envelopes to remain pristine for colouring too. Sadly, the space left on the front of a few of the envelopes is pretty small and not exactly suitable for a normal length postal address and there is also no space for a postage stamp. You could add an address label, and simply stick the postage stamp over the design but for perfectionists like me this isn’t an option and it is a shame this wasn’t quite thought through. When posting these cards to friends and family I will be popping the whole thing inside a normal envelope so that I can keep the envelope design intact.

The content is unusual to say the least, the artist took inspiration from objects from the British Museum’s collections and so rather than showing scenes or the objects themselves each card shows a pattern inspired by the original object. While this was a clever idea, I’m not personally convinced that it’s translated very well, the cards just seem a bit random with no specific theme and the illustrations aren’t very pretty. As with all artwork, it’s very subjective and I’m sure that some people will love these cards but sadly, I’m not one of them and I’m not sure any recipients I might send them to would really understand the imagery. That being said, they’re nicely drawn and contain a good variety of images inspired by all sorts of different objects, each one handily noted on the back of the card so you may be able to research each object to find out what it looks like and use the original colours or your own imagination if you choose. On the inside of the back cover are small photographs, each shown in order and labelled, of the objects the cards are based on, these are a bit small to see for giving proper inspiration but it’s nice to know what you’re looking for when researching the objects online if you wish. The lines the cards are drawn in are a little strange, in previous titles they have been perfectly black but a number of these aren’t truly black and are a little faded, they also vary in thickness a bit as if they’ve been drawn with a fountain pen rather than a specific sized nib, this gives the images a slightly sketchy feel.

In terms of mental health, this book is quite niche, for those who like history, antiques, and quirky patterns, this book would be ideal, there’s loads to colour in it and it’ll keep you occupied for hours, however, I do think the imagery is a little dull and won’t appeal to the majority of people. The line thickness whilst a little varying as described above is consistent throughout and is thin and spindly thin. The intricacy and detail levels are very high throughout, significantly higher than previous titles in the series and therefore you’ll need very good, near perfect, vision and fine motor control to avoid going over the lines. You will also need very high levels of concentration or to colour for short periods of time as the designs can be difficult to decipher when tired or symptomatic. I wouldn’t advise these cards for days when you’re feeling anxious as the level of focus required is likely to be too high and you might find yourself feeling more on edge rather than calmer. The content is nature-inspired and non-geometric so it’s quite pleasing to the eye and has an obviously hand-drawn quality which is always nicer to colour than computer-generated “perfect” images.

Overall, I’m personally not a fan of these cards but for those with an interest in British Museum artefacts, this book may well be perfect and the content is certainly unlike any other book I’ve seen. It would possibly be the perfect book for the history student or fan who has everything. The production quality, as always, is outstanding and I’m sure these cards will appeal to some.

If you’d like to purchase a copy, it’s available here:
Amazon UK – The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns
Book Depository Worldwide – https://www.bookdepository.com/British-Museum-The-Colouring-Book-of-Cards-and-Envelopes-Fabulous-Flowers-and-Perfect-Patterns-Rachel-Cloyne/9780857638625/?a_aid=colouringitmom

The card below was coloured with Stabilo Point 88 Fineliners.

Magnificent Animals: A Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magnificent Animals: A Coloring Book is published and kindly sent to me to review by National Geographic. The book is 24 cm square, paperback with flexible card covers with 1/3 French flaps, the cover has green foiling embellishments and the inside covers and first and last page have a continuous pattern and animal image that is fully colourable. The spine of the book is glue bound and fairly stiff to begin with, the images are printed single-sided and are perforated so none of the images enter the spine. All of the images are single-page spreads printed on the righthand page. The paper is bright white, medium thickness with a small amount of texture allowing a few layers of pencil to be built up for blending and shading; water-based pens shadow but don’t bleed, alcohol markers will bleed through so put some protective paper behind your work to protect the next page. The images themselves are each of a different animal and are hugely wide-ranging including a: horse, peacock, koala, seahorse, armadillo, mandarin duck, sheep, preying mantis, meerkats, zebra, heron, bears, ants, scorpion, panda, stag beetle, cow, butterflies and so many more creatures. The image style varies hugely and while the cover states that it was created by one illustrator, these images don’t look hand-drawn and my guess is that they were created digitally as a number of them have the same patterns or backgrounds as each other. The illustrations are very similar in style to many of the Shutterstock images that we’ve seen and while none of them are the same as any I’ve seen before, they do feel quite similar to a number of books I’ve seen in the past. Sadly, I’m disappointed by the artwork, I expected the illustrations to be very realistic due to being published by National Geographic but only the outlines are realistic, the majority of the animals have patterns added to them which don’t look remotely like the texture of their fur, feathers or skin and I’m guessing have been added for interest and extra colouring space, normally I don’t mind this but it seems like a wasted opportunity when we could have had a realistically drawn book with such a wealth of different animals pictured, many of which I’ve never seen in a colouring book before. Many of the backgrounds aren’t remotely related to the content especially the peacock with snowflakes and it just seems a bit haphazard and thrown together, the only continuity seems to be the animal theme as the way the animals are drawn as well as their patterns and backgrounds is so varied. I do think I’d have been much more keen on the content if I hadn’t known who the publisher was and imagined the type of content first so others may well be much happier with the contents than I am.

In terms of mental health, this book offers a lot of distraction, there is heaps to colour in each image and the patterns add a lot of extra spaces if you want to colour each section separately, there’s plenty to keep you absorbed and focused which is great for those with an anxious or racing mind. The line thickness is fairly consistent throughout and remains thin, the intricacy and detail levels are high in the majority of images and therefore you’ll need pretty good vision and fine motor control to enjoy this book and get the most out of it. You will also need a very good level of concentration for the vast majority of these images as there are a lot of component parts to identify and lots of fiddly bits to colour so you’ll probably want to save it for your better days rather than getting frustrated by it on days where you can’t properly focus. There is a huge variety of imagery and some really quirky and unusual animal choices which is a nice change from a lot of animal-themed books which tend to stick to the cute, fluffy, cuddly types, it’s nice to see a good range or insects, reptiles and wacky mammals. The single-sided printing means you can use any medium you fancy and the perforations make the pages easy to remove to stick up and brighten your walls or frame for your kids’ bedrooms if you like.

Overall, I was disappointed by the lack of realism in the images but the content is very wide-ranging, quirky and fun and you’re getting a lot of images for your money. The production quality is good and very useful for those who like to use wet media and alcohol markers, it’s certainly a book that’s grown on me but it does still feel quite generic and haphazard.

If you’d like to purchase a copy it’s available here:
Amazon UK – Magnificent Animals: A Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/National-Geographic-Magnificent-Animals-An-Adult-Coloring-Book-Hayrullah-Kay/9781426218156/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

Abenteuer Natur (Adventurous Nature) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Abenteuer Natur is published by Christophorus Verlag GMBH and illustrated by Richard Merritt who very kindly sent me a copy to review. You may not know his name but you’re sure to know his work because he’s one half of the incredible duo who illustrated The Menagerie, The Aviary, The Aquarium and The Labyrinth and he also solely illustrated another German published colouring book, Tierzauber (Animal magic), last year. He’s well-known for his stunning drawings of highly intricate, hyper detailed and patterned animals and these have been featured in the Art Therapy series of books which was where I first discovered his work. Abenteuer Natur translates as Adventurous Nature and the content really doesn’t disappoint with a wide range of exotic and unusual animals pictured inside.

This book is 22.5cm square, a little smaller than the bestsellers, paperback, with thick card covers that are double-thickness and open out to reveal pairs of animal images at the front and back that are contained within the book. The covers are soft-feel and have gold foiling accents on both the front and back images. The spine is glue and stitch bound so it’s durable but a little tight, however this will ease up with use. The formatting inside is different from Tierzauber and this time the images are printed single-sided and all are perforated meaning they can easily be removed for colouring or framing but these perforations are quite subtle and therefore the pages will only come out if you remove them, not accidentally.  The paper is bright white, medium thickness with a bit of tooth, you can get a few layers with pencils but it’s a little tricky to blend and shade, water-based pens do shadow but this isn’t a problem due to the pages being single-sided and you could use alcohol markers as long as you put some protection behind the page to avoid bleed through. The 27 images are of a huge range of exotic and unusual animals including Mandarin Ducks, Warthogs, Humpback Whales, a Bushbaby, Bison, Grasshopper and loads more. Everything is pictured from insects to sea creatures, land mammals to tree inhabitants, birds to reptiles and everything in between. So many things from the animal kingdom are pictured including lots of animals that aren’t often found in other colouring books.

In terms of mental health, if you love animals, or at least love colouring them, then this book is sure to help! I have always found Richard’s illustrations wonderful for my own mental health because there are so many small sections to colour and really focus your mind on which is ideal when I’m very anxious and need to get out of my head. The images are all filled with lots of patterns creating small sections that you can colour within or colour over and leave as texture behind your work so although this book is very intricate and detailed, it doesn’t have to be used in that way so it’s ideal for almost anyone, regardless of vision or fine motor control depending on how you wish to use it. The line thickness is consistent throughout and is medium/thin so again, it’s suitable for almost anyone but not those with particularly poor vision or dexterity. Unlike in The Menagerie series, there is no added colour so you’re free to add your own backgrounds and colour schemes to every image. While a number of the animals are featured in the Menagerie series, they are all drawn differently (see comparison photos below) so you won’t be getting any duplicates if you want copies of both. Images of nature and animals are fantastic for calming you down and these images are particularly good because there are so many sections to attend to. The size of the book means the pages are a bit more manageable which is great for those of you with poor concentration as these pages will take less time to colour than The Menagerie which is much larger. While these illustrations are all of realistic animals, the patterns within allow you to use natural or totally outlandish colour schemes as and how you wish and both will look equally fabulous! The images are really cohesive and great fun to colour and they would look amazing removed from the book and framed for a really funky office or a cutesy nursery.

I would highly recommend this book to people who love colouring animals, to fans of Richard’s work and The Menagerie or Art Therapy series, and to anyone who likes intricate and detailed images. This is a beautiful book with fabulous and unusual imagery, even the inside and outside covers are colourable with alcohol markers so this book is a true example of a fully colourable colouring book.

If you’d like to purchase a copy it’s available here:
Amazon UK – Abenteuer Natur
Book Depository Worldwide – https://www.bookdepository.com/Abenteuer-Natur-Richard-Merritt/9783862303786/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners, Stabilo 68 Fibre-tips and Staedtler Triplus Fineliners.

I recently created a dedicated Facebook Group for artwork by Richard Merritt, Claire Scully and all that found in the Art Therapy series, Menagerie series and those books illustrated singly by either of them. This group can be found here and I’d love you to join and share you work!

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Sagor Och Sägner (Tales and Legends) En Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Sagor Och Sägner is the second colouring book illustrated Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Emelie’s first book, Sagolikt. This latest book is different in format from Sagolikt, it’s the same format as Hanna Karlzon and Maria Trolle’s books, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are pale pink with a mostly coloured design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is burgundy with gold lettering. The pages are glue and string-bound and are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist solely of single-page spreads apart from one double-page spread at the back.

The title translates as Tales and Legends and that’s exactly what you get in this book, images of fantastical creatures, scenes from fairy stories and, I assume, characters from Swedish folktales. The content is floral, girly, and quite similar, but not samey, to Sagolikt. The images are decorative and very nature and animal-focused. There are lot of mice and bunnies as well as doll-like girls and characters from stories. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The illustrations are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together but would look equally good removed from the book and framed. The images include mice, princesses, gnomes, flowers, woodland creatures, snow globes, a whale, teacups, a dragon, and lots of other beautiful objects and animals. Many of the pages depict imaginative imagery from a snow queen to a fortune-telling cat, a hare carrying a house on its back to mice being read a bedtime story, and fairies to mice showering in a teacup and so much more! The images contain a lot of realistic items used in very imaginative ways including lemons, teapots, cakes and acorns, all made into houses. The pictures are all very cute, fun and often light-hearted and they look absolutely stunning once you’ve added a splash of colour to them!

In terms of mental health, this book is lovely because it’s based around fairy-tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of objects that you can practice realistic colouring of wood, metal or fur on if you wish. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like tales and legends, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

If you’re a fan of Emelie’s work then please do join my dedicated Facebook group where you can share your coloured pages from all of her books and postcard books.

The image below was coloured using Holbein Artists’ Colored Pencils and blended with a Caran d’Ache Blender Pencils.

Harry Potter Magical Artefacts Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Harry Potter Magical Artefacts Colouring Book is published and kindly sent to me to review by Studio Press. This book is the fourth in the Harry Potter Colouring Book series and my reviews of the first, second, and third can be found here. Grab your wand, bring a lantern, swat up on your incantations and let’s get delving into the magical artefacts of the wizarding world. This book is paperback with a glossy accented cover and a pale blue spine, it’s A4 in size and glue-bound meaning that a little of some images is lost. The images are a mixture of single and double-page spreads with many of the single pages having a thin border meaning that they’re not lost into the spine. The book contains 96 pages which are printed double-sided. The paper is bright white and thick (they’ve sorted out the paper issues since the first book), and didn’t bleed or shadow when tested with water-based pens, it’s lightly textured and perfect for pencils, you can get plenty of layers for blending and shading! It also held up fine to light use of water when activating the Derwent Inktense Pencils.

The images are drawn by multiple illustrators so they’re cohesive in content but some are drawn quite differently from each other. The images themselves include almost no stills from the film this time. There are a number of images based on concept art for the films and a few patterns are included which do feel a bit like “filler” images but there are fewer of these in this book than the first two (about 4 full page patterns) however, at least 24 pages are images with a centralised object overlaying a repeating pattern, like my coloured page of the sorting hat, and these get quite samey and dull. A huge number of different artefacts are pictured from obvious inclusions of wands, brooms, a time-turner, the Sorting Hat and horcruxes, to many of the items sold by the Weasley twins, book covers, the Marauders’ Map, Delores Umbridge’s cat plates and lots more. There are single and double-page spreads of objects and posters. This time there aren’t many pictures of characters though a few are included  At the end of the book are a number of full colour pages of the images included in the book meaning you can either copy the colour schemes in those or pick your own, they’re also great for helping you re-live the magic of the films and get yourself back into the world of Hogwarts – as if any of us ever left! I have to say, this book feels quite samey when compared to the previous three and they haven’t been brilliantly represented as specific titles due to the first book containing a real mixture of images and then the following three being specific aspects, many of the most obvious of which had already been featured in the first book. It just feels like it’s lacking, we’ve already had images of wands in two books, we’ve already seen the quidditch balls and different brooms, the collection of images is just quite random and the most obvious wizarding artefacts aren’t pictured well due to being shown in previous books.

In terms of mental health, this book doesn’t have an awful lot of impact on it unless you’re a Harry Potter Mega Fan in which case it’s likely to considerably lift your mood and give you hours and hours of distraction and enjoyment. The images take a long time to colour if you want them to look realistic so you will need fairly good levels of concentration. The line thickness varies from very thin to thick but mostly it remains thin so you will definitely need good vision and fine motor control to get the most out of this book. The best part of this book is that it has coloured pages at the back which can be used to copy or give inspiration for colour schemes, you can also easily google the objects and artefacts in order to work out exactly how to colour them so they look true to the film, or you can go it alone and try out your own colour schemes with purple broomsticks, glittery wands and rainbow time-turners – it doesn’t have to be realistic, remember it’s a magical world! Some of the illustrations are very intricate and detailed and others are much simpler with larger open spaces so this book does have a variety of difficulty levels to accommodate your good and bad days.

All in all, this is a good book, but I’m left disappointed, it feels samey and lacklustre and the image style gets boring quite quickly, I think a trick was missed by creating the first generic themed book, it really took away from the subsequent three specific titled books as the best bits of each had already been pictured. However, if you’re wanting to finish off the set, or you’re just a bit less picky than me then this book may be for you. The paper quality is good and there’s a wide range of objects and artefacts pictured, I just feel they could have been pictured in a better, more exciting and inspiring way.

If you’d like to purchase a copy it’s available here:
Amazon UK – Harry Potter Magical Artefacts Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Harry-Potter-Magical-Artefacts-Colouring-Book/9781783705924/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Derwent Inktense Pencils activated with water.

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

H for Horatio’s Garden – A Review

Following on from my review of The Horatio’s Garden Colouring Book, I bring you a review of a second book, the first created by the hugely talented, Catalina Willis. This book isn’t a colouring book but please don’t stop reading, this book is very small but very mighty and those of you who read my review of her colouring book will know that these books are being sold for a truly wonderful and worthwhile cause. For those not already aware, Catalina was inspired to create the books in memory of her Godmother’s son, Horatio, who very sadly died in 2011, aged 17, killed by a polar bear on an expedition to Svalbard. Horatio had planned to be a doctor and did voluntary work in a spinal treatment centre where his father worked, he realised there was a need for accessible gardens and set about helping create these, three have already been created in his memory with a further eight planned so that all 11 NHS spinal injury centres will have one, the proceeds from sales of this book will go directly towards this worthy cause.

This book is small at 15cm square, paperback, and has a yellowy-green cover. The book is printed double-sided, in full colour and is very high quality throughout. The content is described as “A whimsical romp around the 27 letters of the English alphabet, through the eyes of Catalina Willis” and the book does exactly what it says on the tin, each double-page spread is dedicated to a letter of the alphabet, each symbolising something beginning with that letter e.g. O for Outer Space, T for Togetherness, and most importantly, H for Horatio’s Garden. The pages are filled with quirky drawings, fun characters, whimsy, and lots of humour. It’s honestly a delight to look through and will make children and adults laugh as they journey through the alphabet. As for mental health benefits, what could be better than something that makes you laugh and smile? Catalina’s drawings are charming, characterful and they have a lovely naïve and child-like quality but with a true artist’s finesse added to them so fantastic for cheering you up and brightening your day, especially with all of the bright and vivid colours she’s used.

Overall, this is a lovely book, ideal for children and adults, and being sold for a truly fantastic cause, what have you got to lose? I can’t recommend it highly enough, it’s super cute, funny, and just adorable.

If you’d like to purchase a copy, it’s available on the Horatio’s Garden charity website here.

Can’t get enough of Catalina’s artwork? Check out my review of her gorgeous colouring book which you can bring to life with your own beautiful colours.