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Die Welt Unter Der Lupe zu Lande click through to read my review, see a video flick through and photos of inside

Die Welt unter der Lupe – Zu Lande (The World Under the Magnifying Glass – Land) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Die Welt unter der Lupe – Zu Lande (The World Under the Magnifying Glass – Land) is published and kindly sent to me to review by Bastei Lübbe. This book is the sixth illustrated by Rita Berman, a highly talented German illustrator, she previously brought us the hugely successful and utterly beautiful series of season colouring books, reviewed by me here, and the first in this new series, Die Welt unter der Lupe – Zu Wasser. I had high hopes for this new book after the previous one was so utterly beautiful and I didn’t think that one could be beaten but I think I’ve fallen in love with this one just a little more because the content is so wonderfully wide-ranging and just a little more free because of the topic being land rather than water, it’s just exquisite. As with all of her books, I was absolutely blown away by its beauty, I can’t enthuse enough about it, it’s beautiful! It is identical in format to her previous books and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than most at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover and a hole in the centre of the magnifying glass which gives a very clever 3D effect of looking at a bee printed on the inside of the full size French flaps. Both covers have fully illustrated French flaps with colour added to the external covers and the internal front flap but none add to the back one so it’s fully colourable with alcohol markers if you wish. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the previous titles. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each of Rita’s books but they’re beautifully tailored to the specific theme of the title, previously seasons or underwater and this time land, and it’s very clear from looking through each book what it’s dedicated to.

The drawings are incredible, as with all of Rita’s books, each time I look through the book I see new things that I didn’t notice before. The content this time is even more varied and ranges from double-page spreads of forest scenes and cities within birds’ wings, to branches of acorn houses and desert cactus landscapes. There are small centralised images of cornflowers and poppies, larger single-page images of beetles, flamingos, birds’ nests and mouse houses and a few pages showing a scene on one page and a corresponding pattern on the other. There are so many different things pictured including foxes, hedgehogs, bees, flowers, deer, snails, rabbits, birds, butterflies, insects, beehives, leaves, fruit, elephants, lizards, monkeys, parrots, and so much more. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, each of Rita’s books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish colour schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. There are also a number of pages that have large open spaces where you could add your own backgrounds or imagery if you wish, this is by no means a necessity but the option is there if you want it. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and all of the other titles by Rita, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Die Welt unter der Lupe – Zu Lande
Amazon US – Die Welt unter der Lupe – Zu Lande
Book Depository Worldwide – https://www.bookdepository.com/Die-Welt-unter-der-Lupe—zu-Lande-Rita-Berman/9783404609482/?a_aid=colouringitmom

You can read my reviews of Rita’s other books here.

The image below was coloured using Faber-Castell Polychromos Pencils.

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From Holland with Love - Click through to read my review, see photos of inside and watch a video flick through

From Holland With Love – A Review

From Holland With Love is illustrated and kindly sent to me to review by Masja van den Berg and is published by Pepper Books. This book is the sixth book published by Masja and her five previous titles were all variations of paisley-filled designs under the title of Mijn Wonderlijke Wereld (My Wondrous World). This sixth book is a little different and is more like a love letter, or love drawing if you will, from Masja to and about Holland. The book itself is 25.5cm square, it’s hardback this time with a beautiful glowing orange cover and a compilation image of various illustrations contained within the book in blue and white. The spine is glue and string bound and relatively difficult to get it to lie flat due to it being hardback. The pages are printed single-sided and are perforated meaning you don’t have to contend with the page gutter and try to colour into it and that you can remove the pages before or after colouring in order to frame or gift them. The paper is bright white, thick and lightly textured, pencils blend and layer beautifully and water-based pens shadow but don’t bleed through, alcohol markers will bleed through so do put a protective sheet behind your work to protect the next page. The illustrations contain lots of typically Dutch objects and scenery from clogs to windmills, tulips to traditional dress and a bicycle amongst other beautiful floral patterns, drawings of women and some lovely birds. The imagery is really varied and far less paisley-filled than the previous titles but don’t despair if you love those, they don’t feel like they’re missing from this work and the illustrations are really lovely and very pretty. At the back of the book are three pages of images that can be cut out for projects, a page of card toppers, a page of social media tags where you can add your name instead of having to watermark your photos and a page including 2 small postcard style designs all of which are illustrated and colourable.

In terms of mental health, this book is great, it’s not overwhelming to colour and has enough detail to be interesting and absorbing, without being overly complex or over-stimulating. The content is familiar, fun and cute and much of it could be coloured in any palette you choose and look equally fabulous. The line thickness is mostly consistent and remains thin with a few images drawn in a spindly thin line. The intricacy and detail levels vary and range from very intricate on some of the postcard size images and social media tags to larger, more open spaces in some of the colouring pages and everything in between, you’ll need moderately good vision and fine motor control for the majority of the images and better levels for a few of the most intricate pages. A few of the pages will require a high level of concentration but many won’t need you to be at your best and require less focus so this is a good book for those of you with varying concentration levels. The pages also consist of varying amounts of content which means they take differing lengths of time to complete and there are natural stopping points if you just want to colour one section. These images would look really beautiful framed and this book would be an ideal gift for those who live in Holland, are from there, or who just love all things Dutch, it’s so representative and beautiful, I’m sure it would be a very well-received gift!

Overall, I would highly recommend this book, it’s beautiful for those who love all things Dutch and those just wanting to colour more of Masja’s gorgeous illustrations. The production quality is very high and the images are really lovely to colour.

If you’d like to purchase a copy, it’s available to buy here:
Amazon UK – From Holland with Love
Masja’s Website – https://www.masjaswebshop.nl/

The image below was coloured with a single Prismacolor Premier Pencil and a Caran d’Ache Blender Pencil.

Mijn Wonderlijke Wereld Part 5 - Click through to read my review, watch my flick through and see internal photos

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 5

Mijn Wonderlijke Wereld Part 5 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 4 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fifth in her series of books and my reviews of her other titles can be found HERE and she’s already created 2 more books with different titles since these. Part 5 ventures further afield than the first three books and takes us on an exotic journey through the Orient with Chinese and Japanese art and animals featured. The book itself is paperback, nearly 24.5cm square, with a gorgeous turquoise cover with beautiful gold foiled accents on a Chinese dragon image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening, however the pages this time are perforated which is ideal if you want to remove them for colouring or framing. The images are printed single-sided this time and all of the images are therefore single page designs. The paper is white, thick (thicker than all of her previous books) and lightly textured, it provides a good surface for blending and shading pencils, it doesn’t bleed or shadow with water-based pens and alcohol markers will be fine to use as long as you pop some protective sheets behind your work. The content is all drawn in Masja’s signature paisley style so while the images are Oriental themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from Chinese dragons, koi carp, ornaments, mandalas, patterns, cranes, cherry blossom, ponds, and more. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex spread when you’re feeling well, none of the images are overwhelming as they’re all contained to one side so the book feels very accessible. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Mijn Wonderlijke Wereld Part 4 - Click through to read my review, see photos and watch my video flick through

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 4

Mijn Wonderlijke Wereld Part 4 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 5 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fourth in her series of books and my reviews of her other titles can be found HERE as well as my review of Part 5 HERE and she’s already created 2 more books with different titles since these. Part 4 ventures further afield than the first three books and takes us on an exotic journey through India and its animals. The book itself is paperback, nearly 24.5cm square, with a bright yellow cover with beautiful blue foiled accents on a peacock image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening. The images are printed double-sided and are a mixture of single and double-page spreads. The paper is white, thick and lightly textured, it doesn’t bleed and only very minimally shadows with the darkest water-based pens and provides a good surface for blending and shading with pencils; alcohol markers should be avoided as they’ll ruin the reverse image and bleed through. The content is all drawn in Masja’s signature paisley style so while the images are Indian themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from giraffes and peacocks, to scarabs and elephants, scorpions and florals to parakeets and ponds. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex double-page spread when you’re feeling well. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Dromenvanger (Dream Catcher - Dutch edition of Zemlja Snova) click through to read the review, see photos, a video flick-through and my comparison to Zemlja Snova!

WORLDWIDE GIVEAWAY and Review – Dromenvanger (Dutch edition of Zemlja Snova)

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Dromenvanger is published and kindly sent to me to review by BBNC Utigevers and illustrated by Tomislav Tomic. They have also very kindly provided me with an extra copy which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 31st of October, to enter please click here Dromenvanger is the Dutch edition of the original Croatian book, Zemlja Snova, the titles translate slightly differently with Dromenvanger meaning Dream Catcher and Zemlja Snova meaning Dreamland/Land of Dreams. There have been huge debates online ever since Dromenvanger was announced about whether it was the same book or a new one and I can categorically state that it is the same book with the same artwork, however, there will be a new book by Tomislav Tomic later in the year, due out in December, it currently doesn’t have an announced title but I will update you all as soon as I know anything further and if you join my Fan group for the artist then you’ll be the first to know as we have reps from the publisher in our group who make announcements from time to time. I have written a comparison post and recorded a comparison video detailing the 21 differences between Dromenvanger and Zemlja Snova, the written post can be found here and the video comparison here.

This book is one of the best I’ve ever seen. After reviewing over 300 books, there aren’t that many that manage to take my breath away, but this one still does, it’s stunning and the illustrations are just incredible! The book is just over 25cm square, the same size as the UK bestsellers, paperback, with flexible card covers and a partially coloured image from inside the book on the front cover and blank inside covers. The spine is lightly glue and string-bound and the binding is fairly tight on arrival meaning that it’s durable and hard-wearing but also a bit tricky to get to the very centre of some of the images. The images are a mixture of single and double-page spreads and are printed double-sided. The paper is cream, thick and lightly textured, as far as I can see it’s the same paper as is used in all Dutch edition colouring books published by this company, it’s great for pencils though it can be a bit tricky with oil-based pencils like Faber-Castell Polychromos and Holbeins but Prismacolor Premiers work brilliantly. Water-based pens don’t shadow or bleed though do test in an inconspicuous area because we all colour differently and you don’t want to ruin a picture, fear not if your pens do shadow or bleed because the illustrations certainly lend themselves well to beautiful blending and shading of pencils. The book contains 81 pages of illustrations and they are genuinely incredible! The images are all fantasy-based and include lots of dragons, mermaids, unicorns, fairies, tree-men, and so much more. Over half of the spreads are double-page designs which are either scenes, depicting all manner of things from castles to sea voyages, gnome villages to woodland, dragons to underwater scenes, or paired images that can be coloured separately but are strongly linked with the opposite page (see photos below). I could go on for days describing the imagery, there is just so much to look at, when you first look at each image you start to get a feel for the general theme of the spread whether it be a castle, village or underwater scene, but as you look closer you discover lots of hidden things from gnomes to mermaid tails, working animals or birds’ nests, flowers growing off dragons and even hidden villages. The illustrations are just packed full with details and stories and they will take you ages to colour so this book is certainly good value for money! The ink is very permanent and doesn’t transfer even with very hard pressure from pencils and the paper doesn’t dent or curl either so it’s very good quality. The line print quality is good too with smooth lines throughout and no pixelation to be found! While a few of the spreads do enter the spine, care has been taken in the majority for them to not enter it, or for there to not be much detail there which is ideal for people who can’t bear to break the spine in order to colour the entire page.

In terms of mental health, wowee, I found this book exceptional! It offers so much to look at that it’s the perfect distraction for even the most persistent symptoms and it just draws you in to a magical fantastical world filled with mythical creatures, princes and princesses, castles, fairies and more. The more you look at the images, the more you see and the more you get drawn in and it’s done wonders for my anxiety during what has been a very challenging and anxiety-filled week. This book will be ideal for those of you who love fantasy colouring and also nature because so much of it is animal and scene-based so it’s combined 2 of our favourite things into one incredible book! The line thickness is consistent throughout and is thin with spindly thin details (it’s pretty similar to the linework in Johanna Basford’s books), the illustrations are very detailed and intricate so there are lots of tiny spaces which you can colour within or colour over if you prefer to use them as texture underneath your colour. You will need pretty good vision and fine motor control in order to enjoy this book and you’ll need some good sharp pencils so that you don’t go over the lines too much. I would highly recommend investing in a T’Gaal sharpener so that you can keep your pencils as sharp as possible! There are plenty of natural stopping points so this book is ideal for those with fluctuating conditions or concentration levels as you can colour one flower, all of the bricks or an entire dragon, you can also focus on a single page or go all out on a double-page spread. The pages for the most part are pretty busy and there’s loads to see so it can be a little tricky at times to identify all of the parts and sections so you will need good concentration for that part to ensure that you’re colouring a petal and not a foot accidentally! The content of the illustrations is totally absorbing and this book will look just incredible when it’s finished cover to cover. I adore this book, even just flicking through the pages gets me out of my head and calms my anxiety down and colouring it is just so much fun because you can use any colours you fancy from more natural colours to fantastical colours like blue for tree trunks and oranges or purples for leaves, in a fantasy world the only limit is your imagination and these images will look amazing no matter what colours you choose!

Overall, I can’t recommend this book highly enough, it’s a genuine work of art and the new paper means that you can use pens or pencils with beautiful effects. The artwork would appeal to male and female colourists and is highly fantasy-based with a strong storybook theme and lots of natural imagery. The drawings are incredible and you’ll be hooked once you’ve seen inside! I’ve included lots of images from inside below as usual but this book really has to be seen to be believed so do check out my flick-through video below.

If you’d like to purchase a copy, it’s currently unavailable on Book Depository and Amazon UK but you can sign up for email alerts from Book Depository via the link below to be informed when it’s back in stock. Alternatively, you can order through Bol, a Dutch site which can be translated if accessed through Google Chrome. I will update details about availability as soon as I know more and the quickest and easiest way of finding out this information will be to join my fan group where 1500 avid fans of the book are eagerly awaiting its sale on Book Depository and will be sure to post as soon as they see it is.
Amazon UK – Dromenvanger 
Book Depository Worldwide – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom
Bol.com – https://www.bol.com/nl/p/dromenvanger/9200000080026444/?suggestionType=typedsearch#modal_open

Join my Fans of Zemlja Snova Facebook Group here.

You can see my videos of unboxing the book, a silent flick-through and my comparison to Zemlja Snova if you click on the relevant word.

Don’t forget, I’m running a Worldwide giveaway to win a copy of Dromenvanger by Tomislav Tomic, to enter click here by 23.59 GMT on October the 31st.

Click through to see my unboxing and video flick through of Dromenvanger, Dutch edition of Zemlja Snova by Tomislav Tomic

Dromenvanger (Dutch edition of Zemlja Snova) Unboxing and Video Flick Through

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Today I received two copies of Dromenvanger, the Dutch edition of Zemlja Snova. I will be running a Worldwide Giveaway for a copy soon (subscribe to my blog and to my FB page for updates about this) as well as reviewing it and posting a comparison about the similarities and differences between this and Zemlja Snova. Below you can see my unboxing video and a silent video flick-through of the book.

Pre-order a copy on Book Depository with free worldwide delivery – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom

Join my Fans of Zemlja Snova Facebook Group here.

Die Welt unter der Lupe – Zu Wasser (The World Under the Magnifying Glass – Water) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Die Welt unter der Lupe – Zu Wasser (The World Under the Magnifying Glass – Water) is published and kindly sent to me to review by Bastei Lübbe. This book is the fifth illustrated by Rita Berman, a highly talented German illustrator, she previously brought us the hugely successful and utterly beautiful series of season colouring books, reviewed by me here. I had high hopes for this new book which will be joined in November by a land themed title and I wasn’t disappointed, I didn’t think that her season books could be topped but I think this new book might just have done that, it’s exquisite and absolutely packed full with content. As with all of her books, I was absolutely blown away by its beauty, I can’t enthuse enough about it, it’s stunning! It is identical in format to her previous four books and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than most at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover and a hole in the centre of the magnifying glass which gives a very clever 3D effect of looking at an octopus printed on the inside of the full size French flaps. Both covers have fully illustrated French flaps with colour added to the external covers and the internal front flap but none add to the back one so it’s fully colourable with alcohol markers if you wish. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the previous and upcoming titles. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each of Rita’s books but they’re beautifully tailored to the specific theme of the title, previously seasons, and this time under water and it’s very clear from looking through each book what it’s dedicated to.

The drawings are incredible, each time I look through the book I see new things that I didn’t notice before. The content ranges from double-page spreads of whales or jellyfish to small central images of hermit crabs, shoals of pufferfish and a close up on the opposite spread to patterns including shells and waves, large centralised images to underwater scenes of deep sea diving, shipwrecks and a shell city and so much more! There are tropical fish, buried treasure, sea plants, shells and even an Arctic scene of seals and penguins. You can colour pearls, octopi, bubbles, seahorses, crabs, jellyfish, dolphins, starfish, seaweed, coral, anemones, clownfish, lobsters, turtles, squid and even a nautilus, it really is packed with watery, sea-dwelling creatures! The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, each of Rita’s books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish colour schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. There are also a number of pages that have large open spaces where you could add your own backgrounds or imagery if you wish, this is by no means a necessity but the option is there if you want it. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and those in the seasons series, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Die Welt unter der Lupe – Zu Wasser (The World Under the Magnifying Glass – Water)
Book Depository Worldwide (currently reduced in price!) – goo.gl/8CQa2s

You can read my reviews of the other books in the series here.

You can view my silent video flick-through here.

The image below was coloured using Prismacolor Premier Colored Pencils, the bubbles were created using a circle template, a Derwent burnishing pencil and the background with various colours of PanPastels.

Millie Marotta's Beautiful Birds and Treetop Treasures, click through to see more images, read my review and see a video flick-through of the book.

Millie Marotta’s Beautiful Birds and Treetop Treasures: A Colouring Book Adventure – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta’s Beautiful Birds and Treetop Treasures is published by Batsford Books who very kindly sent me a review copy. This is the fifth book in Millie’s animal-centred adult colouring book series. It’s the same size and shape (25cm square) as her previous books, paperback, with flexible card covers with black and white line drawings that hint at some of the feathery and flighty creatures within the pages and the central illustration has highlights of colour added as well as gold foiling on it and the title. The spine is a lime green colour which compliments the other spine colours really well and they look gorgeous on the shelf together (see photo below). The covers have French flaps which each have a paired down version of the front cover on the outside and inside is a lime green background with white line drawings of birds (this isn’t colourable and is printed on quite glossy card). The spine is glue and string-bound so it’s very durable but it does mean that a little of some of the images is lost into it until it eases up with a bit of use. The images are a mixture of single and double-page spreads with a few being mirror images of each other. The paper is bright white and lightly textured, it’s the same paper as the previous titles and doesn’t bleed but does shadow a little with water-based pens; pencils work beautifully and blend and shade really well.

The book starts with a two-page introduction from Millie herself where she explains her illustration process and her love for birds from around the world. Following this are heaps of illustrations of everything you can imagine from truly exotic birds and creatures to the more mainstream and common and everything in between. The images include eagles, tits of all kinds, finches, butterflies, an American black bear, cicada, koala, veiled chameleon, Eurasian red squirrel, birds of paradise, pheasants, blue jays, and so much more. There are five matching spreads where there is a more detailed version on the left and a less detailed copy of the same image on the right where you can add your own details and patterns if you wish but there are no written hints so it’s entirely up to you what you do with these pages. A fabulous new feature at the back of this book (also featured in Curious Creatures) is a two-page list of all of the creatures in order of their inclusion in the book. This list has the English and scientific name (Latin name) for each creature and it makes identifying them super easy and also means that you can quickly google images of each creature so you can find out what they look like if you’re keen on the natural look in your colouring; it’s also a great way of finding out more information about some of the more unusual animals, I’ve already learnt loads of interesting facts! These images feel a little fuller and more finished than Millie’s first three books, more in line with Curious Creatures, there’s a little more scenery and a little more added to backgrounds such as clouds or leaves so the blank spaces are a bit less empty, this isn’t intrusive for those wanting to create their own backgrounds though, it just helps it look a bit more finished for those who don’t want to create their own. The content is particularly bird heavy this time, not a criticism and it was to be expected given that they’re mentioned in the title but it’s worth noting that around two thirds of the pages are filled with birds (59 bird pages vs 27 non-bird pages).

In terms of mental health, yet again, this book is fantastic. There is so much to look at, so much to discover, that it’s incredibly distracting and really focuses your mind on the illustrations themselves rather than any difficult thoughts or feelings you may be having. The image content is totally absorbing and nature-based images are the best for relieving symptoms of mental illness. This book is very intricate, but don’t let that scare you, you can use pencils, fine-nibbed felt tips, fineliners and gel pens, all with great effects and most of the images aren’t so detailed that you’re put off or overwhelmed. Many of the patterns drawn onto the animals can be coloured over in blocks as well making them less intricate and giving your colouring texture and pattern rather than outlined spaces to colour, so the possibilities are endless. If you have vision problems or issues with fine motor control then you may struggle with this book but for any of the rest of you I’d suggest giving this book a go and persevering into a more intricate world. The natural scenes of animals, flowers and trees definitely create a sense of calm and this will be one of my go-to books when I really need to focus on something and be distracted. It’s detailed enough that you have to focus and concentrate and this lends itself wonderfully to drowning out any anxious or disturbing thoughts you may want to shift. The line thickness is consistent throughout and is very thin so I’d advise colouring during the day or near a very good desk lamp. The images are really cohesive in their bird and treetop theme and they are truly fascinating to look through.

I can’t praise this book highly enough, I love Millie’s work and this book is absolutely stunning, it’s particularly bird-heavy this time but the title suggested that so I’d have been disappointed if this hadn’t been the case. The illustrations lend themselves to whatever colour scheme you fancy whether that be realistic, rainbow, monochrome, black and white, mixed media, or anything else you can dream up, it really is beautiful!

If you’d like to purchase a copy it’s available to pre-order here:
Amazon UK – Millie Marotta’s Beautiful Birds and Treetop Treasures
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotta-s-Beautiful-Birds-and-Treetop-Treasures/9781849944434/?a_aid=colouringitmom

If you’d like to see a silent video flick-through of the whole book then click here.

The image below was coloured using Magnetips Pens.

Magnificent Animals: A Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magnificent Animals: A Coloring Book is published and kindly sent to me to review by National Geographic. The book is 24 cm square, paperback with flexible card covers with 1/3 French flaps, the cover has green foiling embellishments and the inside covers and first and last page have a continuous pattern and animal image that is fully colourable. The spine of the book is glue bound and fairly stiff to begin with, the images are printed single-sided and are perforated so none of the images enter the spine. All of the images are single-page spreads printed on the righthand page. The paper is bright white, medium thickness with a small amount of texture allowing a few layers of pencil to be built up for blending and shading; water-based pens shadow but don’t bleed, alcohol markers will bleed through so put some protective paper behind your work to protect the next page. The images themselves are each of a different animal and are hugely wide-ranging including a: horse, peacock, koala, seahorse, armadillo, mandarin duck, sheep, preying mantis, meerkats, zebra, heron, bears, ants, scorpion, panda, stag beetle, cow, butterflies and so many more creatures. The image style varies hugely and while the cover states that it was created by one illustrator, these images don’t look hand-drawn and my guess is that they were created digitally as a number of them have the same patterns or backgrounds as each other. The illustrations are very similar in style to many of the Shutterstock images that we’ve seen and while none of them are the same as any I’ve seen before, they do feel quite similar to a number of books I’ve seen in the past. Sadly, I’m disappointed by the artwork, I expected the illustrations to be very realistic due to being published by National Geographic but only the outlines are realistic, the majority of the animals have patterns added to them which don’t look remotely like the texture of their fur, feathers or skin and I’m guessing have been added for interest and extra colouring space, normally I don’t mind this but it seems like a wasted opportunity when we could have had a realistically drawn book with such a wealth of different animals pictured, many of which I’ve never seen in a colouring book before. Many of the backgrounds aren’t remotely related to the content especially the peacock with snowflakes and it just seems a bit haphazard and thrown together, the only continuity seems to be the animal theme as the way the animals are drawn as well as their patterns and backgrounds is so varied. I do think I’d have been much more keen on the content if I hadn’t known who the publisher was and imagined the type of content first so others may well be much happier with the contents than I am.

In terms of mental health, this book offers a lot of distraction, there is heaps to colour in each image and the patterns add a lot of extra spaces if you want to colour each section separately, there’s plenty to keep you absorbed and focused which is great for those with an anxious or racing mind. The line thickness is fairly consistent throughout and remains thin, the intricacy and detail levels are high in the majority of images and therefore you’ll need pretty good vision and fine motor control to enjoy this book and get the most out of it. You will also need a very good level of concentration for the vast majority of these images as there are a lot of component parts to identify and lots of fiddly bits to colour so you’ll probably want to save it for your better days rather than getting frustrated by it on days where you can’t properly focus. There is a huge variety of imagery and some really quirky and unusual animal choices which is a nice change from a lot of animal-themed books which tend to stick to the cute, fluffy, cuddly types, it’s nice to see a good range or insects, reptiles and wacky mammals. The single-sided printing means you can use any medium you fancy and the perforations make the pages easy to remove to stick up and brighten your walls or frame for your kids’ bedrooms if you like.

Overall, I was disappointed by the lack of realism in the images but the content is very wide-ranging, quirky and fun and you’re getting a lot of images for your money. The production quality is good and very useful for those who like to use wet media and alcohol markers, it’s certainly a book that’s grown on me but it does still feel quite generic and haphazard.

If you’d like to purchase a copy it’s available here:
Amazon UK – Magnificent Animals: A Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/National-Geographic-Magnificent-Animals-An-Adult-Coloring-Book-Hayrullah-Kay/9781426218156/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

My Colorful Town: A Coloring Tour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
My Colorful Town: A Coloring Tour is illustrated by Chiaki Ida, a Japanese illustrator, and published and kindly sent to me to review by Get Creative 6. This book is pretty similar in style to the Romantic Country series by Eriy (reviewed by me here) and if you liked those books, you’re likely to be a fan of this too. This book was originally published in Japan and was somewhat different in format with it being larger, and including a few extra pages and some postcards. This edition has been translated into English.

This book is 22.4cm square, paperback, with flexible card covers and partially coloured images from inside the book. The spine is glue and string-bound and eases up with use, some of the images do reach the centre of the spine and therefore a little is lost but the majority of the images aren’t full-page and have a border so the spine isn’t an issue for most of the pages. The images are printed double-sided and are a mixture of double and single-page spreads. The paper is cream, medium thickness and smooth with very little tooth, it coped well with my Prismacolor Premiers but may not cope so well with oil-based pencils which you’ll possibly struggle to layer; water-based pens shadow but don’t bleed so you’ll probably want to avoid using these. The images themselves are all of shop exteriors, interiors and produce, at the back of the book is a double-page spread depicting a map of the street. The shops include a book shop, bakery, patisserie, dress shop, shoe shop, clock shop, art shop, antique shop, café, flower shop, fruit and veg market and food stalls. There is a real variety of things to colour from shop fronts and brickwork to furniture, cakes, fruit and veg and flowers, there are outfits, metalwork, wood, and so much more so there are plenty of techniques to perfect to make this book look amazing. There is a little girl who you follow through the book into the shops, she isn’t named or mentioned in the book so I’m guessing it’s meant to be Chiaki Ida herself, taking us on a childhood walk through the town.

In terms of mental health, this book is lovely, it has a very charming feel to it and the imagery feels really nostalgic and heartwarming and takes you back to simpler times where you don’t have a care in the world. The line thickness is consistent throughout and is thin, verging on spindly thin. The intricacy and detail levels vary somewhat with the majority of the pages being very intricate and detailed with a few having larger open spaces and less detailed imagery. You’ll need pretty good vision and fine motor control to enjoy this book. The majority of the images will be best kept for your good days because they’re just packed full with content and in a number of the pages there aren’t overly obvious stopping points, however, if you’re really keen to colour this on a day when you’re quite symptomatic, you could pick one of the pages filled with collection images and colour just one cake or clock rather than a whole shop front. You will need very good concentration levels to complete most of the pages but you can always colour in sections so that it’s easier to focus. You can use realistic colour schemes if you wish, or go more outlandish, bricks can always be blue and wood doesn’t have to be brown so spice things up if you fancy, these images will look amazing no matter what colours you choose!

Overall, I would highly recommend this book to those of you who liked Romantic Country and those looking for a nostalgic, warm, characterful colouring book. The illustrations are meticulously drawn, realistic but also slightly cartoony and therefore they’re not so perfect that they feel intimidating to start. It’s yet another beautiful Japanese colouring book, filled with charm!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – My Colorful Town: A Coloring Tour
Book Depository Worldwide – https://www.bookdepository.com/My-Colorful-Town-Chiaki-Id/9781942021599/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premiers and blended with a Caran d’Ache Blender Pencil.