Colouring

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

Millie Marotta’s Animal Kingdom Book of Prints – A Review and Comparison of UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta’s Animal Kingdom Book of Prints is published in the UK by Batsford Books who kindly sent me a copy to review, and is published by Lark crafts in the US and I purchased a copy of this edition myself.

Comparison

  • The US edition contains 18 prints and the UK edition contains 20, the additional images are the octopus and the lobster.
  • The card in the US edition is MUCH thinner than the UK edition, it feels like school card and is very flexible whereas the card in the UK edition is thick and much less bendy, similar in thickness to the card used in Johanna Basford’s Artist’s Editions.
  • The spine on my US edition broke really quickly because it’s only very lightly glued and the pages are already completely loose from the book covers despite very careful handling, the pages in the UK edition are glued more strongly.

The book itself is 25 x 33cm, paperback with flexible card covers that have a re-jigged version of the Animal Kingdom book cover on the front. The book has a lay-flat binding which is quite stiff to begin with but loosens up over time, each card page is glued onto the spine and it’s therefore easy to remove them for framing or gifting so do be careful not to twist the spine if you wish for your pages to remain in the book. The images are each printed single-sided and are mostly portrait with 4 landscape images (2 in the US edition). The card is thick, white, lightly textured and lovely to use with any medium, my pencils were a dream to blend and shade with, water-based pens don’t bleed, shadow or spread and alcohol markers will work well too, just make sure you pop a protective sheet behind to ensure no bleed-through. The images are all taken from Millie Marotta’s debut colouring book, Animal Kingdom, and all are printed the same size as the originals. No text is added to any of the pages and the majority of them contain large open spaces around them so you’re free to add your own imagery or backgrounds if you wish but this certainly isn’t a requirement and with or without, the pages will look incredible. I’ve included photos below of all of the illustrations including the two additional images in the UK edition of the octopus and lobster. The images contain a good range of animals from the book and a really good range of Millie’s different illustration styles including full page designs, floral component parts, and centralised single animals.

In terms of mental health, this book is great because it offers a manageable project which you can frame or gift once finished, this is ideal for cheering up dark days or for boosting your confidence and self-esteem because you’ll have evidence and proof on your walls of just what you can create and achieve; the colouring projects I have displayed in my flat never fail to make me smile, even on really bad days. The line thickness, as with all of Millie’s work, is spindly thin and the images all contain really high levels of intricacy and detail so it’s really geared up for those of us with very good vision and fine motor control. The pages contain a range of amounts of content from a centralised animal to a page filled with leaves and a bird so there are some pages that will take much less time than others. Millie’s work has very natural stopping points but does require a lot of concentration so this is a book to either colour in small chunks or to save for your good days when you can focus well. While the images are all filled with huge amounts of detail, these sections don’t all have to be coloured individually and can easily be coloured over so that they show up as texture underneath (see my lobster below). The nature-themed imagery is very calming and distracting because there’s so much to look at on each page and Millie’s work is some of the best I’ve found to work on when I’m feeling anxious and need to really focus on something other than the thoughts swirling round my head.

Overall, I would highly recommend this book to fans of Millie’s work and those who want to be able to frame or gift their finished pages. I would recommend the UK edition over the US edition as the card is much thicker, the binding is more sturdy and you get 2 extra images to colour. This is a lovely new format for Millie’s images and one that I hope will be reproduced for all of her other titles.

If you’d like to purchase a copy of either edition of the book, they’re available here:
UK Edition
Amazon UK – Millie Marotta’s Animal Kingdom Book of Prints
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotts-Animal-Kingdom-Book-of-Prints-Millie-Marott/9781849944014/?a_aid=colouringitmom
US Edition
Amazon UK – Millie Marotta’s Animal Kingdom Book of Prints to Color
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotts-Animal-Kingdom-Millie-Marott/9781454710318/?a_aid=colouringitmom

If you’d like to frame your work, you can find frames of the correct size here on Amazon.

The images below are coloured using Stabilo Point 88 Fineliners (Giraffes), and Prismacolor Premier Pencils (Lobster).

Floribunda: A Flower Colouring Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda: A Flower Colouring Journal is illustrated by Leila Duly and published and kindly sent to me to review by Laurence King Publishing. These journals often come shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you may not be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect, those of you familiar with Leila’s first colouring book, Floribunda, will know just how stunning her artwork is and now some of the smaller elements have been collated into this journal. It’s really luxurious from its pale pink hardback cover with a beautiful floral scene from the book, to the black linen-style spine, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! It is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy shell pink ribbon bookmark so you can easily find your place each time and on every other double-page is a small image from Leila’s Floribunda colouring book. The 37 illustrations include lots of the single flower illustrations which were printed in colour on the inside covers of her original book, they are printed in a very similar size to those and therefore look very delicate on the page. Of these illustrations, around 5 are printed twice, first towards the front of the book and then towards the end, these include the freesia, iris, delphinium, and two others. They look beautiful left uncoloured or brightened up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers and first and last pages are pale pink and the first internal page of the book has a large floral image with a small lined space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink lines do transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is lovely because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration though you do have to focus very hard to not colour over the lines. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are very intricate and detailed, and the lines are possibly the thinnest I’ve seen with the illustrations much smaller than those in the original colouring book pages and a similar size to their coloured counterparts on the inside covers of it, therefore you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. When compared to the two previous colouring journals Laurence King have published, I was very slightly disappointed with this one as there are no foiled elements on the cover (apart from the title on the removable paper strip), no metallic coloured edging to the pages, and half the number of colourable designs also including 5 repeats. This seems a little bit of a shame, however, as a standalone product it’s simply beautiful, I just feel the two journals of Johanna Basford’s artwork were better value for money as they had double the number of illustrations but for Floribunda fans this journal will still be ideal.

I would highly recommend this journal for stationery addicts, those who love to write and ‘need’ a new notebook, and fans of Floribunda and the stunning work of Leila Duly. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is one little flower. This journal is delicate and beautiful and a lovely addition to the colouring journal range.

You can purchase a copy here:
Amazon UK – Floribunda: A Flower Colouring Journal
Book Depository Worldwide – https://www.bookdepository.com/Floribund-Leil-Duly/9781780679402/?a_aid=colouringitmom

The images below were coloured using Holbein Artists’ Coloured Pencils.

Tangle Wood Collector’s Art Edition – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tangle Wood Collector’s Art Edition is illustrated by Jessica Palmer and published and kindly sent to me to review by Search Press Publishing. This book is the artist’s edition of Jessica’s hugely popular debut colouring book, Tangle Wood, which I reviewed almost 18 months ago, she’s since gone on to produce two further titles, Tangle Bay and Tangle Magic. This artist’s edition is a different format from the original and contains 20 images, some originally single pages and others a full double-page spread, I’ve included photos of all of the pages below so that you can see if your favourites are included and decide if this book is for you. It’s currently listed on Amazon with a release date in the UK as the 31st of March but my contact at Search Press is expecting their own website to have stock by the end of January and Amazon doesn’t usually take long after that so do get your pre-order in (links below) and you’ll be sure to get a copy as soon as it’s available.

The book itself is very large, measuring 25 x 33cm (the same size as Floribunda and the JB artist’s editions), it’s paperback with covers made of the same card as the pages inside, it’s thick card which is a beautiful cream colour, lightly textured and perfect for use with water-based pens which don’t bleed sideways or through, and pencils which layer and blend beautifully. I tested my Stabilo Point 88 Fineliners and they didn’t shadow onto the back, they just seemed to glide on top instead of saturating the paper. Cream isn’t everyone’s favourite page colour but it definitely adds a vintage feel and seems more natural than pure white so it really fits the woodland theme and also means you’re left with a less harsh contrast if you decide to leave the background uncoloured. The 20 images are printed single-sided onto the card and all of them are landscape, some are single page images from the original book which are printed a little larger, and others are double-page spreads which have been shrunk to fit the new page size. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but do stay put as long as you’re careful and don’t twist the spine too much, mine arrived pretty stiff. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits.

The images included are all from the original version of Tangle Wood, unlike most artist’s editions, the majority of these images are actually smaller than in the original book, I personally don’t think this was the best decision as Jessica’s illustrations are some of the most detailed around and it would have been lovely to have slightly larger scale versions to get our teeth into. There are also some slightly odd image choices like the floral frame which doesn’t actually fill the page or have enough space in the middle to draw much of your own imagery, or the floral spray with a small hummingbird, I was very disappointed to see that the gingerbread house wasn’t included apart from as a faded background for the bio on the back page. However, those niggles aside, the book is lovely and the images are really beautiful. Of the 20 images, 3 are printed larger than the original, 11 are printed smaller than the original, and the rest are the same size (see comparison photos below). The illustrations are printed in a different order from the book and don’t show the journey through the wood as the original did, there also isn’t a treasure hunt aspect though there are jewellery pieces hidden in each illustration. On the back of each page it says “Hand Coloured By” with a line to write your name and then “On” followed by space to write the date, you could also add the colouring mediums you used as a great record for the future.

In terms of mental health, this book is great, Jessica’s work contains so much detail that there’s constantly something to look at and notice, there’s a really good mix of images from up-close plants and insects to more scenic pages and all of the chosen illustrations will look beautiful framed if you wish. The linework is fairly consistent throughout and is thin and spindly thin, the detail levels do vary because the scale of the images varies and it ranges from the tiniest of details up to much larger open spaces. While you will need pretty good vision and fine motor control, don’t forget that you don’t have to colour in each tiny section individually and you can get great effects from colouring over sections and using the black linework as pattern or texture through your colouring, I often do this with Jessica’s illustrations and it’s really effective. The drawings themselves are really natural and evocative and are sure to spark your imagination as well as calm you down, Jessica’s illustrations feel very peaceful so they’re great for slowing down a racing mind. A number of the images have large spaces where you could add your own backgrounds but this is by no means necessary and the pages will look beautiful with or without any additions. There is also a variance in the amount of content on each page so you can tackle a simpler page on bad days or a more complex design on days where you can focus and concentrate more fully. Fans of the original book are sure to love this edition, it feels quite different from the original but it has many more uses and is ideal for using heavy/wet media that you can’t use on double-sided pages.

Overall, I would highly recommend this book, while the image choice and layout is a little disappointing, this may just be my personal taste and what is here is very lovely and will look stunning finished and framed. The book itself would make a wonderful gift or you could colour and frame a page for a loved one, or just brighten up your own home with your wonderful creations, I will certainly be framing my own soon, I just love how my owl turned out!

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Tangle Wood Collector’s Art Edition
Book Depository Worldwide – https://www.bookdepository.com/Tangle-Wood-Jessic-Palmer/9781782214878/?a_aid=colouringitmom
Search Press Website – https://www.searchpress.com/book/9781782214878/tangle-wood-collector-s-art-edition

The image below was coloured using Holbein Artists’ Colored Pencils and the background with PanPastels.

Hidden Nature Frame Fantasia: A Colouring Book to Keep Your Favourite Moments – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Hidden Nature Frame Fantasia is published and kindly sent to me to review by Promopress and illustrated by Toc De Groc – a Barcelona based trio of ladies who run a design studio. They were the creators of the stunning book Hidden Nature and this second book is just as beautiful with a different theme but similar style. This book is square (the same size as the bestsellers), paperback, with a beautiful floral embossed white card cover and removable paper slip with the title and coloured illustrations from inside the book. The spine of the pages isn’t attached to the cover apart from at the back and it’s a lay-flat binding meaning you can access the entirety of the page, and that you can remove them if you wish. The book contains 45 single-sided images with a frame in each one that you could cut out and then add a photo or your own drawing and then frame the whole thing for yourself or others. The paper is bright white and really thick (160gsm), it’s not card-like but it’s some of the thickest paper I’ve seen in a colouring book and there isn’t even a hint of bleed-through or shadowing with water-based pens so it’s perfect with all of your water-based markers and with pencils whose colours will show up beautifully on the paper. The images are borderless and all contain nature-themed illustrations with lots of hidden features throughout and each one contains a frame of varying size, shape, and number. One of the things that stands out most about this book is the little cat who is hidden within each page (bar one – the motorcycle page). He’s shown in various different sizes throughout and sometimes he’s the main feature of the image and other times he’s hidden somewhere for you to find. The image content is really varied, all nature-themed, but with loads of different objects and animals added in, all covered in florals. The themes range from love to music, Christmas to under the sea, tropical to afternoon tea, travel to makeup and so much more. Great numbers of animals are also included from unicorns to birds, turtles to flamingoes, butterflies to dogs and of course lots and lots of cats! Some of the images are of scenes, some are set up like still life, some are object shapes made out of lots of flowers and leaves, and others have animals hidden within them. Each one is single-sided with a peach coloured back page with co-ordinating white line art. At the very back of the book is a double page spread of beautiful lettering in both upper and lower case which you could trace over to add greetings or initials to your frames if you wish.

In terms of mental health, this book is great, it’s filled with nature which is ideal for calming you down and helping you to relax and zone out but it’s all drawn in a cartoony style which brings character and whimsy to the images. The frames are a really novel concept and they’re ideal because they give you a project with a goal at the end and the finished pages, once removed from the book, would be fantastic to add photos, greetings or drawings to and then gifted either as they are or framed. The illustrations are drawn in a consistently thin line throughout so this isn’t an ideal book for those of you with poor vision or fine motor control issues, but the line isn’t spindly thin so it’s manageable to stay within the lines when you’re colouring. The intricacy and detail levels vary throughout but range from medium to high levels of intricacy and most of the images contain a lot of details meaning there are lots of different parts to colour on each page though you can of course colour over these in blocks if you choose. The images are quirky and fun and will be sure to bring a smile to your face, they don’t take themselves too seriously and this book doesn’t feel intimidating or too perfect to colour in like some others do. This is a friendly book that starts off with a page where you can write your name and continues into a beautiful, floral-filled world where you can get lost and colour in whatever colours you fancy without realism forcing you to colour everything a specific colour. I personally found this book very calming and relaxing and it really did cheer me up on some of my darker days while I was colouring it ready to review. The images are varied and often made up of lots of component parts so if you’re having a bad day and your concentration is poor you could colour just one flower, or cupcake, or heart and then go back to it when you’re feeling better, or on good days you can plough your way through the pages that are filled with detail and intricacy.

I would highly recommend this book to anyone that likes nature based images, and anyone who likes cartoon-style drawings. The images are quirky and whimsical and are a great combination of objects and animals intertwined with natural florals and they’re drawn so beautifully that they’re just crying out for colour to be added. This is a fabulous book for pen fans who want to be able to use their water-based pens without having to worry about the dreaded bleed-through and those who want to colour pretty floral images.

You can purchase a copy here:
Amazon UK – Hidden Nature Frame Fantasia
Book Depository Worldwide – http://www.bookdepository.com/Hidden-Natures-Frame-Fantasi-Toc-de-Groc/9788416504442/?a_aid=colouringitmom

If you like the look of this book then check out the first one in the series here:
Review – Hidden Nature
Amazon UK – Hidden Nature: A Colouring Escape for Grown-ups
Book Depository Worldwide – https://www.bookdepository.com/Hidden-Nature-Toc-de-Groc/9788415967729/?a_aid=colouringitmom

The image below was colouring using Stabilo Point 88 Fineliners and Stabilo 68 fibre-tips.

Enchanted Forest Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Enchanted Forest Journal is illustrated by Johanna Basford and published and kindly sent to me to review by Laurence King Publishing. I will freely admit to being a total stationery addict – I love nothing more than a brand new pen or notebook, so when I saw that our colouring Queen Johanna Basford had released another colouring journal, I had to have a copy, her first colouring journal Secret Garden can be found reviewed by me here. This journal comes shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you won’t be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect. It’s really luxurious from its hardback cover with a beautiful woodland scene from the book and gold foiling accents, to the black linen-style spine and beautiful gold-edged pages, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! The journal is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy cream ribbon bookmark so you can easily find your place each time and on every double-page is a small image from Johanna’s Enchanted Forest colouring book. The 72 illustrations include loads of different leaves, fish, birds, owls, feathers and more, and they look stunning on each double-page spread either left uncoloured or brightening it up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers are cream with black line drawings of Johanna’s flower patterns which can be coloured and the first page of the book has space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink does transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is fantastic because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are intricate and detailed, some at the same level as contained in the original book and others are much smaller and therefore more intricate and detailed so if you’re wanting to colour these images you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. I found that the illustrations are ideal for testing out colour schemes and techniques ready for doing my ‘best’ version in my copy of Enchanted Forest but this is also a great stand-alone journal.

I would highly recommend this journal for Johanna Basford fans, stationery addicts, and those who love to write and ‘need’ a new notebook. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is a sprig of leaves or a little fox. This journal is gorgeous and certainly the best I’ve seen and its gold-edged pages are a lovely addition.

You can purchase a copy here:
Amazon UK – Enchanted Forest Journal
Book Depository Worldwide (cover shown is incorrect but item is right) – http://www.bookdepository.com/Johann-Basfords-Enchanted-Forest-Journal-Johann-Basford/9781780679181/?a_aid=colouringitmom

The images below were coloured using Stabilo Point 88 fineliners and Prismacolor Premier Coloured Pencils.

The Great British Colouring Map: A Colouring Journey Around Britain – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Great British Colouring Map: A Colouring Journey Around Britain is published and kindly sent to me to review by Laurence King Publishing. LKP have teamed up with Ordnance Survey, historic map creators and producers of the UK, to produce this wonderful colourable map book. Ordnance Survey was established in 1791 and they have been creating detailed maps ever since, these were originally produced in black and white and colour wasn’t added until 1887. While their mapping processes have altered and become digitised over the decades, their maps are still known, used, and well-regarded all over the world and now we’ve been offered the chance to colour them ourselves.

This book is huge (the second largest colouring book I’ve seen) at 34.9 x 26.8cm. It’s paperback with thick flexible card covers with three-quarter French flaps. The cover of the book depicts a map of London which continues over the inside flaps with the front flap having a list of all of the towns and cities which are depicted within, and an outline of Great Britain. The flaps open out to reveal a red lined interior, I personally feel this space could have been better utilised and would have been lovely with an added map. The spine of the book is not attached to the cover and is supposedly lay-flat, it’s glue and string-bound and while you can get to the centre of the majority of the images, it’s a bit of a challenge on a few so I wouldn’t describe it as truly lay-flat binding but it’s not far off. The spine of the book is bound with green tape so your pages should remain secure and aren’t removable unless you use a blade of some sort. The pages are printed double-sided and contain a mixture of single and double-page spreads. The paper is a pale cream colour, similar to Secret Garden, it is very lightly textured which gives a smooth surface to colour on but there’s not a lot of tooth for building up pencil layers. Water-based pens don’t bleed or shadow but do always test them somewhere inconspicuous first! The images are all as you’d expect, black and white line drawings of maps just waiting to be coloured. There is no key in the book so some of the symbols are a little confusing however a quick google search should help you identify any you’re stuck on. Nothing is named or labelled on the maps so the images are all text-free apart from a red outlined box that tells you what town or city the map is depicting, the source, location and a little information about the place and its most famous areas or landmarks. The maps show a really good cross-section of locations from coastal to inner cities, piers to stations, rivers to mountains. The book is split into sections, the largest of which is dedicated to England, followed by Scotland, and Wales. Heaps of places are mapped from Brighton to Loch Ness, Norwich to Aberystwyth, York to Lerwick and Blackpool to Margate. In the centre of the book is a single-sided 4-page fold out spread of Thames Valley, London showing the River Thames in the centre and spanning from Belgravia to the O2 Arena. This spread could easily be removed and would look stunning framed before or after being coloured.

In terms of mental health, this book doesn’t have much of an impact, the content is just as you’d expect and maps aren’t known for being calming or soothing. Due to lack of any writing on the maps, I found it quite difficult to identify what the map was specifically showing and what each section was meant to be. As a perfectionist, I wanted to colour my map in the correct colours and it took a surprisingly long time to find exactly where on the map I was looking at and what colour each section should be so this book certainly can’t be used for a quick colouring fix. The line thickness is pretty consistent throughout and thin with spindly thin details and bolder accents here and there. The levels of detail and intricacy varies throughout from large open spaces of fields or sea, to teeny tiny spaces showing residential areas and country roads. I would recommend this book for those of you with pretty good vision and fine motor control and I’d advise using fineliners or sharp pencils so that you can get into the details. This book requires a huge amount of concentration to identify each part and colour within some of the small sections so it’s definitely one to keep for your better days when you can focus well and not get frustrated by the process. Once you have managed to identify the sections, if you’re wanting to colour the map realistically it’s very easy and you don’t have to spend ages narrowing down your colour choices, you can just get going which may be useful for anxious colourers though I personally found this book quite stressful due to the sheer amount of difficulty I had with identifying symbols and areas. The pages are huge, especially the double-page spreads and centre fold-out so this book will certainly keep you distracted and occupied for long periods of time if you’re able to concentrate on it, progress is quite slow because there is so much detail included in each but this could be a real labour of love and for anyone who managed to finish colouring it cover to cover, I’m sure it will look truly fantastic! This book is pretty niche and I’ve realised that despite being interested in looking at maps, colouring them is not my forte, but for keen cartographers who fancy having a go, this is the best book to go for. The paper colour offers a real vintage feel and once finished, the maps do look beautiful!

Overall, I would highly recommend this book to those with a keen interest in maps but for those, who like me, sort of like them, this book is just a bit too challenging to get started with. The production of it can’t be faulted and I truly believe it’ll look incredible when finished if you have the determination to persevere!

If you’d like to purchase a copy it’s available here:
Amazon UK – The Great British Colouring Map: A Colouring Journey Around Britain
Book Depository Worldwide – http://www.bookdepository.com/Great-British-Colouring-Map-Ordnance-Survey/9781780678597/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils.

The Great British Bake Off Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Great British Bake Off Colouring Book is published by Hodder and Stoughton and is from my personal collection. It’s been a sad couple of weeks in the baking world after discovering that not only is our favourite baking show moving from the safety of the BBC to the big wide world of Channel 4 but that also 3 of our 4 presenters and judges won’t be relocating with it. I can’t be the only one who feels as if their world has been turned upside down and isn’t sure if they should be whisking or kneading the mess of dough before them. It’s therefore the perfect time for Tom Hovey, resident artist (at least for now) on the Great British Bake Off, to publish his wonderful colouring book filled with familiarity and nostalgia from the series we know and love! I was so worried that after the devastation of the past few days’ news, this book might disappoint, that it might not be a recipe for success and might have the dreaded soggy bottom! I can safely say it hasn’t, at least for me, it’s beautiful, filled with recognisable bakes and just begging to be coloured! So grab your aprons, preheat your ovens and “On Your Marks, Get Set, BAAAAKE!”!

This book is 25cm square, the same size as the bestsellers, paperback with flexible card covers which have partially coloured designs from inside the book on the outside and on the inside covers are colourable pages of cream horns which are also pictured in the book. The spine is glue and string-bound and isn’t especially tight on arrival meaning it’s quite easy to get most of the way into the gutter so very little of the image edge is lost. The pages consist of a mixture of single and double-page spreads, the book contains 90 pages of designs and 12 (24 sides) of these are double-page spreads. Many of the images are centralised cakes which don’t have any aspects reaching the edges of the pages, for those that are full page spreads of double-page designs, a very thin border has been left down the centre of the spine so once you’ve worked the spine and can open the book completely flat you’ll be able to reach all aspects of the image to colour which is fantastic and very rare! The paper is bright white, medium thickness and lightly textured, my water-based pens barely even shadowed though they did bleed through when I added water to them but that’s to be expected, the paper didn’t hold up brilliantly to water and did buckle a bit but I’m new to using water with pens so I wasn’t sparing enough with it. Pencils work really well on the paper, you can build up plenty of layers for blending and shading and this will be ideal for getting your chocolate looking perfectly tempered, icing superbly swirled, and fruit looking well glazed.

The contents of the book includes loads of Tom’s original illustrations from the series and they are instantly recognisable. There is no text through the book and on my first look through I was really worried about how I’d know what each bake was and who’d made it, I was very relieved and excited when I got to the final three pages of the book and saw that thumbnails of each image have been included and titled with what the bake is, who baked it and which series it’s from. This means a quick google search with those details, or a re-run of that episode if you’re a die-hard fan and have them all, will allow you to find the original bake and Tom’s original coloured illustration so that you can copy it if you wish or you can go to town and colour a unique baked creation. The bakes pictured include trifle, tiered pies, decorative loaves, 3D biscuit scenes, opera cakes, Swiss rolls, Charlotte Russe, eclairs, vol-au-vents, canapes, and even a povitica. All of the images are from Series 4-6 and there is a great cross-section with creations from all of your favourite bakers included, even Mary and Paul’s! Settle yourself down with a cup of tea and a slice of cake (purely for research purposes of course), get your pens and pencils out and colour the perfect crumb, shiniest icing, and sauciest self-saucing pudding! None of the people are pictured in this book, no bakers, presenters or judges, but the tent and the beautiful Welford Park House are pictured and even the famous Bake Off squirrel!

In terms of mental health, I have personally found this book fantastic! If you like cakes then this book has to be on your must-have list, it’s sure to cheer you up and improve your mood because the cakes are so beautiful and it might even inspire your baking (if you like to bake). I found the book really calming and very distracting, there are so many little details that you notice new ones each time you flick through the pages allowing you to become totally absorbed and I really noticed my worries melting away as I coloured Tamal’s Charlotte Russe. The images are all drawn in a consistently medium/thick line so this book would be ideal for almost anyone to enjoy regardless of vision impairment or issues with fine motor control. The detail level varies throughout from large pastry slices and meringue peaks on baked Alaska, to much smaller details in the garden scenes, and Chetna’s caramel covered Dobos Torte. This book will be ideal for those of you with varying concentration levels and symptoms because the illustrations are really varied in size and also have very natural stopping points so you could colour one chocolate covered strawberry or cream horn, a pastry or even a whole gateau, the choice is yours! The lines are quite black and heavy and at first I found this a little off-putting because I normally like to colour thin-lined images with delicate linework but I love how my page turned out and instead of just creating sections to colour within, the lines in this book are truly part of the artwork of the finished piece, the boldness of them means that your colours really pop so whether you use pens or pencils you’re liked to want to use some really bold colours so they stand out well and don’t disappear. These illustrations are almost identical to Tom’s originals from the show so if you’re not quite sure which section is nut, which is fruit or what colour dipping sauce has been used then just google the original and you can copy his colour scheme if you wish, this is ideal for anxious colourers like me because it’s like paint-by-numbers without the numbers and it takes all of the stress out of choosing colours and you can just pick the matching shade and get going, your symptoms can take a back seat and you can just enjoy colouring some deliciousness.

This book certainly contains some technical challenges and some pages that you can truly colour into your own signature bake and more still that will hopefully become showstoppers! It’s sure to make you hungry and get you hunting through your recipe books for inspiration and to make tasty treats to snack on when you need a break from colouring. I would highly recommend this book to anyone who loves cake, baking, or the Great British Bake Off because this really is the ultimate book for cake-lovers, it completely transports you back to the Bake Off tent!

If you get a copy of this book then be sure to avoid Mel wearing your tuille as bracelets and Sue accidentally elbowing your English muffins. Keep your colouring area a disaster-free zone and for goodness’ sake, colour slowly so that nothing needs to be discarded and we can all avoid another episode of “bin-gate”, I’m still not sure I’m over the trauma of the Baked Alaska challenge! You can take your finished pages and offer them up on the Gingham Altar for Mary and Paul to poke, prod, and almost certainly tell you it’s under-blended or over-shaded, but perhaps, if you’re lucky enough, you might just get crowned Star Colourer for the week and receive the coveted handshake from Paul – we can all dream can’t we?! This book truly offers you a way to have your cake, and eat it!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – The Great British Bake Off Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Great-British-Bake-off-Colouring-Book-Tom-Hovey/9781473615625/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tip pens and a Derwent waterbrush to create the macaron colour, bavarois colour and drips on the berries to create a mottled appearance.

If you’d like to see a silent video flick-through of the entire book then click here.

Millie Marotta 2017 Diary – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta 2017 Diary was published and very kindly sent to me to review by Batsford Books. This diary is a smidge over A5 size, hardback, with white covers with a beautiful scaled down version of the Wild Savannah book cover with hints of colour added and touches of gold foiling on the front. The diary is kept closed with a black elastic strap and there is no writing on the covers apart from 2017 in gold foil, there’s also a removable thick wrap-around slip of green paper with gold foil writing stating it’s the Millie Marotta Diary with the bar code on the back. Inside the diary the front and back are black double-page spreads with the publishing information printed at the front, followed by the diary pages and 26 illustrations taken from Millie’s third colouring book, Wild Savannah. The pages are bright white and medium thickness for a diary, the pages are unlined and consist of a week to view on the left page and a blank page on the right that just shows the dates of the current month in the bottom right hand corner leaving you plenty of space to write notes, doodle, jot down lists etc. Each week starts on a Monday and the dates are separated by a line with Saturday and Sunday sharing one. The diary begins with a Personal Details page where you can write your address, work details, and useful numbers, following this are year views of 2017 and 2018 both sharing a single page. At the beginning of each month is a pair of images from Wild Savannah, some are double-page spreads and others are two separate single images. Sadly, the paper isn’t very thick for colouring and doesn’t have much texture at all, water-based pens bleed through (see photo below) and pencils are pretty difficult to work with, especially if you’re wanting to blend or shade, my wax-based Prismacolor pencils worked fairly well but my Polychromos pencils were difficult to use. When writing in the diary, I’d advise using a pencil or biro to avoid ruining the reverse of the page, I’d personally stick to pencil and write lightly so that you don’t get pressure marks and indentations affecting the colouring pages. The images are all scaled down from the originals and are mostly full page designs shrunk to fit on the A5 pages with a few that are the centre sections of the image, also scaled down to fit the page.

In terms of mental health, this colouring diary is a great combination of colouring pages and useful diary so that you can colour and plan your year all in one place. There’s plenty of space for writing so you won’t run out of space to write your plans and you could colour the designs as and when it takes your fancy or at the start of each month where the colouring page appears, you could complete them in order or randomly, the choice is yours! The illustrations are all vastly scaled down from the originals so the intricacy and detail levels are through the roof on most of the images so you will need perfect vision and fine motor control and some mega sharp pencils to enjoy colouring these pages. The line thickness is spindly thin throughout so there’s no margin for error! This diary has fewer colouring pages than most others I’ve seen and it’s definitely much more diary than colouring book, it sadly hasn’t been printed on great paper for colouring but it’ll be fine to write on so fans of Millie’s work may want to just leave the line drawings as they are, they look beautiful just in black and white.

Overall, I would recommend this diary but it’s certainly not the best I’ve seen with thinner, smoother paper than I’d like and fewer colourable pages. It’s a lovely addition to any die-hard Millie Marotta collection and it’s beautiful to look at but the pictures are pretty tricky to colour well due to not being able to use pens without bleed-through or blend pencils particularly well.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Millie Marotta 2017 Diary
Book Depository Worldwide – http://www.bookdepository.com/Millie-Marotta-2017-Diary-Millie-Marotta/9781849943932/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.