Coloring mediums

Fantasia – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fantasia is illustrated by Nicholas F. Chandrawienata and published and kindly sent to me to review by Phoenix Amulet Publishing. This book is one of the most talked about in the colouring groups on Facebook and has been one of the most difficult to get hold of after early US editions were printed with very disappointing paper quality, however, these issues have now been rectified and the book is produced to an extremely high standard and is readily available on Amazon US (details about International purchase at the bottom of the review above the photos). The book itself is 27.4 x 25.4cm, landscape orientation, paperback with flexible card covers with a fully coloured image from inside on the front. The book is spiral-bound on the left side and the pages are perforated but don’t come loose unless deliberately detached from the book. The 61 images are printed double-sided onto thick white paper, it’s not bright white but not off white either, it has a great amount of tooth (see photos below) and is ideal for layering and blending pencils and it doesn’t bleed or shadow with water-based pens when used carefully; alcohol markers will bleed through and you should always test any pens including water-based markers in an inconspicuous area to ensure you don’t ruin any reverse images as everyone colours differently. The images are all contained to a single page, none of them are spreads. The illustrations are really varied in content and while the majority are of people including their faces, upper bodies and whole bodies, a number of them are quite random too and include Easter eggs, a dinosaur, dragons, koi carp, roses, snowflakes, skulls and all sorts more. The most iconic images from this book and the ones that really sell it and look most spectacular when coloured are the images of people and these truly are transformed with colour, whether you use realistic flesh tones or go all out with green or purple tones instead, these images look unbelievable! Nicholas is an extremely talented illustrator and his work really is perfect, it’s beautiful, and really detailed and due to him being from Indonesia, there is a real Asian influence on his work which we don’t often see in colouring books and is a really fresh thing to see and colour. His work really does have to be seen to be believed so do check out the images below so you can see some of the variety and wide-ranging content as well as the beauty of his drawings.

In terms of mental health, this book is great, it’s so distracting and unusual and on one page you’re transported into prehistoric times where dinosaurs roamed the earth and on another you’re face to face with a mermaid, pirate, or even death. The illustrations are realistically drawn but much of the content is mythical or fantastical so there are no “correct” colour schemes and this book is definitely one to push you out of your comfort zone and get you trying new colour schemes and learning to colour flesh, fur or metal accurately. This book isn’t for the faint-hearted but if you’re brave you’ll really reap the rewards because it looks just incredible when coloured! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels do vary throughout each picture with most containing some large and some small spaces, for example a large open space of a face with much more detailed flowers around the edge; none of the spaces are particularly tiny apart from on the odd occasion so this book would be suitable for most levels of vision and fine motor control but do check the pictures of the pages below in order to ensure suitability. Three of the images have small text on them suggesting for you to add detail to a named section of the image which has been left uncharacteristically simple, these aren’t overly intrusive and you can always ignore the instructions like I did and just colour the image as it is. This book does mostly require a fairly high level of concentration but there are a few images that are made up of component parts which you could focus on when you’re feeling poorly and leave the full page portraits for day when you’re feeling better and up for a challenge. I really can’t rave about this book enough, it’s stunning and even though a lot of the content isn’t stuff I’d normally choose to colour, I can’t wait to work my way through every page in this book because the artwork is just so beautiful!

Overall, I can’t recommend this book highly enough, it’s absolutely gorgeous and a great challenge to get you out of your comfort zone, the paper is fantastic for pencil-lovers and the illustrations are incredible. It’s ideal for those with mental or physical health problems as it’s so distracting and isn’t ridiculously intricate so it’s accessible and if you’re prepared to sacrifice the reverse image, or you want to buy two copies so you don’t have to, then you can even remove your finished pieces and frame them to brighten up your darker days and remind yourself of all that you can achieve!

If you’d like to purchase a copy it’s currently available on Amazon US and for those of you in the UK and elsewhere don’t despair as they do ship to other countries though I’m not sure exactly where they do and don’t ship to. I tried checking out to my address in West Sussex, UK and they do allow it and including shipping the book costs just £17 or thereabouts which is a steal so do check it out! International group orders are often set up and run through a dedicated Facebook Group which can be found here and they also share their finished pages from the book so it’s a great place to start if you need inspiration!

The image below was coloured using Holbein Artists’ Coloured Pencils and blended with a Caran d’Ache Blender Pencil. 

Mythomorphia: An Extreme Colouring and Search Challenge – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mythomorphia is illustrated by Kerby Rosanes, and published and kindly sent to me to review by Michael O’Mara Books. This is the third and final book in the series after Animorphia and Imagimorphia. This book has a mythical theme and is a bit less intricate and less morphing than the first two books and contains fewer alien creatures than Animorphia too, that being said, it’s still incredible and really has to be seen to be believed, it’s probably the best book on the market with a mythological theme because of the sheer variety of creatures pictured.

The book is 25cm square, the same size as Animorphia and other bestsellers by JB and MM, it’s paperback with a black card cover with bright red lettering and a dragon (UK copy: other countries’ editions have different coloured lettering but the content is the same in all of the books titled Mythomorphia) in Kerby’s signature style which hints at what’s inside. The paper is bright white, very lightly textured and medium thickness, it doesn’t appear to shadow with water-based fineliners as long as you’re careful but do always check your pens somewhere inconspicuous to make sure you don’t ruin any reverse images. The paper is good for pencils and allows for a few layers for blending and shading. The ink does transfer a little when pressure is applied so when you’re using pencils pop a scrap piece of paper behind to avoid transfer. The book contains 80 images which are printed double-sided and include single (18) and double-page spreads (including 7 paired images which don’t enter the spine and have separate but similar designs on each page, and 24 traditional double-page spreads which do enter the spine and aren’t stand-alone images). The book has a glue- and stitch-bound spine which is fairly tight on arrival and the images are borderless so you do lose a strip of each image into the spine and unfortunately a number of the double-page spreads do have large sections of the creature’s body which enter the gutter however these are accessible if you break the spine. The content itself is all based around mythology and mythological creatures and a truly huge range are pictured from unicorns to mermaids, a hydra to a phoenix, different types of dragons and loads of hybrid creatures including a basilisk, manticore, cockatrice, faun, griffin and many, many more. While many of these creatures are drawn in Kerby’s typical morphine style, a number of them are drawn without morphs and simply as scenes. The morphing parts consist of all sorts of things from rock, flames and waves to smoke, flowers, bats and trees as well as a couple in Kerby’s most well-known style including lots of random objects, plants and swirls. The images are incredible and as always, they’re packed with content to look at and colour, the range of mythological creatures is astounding and a number of them were beasts I’d never heard of so I’ve had a great time researching them and the stories behind them!

In terms of mental health, this is one book that’s absolutely fantastic for distraction! It takes quite a lot of concentration to identify all of the parts of the picture let alone start choosing colours so this really is a book that will help you get through the days when your mind is racing and you need to be able to switch off. It’s not a book for the faint-hearted because each image takes a very long time and a lot of work but it’s so worth it and the effects you can create are amazing! This book doesn’t have any pages where you need to add your own doodles, I’m really pleased about this because I can’t draw at all so I’m glad that all of them are finished this time and ready to colour! The images are very cohesive and they contain such a variety of creatures, most of the images have some shading and texture drawn in but not loads (check out the pictures below to decide if you like this feature or not). The line thickness varies throughout but mainly sticks around the thin mark so you need fairly good vision and fine motor control, but definitely not perfect to enjoy this book! There is also a treasure hunt with 3 pages at the back of the book showing all of the items you can hunt for within the images, followed by thumbnails showing the answers. This book is ideal for those of you who have a fairly good attention span so that you can really get involved in the images and the content is so absorbing that you really do get out of your head and away from your thoughts and become immersed in what you’re colouring. The images have a variety of intricacy and detail levels so you can use simpler images on bad days and more detailed images on days where you’re able to focus better so it’s a great book for those of you with fluctuating conditions. Because the beasts are mythological there are no “correct” colour schemes so you can really go to town with your outlandish colour schemes or if you need a bit of help then have a quick Google, you’re sure to find film or art representations of most of them that you can use as inspiration for your colour choices.

I would highly recommend this book for male and female colourers who love all things weird, wonderful, and mythological. This book is packed with amazing images that are great fun to colour, it’s stunning, overwhelming at times and one that really gets your creative juices flowing so grab your pencils and get colouring mythology!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – Mythomorphia
Book Depository Worldwide – https://www.bookdepository.com/Mythomorphi-Kerby-Rosanes/9781910552261/?a_aid=colouringitmom

If you’d like a copy of either of Kerby’s previous books then they can be found here:
Animorphia
Amazon UK – Animorphia
Book Depository Worldwide – https://www.bookdepository.com/Animorphi-Kerby-Rosanes/9781910552070/?a_aid=colouringitmom

Imagimorphia
Amazon UK – Imagimorphia
Book Depository Worldwide – https://www.bookdepository.com/Imagimorphi-Kerby-Rosanes/9781910552148/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils.

Abenteuer Natur (Adventurous Nature) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Abenteuer Natur is published by Christophorus Verlag GMBH and illustrated by Richard Merritt who very kindly sent me a copy to review. You may not know his name but you’re sure to know his work because he’s one half of the incredible duo who illustrated The Menagerie, The Aviary, The Aquarium and The Labyrinth and he also solely illustrated another German published colouring book, Tierzauber (Animal magic), last year. He’s well-known for his stunning drawings of highly intricate, hyper detailed and patterned animals and these have been featured in the Art Therapy series of books which was where I first discovered his work. Abenteuer Natur translates as Adventurous Nature and the content really doesn’t disappoint with a wide range of exotic and unusual animals pictured inside.

This book is 22.5cm square, a little smaller than the bestsellers, paperback, with thick card covers that are double-thickness and open out to reveal pairs of animal images at the front and back that are contained within the book. The covers are soft-feel and have gold foiling accents on both the front and back images. The spine is glue and stitch bound so it’s durable but a little tight, however this will ease up with use. The formatting inside is different from Tierzauber and this time the images are printed single-sided and all are perforated meaning they can easily be removed for colouring or framing but these perforations are quite subtle and therefore the pages will only come out if you remove them, not accidentally.  The paper is bright white, medium thickness with a bit of tooth, you can get a few layers with pencils but it’s a little tricky to blend and shade, water-based pens do shadow but this isn’t a problem due to the pages being single-sided and you could use alcohol markers as long as you put some protection behind the page to avoid bleed through. The 27 images are of a huge range of exotic and unusual animals including Mandarin Ducks, Warthogs, Humpback Whales, a Bushbaby, Bison, Grasshopper and loads more. Everything is pictured from insects to sea creatures, land mammals to tree inhabitants, birds to reptiles and everything in between. So many things from the animal kingdom are pictured including lots of animals that aren’t often found in other colouring books.

In terms of mental health, if you love animals, or at least love colouring them, then this book is sure to help! I have always found Richard’s illustrations wonderful for my own mental health because there are so many small sections to colour and really focus your mind on which is ideal when I’m very anxious and need to get out of my head. The images are all filled with lots of patterns creating small sections that you can colour within or colour over and leave as texture behind your work so although this book is very intricate and detailed, it doesn’t have to be used in that way so it’s ideal for almost anyone, regardless of vision or fine motor control depending on how you wish to use it. The line thickness is consistent throughout and is medium/thin so again, it’s suitable for almost anyone but not those with particularly poor vision or dexterity. Unlike in The Menagerie series, there is no added colour so you’re free to add your own backgrounds and colour schemes to every image. While a number of the animals are featured in the Menagerie series, they are all drawn differently (see comparison photos below) so you won’t be getting any duplicates if you want copies of both. Images of nature and animals are fantastic for calming you down and these images are particularly good because there are so many sections to attend to. The size of the book means the pages are a bit more manageable which is great for those of you with poor concentration as these pages will take less time to colour than The Menagerie which is much larger. While these illustrations are all of realistic animals, the patterns within allow you to use natural or totally outlandish colour schemes as and how you wish and both will look equally fabulous! The images are really cohesive and great fun to colour and they would look amazing removed from the book and framed for a really funky office or a cutesy nursery.

I would highly recommend this book to people who love colouring animals, to fans of Richard’s work and The Menagerie or Art Therapy series, and to anyone who likes intricate and detailed images. This is a beautiful book with fabulous and unusual imagery, even the inside and outside covers are colourable with alcohol markers so this book is a true example of a fully colourable colouring book.

If you’d like to purchase a copy it’s available here:
Amazon UK – Abenteuer Natur
Book Depository Worldwide – https://www.bookdepository.com/Abenteuer-Natur-Richard-Merritt/9783862303786/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners, Stabilo 68 Fibre-tips and Staedtler Triplus Fineliners.

I recently created a dedicated Facebook Group for artwork by Richard Merritt, Claire Scully and all that found in the Art Therapy series, Menagerie series and those books illustrated singly by either of them. This group can be found here and I’d love you to join and share you work!

Birdtopia 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Daisy Fletcher’s gorgeous colouring book, Birdtopia. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Daisy’s illustrations just a little too detailed and small, under each illustration is a small note stating what birds are drawn so that you can easily identify them and colour them realistically if you wish. The cover of the calendar is yellowy-cream card with the same images and design as the book cover, the title is printed in gold foil lettering and on the back are thumbnail pictures of all of the images inside; the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I tested Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. I completed my page using Derwent Inktense Pencils activated with minimal water and the paper held up very well to this with minimal warping or buckling. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. As with the Birdtopia book, this calendar has the quirky feature of having white colouring spaces but cream background printed throughout (except for the peacock page which is entirely white due to being a full page design), this isn’t a bad thing and many people think that this feature was one of the things that made Birdtopia so special but it’s worth mentioning and taking note of my photos below as it doesn’t suit everyone and is a bit of a surprise when you first look through the calendar.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured bird illustration, sometimes accompanied by a flower or plant. When writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. The majority of Daisy’s images are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistically drawn (though not realistically composed in terms of accurate plants or comparative sizes of things) and truly beautiful and just looking through the calendar is sure to lift your mood. These images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin and spindly thin throughout so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Daisy’s previous work, or if it’s new to you and you love birds and nature then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Birdtopia 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Birdtopi-2018-Colouring-Calendar-Daisy-Fletcher/9781786270498/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with minimal water.

Floribunda 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Leila Duly’s fabulous colouring book, Floribunda. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Leila’s illustrations just a little too detailed and small, each page has a beautifully written list of the flowers included, just like in the original book. The cover of the calendar is made of pale peachy-pink card with the same black line-drawn design as the book cover on the front, the title is in a large box at the top with pink foiled lettering and edging and on the back are thumbnail pictures of all of the images inside, the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I used Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured flower illustration from the inside covers of Floribunda.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. As with all of Leila’s images, they are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistic and truly beautiful and just looking through the calendar is sure to lift your mood. Leila’s images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is very thin throughout  so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Leila’s previous work, or if it’s new to you and you love flowers then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Floribunda 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Floribund-2018-Colouring-Calendar-Leil-Duly/9781786270474/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils and Faber-Castell Polychromos Pencils.

My Colorful Town: A Coloring Tour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
My Colorful Town: A Coloring Tour is illustrated by Chiaki Ida, a Japanese illustrator, and published and kindly sent to me to review by Get Creative 6. This book is pretty similar in style to the Romantic Country series by Eriy (reviewed by me here) and if you liked those books, you’re likely to be a fan of this too. This book was originally published in Japan and was somewhat different in format with it being larger, and including a few extra pages and some postcards. This edition has been translated into English.

This book is 22.4cm square, paperback, with flexible card covers and partially coloured images from inside the book. The spine is glue and string-bound and eases up with use, some of the images do reach the centre of the spine and therefore a little is lost but the majority of the images aren’t full-page and have a border so the spine isn’t an issue for most of the pages. The images are printed double-sided and are a mixture of double and single-page spreads. The paper is cream, medium thickness and smooth with very little tooth, it coped well with my Prismacolor Premiers but may not cope so well with oil-based pencils which you’ll possibly struggle to layer; water-based pens shadow but don’t bleed so you’ll probably want to avoid using these. The images themselves are all of shop exteriors, interiors and produce, at the back of the book is a double-page spread depicting a map of the street. The shops include a book shop, bakery, patisserie, dress shop, shoe shop, clock shop, art shop, antique shop, café, flower shop, fruit and veg market and food stalls. There is a real variety of things to colour from shop fronts and brickwork to furniture, cakes, fruit and veg and flowers, there are outfits, metalwork, wood, and so much more so there are plenty of techniques to perfect to make this book look amazing. There is a little girl who you follow through the book into the shops, she isn’t named or mentioned in the book so I’m guessing it’s meant to be Chiaki Ida herself, taking us on a childhood walk through the town.

In terms of mental health, this book is lovely, it has a very charming feel to it and the imagery feels really nostalgic and heartwarming and takes you back to simpler times where you don’t have a care in the world. The line thickness is consistent throughout and is thin, verging on spindly thin. The intricacy and detail levels vary somewhat with the majority of the pages being very intricate and detailed with a few having larger open spaces and less detailed imagery. You’ll need pretty good vision and fine motor control to enjoy this book. The majority of the images will be best kept for your good days because they’re just packed full with content and in a number of the pages there aren’t overly obvious stopping points, however, if you’re really keen to colour this on a day when you’re quite symptomatic, you could pick one of the pages filled with collection images and colour just one cake or clock rather than a whole shop front. You will need very good concentration levels to complete most of the pages but you can always colour in sections so that it’s easier to focus. You can use realistic colour schemes if you wish, or go more outlandish, bricks can always be blue and wood doesn’t have to be brown so spice things up if you fancy, these images will look amazing no matter what colours you choose!

Overall, I would highly recommend this book to those of you who liked Romantic Country and those looking for a nostalgic, warm, characterful colouring book. The illustrations are meticulously drawn, realistic but also slightly cartoony and therefore they’re not so perfect that they feel intimidating to start. It’s yet another beautiful Japanese colouring book, filled with charm!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – My Colorful Town: A Coloring Tour
Book Depository Worldwide – https://www.bookdepository.com/My-Colorful-Town-Chiaki-Id/9781942021599/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premiers and blended with a Caran d’Ache Blender Pencil.

Fairies: The Colouring Book of Secrets – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fairies: The Colouring Book of Secrets is illustrated, published, and kindly sent to me to review by Russell Ince. Russell is best known for his beautiful story books, Fairies: The Book of Secrets and Santa Claus: The Book of Secrets, he received heaps of requests to turn his beautiful illustrations into a colouring book so that people could make the illustrations their own and Russell very kindly responded with these two beautiful colouring books. I’ve not actually seen the story books themselves so I’m unable to comment on whether these illustrations are the originals with the colour removed, or new ones in a similar style to those found in the story books.

The book itself is 21.4 x 14.9cm, landscape, paperback with a medium thickness flexible card cover with a black and white line drawing of an illustration from inside the book with gold foiling on the text set on a black background. The spine is lightly glue-bound and is pretty easy to break so that the pages lie-flat, this does mean that you’ll need to be careful to ensure that your pages don’t accidentally become loose and fall out though this would make removing them to frame very easy if you wish. The images are printed full page and double-sided and are a mixture of single and double-page spreads. The paper is thick, white, and lightly textured, pencils blend and shade smoothly, it feels thick enough that pens shouldn’t bleed but sadly my water-based pens did shadow a bit onto the reverse so do check yours in an inconspicuous area before diving straight in; alcohol markers will bleed through. Due to not having the original books, I didn’t know what to expect from the illustrations but I was hoping for lots of fairy scenes and images of them, their houses etc, sadly I was a little disappointed, there are surprisingly few fairies pictured and a large number of the images are actually wallpaper style images rather than scenes. These wallpaper designs are very nice and I really can’t fault them, they just weren’t the imagery I was expecting so do be aware of this and check out the photos below before ordering a copy. That being said, the fairies that are pictured are very lovely. The content ranges from wallpaper-style patterns to mirror image spreads, centralised fairy images and a lot of repeating patterns. The fairies are a mix of male and female and all have pointy ears with all but one having wings, they’re very pretty and nicely drawn and have quite a variety of outfits and wing styles so they don’t feel samey.

In terms of mental health, this book is a bit of a mixture, the illustrations are beautiful and if you like patterns and wallpaper style images then this will be ideal for your symptoms, however, if you’re wanting escapism and to be transported to another world then this may not be the book for you. The fairies are sadly lacking, 32 of the pages don’t contain fairies at all and only 13 do which seems like a low number in a fairy-specific book. However, this is a great mixture of images for pattern-lovers and the pages really offer a great variety of pattern styles to really go to town on and make your own and they’ll be ideal for anxious days as they can be coloured in any scheme you like and they’ll look fabulous. The line thickness is consistent throughout and is spindly thin so you don’t have much wiggle room at all. The intricacy and detail levels vary from large open spaces of fairy faces to much smaller sections of tiny berries and other details, you’ll therefore need very good vision and fine motor control as the majority of the images contain a lot of intricate parts. The images will mostly require a good level of concentration and focus so it’s best to save it for your good days. Patterns can be great for helping you zone out and re-focus your mind so those who suffer from anxiety may well like this book as the patterns are also very organic and nature-based which is ideal for all mental health problems.

Overall, this is a nice book and I’d recommend it as long as you look at the internal images first, I was left disappointed by the lack of scene pages and lack of actual fairies or magical objects but the content that is here is very nice it’s just very pattern-focused.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Fairies: The Colouring Book of Secrets
Book Depository Worldwide – https://www.bookdepository.com/Fairies-The-Colouring-Book-of-Secrets-Russell-Ince/9780957577060/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with minimal water.

Santa Claus The Book of Secrets: Christmas Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Santa Claus The Book of Secrets: Christmas Colouring Book is illustrated, published, and kindly sent to me to review by Russell Ince. Russell is best known for his beautiful story books, Fairies: The Book of Secrets and Santa Claus: The Book of Secrets, he received heaps of requests to turn his beautiful illustrations into a colouring book so that people could make the illustrations their own and Russell very kindly responded with these two beautiful colouring books. I’ve not actually seen the story books themselves so I’m unable to comment on whether these illustrations are the originals with the colour removed, or new ones in a similar style to those found in the story books.

The book itself is 21.4 x 14.9cm, landscape, paperback with a medium thickness flexible card cover with a black and white line drawing with gold foiling on the text set on a black background. The spine is lightly glue-bound and is pretty easy to break so that the pages lie-flat, this does mean that you’ll need to be careful to ensure that your pages don’t accidentally become loose and fall out though this would make removing them to frame very easy if you wish. The images are printed full page and double-sided and are a mixture of single and double-page spreads. The paper is thick, white, and lightly textured, pencils blend and shade smoothly, it feels thick enough that pens shouldn’t bleed but sadly my water-based pens did shadow a bit onto the reverse so do check yours in an inconspicuous area before diving straight in; alcohol markers will bleed through. Due to not having the original books, I didn’t know what to expect from the illustrations but I was hoping for lots of Christmas scenes and objects, sadly I was a little disappointed, there are almost no Christmas scenes and while a lot of objects are pictured, a large number of the images are actually wallpaper style images and patterns. These wallpaper designs are very nice and I really can’t fault them, they just weren’t the imagery I was expecting so do be aware of this and check out the photos below before ordering a copy. That being said, the objects that are pictured are very festive and Christmassy and include presents, poinsettias, holly, Christmas trees, nutcrackers, biscuits, baubles, stockings, snowflakes and even Santa Claus himself. The content ranges from wallpaper-style patterns to mirror image spreads, centralised images of Santa Claus and a lot of repeating patterns, there are 4 scenes spanning 5 pages.

In terms of mental health, this book is a bit of a mixture, the illustrations are beautiful and if you like patterns and wallpaper style images then this will be ideal for your symptoms, however, if you’re wanting escapism and to be transported to another world then this may not be the book for you. The Christmas scenes are sadly lacking, only 4 are included and the majority of the other pages are patterns or collections of objects which seem a bit of a waste with such a wonderful theme. However, this is a great mixture of images for pattern-lovers and the pages really offer a great variety of pattern styles to really go to town on and make your own and they’ll be ideal for anxious days as they can be coloured in any scheme you like and they’ll look fabulous. The line thickness is consistent throughout and is spindly thin so you don’t have much wiggle room at all. The intricacy and detail levels vary from large open spaces of Santa’s face and a snow drift to much smaller sections of holly leaves and bauble details, you’ll therefore need very good vision and fine motor control as the majority of the images contain a lot of intricate parts. The images will mostly require a good level of concentration and focus so it’s best to save it for your good days. Patterns can be great for helping you zone out and re-focus your mind so those who suffer from anxiety may well like this book as the patterns are curvy and flowing which is ideal for many mental health problems.

Overall, this is a nice book and I’d recommend it as long as you look at the internal images first, I was left disappointed by the lack of scene pages and inclusion of so many wallpaper images, the content that is here is very nice it’s just very pattern-focused.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Santa Claus The Book of Secrets: Christmas Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Christmas-Colouring-Book-Sant-Claus-The-Book-of-Secrets-Russell-Ince/9780957577022/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners which did shadow.

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Tidevarv (Seasons) Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tidevarv is the fourth instalment of colouring books illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Hanna’s first three books, Dagdrömmar (Daydreams), Sommarnatt (Summer Nights), and Magisk Gryning (Magical Dawn). The latest book is identical in format so if you already have a previous title of hers then skip to paragraph two, for those of you who are new to her work, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are a beautiful lemon yellow colour with a black and white design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is black with gold lettering (these books look really luxurious on the shelf and look like classic tomes). The pages are glue and string-bound and the pages are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist of single and double-page spreads.

The image content is gorgeous, varied, and possibly the best yet! This time, they’re organised into four sections of season-themed images starting with Spring and ending with Winter. The vast majority of the images are heavily nature-centred and realistically drawn but with Hanna’s signature quirkiness and magic added to them with gemstone fruit, anthropomorphised animals, and hair morphing into fruit, florals and even migrating geese. This book contains the second largest number of women (18) with seasonal accessories, beautiful headdresses, piercings and tattoos, these are in my opinion, the best drawings of women that Hanna has given us so far, they’re beautiful and so inventive, and in keeping with the seasonal theme, however, if you’re not interested in colouring people then don’t despair, these are not the majority of the images and there are loads of images of animals, flowers, plants, fruit and lots of gemstones as always! There is so much content in each of these books, it’s hard to sum it all up in a written description but the book contains everything from potion bottles, birds, mushrooms, seedlings, beetles, and mice, to snakes, fish, berries, cats, candles, houses, lanterns, Christmas baubles, presents and stars, it’s absolutely jam-packed with content. The illustrations are all highly decorative and ornate, they are beautiful in black and white but they’re completely brought to life with colour! Hanna’s work has always been beautiful but the added theme of seasons is spectacular, it’s really brought a new dimension to her work and has led to some really creative and beautiful illustrations.

In terms of mental health, this book is just wonderful, it offers escapism, natural imagery and lots of whimsy and it’s perfect for distraction even just by looking through the images! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout and mostly range from medium to high but a few have much larger open spaces. The detail is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! Unlike Hanna’s first book Daydreams, this book doesn’t contain any outline images or written prompts. This may be a welcome change for those of you who don’t like to draw. A number of the images are centralised and have large surrounding spaces so there are plenty of opportunities to create your own backgrounds if you wish, though of course this isn’t a requirement! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary in size and difficulty and they consist of a mixture of collections of components, portraits and scenescape images. This makes it ideal for good and bad days because you can work on one gem or potion bottle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels.

I would highly recommend this book to anyone who loves natural images, highly ornate illustrations, and anyone who likes all things pretty or magical. Hanna’s books are genuinely stunning and some of my favourites, I love just looking through them and this is definitely my favourite with the seasonal theme, it’s added another dimension and gives the book more flow.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

The image below was coloured using Holbein Artists’ Colored Pencils and Prismacolor Premier Coloured Pencils.