Art Therapy

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Po Drugiej Stronie Snu (On the Other Side of Sleep) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Po Drugiej Stronie Snu is a Polish colouring book illustrated by the very talented Karolina Kubisowska who kindly sent me a copy to review. This book is periodically on Amazon UK though it’s currently very expensive there (I’m not sure why as it hasn’t always been) and Book Depository (links below, above the photos). The title translates as On the Other Side of Sleep which I’ve guessed to mean that it’s showing a dreamy fantasy land and that’s exactly what you get inside, surreal, weird, wonderful and ethereal images that would fit right in to a dream land.

The book itself is 22cm square, paperback with flexible card covers with a partially coloured image from inside the book, the inside covers are a sage green colour. The spine is glue-bound and you will need to be a little careful with it to avoid loosening the pages over time. The images are printed double-sided and are a mixture of single and double-page spreads with the majority being single pages, they are all full-page designs that reach the edges so a little of some of the images can be lost into the spine. The paper is bright white, medium/thick and smooth but not shiny, though, in most of the images the paper looks a little grey due to the printing (this isn’t a negative, more on this later). Water-based pens don’t bleed or shadow and pencils work well on the paper despite it not having much texture, I used Derwent Inktense Pencils activated with water and the paper held up very well with almost no warping or buckling and any that did occur was because of my inexperience and lack of ability to be sparing enough with water!

The artwork is really unusual, in fact everything about the content and style of this book is unlike anything else I’ve seen hence the whole paragraph dedicated to it. Karolina’s art is a cross between normal line art and greyscale, it’s not fully shaded or photographic but it does have heavy black shading which makes the illustrations really dramatic and really easy to make look amazing with little to no knowledge of blending or shading. In addition to this some of the pencil lines are left showing and the pen lines aren’t pristinely, accurately drawn, they feel more chaotic and haphazard but you can see that they’re all meticulously placed to give a sketched look and this creates a real feeling of movement rather than a flat, static drawing.  The backgrounds aren’t left plain, they mostly show some sort of texture from canvas-like texture to toothy watercolour paper and plenty of others, hardly any have totally white backgrounds. This book is very much like looking through an artist’s sketchbook, it isn’t perfect, it’s not polished but that’s what’s so good about it, it feels inviting, less intimidating and all it needs is some vibrant colour to finish it off. Interspersed through the colouring pages are a number of pages with text written on them, sadly this is written in Polish so I have no idea what it says but I understand that it tells the story of the dreamy land that Karolina has created. Some of these pages are black and white and others are printed in full colour. The last two colouring pages have some splashes of colour added around the edges but these aren’t intrusive to the main designs; a few of the images have black backgrounds. The image content is very wide-ranging and contains some realistic images and others which are much more imaginary, there are lots of mushrooms and gems, plants and animals as well as dolls, three-eyed girls, crying unicorns and even a haunted-looking house, there’s nothing particularly horror-themed or grotesque, but there is a little of the dark and bizarre which could be the subject of bad dreams but not nightmares.

In terms of mental health, this book is ideal, at first it appears really intimidating because the artwork is different from anything you’ll have seen before and the dark lines and shading can be off-putting but as soon as you put colour on the paper your fears will melt away and you’ll realise just how easy it is to bring Karolina’s art to life. This would be an ideal book for beginners because the shading is already added for you so you can learn about light and shade and add your darker colours where the heaviest lines are and your lightest colours in the emptier spaces but it’s also easy enough for advanced colourists to challenge themselves and make their own mark on the pages. The line thickness is varied throughout the book and each page, and ranges from medium/thin to very thick. The intricacy and detail levels also vary throughout from large open spaces to much smaller sections and everything in between meaning this book would be suitable for most people with most levels of vision and fine motor control, those with poor levels of either may struggle with a few of the images but this isn’t a book where you need to stick rigidly to colouring between the lines, Karolina’s beautiful haphazard drawing style will be very forgiving of any slips or spills so if you like the artwork then take the plunge and get a copy! The content of the images is very unusual and while none of it is nightmareish or horror-themed, some of it is quite dark and a little eerie so do check the images below if you can be affected by dark themes to ensure that it won’t negatively affect you. In terms of concentration level, this book will adapt to those with good or poor concentration, there are plenty of natural stopping points and if using watercolours you can use sweeping strokes to colour quite quickly if you so choose, you certainly don’t need to spend hours and hours on each page unless you wish to.

Overall, I would highly recommend this book, it contains a huge variety of images and they’re really fun to colour and let loose your wildest colour schemes on, it’s great for pencils, pens and watercolours and ideal for those who want to learn more about light and shade or who don’t want to be restricted by “perfect” drawings where you have to stay inside the lines, this book is really freeing, even for those of us who are anxious and perfectionists and the finished pages look amazing!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – Po Drugiej Stronie Snu
Book Depository Worldwide – https://www.bookdepository.com/Po-drugiej-stronie-snu-Karolin-Kubikowsk/9788379452040/?a_aid=colouringitmom
Karolina’s Website – http://www.karolinakubikowska.pl/po-drugiej-stronie-snu-karolina-kubikowska-prod258962.htm

Karolina has also recently published a second book called Ticket to Dreams which is spiral-bound and available to purchase here – http://www.radostpromaminku.cz/product/omalovanky-pro-dospele/ticket-to-dreams—karolina-kubikowska/927

The image below was coloured using Derwent Inktense Pencils activated with minimal amounts of water.

Time of Memory: A Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Time of Memory: A Coloring Book is published and kindly sent to me to review by St Martin’s Griffin. It was originally published in Korea and has been translated into English, this is one of a series of three books, the other two can be found reviewed by me here: The Story of Pandora, The Land of Dreams. All of them are written by Kim Sun Huyn and Time of Memory is also illustrated by her, whereas the other two are illustrated by Song Geum Jin so their illustration style and content is very different. Just bear this in mind and check out reviews of all three to ensure you like them all.

This book is 25cm square, paperback, with soft feel flexible card covers with beautiful coloured imagery from inside the book and half page French flaps which are left blank on the insides. The spine is glue-bound which makes it fairly durable but does mean that you’ll lose a little of each image into it unless you crack the spine which will give you better access to the centre but could eventually lead to pages falling out so do be careful. The images are printed double-sided and are a mixture of single and double page spreads, a large number of them do enter the spine. The paper is bright white, medium thickness and lightly textured, water-based pens ever so slightly shadowed when using dark colours but didn’t bleed at all, alcohol markers will bleed through, pencils layer and blend well as there’s a little bit of tooth. The images themselves are a very different style from the other two books in this series on account of them being drawn by a different illustrator, the cover image is included inside but is not indicative of the majority of the images which are more basic and open-spaced. The book is split into the four seasons with the pages each including scenes, objects, and imagery indicative of that season in a Northern hemisphere country. The images include: Spring flowers, butterflies, berries, goslings, fans, umbrellas, a beach, acorns, pine cones, Winter clothing, snow scenes, and a Christmas tree. Each season is titled and a short paragraph is written about what that season means to Kim and some of her memories from childhood. At the back of the book is advice written by Kim, an Art Therapist, where she describes ways in which art therapy can be used, and the effects of different colours and what they can be used to elicit. Following this are thumbnails of each image along with the title of the spread, and a double-page spread where you can create your own illustrations.

In terms of mental health, this book is good for a whole range of conditions or symptoms, the content is wide-ranging and very natural so it’s calming and soothing to colour. The line thickness varies from thin to medium thickness and the intricacy and detail levels vary hugely from large open spaces in quite blocky designs to much more detailed pictures on a level with the cover image and everything in between. This book would suit colourists with most levels of vision and fine motor control, neither will need to be perfect for you to enjoy this book. The season theme gives this book a great level of continuity and the written childhood memories as well as pictured scenes offer a good level of nostalgia for childhood holidays at the beach, rainy summer holidays and snowy Christmasses. Many of the pages have great natural stopping points so it’s well suited to good and bad days where you want to colour just one item or section, or a whole page. You won’t need high levels of concentration to enjoy this book and while it is distracting and absorbing, it’s not hugely mentally taxing so it’s good for a range of abilities. I personally found the art a little basic, particularly when compared to the other two books in the series and it feels like a slightly adult version of a children’s book, however, that might just be me, having reviewed over 200 books you do get picky and this isn’t one of my favourites though I’m sure it would be some people’s.

Overall, I would recommend this book to those who don’t have perfect vision or fine motor control who want to colour natural images. The content is well-suited to pen or pencil colourists and is nostalgic both for childhood memories and for its similarities with children’s colouring book art.

If you’d like to purchase a copy it’s available here:
Amazon UK – Time of Memory: A Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Time-of-Memory/9781250112477/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tip Pens and Staedtler Triplus Fineliners.

The Land of Dreams: An Animal Fantasy Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Land of Dreams: An Animal Fantasy Coloring Book is published and kindly sent to me to review by St Martin’s Griffin. It was originally published in Korea and has been translated into English, this is one of a series of three books, the other two can be found reviewed by me here: The Story of Pandora, Time of Memory. All of them are written by Kim Sun Huyn and Time of Memory is also illustrated by her, whereas the other two are illustrated by Song Geum Jin so their illustration style and content is very different. Just bear this in mind and check out reviews of all three to ensure you like them all.

This book is 25cm square, paperback, with soft feel flexible card covers with beautiful coloured imagery from inside the book and half page French flaps which are left blank on the insides. The spine is glue-bound which makes it fairly durable but does mean that you’ll lose a little of each image into it unless you crack the spine which will give you better access to the centre but could eventually lead to pages falling out so do be careful. The images are printed double-sided and are a mixture of single and double page spreads, a large number of them do enter the spine. The paper is bright white, medium thickness and lightly textured, water-based pens ever so slightly shadowed when using dark colours but didn’t bleed at all, alcohol markers will bleed through, pencils layer and blend well as there’s a little bit of tooth. The images themselves are of a land of dreams so they show the weird, wonderful and surreal and are a great mixture of reality and oddity combined, from flowers to deer with floral antlers, bears floating with balloons to a whale with a castle on his back, a Merry-Go-Round to a tree-growing elephant, a floral peacock to a regal leopard and so much more. This book is jam-packed with incredible, nature-themed imagery and all of the illustrations are delicate, floral and fantastical. There are two pages with text written in paragraphs centrally which loosely explain the Land of Dreams in broken English, and a handful of pages with a thought-provoking statement written on them, I’m guessing the text hasn’t translated very well and has been done literally rather than being edited to make complete sense as some of the sentences seem unrelated to each other and a bit random. The image placement is quite varied from double-page scenes to centralised images, illustrations placed across the centre of the spread with lots of space around them and full pages with a bit of image trailing into the opposite page, there are plenty of places where you could add your own backgrounds or illustrations if you wish. At the back of the book is advice written by an Art Therapist where she describes anti-stress art therapy and colour therapy. Following this are thumbnails of each image along with the title of the spread and a double-page spread left for you to add your own drawings.

In terms of mental health, this book offers a lot of escapism and transports you to a far off land of dreams where nothing is quite as it seems and everything is a bit magical. The images portray realistic enough subjects that you could use realistic colour schemes if you wish, but they’re also surreal enough that you could really spice things up with purple elephants, green deer and red trees, the sky really is the limit with this imagery. A few of the designs don’t completely fill the double-page spread and a couple have very large open spaces where you could easily add your own illustrations or backgrounds if you wish, there are no written hints so you don’t have to add anything unless you want to, the page will look finished regardless. The line thickness is consistent throughout and is spindly thin. The intricacy and detail levels are consistent throughout and are very high, this is one of the most intricate books I’ve seen and it’s quite difficult to colour some of the most intricate parts so you’ll need exceedingly good vision and fine motor control, as well as a good level of concentration to identify each part and keep within the lines. This definitely isn’t a book for bad days, while flicking through it will surely absorb you and cheer you up, you’ll need to leave colouring it to your good days when you can concentrate properly and give it the time it deserves. This book doesn’t tell a story but it does create a sense of place and therefore is very absorbing and distracting, ideal for when your symptoms or thoughts are starting to take over too much. The illustration style and image layout is quite different from English and American books and it can take a little getting used to but it is really beautiful and looks even nicer coloured.

Overall, I would highly recommend this book to those who love the surreal and who love to colour natural and nature-themed images, this book is jam-packed with beautiful, intricate content and it really does look incredible coloured even though it does take a lot of concentration.

If you’d like to purchase a copy of this book it’s available here:
Amazon UK – The Land of Dreams: An Animal Fantasy Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/The-Land-of-Dreams-Kim-Sun-Hyun-Song-Geum-Jin/9781250112453/?a_aid=colouringitmom

The image below was coloured using Sudee Stile Coloured Pencils.

The Story of Pandora: A Fantasy Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Story of Pandora: A Fantasy Coloring Book is published and kindly sent to me to review by St Martin’s Griffin. It was originally published in Korea and has been translated into English, this is one of a series of three books, the other two can be found reviewed by me here: The Land of Dreams, Time of Memory. All of them are written by Kim Sun Huyn and Time of Memory is also illustrated by her, whereas the other two are illustrated by Song Geum Jin so their illustration style and content is very different. Just bear this in mind and check out reviews of all three to ensure you like them all.

This book is 25cm square, paperback, with soft feel flexible card covers with beautiful coloured imagery from inside the book and half page French flaps which are left blank on the insides. The spine is glue-bound which makes it fairly durable but does mean that you’ll lose a little of each image into it unless you crack the spine which will give you better access to the centre but could eventually lead to pages falling out so do be careful. The images are printed double-sided and are all double-page spreads, a large number of them do enter the spine. The paper is bright white, medium thickness and lightly textured, water-based pens ever so slightly shadowed when using dark colours but didn’t bleed at all, alcohol markers will bleed through, pencils layer and blend well as there’s a little bit of tooth. The images themselves tell the story of Pandora, a land where time stands still and fantasy animals come alive. There are a few pages with text written in paragraphs centrally which explain the story in broken English, I’m guessing the text hasn’t translated very well and has been done literally rather than being edited to make complete sense as some of the sentences seem very unrelated to each other and a bit random. The illustrations depict a girl travelling through Pandora, there are a number of features which are clearly from Alice in Wonderland including mushrooms, a White Rabbit, Drink Me labels on bottles, flamingos, playing cards and even the main character growing and shrinking so Alice fans will love this. The pages are all spreads with some containing randomly placed objects, some showing full-page scenes and others having a smaller image with lots of space around it where you could add your own drawings or backgrounds if you wish. At the back of the book is advice written by an Art Therapist where she describes ways in which art can help to relieve stress, and colour schemes that can be used for a peaceful state of mind. Following this are thumbnails of each image along with the title of the spread and a double-page spread left for you to add your own drawings.

In terms of mental health, this book offers a lot of escapism and transports you to a far off land where nothing is quite as it seems. The Story of Pandora has a lot of similarities with the familiar story of Alice in Wonderland and this brings with it feelings of nostalgia and fondness, especially to those of us who are huge Alice fans. The illustrations are very whimsical and fantastical and not overly realistic in composition so you can really go wild with your colour choices and have multi-coloured mushrooms, pastel coloured sheep and green flamingos if you wish. A few of the designs don’t completely fill the double-page spread and a couple have very large open spaces where you could easily add your own imagery or backgrounds if you wish, there are no written hints so you don’t have to add anything unless you want to, the page will look finished regardless. The line thickness is consistent throughout and is spindly thin. The intricacy and detail levels are consistent throughout and are very high, this is one of the most intricate books I’ve seen and it’s quite difficult to colour some of the most intricate parts so you’ll need exceedingly good vision and fine motor control, as well as a good level of concentration to identify each part and keep within the lines. This definitely isn’t a book for bad days, while flicking through it will surely absorb you and cheer you up, you’ll need to leave colouring it to your good days when you can concentrate properly and give it the time it deserves. Because this book tells a story it’s got great continuity and would make a wonderful keepsake when finished, you could add more of your own story if you wish. The illustration style and image layout is quite different from English and American books and it can take a little getting used to but it is really beautiful and looks even nicer coloured.

Overall, I would recommend this book to those who have very good vision and fine motor control, those who like Alice in Wonderland, and those who love to colour intricate, detailed storybook-style colouring books. It’s ideal for pencil colourists and will make a wonderful project to colour from beginning to end to turn into a keepsake.

If you’d like to purchase a copy of this book it’s available here:
Amazon UK – The Story of Pandora: A Fantasy Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/The-Story-of-Pandor-Kim-Sun-Hyun-Song-Geum-Jin/9781250112460/?a_aid=colouringitmom

The image below was coloured using Sudee Stile Colouring Pencils.

Floribunda: A Flower Colouring Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda: A Flower Colouring Journal is illustrated by Leila Duly and published and kindly sent to me to review by Laurence King Publishing. These journals often come shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you may not be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect, those of you familiar with Leila’s first colouring book, Floribunda, will know just how stunning her artwork is and now some of the smaller elements have been collated into this journal. It’s really luxurious from its pale pink hardback cover with a beautiful floral scene from the book, to the black linen-style spine, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! It is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy shell pink ribbon bookmark so you can easily find your place each time and on every other double-page is a small image from Leila’s Floribunda colouring book. The 37 illustrations include lots of the single flower illustrations which were printed in colour on the inside covers of her original book, they are printed in a very similar size to those and therefore look very delicate on the page. Of these illustrations, around 5 are printed twice, first towards the front of the book and then towards the end, these include the freesia, iris, delphinium, and two others. They look beautiful left uncoloured or brightened up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers and first and last pages are pale pink and the first internal page of the book has a large floral image with a small lined space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink lines do transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is lovely because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration though you do have to focus very hard to not colour over the lines. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are very intricate and detailed, and the lines are possibly the thinnest I’ve seen with the illustrations much smaller than those in the original colouring book pages and a similar size to their coloured counterparts on the inside covers of it, therefore you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. When compared to the two previous colouring journals Laurence King have published, I was very slightly disappointed with this one as there are no foiled elements on the cover (apart from the title on the removable paper strip), no metallic coloured edging to the pages, and half the number of colourable designs also including 5 repeats. This seems a little bit of a shame, however, as a standalone product it’s simply beautiful, I just feel the two journals of Johanna Basford’s artwork were better value for money as they had double the number of illustrations but for Floribunda fans this journal will still be ideal.

I would highly recommend this journal for stationery addicts, those who love to write and ‘need’ a new notebook, and fans of Floribunda and the stunning work of Leila Duly. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is one little flower. This journal is delicate and beautiful and a lovely addition to the colouring journal range.

You can purchase a copy here:
Amazon UK – Floribunda: A Flower Colouring Journal
Book Depository Worldwide – https://www.bookdepository.com/Floribund-Leil-Duly/9781780679402/?a_aid=colouringitmom

The images below were coloured using Holbein Artists’ Coloured Pencils.

Hidden Nature Frame Fantasia: A Colouring Book to Keep Your Favourite Moments – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Hidden Nature Frame Fantasia is published and kindly sent to me to review by Promopress and illustrated by Toc De Groc – a Barcelona based trio of ladies who run a design studio. They were the creators of the stunning book Hidden Nature and this second book is just as beautiful with a different theme but similar style. This book is square (the same size as the bestsellers), paperback, with a beautiful floral embossed white card cover and removable paper slip with the title and coloured illustrations from inside the book. The spine of the pages isn’t attached to the cover apart from at the back and it’s a lay-flat binding meaning you can access the entirety of the page, and that you can remove them if you wish. The book contains 45 single-sided images with a frame in each one that you could cut out and then add a photo or your own drawing and then frame the whole thing for yourself or others. The paper is bright white and really thick (160gsm), it’s not card-like but it’s some of the thickest paper I’ve seen in a colouring book and there isn’t even a hint of bleed-through or shadowing with water-based pens so it’s perfect with all of your water-based markers and with pencils whose colours will show up beautifully on the paper. The images are borderless and all contain nature-themed illustrations with lots of hidden features throughout and each one contains a frame of varying size, shape, and number. One of the things that stands out most about this book is the little cat who is hidden within each page (bar one – the motorcycle page). He’s shown in various different sizes throughout and sometimes he’s the main feature of the image and other times he’s hidden somewhere for you to find. The image content is really varied, all nature-themed, but with loads of different objects and animals added in, all covered in florals. The themes range from love to music, Christmas to under the sea, tropical to afternoon tea, travel to makeup and so much more. Great numbers of animals are also included from unicorns to birds, turtles to flamingoes, butterflies to dogs and of course lots and lots of cats! Some of the images are of scenes, some are set up like still life, some are object shapes made out of lots of flowers and leaves, and others have animals hidden within them. Each one is single-sided with a peach coloured back page with co-ordinating white line art. At the very back of the book is a double page spread of beautiful lettering in both upper and lower case which you could trace over to add greetings or initials to your frames if you wish.

In terms of mental health, this book is great, it’s filled with nature which is ideal for calming you down and helping you to relax and zone out but it’s all drawn in a cartoony style which brings character and whimsy to the images. The frames are a really novel concept and they’re ideal because they give you a project with a goal at the end and the finished pages, once removed from the book, would be fantastic to add photos, greetings or drawings to and then gifted either as they are or framed. The illustrations are drawn in a consistently thin line throughout so this isn’t an ideal book for those of you with poor vision or fine motor control issues, but the line isn’t spindly thin so it’s manageable to stay within the lines when you’re colouring. The intricacy and detail levels vary throughout but range from medium to high levels of intricacy and most of the images contain a lot of details meaning there are lots of different parts to colour on each page though you can of course colour over these in blocks if you choose. The images are quirky and fun and will be sure to bring a smile to your face, they don’t take themselves too seriously and this book doesn’t feel intimidating or too perfect to colour in like some others do. This is a friendly book that starts off with a page where you can write your name and continues into a beautiful, floral-filled world where you can get lost and colour in whatever colours you fancy without realism forcing you to colour everything a specific colour. I personally found this book very calming and relaxing and it really did cheer me up on some of my darker days while I was colouring it ready to review. The images are varied and often made up of lots of component parts so if you’re having a bad day and your concentration is poor you could colour just one flower, or cupcake, or heart and then go back to it when you’re feeling better, or on good days you can plough your way through the pages that are filled with detail and intricacy.

I would highly recommend this book to anyone that likes nature based images, and anyone who likes cartoon-style drawings. The images are quirky and whimsical and are a great combination of objects and animals intertwined with natural florals and they’re drawn so beautifully that they’re just crying out for colour to be added. This is a fabulous book for pen fans who want to be able to use their water-based pens without having to worry about the dreaded bleed-through and those who want to colour pretty floral images.

You can purchase a copy here:
Amazon UK – Hidden Nature Frame Fantasia
Book Depository Worldwide – http://www.bookdepository.com/Hidden-Natures-Frame-Fantasi-Toc-de-Groc/9788416504442/?a_aid=colouringitmom

If you like the look of this book then check out the first one in the series here:
Review – Hidden Nature
Amazon UK – Hidden Nature: A Colouring Escape for Grown-ups
Book Depository Worldwide – https://www.bookdepository.com/Hidden-Nature-Toc-de-Groc/9788415967729/?a_aid=colouringitmom

The image below was colouring using Stabilo Point 88 Fineliners and Stabilo 68 fibre-tips.

Enchanted Forest Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Enchanted Forest Journal is illustrated by Johanna Basford and published and kindly sent to me to review by Laurence King Publishing. I will freely admit to being a total stationery addict – I love nothing more than a brand new pen or notebook, so when I saw that our colouring Queen Johanna Basford had released another colouring journal, I had to have a copy, her first colouring journal Secret Garden can be found reviewed by me here. This journal comes shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you won’t be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect. It’s really luxurious from its hardback cover with a beautiful woodland scene from the book and gold foiling accents, to the black linen-style spine and beautiful gold-edged pages, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! The journal is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy cream ribbon bookmark so you can easily find your place each time and on every double-page is a small image from Johanna’s Enchanted Forest colouring book. The 72 illustrations include loads of different leaves, fish, birds, owls, feathers and more, and they look stunning on each double-page spread either left uncoloured or brightening it up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers are cream with black line drawings of Johanna’s flower patterns which can be coloured and the first page of the book has space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink does transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is fantastic because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are intricate and detailed, some at the same level as contained in the original book and others are much smaller and therefore more intricate and detailed so if you’re wanting to colour these images you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. I found that the illustrations are ideal for testing out colour schemes and techniques ready for doing my ‘best’ version in my copy of Enchanted Forest but this is also a great stand-alone journal.

I would highly recommend this journal for Johanna Basford fans, stationery addicts, and those who love to write and ‘need’ a new notebook. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is a sprig of leaves or a little fox. This journal is gorgeous and certainly the best I’ve seen and its gold-edged pages are a lovely addition.

You can purchase a copy here:
Amazon UK – Enchanted Forest Journal
Book Depository Worldwide (cover shown is incorrect but item is right) – http://www.bookdepository.com/Johann-Basfords-Enchanted-Forest-Journal-Johann-Basford/9781780679181/?a_aid=colouringitmom

The images below were coloured using Stabilo Point 88 fineliners and Prismacolor Premier Coloured Pencils.

The Great British Bake Off Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Great British Bake Off Colouring Book is published by Hodder and Stoughton and is from my personal collection. It’s been a sad couple of weeks in the baking world after discovering that not only is our favourite baking show moving from the safety of the BBC to the big wide world of Channel 4 but that also 3 of our 4 presenters and judges won’t be relocating with it. I can’t be the only one who feels as if their world has been turned upside down and isn’t sure if they should be whisking or kneading the mess of dough before them. It’s therefore the perfect time for Tom Hovey, resident artist (at least for now) on the Great British Bake Off, to publish his wonderful colouring book filled with familiarity and nostalgia from the series we know and love! I was so worried that after the devastation of the past few days’ news, this book might disappoint, that it might not be a recipe for success and might have the dreaded soggy bottom! I can safely say it hasn’t, at least for me, it’s beautiful, filled with recognisable bakes and just begging to be coloured! So grab your aprons, preheat your ovens and “On Your Marks, Get Set, BAAAAKE!”!

This book is 25cm square, the same size as the bestsellers, paperback with flexible card covers which have partially coloured designs from inside the book on the outside and on the inside covers are colourable pages of cream horns which are also pictured in the book. The spine is glue and string-bound and isn’t especially tight on arrival meaning it’s quite easy to get most of the way into the gutter so very little of the image edge is lost. The pages consist of a mixture of single and double-page spreads, the book contains 90 pages of designs and 12 (24 sides) of these are double-page spreads. Many of the images are centralised cakes which don’t have any aspects reaching the edges of the pages, for those that are full page spreads of double-page designs, a very thin border has been left down the centre of the spine so once you’ve worked the spine and can open the book completely flat you’ll be able to reach all aspects of the image to colour which is fantastic and very rare! The paper is bright white, medium thickness and lightly textured, my water-based pens barely even shadowed though they did bleed through when I added water to them but that’s to be expected, the paper didn’t hold up brilliantly to water and did buckle a bit but I’m new to using water with pens so I wasn’t sparing enough with it. Pencils work really well on the paper, you can build up plenty of layers for blending and shading and this will be ideal for getting your chocolate looking perfectly tempered, icing superbly swirled, and fruit looking well glazed.

The contents of the book includes loads of Tom’s original illustrations from the series and they are instantly recognisable. There is no text through the book and on my first look through I was really worried about how I’d know what each bake was and who’d made it, I was very relieved and excited when I got to the final three pages of the book and saw that thumbnails of each image have been included and titled with what the bake is, who baked it and which series it’s from. This means a quick google search with those details, or a re-run of that episode if you’re a die-hard fan and have them all, will allow you to find the original bake and Tom’s original coloured illustration so that you can copy it if you wish or you can go to town and colour a unique baked creation. The bakes pictured include trifle, tiered pies, decorative loaves, 3D biscuit scenes, opera cakes, Swiss rolls, Charlotte Russe, eclairs, vol-au-vents, canapes, and even a povitica. All of the images are from Series 4-6 and there is a great cross-section with creations from all of your favourite bakers included, even Mary and Paul’s! Settle yourself down with a cup of tea and a slice of cake (purely for research purposes of course), get your pens and pencils out and colour the perfect crumb, shiniest icing, and sauciest self-saucing pudding! None of the people are pictured in this book, no bakers, presenters or judges, but the tent and the beautiful Welford Park House are pictured and even the famous Bake Off squirrel!

In terms of mental health, I have personally found this book fantastic! If you like cakes then this book has to be on your must-have list, it’s sure to cheer you up and improve your mood because the cakes are so beautiful and it might even inspire your baking (if you like to bake). I found the book really calming and very distracting, there are so many little details that you notice new ones each time you flick through the pages allowing you to become totally absorbed and I really noticed my worries melting away as I coloured Tamal’s Charlotte Russe. The images are all drawn in a consistently medium/thick line so this book would be ideal for almost anyone to enjoy regardless of vision impairment or issues with fine motor control. The detail level varies throughout from large pastry slices and meringue peaks on baked Alaska, to much smaller details in the garden scenes, and Chetna’s caramel covered Dobos Torte. This book will be ideal for those of you with varying concentration levels and symptoms because the illustrations are really varied in size and also have very natural stopping points so you could colour one chocolate covered strawberry or cream horn, a pastry or even a whole gateau, the choice is yours! The lines are quite black and heavy and at first I found this a little off-putting because I normally like to colour thin-lined images with delicate linework but I love how my page turned out and instead of just creating sections to colour within, the lines in this book are truly part of the artwork of the finished piece, the boldness of them means that your colours really pop so whether you use pens or pencils you’re liked to want to use some really bold colours so they stand out well and don’t disappear. These illustrations are almost identical to Tom’s originals from the show so if you’re not quite sure which section is nut, which is fruit or what colour dipping sauce has been used then just google the original and you can copy his colour scheme if you wish, this is ideal for anxious colourers like me because it’s like paint-by-numbers without the numbers and it takes all of the stress out of choosing colours and you can just pick the matching shade and get going, your symptoms can take a back seat and you can just enjoy colouring some deliciousness.

This book certainly contains some technical challenges and some pages that you can truly colour into your own signature bake and more still that will hopefully become showstoppers! It’s sure to make you hungry and get you hunting through your recipe books for inspiration and to make tasty treats to snack on when you need a break from colouring. I would highly recommend this book to anyone who loves cake, baking, or the Great British Bake Off because this really is the ultimate book for cake-lovers, it completely transports you back to the Bake Off tent!

If you get a copy of this book then be sure to avoid Mel wearing your tuille as bracelets and Sue accidentally elbowing your English muffins. Keep your colouring area a disaster-free zone and for goodness’ sake, colour slowly so that nothing needs to be discarded and we can all avoid another episode of “bin-gate”, I’m still not sure I’m over the trauma of the Baked Alaska challenge! You can take your finished pages and offer them up on the Gingham Altar for Mary and Paul to poke, prod, and almost certainly tell you it’s under-blended or over-shaded, but perhaps, if you’re lucky enough, you might just get crowned Star Colourer for the week and receive the coveted handshake from Paul – we can all dream can’t we?! This book truly offers you a way to have your cake, and eat it!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – The Great British Bake Off Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Great-British-Bake-off-Colouring-Book-Tom-Hovey/9781473615625/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tip pens and a Derwent waterbrush to create the macaron colour, bavarois colour and drips on the berries to create a mottled appearance.

If you’d like to see a silent video flick-through of the entire book then click here.

Millie Marotta 2017 Diary – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta 2017 Diary was published and very kindly sent to me to review by Batsford Books. This diary is a smidge over A5 size, hardback, with white covers with a beautiful scaled down version of the Wild Savannah book cover with hints of colour added and touches of gold foiling on the front. The diary is kept closed with a black elastic strap and there is no writing on the covers apart from 2017 in gold foil, there’s also a removable thick wrap-around slip of green paper with gold foil writing stating it’s the Millie Marotta Diary with the bar code on the back. Inside the diary the front and back are black double-page spreads with the publishing information printed at the front, followed by the diary pages and 26 illustrations taken from Millie’s third colouring book, Wild Savannah. The pages are bright white and medium thickness for a diary, the pages are unlined and consist of a week to view on the left page and a blank page on the right that just shows the dates of the current month in the bottom right hand corner leaving you plenty of space to write notes, doodle, jot down lists etc. Each week starts on a Monday and the dates are separated by a line with Saturday and Sunday sharing one. The diary begins with a Personal Details page where you can write your address, work details, and useful numbers, following this are year views of 2017 and 2018 both sharing a single page. At the beginning of each month is a pair of images from Wild Savannah, some are double-page spreads and others are two separate single images. Sadly, the paper isn’t very thick for colouring and doesn’t have much texture at all, water-based pens bleed through (see photo below) and pencils are pretty difficult to work with, especially if you’re wanting to blend or shade, my wax-based Prismacolor pencils worked fairly well but my Polychromos pencils were difficult to use. When writing in the diary, I’d advise using a pencil or biro to avoid ruining the reverse of the page, I’d personally stick to pencil and write lightly so that you don’t get pressure marks and indentations affecting the colouring pages. The images are all scaled down from the originals and are mostly full page designs shrunk to fit on the A5 pages with a few that are the centre sections of the image, also scaled down to fit the page.

In terms of mental health, this colouring diary is a great combination of colouring pages and useful diary so that you can colour and plan your year all in one place. There’s plenty of space for writing so you won’t run out of space to write your plans and you could colour the designs as and when it takes your fancy or at the start of each month where the colouring page appears, you could complete them in order or randomly, the choice is yours! The illustrations are all vastly scaled down from the originals so the intricacy and detail levels are through the roof on most of the images so you will need perfect vision and fine motor control and some mega sharp pencils to enjoy colouring these pages. The line thickness is spindly thin throughout so there’s no margin for error! This diary has fewer colouring pages than most others I’ve seen and it’s definitely much more diary than colouring book, it sadly hasn’t been printed on great paper for colouring but it’ll be fine to write on so fans of Millie’s work may want to just leave the line drawings as they are, they look beautiful just in black and white.

Overall, I would recommend this diary but it’s certainly not the best I’ve seen with thinner, smoother paper than I’d like and fewer colourable pages. It’s a lovely addition to any die-hard Millie Marotta collection and it’s beautiful to look at but the pictures are pretty tricky to colour well due to not being able to use pens without bleed-through or blend pencils particularly well.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Millie Marotta 2017 Diary
Book Depository Worldwide – http://www.bookdepository.com/Millie-Marotta-2017-Diary-Millie-Marotta/9781849943932/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.