Christmas Tree Time Lapse 2017

Christmas Tree Decorating Time Lapse 2017 – Video Post

As some of you know, I’m well known for my obsession with Christmas and in particular, Christmas decorations, my partner and I decorated the tree together this year and recorded a time lapse video of the process. Please do check us out building and decorating it at 64x speed, Merry Christmas!

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Die Welt Unter Der Lupe zu Lande click through to read my review, see a video flick through and photos of inside

Die Welt unter der Lupe – Zu Lande (The World Under the Magnifying Glass – Land) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Die Welt unter der Lupe – Zu Lande (The World Under the Magnifying Glass – Land) is published and kindly sent to me to review by Bastei Lübbe. This book is the sixth illustrated by Rita Berman, a highly talented German illustrator, she previously brought us the hugely successful and utterly beautiful series of season colouring books, reviewed by me here, and the first in this new series, Die Welt unter der Lupe – Zu Wasser. I had high hopes for this new book after the previous one was so utterly beautiful and I didn’t think that one could be beaten but I think I’ve fallen in love with this one just a little more because the content is so wonderfully wide-ranging and just a little more free because of the topic being land rather than water, it’s just exquisite. As with all of her books, I was absolutely blown away by its beauty, I can’t enthuse enough about it, it’s beautiful! It is identical in format to her previous books and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than most at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover and a hole in the centre of the magnifying glass which gives a very clever 3D effect of looking at a bee printed on the inside of the full size French flaps. Both covers have fully illustrated French flaps with colour added to the external covers and the internal front flap but none add to the back one so it’s fully colourable with alcohol markers if you wish. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the previous titles. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each of Rita’s books but they’re beautifully tailored to the specific theme of the title, previously seasons or underwater and this time land, and it’s very clear from looking through each book what it’s dedicated to.

The drawings are incredible, as with all of Rita’s books, each time I look through the book I see new things that I didn’t notice before. The content this time is even more varied and ranges from double-page spreads of forest scenes and cities within birds’ wings, to branches of acorn houses and desert cactus landscapes. There are small centralised images of cornflowers and poppies, larger single-page images of beetles, flamingos, birds’ nests and mouse houses and a few pages showing a scene on one page and a corresponding pattern on the other. There are so many different things pictured including foxes, hedgehogs, bees, flowers, deer, snails, rabbits, birds, butterflies, insects, beehives, leaves, fruit, elephants, lizards, monkeys, parrots, and so much more. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, each of Rita’s books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish colour schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. There are also a number of pages that have large open spaces where you could add your own backgrounds or imagery if you wish, this is by no means a necessity but the option is there if you want it. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and all of the other titles by Rita, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Die Welt unter der Lupe – Zu Lande
Amazon US – Die Welt unter der Lupe – Zu Lande
Book Depository Worldwide – https://www.bookdepository.com/Die-Welt-unter-der-Lupe—zu-Lande-Rita-Berman/9783404609482/?a_aid=colouringitmom

You can read my reviews of Rita’s other books here.

The image below was coloured using Faber-Castell Polychromos Pencils.

Photography for Agoraphobia: Photobook 1 – Video Post

I suffer from severe agoraphobia which has left me virtually housebound since March 2014, photography helps me to go out a bit more often, for longer, and keeps me calmer and here I show a flick through of the first of four photobooks that I’ve made of my best photos this year.

How to Talk to Someone Who’s Feeling Suicidal – Video Post

Knowing what to say to someone who’s feeling suicidal can be really difficult but saying something rather than nothing could be the difference between that person being able to seek help or remaining feeling alone and worthless. Here, I talk about what helps, what doesn’t, the difference you could make and the thoughts and feelings that go alongside feeling suicidal because of mental or physical illness.

Hem Ljuva Hem (Home Sweet Home) by Emelie Lidehall Oberg, click through to read my review, see a flick through and photos

Hem Ljuva Hem (Home Sweet Home) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Hem Ljuva Hem (Home Sweet Home) is illustrated by Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. This book is only available in this format and is similar to the Swedish Artist’s Editions (Tavelboks), it measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are white with green imagery from inside the book. The book has a green tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through and mine didn’t even shadow when colouring the black sections of the image. The 20 illustrations are all posters, 19 contain text, 7 are written in Swedish, 12 are written in English, two of them include swearing (one English and one Swedish). The posters contain varying amounts of imagery and text with some just being beautifully drawn text and others just having a subtle message placed within a large colourable image. The phrases range from romantic to funny, exclamations to sayings, you can see them all in the images below. The illustrations also vary a lot from animals to flowers, objects to houses, scenes to collections and more, they are all drawn beautifully and are each packed with content so there’s loads to colour in each one. The posters would be ideal to remove and frame either for your own home or to give as gifts.

In terms of mental health, this book is great, I’m always a huge fan of books that offer a project that can be gifted or displayed because these are fantastic for showing us what we can achieve and for giving us a goal to work towards and afterwards, a reminder of what we can do. You could easily colour them to match the theme of a room or to stand out a look fabulous and I can’t wait to frame my finished page and brighten up my walls with it! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels vary a little within each image with most being fairly intricate but having a few places with larger open spaces, therefore this book would be ideal for most levels of vision and fine motor control. The content is pretty uplifting and positive and sure to make you smile or laugh, even on your worst days and it looks even more fabulous once you’ve filled it with colour! The images are all a manageable size and will take varying amounts of time to colour depending on what mediums you use and how much blending and shading you want to do but none are overwhelming or likely to require weeks of dedication! Most of them consist of lots of component parts so you can colour them in sections if you wish, particularly useful if you’re having a bad day.

Overall, this is a fab book, it’s filled with beautiful artwork just begging to be coloured and displayed and it’s sure to perk up even the most symptom-filled days. The card is ideal for all mediums and the posters lend themselves to all types of colouring styles.

If you’d like to purchase a copy, it’s available here: https://www.printworksmarket.com/p/shop/books/all-books/hem-ljuva-hem-20-posters-to-color-and-frame.html

I run a fan group for the artwork of Emelie, please do join us and share your work.

The image below was coloured with Holbein Artist’s Colored Pencils, Faber-Castell Polychromos Pencils and a black Sharpie.

Winterkleurkaarten by Julia Woning - Check out my review, photos and video flick through

WORLDWIDE GIVEAWAY and Review – Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen (Winter Colour Cards: 20 Postcards and Envelopes) by Julia Woning

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen (Winter Colour Cards: 20 Postcards and Envelopes) are published and very kindly sent to me to review by BBNC Utigevers. They have also very kindly provided me with an extra set which I’m currently running a Worldwide Giveaway for on my FB page until 23.59 GMT on the 29th of November, and you can also win a copy of the Tiffany Glass Coloring Book, to enter please click here. This set of cards is illustrated by Julia Woning, a talented Dutch illustrator who’s previously published a number of books in the Netherlands. These cards arrive in a red card box with an image adapted from one of the cards on the front, this box is a little bit flimsy but does prevent the cards from getting damaged or lost. The box contains 20 cards, these are not greetings cards, they are square postcards that are single-sided with a design illustrated on the front, and text at the top on the back saying Merry Christmas and a Happy New Year in Dutch, along with the copyright information at the bottom. The 20 plain white envelopes fit the cards perfectly and will be ideal for giving or sending the cards to others. The cards are made of bright white, lightly textured, medium thickness card, it doesn’t bleed or shadow with water-based pens but will with alcohol markers so do be aware of this, pencils, especially oil-based ones or those with harder leads, are very difficult to colour with on this card and require a lot of patience as the lack of tooth makes it difficult to layer or blend, my Prismacolor Premiers worked pretty well but I really struggled with Holbeins which seemed to clump and not colour evenly. The images themselves are all drawn in Julia’s signature style which is often out of proportion with people having very large rounded bodies and very small faces with exaggerated features. The content is really varied but all is heavily winter and Christmas themed and include all sorts from snowflakes to Santa, robins to reindeer, candles to baubles, cocoa, to polar bears, stocking, angels and so much more, there is even a jumper-wearing elephant! Each picture is packed with imagery and many of them have spaces to write your own messages if you wish. Most of the cards contain scenes or snapshots of Christmas celebrations and each is different from the next from a woman drinking cocoa to Santa riding his sleigh, snowmen in a garden to a decorated Christmas tree and more. The cards are really beautiful and will be ideal for challenging yourself to try out new techniques including colouring skin, snow, shiny objects, glowing backgrounds and even glass. They’re all really beautiful and sure to spread some Christmas cheer whether you keep them yourself or gift them to others.

In terms of mental health, these cards offer a great, manageable project, they’re small enough not to be overwhelming, but large enough that they’re not coloured in seconds and you can take your time colouring each section without needing days to do so. The line thickness is consistent throughout and is thin. The intricacy and detail levels do vary across and within each card but mainly remain low to moderate so anyone with moderate vision or fine motor control will be able to enjoy these cards. You won’t need especially good concentration levels and will be able to colour these cards on good and bad days which is great! Colouring cards are a great project because not only do you get to enjoy colouring them, you can then send them to others and share the joy or even send them uncoloured to a friend who might need a little push to start colouring, they’re great for spreading some happiness and colouring love! The shape of them would make them ideal to frame if you wish, they could be a lovely added extra to your Christmas decorations or a really personal touch for your loved ones. They’re also the perfect project to start trying out some new colouring techniques without having to worry about ruining a whole page and you can use any medium you fancy because they’re single-sided.

Overall, I would highly recommend these colouring cards, they’re beautifully drawn and really varied in content and they’re a lot of fun to colour, you can try out new techniques or just enjoy getting in the festive spirit. These will appeal to colourist’s of all ages and be sure to get you feeling Christmassy!

If you’d like to purchase a set, they’re currently unavailable on the usual sites though they are listed there so do sign up for email alerts and they’ll tell you when they have them in stock, hopefully it’ll be soon!
Amazon UK – Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen
Book Depository Worldwide – https://www.bookdepository.com/Winterkleurkaarten-Julia-Woning/9789045321851/?a_aid=colouringitmom
BBNC (Publisher site with very reasonable International Shipping) – http://www.bbnc.nl/kleurboeken/julia-woning-winterkleurkaarten

I’m currently running a Worldwide Giveaway for a set of these cards on my FB page until 23.59 GMT on the 29th of November, and you can also win a copy of the Tiffany Glass Coloring Book, to enter please click here.

The card below was coloured with Stabilo 68 Fibre-Tip Pens.

The Tiffany Glass Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Tiffany Glass Coloring Book is published by Rizzoli and illustrated and very kindly sent to me to review by Jessica Palmer. Jessica has also sent me a second copy in order to run a giveaway, this is currently running on my FB page and you can win a copy of this book and a set of 20 Winterkleurkaarten by Julia Woning; you have until midnight on the 29th of November 2017 to enter here. This book is a new format, design and style from what we’ve come to know for Jessica’s art in the Tangle book series but it is no less beautiful, it’s just different. The book itself is 23.1 x 25.4cm, paperback with flexible card covers and a partially coloured black and white design from inside the book. The spine is glue and string-bound and can be a little tricky to get completely flat but with perseverance this will become easier. The pages are a mixture of single-sided (25 images) and double-sided printing (42 images) and it seems quite random as to where these are placed, the images are also a mixture of single (63) and double-page spreads (4 comprising of 2 spreads) and many have black backgrounds (23 ish). The paper is bright white, lightly texture and medium thickness, it worked well with my Derwent Inktense Pencils and didn’t overly warp when activated with water and this didn’t shadow or bleed. Water-based pens don’t seem to bleed or shadow and pencils work well for blending and layering, alcohol markers can be used on the single-sided images as long as you place a protective sheet behind to catch any bleed-through. The images themselves are all inspired by Tiffany lamps and therefore have a real stained glass feel as they’re designed to have light displayed through them to show each section, therefore the images are mostly quite heavily lined with lots of sections making up each design. Each of the designs contains at least one dragonfly for you to find, sometimes these are the centre of the image and other times they’re hidden, they give a really cohesive feel to the book because even though each page is filled with different content, it’s still tied together with the Tiffany lamp and dragonfly theme. The designs vary a lot in size and content and Jessica explains in the introduction that she has deliberately created illustrations with much simpler designs for children or beginners and all different levels in between up to very complex detailed designs. There is a really good mixture of designs and pretty much all of them are heavily nature-inspired, just like the real Tiffany lamps. The images don’t contain actual lamps with fixtures and stands, they’re all designs inspired by lamps and therefore the artwork has been altered and adapted to fit a flat page rather than all of them being circular or curved which is nice.

In terms of mental health, this book is lovely, the natural images are great for calming you down and helping you zone out. The different levels of difficulty are ideal for those of us with fluctuating conditions because you can do simpler images on your worse days and more complex images on your better days when you can focus. The line thickness varies throughout and ranges from spindly thin to thick and mostly stays around the thin range. The intricacy and detail levels also vary hugely from large open spaces to much smaller, finer details and again, it remains mostly around the quite detailed level and therefore you’ll need fairly good vision and fine motor control to enjoy the majority of the images. The printing is ideal for those who like to use wet media or mixed media as you can colour the double-sided pages with pencil or carefully with water-based pens and the single-sided pages with watercolours, alcohol markers and paints if you wish. You can really challenge yourself to work on making the images look like sections of lamps with light shining through them if you wish or you can just colour them as normal colouring images, either option will look equally beautiful. The single-sided images could even be carefully removed from the book once coloured and framed or gifted if you wanted.

Overall, this is a lovely book, it’s not as niche as you might expect and the illustrations are all drawn in Jessica’s beautiful signature style and will look incredible once splashed with colour, whatever medium you fancy using!

If you’d like to purchase a copy it’s available here:
Amazon UK – The Tiffany Glass Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Tiffany-Glass-Coloring-Book/9780847860708/?a_aid=colouringitmom

Jessica has also sent me a second copy in order to run a giveaway, this is currently running on my FB page and you can win a copy of this book and a set of 20 Winterkleurkaarten by Julia Woning; you have until midnight on the 29th of November 2017 to enter here.

The image below was coloured with Derwent Inktense Pencils and activated with water.

Colorist's Special Effects - Click through to see photos and read my written review.

Colorist’s Special Effects: Colour Interior Version – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Colorist’s Special Effects is illustrated, self-published and very kindly sent to me to review by Helen Elliston. This book is A4, paperback and is available in a greyscale or colour interior version (the greyscale version is cheaper and they both say on the front and on the online listings which they are, I’d personally recommend the colour version, I can’t imagine trying to follow the instructions without the colours there to see). The spine is glue-bound and seems pretty durable so far, the tutorials are printed double-sided and some of the practice sheets are printed single-sided but none of the content spans the spine so none of it is lost into it and all parts are accessible, it’s a little tricky to get the book to lie flat but this will ease up over time. The book is self-published through Createspace and therefore has standard medium/thin paper which is white and lightly textured, it’s not perfect for pencils or pens but it works fine and bearing in mind this is a techniques book, used to practice, it doesn’t need to be perfect to gain all of the knowledge you need to make your colouring pages really improve. The book begins with a contents page listing all of the techniques that you’ll learn within the book, they’re split into chapters of similar techniques so that you can work on a specific type of colouring at once if you wish. These chapters are Hair, Lips and Skin; Nature; 3D shapes and Objects; Gems; and Backgrounds. Within each of these chapters are a long list of specific techniques that can be used alone or in conjunction with each other, these include brown hair, metals, water droplets, faceted gems, woodgrain, pearls, fish scales, sunglasses, bubbles, 3D fabric and lots, lots more. The tutorials themselves are very clearly laid out with numbered diagrams all pictured in colour, each shows a coloured picture of the step you’re completing alongside short written instructions detailing what colour and where you’re using it. There is an absolute wealth of information in the book and Helen covers everything from simple techniques like a shiny fish all the way up to realistic eyes, hair and skin tones and everything in between. There are lots and lots of chances to practice and many of the practice pages are printed single-sided so that you can use any mediums you wish, there are multiple opportunities to attempt each technique so you don’t need to worry if you don’t perfect it first time. At the back of the book are a colour wheel that you can fill in yourself, lots of colour charts, first double-sided for use with pencils and then single-sided for use with wet media that might bleed through, these are all in four different shapes each with plenty of space to write down the colour/colours and brand that you’ve used for easy identification later. There is also a page of 12 signature cards, each with an image (2 of each design) that you can use a technique from the book on that can then be cut out and placed on pages instead of a watermark when photographing and sharing your work. There really is so much content that I can’t possibly talk about all of it here, every time I look through the book I find techniques that I’ve somehow not noticed before, there are loads of different skills to learn from colouring objects to scenes to backgrounds, you can use a huge variety of media and this book is probably the best techniques guide on the market because of the sheer breadth of coverage, it’s honestly astounding!

In terms of mental health, this book is hugely useful and very exciting but can be quite overwhelming and challenging too, this is in no way Helen’s fault and it isn’t a criticism of this specific book, it’s more something that I’ve really noticed for myself when using techniques books, it can be really tough to get started, to follow and to have the confidence to give it a go or apply to other things and this is very much the fault of our conditions and symptoms rather than the books themselves. All of this being said, Helen has made the instructions and diagrams as clear as possible, it can be quite overwhelming when first looking at the page but if you can focus just on the first instruction and slowly move your way through them then before you know it, you’ve coloured a whole object and it looks amazing! The techniques are mostly laid out in one of two ways, either, each colour is shown separately in each diagram and described in the instructions so that you know what order to place the layers, or each diagram is cumulative with colour showing each new layer on top of the previous ones, I personally prefer the first type as it’s much clearer and easier to focus on for anxious, over-stimulated eyes, others may well prefer the second type because it’s clearer what the whole thing should look like throughout each stage because the images mimic what you’re actually doing rather than just the one layer each step is focusing on. It was a clever move on Helen’s part to use both types of diagram and these are all created in paint to clearly show the layers and differences between colours with a colour photograph of Helen’s finished piece in pen or pencil at the end so that you know exactly what you’re working towards. The line thickness on the practice drawings is pretty consistent throughout and remains thin. The intricacy and detail levels vary depending on what you’re learning to colour, almost none of it is particularly intricate or detailed because the techniques are very much about learning to blend, layer and build colour and 3D shape which usually requires a fair bit of space to work within so this book is definitely suitable for those with normal levels of vision and fine motor control.

All in all, I can’t praise this book highly enough, nor can I fully describe it without possibly writing dissertation length post about it, there is just so much content and it really is like an encyclopaedia of colouring techniques from small objects, people, and animals, all the way up to metal, and backgrounds. No matter what level of colourist you are, you’re sure to find something useful and inspirational to improve your colouring.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Colorist’s Special Effects
Book Depository Worldwide – https://www.bookdepository.com/Colorist-s-Special-Effects—Color-Interior/9781546646594/?a_aid=colouringitmom

Helen has also just released a second book, Colorist’s Special Effects 2, I have just received a copy and will be reviewing it soon, suffice to say, it’s incredible and an absolute must-have so if you’d like to order a copy, you can purchase it here.
Amazon UK – Colorist’s Special Effects 2 

The images below were coloured using Faber-Castell Polychromos Pencils and a Caran d’Ache Blender Pencil.

Unsolicited Advice – Video Post

Unsolicited Advice is something many of us with mental illness and long-term physical illness experience and at best it’s an irritant, at worst, it can be damaging and harmful. As a sufferer of Depression, Generalised Anxiety Disorder, Social Phobia and Agoraphobia, amongst other conditions, I receive a lot of “advice” that’s not asked for, nor wanted, and some of this has been possibly dangerous if I didn’t have the knowledge that I do.

Color Workshop by Rachel Reinert - Click through to see photos and read my written review of this fab tutorial book!

Color Workshop: A Step-by-Step Guide to Creating Artistic Effects – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Color Workshop: A Step-by-Step Guide to Creating Artistic Effects is illustrated and written by Rachel Reinert and published and very kindly sent to me to review by Get Creative 6. This book is A4, paperback, with flexible card covers. The spine is glue and string-bound and very durable. The content is printed double-sided throughout. The paper consists of two different types, the tutorial section is printed on glossy white paper and the colouring practice pages are printed on bright white, matt paper that is medium thickness and lightly textured. The book is split into two sections, tutorials for the first two thirds of the book and illustrations to practice your colouring techniques on for the last third. The information and tutorials are very comprehensive and cover a wide range of topics from colour theory and detailed descriptions of different colouring mediums to basic colouring techniques, ways to choose colours and use mediums in new and different ways, and then moves onto how to create artistic effects like blending, highlights, adding backgrounds, water droplets, auras/glows, a basic tutorial for colouring skin and hair (better ones can be found but this is a good start), crystals and lots more. Rachel uses different mediums for each technique so you’re sure to find one that you already own the tools to create and she names each colour she uses so you can match it either identically or by finding close matches within the mediums you already have. You can learn to use a huge number of mediums from coloured pencils to watercolour pencils and paints, alcohol markers, gel pens, pastels and mixed media. The colouring pages exactly match each technique so you can directly copy the instructions without having to first work out how to apply them to a different image. The colouring pages are perforated and can therefore be removed before colouring so that you’re not constantly having to flick to the tutorial and then to the page to colour, it also means you can copy them (for personal use) to print onto the paper of your choice so you can practice multiple times to really perfect each technique or to try out different mediums. The images are all very natural and mostly include plants and flowers. The techniques are all written in clear, plain language with any specialised terms explained so that anyone of any level will understand them. They are all illustrated with full colour photographs and laid out neatly and numbered so they’re very easy to follow. There are helpful tips written in coloured circles throughout the book so they’re easy to find and the contents page clearly lists all of the techniques and page numbers.

In terms of mental health, this book is great but you will need to be aware of a few things. The premise is ideal for perfectionists, you can learn all sorts of techniques that you’ve wondered about for ages and practice them in a dedicated space and build up your confidence before being let loose on your actual colouring pages, following written instructions means that you don’t have to keep pausing or rewinding a video if it’s going too fast for you and you can read all of the instructions before starting if you’re worried about making mistakes or if you don’t quite understand a section. Each technique is broken down into small sections with each focusing on one or two colours so they’re manageable to work on over time if you don’t want to complete a whole technique all at once. All of these are great positives and particularly good for those of us who like things to be perfect, realistic, and who struggle to follow videos. However, you will need good concentration, I don’t know about you but now that I’m ill I really struggle to read and concentrate for any length of time and therefore following instructions is extremely difficult for me. I often get easily overwhelmed by the sight of lists of things to do and find it very challenging to follow them. However, I have found that if you can possibly not skip ahead and just focus on each instruction one by one then it’s much more manageable and able to be followed because you’re just using one colour in one or two places at once before then moving onto the next. I have also found it helpful to read the whole technique a few times and study the accompanying pictures before starting to follow it. Many of the techniques can be mixed and matched and also swapped across mediums too so they’re far more versatile than you might first assume. The illustrations used to practice on are varying sizes with some pages containing a few smaller drawings and others containing one centralised image. None are huge and none are tiny, they’re all quite a middling size and very manageable to colour in one sitting if you wish and can concentrate on the techniques and instructions for long enough. The line thickness is pretty consistent and remains thin with some medium thickness sections or outlines. The intricacy and detail levels vary and range from quite detailed to much less so, none of the images are hugely intricate because you have to be able to apply the techniques to each one and there’s not a lot you can do with very intricate images so these illustrations will suit most levels of vision and fine motor control apart from those who have particularly poor levels of either.

Overall, this is a great book that’s ideal for any level of colourist to learn something new from, the practice sheets are perforated which is ideal so you can see the instructions at the same time as colouring and also for making personal copies and the techniques are explained in clear, simple language with lots of colour photographs which add clarity. I’d highly recommend this book, it’s written in an interesting and accessible way and broken up into concise sections that are easy to navigate and roughly run in order of difficulty.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Color Workshop: A Step-by-Step Guide to Creating Artistic Effects
Book Depository Worldwide – https://www.bookdepository.com/Color-Workshop-Rachel-Reinert/9781942021575/?a_aid=colouringitmom

The images below were coloured with: Poppy – Prismacolor Premier Colored Pencils; Leaf – Faber-Castell Polychromos Pencils and blended with Zest-It and a Blending Stump.

A Day with Depression – Video Post

Living with mental illness brings many different types of days, today my depression has really taken over and rather than cover it up and film on a different day, I thought I’d show you, warts and all, what it’s like to live with and how it affects me and so many others.

From Holland with Love - Click through to read my review, see photos of inside and watch a video flick through

From Holland With Love – A Review

From Holland With Love is illustrated and kindly sent to me to review by Masja van den Berg and is published by Pepper Books. This book is the sixth book published by Masja and her five previous titles were all variations of paisley-filled designs under the title of Mijn Wonderlijke Wereld (My Wondrous World). This sixth book is a little different and is more like a love letter, or love drawing if you will, from Masja to and about Holland. The book itself is 25.5cm square, it’s hardback this time with a beautiful glowing orange cover and a compilation image of various illustrations contained within the book in blue and white. The spine is glue and string bound and relatively difficult to get it to lie flat due to it being hardback. The pages are printed single-sided and are perforated meaning you don’t have to contend with the page gutter and try to colour into it and that you can remove the pages before or after colouring in order to frame or gift them. The paper is bright white, thick and lightly textured, pencils blend and layer beautifully and water-based pens shadow but don’t bleed through, alcohol markers will bleed through so do put a protective sheet behind your work to protect the next page. The illustrations contain lots of typically Dutch objects and scenery from clogs to windmills, tulips to traditional dress and a bicycle amongst other beautiful floral patterns, drawings of women and some lovely birds. The imagery is really varied and far less paisley-filled than the previous titles but don’t despair if you love those, they don’t feel like they’re missing from this work and the illustrations are really lovely and very pretty. At the back of the book are three pages of images that can be cut out for projects, a page of card toppers, a page of social media tags where you can add your name instead of having to watermark your photos and a page including 2 small postcard style designs all of which are illustrated and colourable.

In terms of mental health, this book is great, it’s not overwhelming to colour and has enough detail to be interesting and absorbing, without being overly complex or over-stimulating. The content is familiar, fun and cute and much of it could be coloured in any palette you choose and look equally fabulous. The line thickness is mostly consistent and remains thin with a few images drawn in a spindly thin line. The intricacy and detail levels vary and range from very intricate on some of the postcard size images and social media tags to larger, more open spaces in some of the colouring pages and everything in between, you’ll need moderately good vision and fine motor control for the majority of the images and better levels for a few of the most intricate pages. A few of the pages will require a high level of concentration but many won’t need you to be at your best and require less focus so this is a good book for those of you with varying concentration levels. The pages also consist of varying amounts of content which means they take differing lengths of time to complete and there are natural stopping points if you just want to colour one section. These images would look really beautiful framed and this book would be an ideal gift for those who live in Holland, are from there, or who just love all things Dutch, it’s so representative and beautiful, I’m sure it would be a very well-received gift!

Overall, I would highly recommend this book, it’s beautiful for those who love all things Dutch and those just wanting to colour more of Masja’s gorgeous illustrations. The production quality is very high and the images are really lovely to colour.

If you’d like to purchase a copy, it’s available to buy here:
Amazon UK – From Holland with Love
Masja’s Website – https://www.masjaswebshop.nl/

The image below was coloured with a single Prismacolor Premier Pencil and a Caran d’Ache Blender Pencil.

Mijn Wonderlijke Wereld Part 5 - Click through to read my review, watch my flick through and see internal photos

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 5

Mijn Wonderlijke Wereld Part 5 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 4 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fifth in her series of books and my reviews of her other titles can be found HERE and she’s already created 2 more books with different titles since these. Part 5 ventures further afield than the first three books and takes us on an exotic journey through the Orient with Chinese and Japanese art and animals featured. The book itself is paperback, nearly 24.5cm square, with a gorgeous turquoise cover with beautiful gold foiled accents on a Chinese dragon image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening, however the pages this time are perforated which is ideal if you want to remove them for colouring or framing. The images are printed single-sided this time and all of the images are therefore single page designs. The paper is white, thick (thicker than all of her previous books) and lightly textured, it provides a good surface for blending and shading pencils, it doesn’t bleed or shadow with water-based pens and alcohol markers will be fine to use as long as you pop some protective sheets behind your work. The content is all drawn in Masja’s signature paisley style so while the images are Oriental themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from Chinese dragons, koi carp, ornaments, mandalas, patterns, cranes, cherry blossom, ponds, and more. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex spread when you’re feeling well, none of the images are overwhelming as they’re all contained to one side so the book feels very accessible. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Mijn Wonderlijke Wereld Part 4 - Click through to read my review, see photos and watch my video flick through

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 4

Mijn Wonderlijke Wereld Part 4 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 5 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fourth in her series of books and my reviews of her other titles can be found HERE as well as my review of Part 5 HERE and she’s already created 2 more books with different titles since these. Part 4 ventures further afield than the first three books and takes us on an exotic journey through India and its animals. The book itself is paperback, nearly 24.5cm square, with a bright yellow cover with beautiful blue foiled accents on a peacock image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening. The images are printed double-sided and are a mixture of single and double-page spreads. The paper is white, thick and lightly textured, it doesn’t bleed and only very minimally shadows with the darkest water-based pens and provides a good surface for blending and shading with pencils; alcohol markers should be avoided as they’ll ruin the reverse image and bleed through. The content is all drawn in Masja’s signature paisley style so while the images are Indian themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from giraffes and peacocks, to scarabs and elephants, scorpions and florals to parakeets and ponds. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex double-page spread when you’re feeling well. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Hello! My First Video in Front of the Camera!

Hello lovelies, friends and family have been suggesting to me for the last 3.5 years to do Vlogs and I’ve never felt confident enough or had any particular desire to do it so I’ve always stuck to just blogging. However, I’m getting a bit bored currently and really want to branch out and get my voice heard just that little bit more and video posts seemed like the best way of doing this and after a fabulous pep talk on the phone with a Uni friend today, I decided to bite the bullet and record something. It was meant to be 2 minutes of me just saying Hi, but it turned into something a lot longer and a bit more informative. Please do give it a watch and let me know what you think of it. I’m hoping to use these videos to expand more on my blog posts, to reach a wider audience and to help you see the face behind mental illness and invisible conditions.  The link to the post about Trichotillomania that I mention in the video can be found here.

Seasonal Affective Disorder (SAD) What it's like to live with. Click through to read more!

Seasonal Affective Disorder (SAD) – What it’s like to live with

I originally wrote this post in October last year (2016) and never got round to posting it, therefore all of the dates and amounts of time are wrong by a year. I haven’t yet written a review of the lightbox that I mention in it but briefly, it definitely helps me, it’s not a cure but it’s significantly better than not using one and it definitely helps with my daytime sleepiness and feeling low and unmotivated, it’s still really tough going but it really takes the edge off and makes things easier.

As winter approaches, a large number of people around the world start to get a sense of dread. The nights start drawing in, it gets colder, darker, cloudier and rainier, and your mood starts to lower. For most people this time of year isn’t a problem, many are looking forward to Halloween, Thanksgiving, Hannukah or Christmas, the changing colours of the leaves, Bonfire Night etc. I look forward to the festivals I celebrate amongst those but mostly, I feel dread and this year it’s been particularly early and particularly pronounced. Most people have heard of Seasonal Affective Disorder (SAD), most of us have heard of someone we know having it and most of us aren’t exactly sympathetic about it. I’ll freely admit that as a long-term (10 years and counting) sufferer of depression, I didn’t have a lot of sympathy for people who only felt low for 3 months of the year when I got a jolly helping of it all year round. It sounded a bit like an excuse from people who didn’t like getting out of bed on a cold morning and didn’t fancy venturing out during the darker days. Oh how wrong I was! Despite having depression for a decade, I’ve never been particularly affected by the weather. I was always worse at Christmas but I’m as sure as I can be that this was due to family pressure, coursework deadlines and exam dates looming rather than anything to do with the light levels or temperature outside. I know this because come the middle to end of January, my depression would ease up just a little and I’d be back to muddling along as best as I possibly could. I also remember often being worse during any school/college holidays because I had to spend more time with my family and had less distraction and structure so weather and light levels really didn’t seem to be playing a part.

I happily went about thinking that SAD was a bit of a wishy-washy diagnosis for people who were a bit more sleepy in winter until I got ill and became housebound with my anxiety disorders 2.5 years ago. I’m now approaching my 3rd Winter of being predominantly indoors and I can safely say I’m dreading it. While I’m not diagnosed with SAD, it’s obvious to me and anyone around me that I have it now. This year it’s started kicking in earlier than ever, I’m normally safe until early to mid October but I’m already over 3 weeks in to feeling sleepy, drained and generally crap and this is unlikely to let up until February or even March. For those in any doubt, and for my cocky, accidentally judgemental younger self, SAD is not just feeling a bit sleepy. For me, it involves being barely able to wake up in the morning, even with my usual alarm, and usual amount of sleep, it’s being so painfully tired that I literally can’t face getting up and have to go back to sleep for a bit. It’s being cold. All the time. It’s also being awake for under 3 hours and then being so tired that I’m unable to stay awake and ending up falling asleep sat up and no amount of food, drink, or needing to go to the toilet will stave it off for long. It’s also like someone comes along and stuffs a huge bag of cotton wool inside my head that doesn’t shift for at least 3 months. Everything takes longer. It’s harder to think, harder to concentrate, harder to motivate myself to do, well anything! I also crave certain foods which I never crave the rest of the year, I just want to stuff my face with carbs, sugar, and high fat food, probably in the hopes of hibernating or giving myself energy to actually feel properly awake for once. My body just stops producing heat so that it doesn’t matter how many layers I wear or just how close to looking like the Michelin man I get, I’m producing no heat so the layers just keep in the cold. My feet go blue, as do my hands, my joints seize up and I ache. I find sitting up a struggle because I’m so tired but sleeping doesn’t help, I never feel any better so I just lose hours of my day to napping and get nothing done because I feel so groggy. Then the depression kicks you hard. Everything is so much harder and you start wondering what the point of doing any of it is. I know that I’ll be lucky if I get through half of the short list of tasks I’ve set myself each day which means each day I fail. Each day my to-do list gets longer because I’m so unproductive. Nothing helps, not eating, not sleeping, not drinking, not forcing myself to get things done. It’s relentless!

As you can imagine, I’m very keen to discover anything that might help with alleviating any or all of the symptoms. Sadly, most of the treatments for SAD are the same as for depression and are therefore things that I’ve already tried and that either haven’t worked, or have made me significantly worse so it’s not looking overly hopeful for my feeling better any time soon. The NHS website recommends being outside as much as possible (not particularly possible for me), sitting near windows (I do this as much as possible), regular exercise (again, not especially easy for me) and trying to avoid stress (yeah right!). More medical treatments include medication which I react very badly to, therapy that I’ve previously had and that there are months long waiting lists for and light therapy which has mixed evidence regarding its effectiveness so there aren’t any ideal options!

I hope my description of how it affects me will help other disbelievers to realise how debilitating it can be and that it’s a condition that has a long list of symptoms that are really difficult to deal with, I’ve certainly had my eyes opened after suffering from it for the past 2 years and entering my third! Various members of my family now also suffer badly in the Winter and while none of us are diagnosed, again, it’s very clear that they have SAD too. My mum very kindly bought me a light box which is recommended for the treatment (not cure) of SAD and I’m now using it, as is my boyfriend, and two other family members have them too. I’m tentatively optimistic about it as it definitely seems to be helping me and I will write a full review in a few weeks’ time once we’ve all had a longer chance to use it and decide if it’s the light or external factors that may be helping us. All 4 of us have very different symptoms, diagnoses and lives, as well as being different ages and genders so we should be a pretty good cross-section of people to test it. I’ll report back soon. If anyone is interested in reading more or testing out a lightbox themselves then below is a link to the one we’re all trying out as it’s one that’s cheaper than most while still being approved as effective and having great reviews. I have no affiliation with the company and will be (as always) providing a full and totally honest review, the link below is an affiliate link which means that a small percentage of any sales made through it will be paid to me and help towards the running of my blog, I never promote items that I don’t believe in and would never give false hope to sufferers of what I know, from my own lived experience, to be hugely debilitating conditions. If you get one then please do let me know how you get on with it and whether it helps you!

Amazon UK – Lightbox 10,000 Lux

 

Tillsammans Målarbok (Together Colouring Book) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tillsammans Målarbok (Together Colouring Book) is illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. This book is in an artist’s edition format but this is the only format it’s available in, it’s not a full-size colouring book or postcard book. It is identical in format to the artist’s editions (tavelboks) of Hanna’s other books, Daydreams (Dagdrommar), Summer Nights (Sommarnatt) and Magical Dawn (Magisk Gryning) and therefore my review is mostly identical apart from the content section and the photos, skip to paragraph 2 for information about the content. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale lemon colour with a black and white line drawing of one of the portraits (found inside) with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The 20 illustrations are all portraits of women and 15 of these have been chosen from Hanna’s 4 previous colouring books and 5 have been newly created for this book specifically. The images Hanna has chosen are a really good cross-section and seem to be some of the favourites of the colouring community, none of the previously published images have been printed in artist’s edition format so while it’s not all new content, it is all newly published in the single-sided format printed on card. There are a range of different portraits from two women together to single women face on, some in side profile and others showing a whole person. Each image contains various different objects and accessories including gems, metal, jewellery, mushrooms, flowers, birds, shells, moths, crowns, and candles, there is a really good variety despite them all being portraits of women. Those images taken from previous colouring books are all printed the same size as the originals so if you’re able to colour those, you’ll also be able to colour these with no difficulty. The pictures would all look amazing framed for yourself or gifted to others and because the faces are mostly quite large they’re great to practice skin tone colouring on and really push yourself out of your comfort zone. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is great, it’s very absorbing and ideal for those who want to colour realistically and learn how to colour people. The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and objects makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty but unlike many of Hanna’s images that consist of lots of component parts, these are all portraits and scenes and therefore they don’t have such natural stopping points for those wanting to just colour in short bursts, you can still colour just one flower or just the eyes but it’s not so easy to come to an obvious point to stop, however, if you don’t mind stopping part-way through an image then this book would be ideal for using on good and bad days. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have her previous books and really want to colour more people, while 75% of the artwork can be found in Hanna’s previous books, this gives you the opportunity to colour those pages again and use different colour schemes or wetter media without ruining a reverse image and you can also frame them for wonderful gifts or beautiful decoration for your own home. This book is ideal for those who use wet media and alcohol markers and the illustrations are a great cross-section of Hanna’s portraits.

If you’d like to purchase a copy, it’s available from Printworks. A Dutch edition will be published in March 2018 by BBNC Uitgevers and it will be called Karakter.

The image below was coloured using Faber-Castell Polychromos Pencils and a White Sakuara Gelly Roll Gel Pen. I used the skin tone tutorial from Colorist’s Special Effects by Helen Elliston.
Buy on Amazon UK – Colorist’s Special Effects
Buy on Book Depository – goo.gl/CrS7DU

The Book of Prehistoric Beasts – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Book of Prehistoric Beasts is illustrated by Angela Rizza, published and kindly sent to me to review by Buster Books. This book is enormous, at a whopping 29cm square, it’s hardback with gorgeous deep green covers and all printing on both covers is silver foiled so it’s a really luxurious feeling book! The spine is glue and string-bound and very durable, it’s a little tricky to get to the very centre of the images but this is only a few millimetres. The images are printed single sided and on the back of each page is lots of information about each creature that is pictured including its name, size, diet, what it looked like, when it lived and facts about its environment. The paper is bright white, medium thickness and smooth, it takes soft pencils well but harder pencils may be a struggle to build up layers for blending due to the lack of tooth; alcohol makers will bleed through the page which you may not mind if you don’t wish to read the information on the back, and water-based pens don’t bleed or shadow, though do test them in an inconspicuous area to check. The book starts with a double-page spread showing the timeline of creatures and they’re shown in this order through the book from the earliest period, Devonian, 419.2 million years ago, all the way up to Quaternary, 2.6 million years ago. The images are split into 4 chapters including different time periods: Devonian, Carboniferous and Permian; Triassic and Jurassic; Cretaceous; and Tertiary and Quaternary. The images themselves are all full page spreads, each containing a few prehistoric creatures. A huge number of creatures are pictured, 87 in fact, and these mainly consist of dinosaurs but do include other, older creatures (I’m not sure if these class as dinosaurs) and younger creatures; the beasts include: gigantoscorpio, dimetrodon, ammonite, icthyosaurus, brachiosaurus, archaeopteryx, microraptor, tyrannosaurus, quetzalcoatlus, mononykus, triceratops, basilosaurus, megalodon, glyptodon, mammuthus, smilodon and gigantopithecus, and so many more, all of the creatures are pictured on the double-page timeline at the beginning of the book and then shown drawn in their habitats and to scale in the colouring pages. This book is every dinosaur-lovers’ dream, my brother was obsessed with dinosaurs growing up and I was therefore forced into knowing an awful lot more about them than I wanted to at the time, knowledge that has come in handy for many random reasons since and this book definitely covers all of the most well-known dinosaurs and prehistoric creatures, as well as others that you may never have heard of and can start to research if you wish.

In terms of mental health, you’re unlikely to find a more distracting book. The production quality is very high and from the cover and the very first page, you’re transported back in time to millions of years ago where gigantic beasts roamed the land and the landscape was unrecognisable, you instantly become immersed in this world as you learn facts about the animals and start to colour them and their habitats. It’s not calming as such, not in the same was as colouring landscapes and more familiar animals, but it’s really is very distracting and absorbing which is great for those of us with anxious, racing minds. The line thickness is consistent throughout and remains medium and thin. The intricacy and detail levels are quite variable depending on the creature and its landscape but there are a lot of details drawn in as well as a lot of dotted shading (ideal for beginner colourists who want to learn more about colouring realistically and learning where light and shade should be), therefore you will need moderate to good levels of vision and fine motor control to enjoy this book. This book is actually published with kids in mind though they’ll need to be quite mature and artistic to get the most out of it and have a good reading age as there are a lot of tricky animal names to contend with, at a guess, I’d suggest this book for kids aged 8 and above and I’d highly recommend it for big kids (adults!) too because we could all do with learning just a little bit more about the fascinating world of dinosaurs. The illustrations have been very cleverly curated to mostly include more than one creature and sometimes all of them are land or sea creatures and other time part of the image is above ground and other sections are underwater. None of the images feel random, haphazard or badly staged, they’re all really well-drawn and feel quite like uncoloured versions of the images found in regular dinosaur fact books and encyclopaedias. The scenes and animals are drawn pretty realistically and mostly don’t have patterns added to them unless it’s assumed they had those in real life, obviously there may be some inaccuracies as with most historic representations of velociraptors which show them featherless and significantly larger than they possibly could have been, but the artist has clearly worked hard to make these look as realistic as possible within the confines of the majority only being found as fossilised skeletons and a lot of guesswork having to be done about their external features, colouring and patterns.

Overall, this is a great book for those who already love prehistoric beasts, and those wanting to know more. The book is ideal for children and adults and the pages look amazing once coloured and you could even remove them from the book and frame them for you dinosaur-fanatic children (or yourself) if you wish, they’d look great as a series on the wall in a bedroom or playroom or even a classroom! The paper is pretty good and the facts and information about each beast is a huge added bonus.

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK- The Book of Prehistoric Beasts
Book Depository Worldwide – https://www.bookdepository.com/The-Book-of-Prehistoric-Beasts-Jonny-Marx-Angela-Rizza/9781780554976/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Colored Pencils.

So, When Are You Having Kids? Why there's no simple answer to the question when you're mentally ill.

So, When Are You Having Kids?

It’s so hard to write this post, I’ve been trying to for over 2 years but I’ve always stopped part-way through because I worry that others will view my thoughts as judgements about the decisions they may make and I want to categorically state now that this isn’t the case. The thoughts and decisions I have about this are my own, about my own life, experiences and conditions, even if someone else were a carbon copy of me, I wouldn’t advise the same so please read this as my own decisions based on my own experience.

So, when are you having kids? This is a question I’ve been asked a number of times over the years, I’m sure almost every female of my age has, it comes with the territory of being 26 and in a long-term relationship. It’s amazing how little a person needs to know you to feel comfortable enough to ask you such a personal question and sadly, answering it is very personal indeed. So, when am I going to have kids? Well, the short answer is never. In fact though, there’s no short answer and no matter the answer I’ve given to people I’m usually told I’m wrong or that I’ll change my mind.

You see, planning a family isn’t so easy when you’re mentally ill. I’ve never been very maternal or had a strong desire to have children and for that I will always be very grateful. Many people when I state this look at me as if I’ve said that I hate children and all who bear them, or that I’m selfish, or I don’t have what it takes to be a mother, to put another human being first. The truth is, I’m all too familiar with doing that, in fact, I worry a lot that if I ever had a child, I’d struggle to be left with any identity at all because I’m so giving of myself to others and I can’t even imagine how much that would be amplified by that person being my own child. Anyone who knows me would describe me as caring, someone who goes above and beyond and who gives too much of themselves, this isn’t something I’m bragging about, or even something I’m proud of, it causes me a huge amount of problems because I’m so often taken for granted or taken advantage of. Imagine how I’d cope with a child when my self-esteem is such that I believe I should always come second to everyone around me?! Deciding not to have children is not a choice I’ve made for myself, it’s not for selfish reasons, in fact the vast majority of my reasons are for that child, rather than for me.

I’ve been mentally ill for 10 years, since just before I turned 16. Luckily, I hadn’t thought a great deal before that about wanting a family and I didn’t get into a serious, long-term relationship until I was nearly 21, by then, I’d decided that I wasn’t cut out to bring children into the world and therefore made this very clear to the boyfriends I had. Sadly, this isn’t a choice that many people accept as final, I’m told I’ll change my mind, that I’ll get broody, that I’ll get over my fears. Thankfully, this hasn’t happened yet and what the people saying these things don’t realise is that I have to fight quite hard to stay firm in my beliefs. I regularly waver, I consider having a family, being pregnant, having a mini me, I want to see what I’d be like as a mum, see my boyfriend be a dad, see my parents be grandparents and so much more. But I can’t allow those thoughts to take over because for me, the idea of being a mum to my own biological children is not a sensible one. There are so many reasons for this choice, one of the biggest being that I don’t want to pass on my genes as there is a large genetic component to all of the conditions I’m diagnosed with. Another, is that I’m untreatable with medication and due to having long-term depression and severe anxiety, my likelihood of getting post-natal anxiety or depression is very high and I’m yet to find a treatment that works that would therefore get this under control. I also have a lot of very severe fears that verge on phobias including needles, vomiting, hospitals, and pain. Each of these would be difficult to deal with on their own but combined they feel impossible to tackle and I therefore do everything in my power to avoid them, including getting pregnant. Mental illness is often exacerbated or even triggered by environment and therefore possibly giving my child a genetic predisposition and then having them live in a mentally ill environment is going to make them more likely to become ill themselves, something that I’m personally not willing to risk.

While I do have very sensible, logical, and robust arguments against having my own children, as I mentioned before, this doesn’t stop me from wishing it were different or regularly contemplating the idea. You can probably imagine that when people then ask me when I’ll be having children or why I don’t already have them, it’s a difficult topic to talk about. You all know that I’m very open and honest and I’m happy to have difficult conversations but most people aren’t prepared for this when they ask these seemingly innocuous questions, they don’t think about the people who can’t have children, those who are trying but not having success, those who’ve lost children, or those like me, who would love for life to be different but have made the difficult choice to not have children. Most people around me don’t understand this, most people who want kids say they wouldn’t let anything get in the way, that having kids is everything to them and even in my situation they’d still have them but you can’t possibly say this because you’re not me, you haven’t lived my life, you’ve not walked in my shoes and you don’t think about the world in the way that I do. So many people think I’m wrong for making this choice, that I’m selfish, but I’m making the right choice for me because I believe it would be selfish to allow my desire for children and to be a mother to take over the fact that I’m pretty sure that I would be bringing a disadvantaged child into the world, that I would be giving them a very difficult start in life based on mine and my boyfriend’s genetics and that I don’t want to risk that or risk feeling guilty or responsible for the rest of my life. I don’t want to make my child or children suffer and I can’t put myself through the fear or worry of knowing that it might, let alone try and get through the ordeal of pregnancy or giving birth that I’m so not cut out for. Living life with anxiety is extremely difficult, I can’t even imagine trying to do that whilst looking after a child, I’d just obsess over everything, worry over every cough or sniffle, and probably never let them out of my sight; we all know how much new parents worry, add an anxiety disorder on top of that and I’m not sure I’d do anything other than worry and panic.

However, this doesn’t necessarily mean that I won’t be a mother. I do believe that I have a lot to give, as I said before, I’m extremely caring and I would love to look after and nurture a child, but I don’t want to be biologically related to them. I really hope that one day my boyfriend and I might be able to foster children and possibly even adopt if our circumstances change and become more stable, it’s certainly something we’re working towards. I think we’d make great parents, even with my health problems, because I’ve learnt so much compassion, understanding and awareness. I’ve learnt to read people, to understand emotions and feelings and the issues that can arise if we go through adversity in our childhood and more importantly, I’ve learnt a huge amount of skills and techniques to identify those issues and change or improve them. It’s these things that make me think I could be a great mum, an understanding foster carer who could help guide a struggling child, to help them find themselves and become who they want to be and to get them back on the path to a better, happier life. I think I could love and care for a child whom I have no genetic or chemical bond with because I want to help, I want to offer a safe and stable place for them to call home, I want to be a person in their life who will never leave or knowingly let them down. There are so many children in the world who are crying out for homes, for parents, for love, and I feel that I could offer that, I just can’t for my own biological children, the world doesn’t need a mini me, it doesn’t need an extra child or two of mine, but it does need people to help those already here who are struggling and that’s where I think my place is. If I believed in God, or a higher power then I guess I’d describe it as my calling though it’s not half as dramatic or profound as that, more a realisation over the years that while I can’t face creating and bringing up a biological child, I have far too much love and care in me to never be a parent. I don’t feel that I was born to be a foster carer of an adoptive parent, not like I do about working in mental health and making a stand about that, but I do feel drawn towards it, towards helping those who’ve not been given a great start in life and to try and make that better with them. I don’t know if it’ll ever happen, I don’t know when or if I’ll ever be stable enough health-wise or financially to be able to even consider fostering, but the hope is there.

As you can see, it’s not a simple question, and it certainly doesn’t have a simple answer, it’s one of the most personal questions you can ask a person and yet so often it’s asked by strangers, in an offhand way, catching you off guard and giving you no chance to fully explain what you want the people around you to know and understand. I’ve always told people that I don’t want children, it’s easier that way, it means that I get the comments about changing my mind or being selfish but it’s easier than having to listen to people try to persuade me into having children that I don’t want, and it’s certainly easier than trying to explain that I have to work very hard to stay this strongly against having biological kids because I wholeheartedly believe that it’s in my, and theoretically their, best interests, that giving up the idea of having children is as far from selfish as I could possibly be and is actually me trying to be selfless and put them first, ahead of me. I’m not religious and therefore I don’t believe that any of this is God’s plan or destiny or anything pre-determined like that, I don’t believe that it’s God’s will for me to have children or that I’m deviating from the path set out for me, I’m using my free will to decide that procreation isn’t for everyone, we’re already in a pretty sorry state thanks to the sheer number of people populating the planet and I don’t want to contribute to that, I don’t want to add to that burden, or make myself ill, for the sake of carrying on my genes. I don’t need to be related to my children in order to be a parent or a mother, I don’t need to give birth to them in order to love them and protect them. I know that if I become a foster carer or adoptive parent, I might be in the firing line for judgement from those who might believe that I can’t possibly love my children quite as much as those who’ve birthed them, that it’s not the same if they don’t look or act like you, that you don’t have the same bond if you’ve not parented them since birth, but I simply don’t believe those things to be true and as with all of the other things I’ve received judgement about in my 26 years, I’ll fight the stigma, I’ll fight to be understood, because I may not be a mother yet, but I’ll fiercely fight as if I am one.

Dromenvanger (Dream Catcher - Dutch edition of Zemlja Snova) click through to read the review, see photos, a video flick-through and my comparison to Zemlja Snova!

WORLDWIDE GIVEAWAY and Review – Dromenvanger (Dutch edition of Zemlja Snova)

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Dromenvanger is published and kindly sent to me to review by BBNC Utigevers and illustrated by Tomislav Tomic. They have also very kindly provided me with an extra copy which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 31st of October, to enter please click here Dromenvanger is the Dutch edition of the original Croatian book, Zemlja Snova, the titles translate slightly differently with Dromenvanger meaning Dream Catcher and Zemlja Snova meaning Dreamland/Land of Dreams. There have been huge debates online ever since Dromenvanger was announced about whether it was the same book or a new one and I can categorically state that it is the same book with the same artwork, however, there will be a new book by Tomislav Tomic later in the year, due out in December, it currently doesn’t have an announced title but I will update you all as soon as I know anything further and if you join my Fan group for the artist then you’ll be the first to know as we have reps from the publisher in our group who make announcements from time to time. I have written a comparison post and recorded a comparison video detailing the 21 differences between Dromenvanger and Zemlja Snova, the written post can be found here and the video comparison here.

This book is one of the best I’ve ever seen. After reviewing over 300 books, there aren’t that many that manage to take my breath away, but this one still does, it’s stunning and the illustrations are just incredible! The book is just over 25cm square, the same size as the UK bestsellers, paperback, with flexible card covers and a partially coloured image from inside the book on the front cover and blank inside covers. The spine is lightly glue and string-bound and the binding is fairly tight on arrival meaning that it’s durable and hard-wearing but also a bit tricky to get to the very centre of some of the images. The images are a mixture of single and double-page spreads and are printed double-sided. The paper is cream, thick and lightly textured, as far as I can see it’s the same paper as is used in all Dutch edition colouring books published by this company, it’s great for pencils though it can be a bit tricky with oil-based pencils like Faber-Castell Polychromos and Holbeins but Prismacolor Premiers work brilliantly. Water-based pens don’t shadow or bleed though do test in an inconspicuous area because we all colour differently and you don’t want to ruin a picture, fear not if your pens do shadow or bleed because the illustrations certainly lend themselves well to beautiful blending and shading of pencils. The book contains 81 pages of illustrations and they are genuinely incredible! The images are all fantasy-based and include lots of dragons, mermaids, unicorns, fairies, tree-men, and so much more. Over half of the spreads are double-page designs which are either scenes, depicting all manner of things from castles to sea voyages, gnome villages to woodland, dragons to underwater scenes, or paired images that can be coloured separately but are strongly linked with the opposite page (see photos below). I could go on for days describing the imagery, there is just so much to look at, when you first look at each image you start to get a feel for the general theme of the spread whether it be a castle, village or underwater scene, but as you look closer you discover lots of hidden things from gnomes to mermaid tails, working animals or birds’ nests, flowers growing off dragons and even hidden villages. The illustrations are just packed full with details and stories and they will take you ages to colour so this book is certainly good value for money! The ink is very permanent and doesn’t transfer even with very hard pressure from pencils and the paper doesn’t dent or curl either so it’s very good quality. The line print quality is good too with smooth lines throughout and no pixelation to be found! While a few of the spreads do enter the spine, care has been taken in the majority for them to not enter it, or for there to not be much detail there which is ideal for people who can’t bear to break the spine in order to colour the entire page.

In terms of mental health, wowee, I found this book exceptional! It offers so much to look at that it’s the perfect distraction for even the most persistent symptoms and it just draws you in to a magical fantastical world filled with mythical creatures, princes and princesses, castles, fairies and more. The more you look at the images, the more you see and the more you get drawn in and it’s done wonders for my anxiety during what has been a very challenging and anxiety-filled week. This book will be ideal for those of you who love fantasy colouring and also nature because so much of it is animal and scene-based so it’s combined 2 of our favourite things into one incredible book! The line thickness is consistent throughout and is thin with spindly thin details (it’s pretty similar to the linework in Johanna Basford’s books), the illustrations are very detailed and intricate so there are lots of tiny spaces which you can colour within or colour over if you prefer to use them as texture underneath your colour. You will need pretty good vision and fine motor control in order to enjoy this book and you’ll need some good sharp pencils so that you don’t go over the lines too much. I would highly recommend investing in a T’Gaal sharpener so that you can keep your pencils as sharp as possible! There are plenty of natural stopping points so this book is ideal for those with fluctuating conditions or concentration levels as you can colour one flower, all of the bricks or an entire dragon, you can also focus on a single page or go all out on a double-page spread. The pages for the most part are pretty busy and there’s loads to see so it can be a little tricky at times to identify all of the parts and sections so you will need good concentration for that part to ensure that you’re colouring a petal and not a foot accidentally! The content of the illustrations is totally absorbing and this book will look just incredible when it’s finished cover to cover. I adore this book, even just flicking through the pages gets me out of my head and calms my anxiety down and colouring it is just so much fun because you can use any colours you fancy from more natural colours to fantastical colours like blue for tree trunks and oranges or purples for leaves, in a fantasy world the only limit is your imagination and these images will look amazing no matter what colours you choose!

Overall, I can’t recommend this book highly enough, it’s a genuine work of art and the new paper means that you can use pens or pencils with beautiful effects. The artwork would appeal to male and female colourists and is highly fantasy-based with a strong storybook theme and lots of natural imagery. The drawings are incredible and you’ll be hooked once you’ve seen inside! I’ve included lots of images from inside below as usual but this book really has to be seen to be believed so do check out my flick-through video below.

If you’d like to purchase a copy, it’s currently unavailable on Book Depository and Amazon UK but you can sign up for email alerts from Book Depository via the link below to be informed when it’s back in stock. Alternatively, you can order through Bol, a Dutch site which can be translated if accessed through Google Chrome. I will update details about availability as soon as I know more and the quickest and easiest way of finding out this information will be to join my fan group where 1500 avid fans of the book are eagerly awaiting its sale on Book Depository and will be sure to post as soon as they see it is.
Amazon UK – Dromenvanger 
Book Depository Worldwide – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom
Bol.com – https://www.bol.com/nl/p/dromenvanger/9200000080026444/?suggestionType=typedsearch#modal_open

Join my Fans of Zemlja Snova Facebook Group here.

You can see my videos of unboxing the book, a silent flick-through and my comparison to Zemlja Snova if you click on the relevant word.

Don’t forget, I’m running a Worldwide giveaway to win a copy of Dromenvanger by Tomislav Tomic, to enter click here by 23.59 GMT on October the 31st.

Click through to see my unboxing and video flick through of Dromenvanger, Dutch edition of Zemlja Snova by Tomislav Tomic

Dromenvanger (Dutch edition of Zemlja Snova) Unboxing and Video Flick Through

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Today I received two copies of Dromenvanger, the Dutch edition of Zemlja Snova. I will be running a Worldwide Giveaway for a copy soon (subscribe to my blog and to my FB page for updates about this) as well as reviewing it and posting a comparison about the similarities and differences between this and Zemlja Snova. Below you can see my unboxing video and a silent video flick-through of the book.

Pre-order a copy on Book Depository with free worldwide delivery – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom

Join my Fans of Zemlja Snova Facebook Group here.

World Mental Health Day 2017

Today is World Mental Health Day and I’ve been umming and ahhing for days about whether I was going to post anything. The theme this year is mental health at work so I kind of opted myself out of writing anything because I don’t exactly have much to say on the matter having been out of work for 3.5 years specifically because of my mental illnesses. But, it seems like a wasted opportunity if I don’t write anything. I’ve been very good at opting out of writing things recently, I’m never quite sure what to say and then my anxiety takes over and decides that anything I might say isn’t worth saying and that no one will read it and if they do they’ll be bored or judge me or even unsubscribe from my blog and so the urge to write quickly dissipates and I go back to my reviews, watching tv or feeling a bit lost and unproductive.

I wanted to write something today because even though today is the one day of the year where the mentally ill are most celebrated, most accepted and most listened to, our mental illnesses still work their hardest to crush our spirits, silence us, and even make us feel like we’re not part of the accepted mentally ill group. That’s certainly been my experience today and has been for any awareness days or special events for at least the last year. I fall very nicely in the box of mentally ill and therefore you’d really think that today is the day I get to stand proud, shout from the rooftops and use my blog to do what I set it up for 3 years ago, to raise awareness, increase understanding, and reduce stigma. But instead, all day, I’ve felt a bit rubbish, quite low and I’ve been spectacularly unproductive. It’s 10.30 at night and I’ve not even showered or got dressed, I can’t even remember the last time I shaved my legs (it’s literally been weeks) and I’m surrounded by used mugs, bowls, plates and an empty crisp packet. You’re probably now either judging me or feeling sorry for me and wondering if I’m getting worse again, the truth is, that I’m not. I’m fairly stable currently and about the best I’ve been in the last 3.5 years but this is often my reality, I’m not tidy, I don’t have the capacity to be, I don’t keep on top of all the things I should and I’m a truly terrible housewife. Mental illness doesn’t switch off for our awareness days, we don’t suddenly become capable, functioning human beings if that isn’t our current norm, in fact today, for me, has been worse than any other days in the last few weeks, I’ve been doing a great job of showering every day, of clearing used crockery out of the lounge and getting at least a few bits done for reviewing but that really hasn’t happened today and I’ve only just realised that it’s probably because it’s WMHD and I’ve not known what to write about.

I’m afraid this post doesn’t really have a point, I don’t have a message to get across today, nothing huge to blow your mind or make you think differently. I just very much feel that I should write something and so this is it, rambly, messy, confused, very much like the inner workings of my mind. I can’t even keep my email inbox tidy, I currently have 82 unread emails, many dating back months! I’ve read all of them but I mark them as unread when I can’t deal with them immediately so that I don’t forget to deal with them later only I then get overwhelmed by how many there are, feel guilty that I’ve taken so long to respond to people or worried that I’ll offend people if I don’t want to review their books or can’t because I get so swamped. It’s such fun being an anxious person! On Thursday last week I was interviewed by BBC Radio 4 for You and Yours and the interview was aired yesterday. I told almost no one that I was doing this because I was so nervous about how it would sound. I was told by those I did tell that I should be announcing it on my blog, on my Facebook pages, emailing family, but I just couldn’t. To me, that seems big-headed, and I was terrified that I would sound awful and people would judge me and I didn’t want that so I said nothing. When I was listening to the programme I was sat colouring trying to keep myself calm and remembering to breathe. It was actually pretty good in the end and I’m really pleased with the reaction I’ve had from people since so it was most certainly worth doing but it’s a shame I had to feel so bad ahead of time. I don’t remember much of yesterday after the interview because I was still so wired and keyed up that my brain was all mushy and I couldn’t concentrate on anything I was doing well enough to actually commit it to memory, this is the story of my life, it’s why I was so worried about the interview itself because when I’m anxious I don’t know what I’m saying, my filter goes and I don’t remember things well so I could have said anything and I wouldn’t have known!

I don’t even cope well with good news most of the time, my body just gets flooded with adrenaline and I don’t know what to do with it. I end up pacing around and flapping my hands a lot, I can’t sit still and will keep getting up and sitting down, wiggling my feet, making weird noises, rocking, anything that gets some of the nervous energy out. My partner got offered a new job last week that we’ve been desperately hoping he’d get for months. I was so excited when he phoned to tell me, it was better than Christmas (and I really love Christmas!) but within an hour I was worrying that it would fall through or that he’d fail his medical for some unknown reason or that they’d just rescind the offer. He’s got his medical tomorrow and we should know very soon after that if it’s all going ahead and then he’ll finally be able to sign contracts, I’m hoping that will calm me down and my condition will stop making me think the absolute worst. I don’t even believe those things will happen but my conditions really do and so I’m forced to sit and think about the possibilities and how we’ll deal with them and what we’ll do if he hands in his notice and then ends up jobless. It’s exhausting and relentless! Anxiety doesn’t let you just be happy. This is the best news we’ve had in months, possibly years, I should be on top of the world, but instead the anxiety creeps in and takes over my thoughts. It’s really no fun.

However, in happier news, my “anxious eyes” (previous readers of my blogs will know that this is how I describe my visual hypervigilance) meant that when I went for a walk with my mum at the weekend, I was able to find some fly agaric mushrooms that we’ve both wanted to see our whole lives, hiding in some brambles that we were able to photograph. I even found a discarded horseshoe, almost entirely buried in mud which I’ve “rescued” and brought home to wash and clean up and add to my “collection” of objects from walks, it currently joins a deer antler that I found a couple of months back. I did have a panic attack whilst out because I found a spider crawling on my hand and then another on my cardigan later on but apart from that I managed well and had lots of lovely chats with my mum. Being outside is so good for me when I’m in natural places, it’s just so difficult trying to keep the anxiety at bay, I jump at every noise, I get stressed out by insects or animals getting too close to me, I hate coming across dogs which I’m terrified of, it’s a really difficult juggling act of being desperate to be outside the four walls of my flat and trying to do deal with all of the ridiculous things that being outside makes me anxious about. The photography definitely helps but it can also be frustrating because I don’t have a good attention span when I’m anxious and therefore I can get bored or move on from a subject too quickly before getting decent shots; I nearly threw things in frustration when I couldn’t get my camera to focus on most of the mushrooms we found and just ended up giving up and trudging about a bit.

So there you go, I’m not quite sure what this post has turned into, it’s kind of an update, kind of an explanation and a bit of awareness raising too. I’ll leave you with the link to my radio interview and some pictures of the mushrooms I found with my mum. A snippet of me speaking can be found at 00.43 and the actual interview can be found at 09.19 minutes in. Do let me know what you think of it!

Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.

Ivy and the Inky Butterfly: Comparison between the UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly will be released worldwide in just one week and I have been lucky enough to be sent a copy of the UK and US editions by Johanna Basford in order to write this comparison post for you all. Every time Johanna releases a new book there are huge online debates about which edition is “best” to buy, what the similarities will be and what will be different so I’m here to hopefully clear up any questions and queries you may have after the success of my comparison posts of the last 3 titles – Johanna’s ChristmasMagical Jungle, and Lost Ocean.

This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible, if you’d prefer to watch a video where I talk through and show all of the differences then click here. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those, they’re summarised at the bottom. Some of the very noticeable differences include size, image size and paper type so here goes with the most comprehensive list of similarities and differences that you’re likely to find online!

Click here to read the rest of the post on my dedicated Colouring Blog.

If you’d like to purchase a copy it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

Ivy and the Inky Butterfly: A Magical Tale to Colour (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Colour is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Virgin Books. I have also been sent a US edition of the book and will write a comparison post just as soon as I can, do subscribe to my blog on the right-hand side to be the first to know when it’s live. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.5 x 25cm making it the same height as the UK editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has coppery/bronze foiling accents which is quite subtle and very luxurious and aids the traditional storybook feeling! The spine is glue and string-bound which makes it very durable and easier to open out flat so you can reach the majority of the gutter and colour it. The paper is the same as that used in UK editions of Magical Jungle and Johanna’s Christmas, this paper was found through a global hunt and it’s beautiful, it is not the same paper as used in the US editions of these books which was created specifically for Johanna’s books and named after her. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your mediums behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned it, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

The image below was coloured with Staedtler Ergosoft Coloured Pencils.

Ivy and the Inky Butterfly: A Magical Tale to Color (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Color is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Penguin Books. I am also being sent a UK edition of the book and will write a comparison post just as soon as I can, do subscribe to my blog on the right-hand side to be the first to know when it’s live. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.8 x 25.4cm making it the same height as the US editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has mint green text backgrounds and beautiful gold and green foiling which is really luxurious and aids the traditional storybook feeling! The spine is glue-bound which makes it quite stiff on opening because the covers are glued a little to the front and back pages of the book, you’re likely to need to crack the spine in order to get the book to open fully but do be very careful because pages can fall out of glue-bound spines and that would be a bit of a disaster if you want to keep the story in order! The paper is the same ‘Johanna Basford’ paper as used in the US editions of Magical Jungle and Johanna’s Christmas, this is not the same as the paper used in the UK editions of any of these books which was sourced through a global hunt to find a suitable ivory paper. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your they behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned in, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, wood, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom

The image below was coloured with Holbein Artist’s Colored Pencils.

Ivy and the Inky Butterfly – Unboxing and Flick-Through

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

If you’d like to purchase a copy it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

Winterkleurkaarten (20 Winter Cards) by Jessica Palmer, click through to see photos, video and my written review

WORLDWIDE GIVEAWAY and Review – Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen (Winter Colour Cards: 20 Postcards and Envelopes)

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen (Winter Colour Cards: 20 Postcards and Envelopes) are published and very kindly sent to me to review by BBNC Utigevers. They have also very kindly provided me with an extra set and an extra copy of Schemertijd Kleurboek by Maria Trolle which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 10th of October, to enter please click hereThis set of cards is illustrated by Jessica Palmer, the hugely talented illustrator of Tangle Wood, Tangle Bay, and Tangle Magic. These cards arrive in a gold card box with an image of one of the cards on the front, this box is a little bit flimsy and did get a bit squished on its travels to me, however, none of the cards or envelopes were damaged. The box contains 20 cards, these are not greetings cards, they are square postcards that are single-sided with a design illustrated on the front, and text at the top on the back saying Merry Christmas and a Happy New Year in Dutch, along with the copyright information at the bottom. The 20 plain white envelopes fit the cards perfectly and will be ideal for giving or sending the cards to others. The cards are made of bright white, lightly textured, medium thickness card, it doesn’t bleed or shadow with water-based pens but will with alcohol markers so do be aware of this, pencils, especially oil-based ones or those with harder leads, are very difficult to colour with on this card and require a lot of patience as the lack of tooth makes it difficult to layer or blend, my Prismacolor Premiers worked pretty well but I really struggled with Holbeins which seemed to clump and not colour evenly. The images themselves are all drawn in Jessica’s beautiful signature style and are really varied in content, some are winter-themed and the majority are Christmas themed. As always, none of them include people but rather beautifully anthropomorphised animals in humanesque scenes from ice-skating foxes to a mummy rabbit bearing cake and presents, badgers sharing a candlelit dessert to dancing herons, dogs decorating a Christmas tree to daddy bear reading a bedtime story to mummy and baby bear, each card is different from the last, they all feel similar because of Jessica’s drawing style but the content really does vary between each one. These cards are different from any imagery you’ll see on normal Christmas cards, or any colouring Christmas cards and they really are something special!

In terms of mental health, these cards offer a great, manageable project, they’re small enough not to be overwhelming, but large enough that they’re not coloured in seconds and you can take your time colouring each section without needing days to do so. The line thickness is consistent throughout and is thin and spindly thin. The intricacy and detail levels do vary a little across the images as well as within them but mostly they’re very intricate with lots of small details so you will need very good vision and fine motor control to enjoy these cards. You will need pretty good concentration to get the most out of them, some of the cards consist of lots of fine details that can be a little tricky to decipher if your focus is elsewhere so I’d suggest leaving those cards to colour on your better days. Colouring cards are a great project because not only do you get to enjoy colouring them, you can then send them to others and share the joy or even send them uncoloured to a friend who might need a little push to start colouring, they’re great for spreading some happiness and colouring love! The shape of them would make them ideal to frame if you wish, they could be a lovely added extra to your Christmas decorations or a really personal touch for your loved ones.

Overall, I would highly recommend these colouring cards, they’re beautifully drawn and really varied in content and they’re a lot of fun to colour, you will need good vision and hand control but these are really worth taking time over to make them perfect and they’re ideal for pen colourists! If you liked Jessica’s Tangle series of colouring books then you’re sure to love these cards!

If you’d like to purchase a set, they’re currently unavailable on the usual sites though they are listed there so do sign up for email alerts and they’ll tell you when they have them in stock, hopefully it’ll be soon! If you just can’t wait then you can order from Bol.com, below.
Amazon UK – Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen
Book Depository Worldwide – https://www.bookdepository.com/Winterkleurkaarten/9789045322070/?a_aid=colouringitmom
Bol.com – Winterkleurkaarten

Don’t forget, I’m running a Worldwide giveaway to win a set of these cards and a copy of Schemertijd by Maria Trolle, to enter click here by 23.59 GMT on October the 10th.

The image below was coloured using Prismacolor Premier Colored Pencils  and Holbein Artist’s Colored Pencils.