Holbein Artists’ Colored Pencils

Ivy and the Inky Butterfly: A Magical Tale to Color (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Color is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Penguin Books. I am also being sent a UK edition of the book and will write a comparison post just as soon as I can, do subscribe to my blog on the right-hand side to be the first to know when it’s live. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.8 x 25.4cm making it the same height as the US editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has mint green text backgrounds and beautiful gold and green foiling which is really luxurious and aids the traditional storybook feeling! The spine is glue-bound which makes it quite stiff on opening because the covers are glued a little to the front and back pages of the book, you’re likely to need to crack the spine in order to get the book to open fully but do be very careful because pages can fall out of glue-bound spines and that would be a bit of a disaster if you want to keep the story in order! The paper is the same ‘Johanna Basford’ paper as used in the US editions of Magical Jungle and Johanna’s Christmas, this is not the same as the paper used in the UK editions of any of these books which was sourced through a global hunt to find a suitable ivory paper. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your they behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned in, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, wood, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom

The image below was coloured with Holbein Artist’s Colored Pencils.

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Johanna Basford 2017-18 Weekly Colouring Planner - a great combination of colouring and organisation, click through to read my review and see images of inside

Johanna Basford 2017-2018 16-Month Weekly Colouring Planner – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2017-2018 16-Month Weekly Colouring Planner is published and was very kindly sent to me to review by Andrews McMeel Publishing. This planner is the perfect combination of organisation and colouring with space to write plans, appointments and notes, whilst also having weeks and weeks of colouring for you to do too. This planner is paperback with flexible pale cream card covers which have a beautiful black floral and foliage design on the front and back with the negative image drawn in pale cream on the insides of the covers, the front cover has gold foiling accents and the front and back cover have removable brown card strips with the information about the planner and the barcode etc printed on them. The planner is spiral-bound and measures 21.6 x 19.6cm, the covers aren’t especially sturdy so I’d be careful about travelling with it much and you’ll want to keep it safe somewhere rather than stuffing it in a bag or it’ll get damaged very quickly. This isn’t the best planner I’ve seen in terms of features and organisation, but for the combination of colouring and organising, it’s perfect and strikes a really good balance. The planner runs for 16 months and starts from the 28th of August 2017 all the way to the 6th of January 2019. The planner is printed double-sided and starts with a one-page overview of the year 2018 and then the planner itself starts with an image on the left of each double-page spread from one of Johanna’s five colouring books, images from all five (Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle and Johanna’s Christmas) are included, and the week’s days and dates with writing space for each on the right (this is in the same style as normal planners with added leafy accents and leafy lettering for the month title at the top). Each week runs from Monday to Sunday with equal space to write for each day, the dates are on the right and important festivals and bank holidays etc are written in small text on the left of the page, as well as the country it’s celebrated in. After the planner pages, which make up the vast majority of the book, there is a double-page spread with sections for each month of 2019 for you to add your advance plans to. Following this is a full page of 2017 dates and a full page of 2019 dates, followed by 5 lined pages where you can write notes (all with added leaf accents) and the final page is a colouring test page where you can test out your mediums to check for bleed through.

The paper this time is pale cream rather than bright white (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours), lightly textured and medium thickness, sadly it does shadow a fair bit with water-based pens but it doesn’t bleed through; I’d strongly advise writing in pencil throughout or you’ll ruin the image on the reverse either with shadowing or indentation from ballpoint pens. Pencils work well on this paper so I’d suggest mostly colouring with pencils and using water-based pens if you don’t mind the shadowing showing through on the planner pages. A great selection of images from Johanna’s books are included with some being sections of original images at the original size and others being the whole page shrunk down to fit on the planner page so some of the illustrations are quite tricky to colour neatly but almost none look impossible as long as you use a good set of fineliners or sharp pencils. Because this is the second planner and the publisher has tried not to duplicate images it means that a number of my favourite images from her first three colouring books haven’t been included as they were in the 2016/17 planner, however, we’ve got new images from those as well as from the newer two books and there are some lovely inclusions so there’s no disappointment to be had with this planner and it really is a great mix between organisation and colouring (two of my favourite things)!

In terms of mental health, this colouring planner is ideal. It gives you a manageable goal of colouring one page per week which could either be next week’s page so that it’s coloured ready for that week or this week’s page so you can colour as you plan. You could even colour it ahead if you’re quick but you’ll need to get a wriggle on as it’s already been running for a week. The pages are a great size to practice colour schemes for your copy of the actual books, or even to try out colouring mediums on a smaller page. The spiral-binding makes it easy to access the whole page and none of the images go into the spine, it’s also ideal because once you’ve finished using the planner at the end of 2018, the pages are easy to remove for framing or gifting if you want to get more use out of your works of art. There isn’t a treasure hunt element in this planner and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This planner is perfect for fans of Johanna’s work and it is a beautiful way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this planner if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order but a few have been cleverly chosen to fit celebrations like a heart for the week of Valentine’s Day, a skull for Halloween week 2018 and images from Johanna’s Christmas through December. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are quicker to finish and likely to cause less frustration.

I would highly recommend this colouring planner to fans of Johanna’s work and to those who love to be organised. It’s a great combination of planner and colouring pages and the size and format is ideal for those who find the full-size book pages too daunting. It’s great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the 16 months it runs for; you can even remove the images afterwards and frame or gift them.

If you’d like to purchase a copy it’s available below, there has been a delay in getting stock to retailers and therefore Johanna has released a free download of the pages for September which can be found here.
UK Edition
Amazon UK – Johanna Basford 2017-2018 16-Month Weekly Colouring Planner
US Edition
Amazon UK – Johanna Basford 2017-2018 16-Month Weekly Coloring Planner
Book Depository Worldwide – https://www.bookdepository.com/Johann-Basford-2017-2018-16-Month-Coloring-Weekly-Planner-Calendar-Johann-Basford/9781449482794/?a_aid=colouringitmom

Can’t get enough of Johanna’s illustrations and the ability to organise your life? Then check out the following reviews for two different wall calendars and a page-a-day calendar too.
Magical Jungle 2018 Wall Calendar
Secret Garden 2018 Wall Calendar
Page a day calendar

The image below was coloured using Holbein Artist’s Coloured Pencils.

Magical Jungle 2018 Colouring Wall Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle 2018 Colouring Wall Calendar is published and was very kindly sent to me to review by Andrews McMeel Publishing. This calendar is beautiful and is the same format as the previous JB wall calendars. The calendar itself is the same size as most others at 12 inches square, making it significantly larger than Johanna’s books. It includes 13 of Johanna’s signature and most well-known designs from her fourth colouring book, Magical Jungle (this calendar doesn’t include any new images), an illustration for each month of the year and one at the beginning for a 4-month overview of September to December 2017. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar size. The whole calendar, including the covers, is made of thick pale cream paper which is good quality (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours) – I thought it was going to bleed with water-based pens but there was no bleed-through at all and only some shadowing when using my darker fineliners. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The images are printed larger in the calendar than in the book so this is a great purchase for those of you who found Johanna’s books just a little too detailed and small. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The paper is quite smooth but has a little tooth and I didn’t have any issues with getting a few layers built up with my Holbein and Prismacolor pencils. The calendar is spiral-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a small hole at the top, this is smaller than on normal calendars and doesn’t fit a nail through it so you’ll have to very carefully hang it up with string (be careful so you don’t rip the pages). The cover has signature gold foil accents and is fully colourable, as always, and each calendar page has lots of tiny leaf accents and each month has a leafy lettering title.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The slightly larger image size means it’s more suitable to those of you who don’t have perfect vision or fine motor control. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. There is a small inky treasure hunt within the pages, like in the book, but I feel this was a bit of a pointless venture because some of the items you’re expected to find are the entire subject of the image e.g. one chameleon, one toucan or one tiger, rather than hidden within the image, two of the months don’t have this, January and November. Magical Jungle was Johanna’s least intricate and detailed book and while a few of the pages are quite intricate, a number of them have much larger, open spaces so there is a really good variety of images needing varying levels of concentration which can be used to keep you occupied and distracted when you’re feeling anxious or low, or requiring less focus if you need a more relaxing colouring experience. Johanna’s images are really good for practising mindfulness techniques because many require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin throughout but it’s not spindly so there is a little leeway when colouring, especially in those images with larger spaces.

I would highly recommend this for any colouring fan who needs a calendar in their life. Johanna fans won’t be disappointed with this calendar, it’s beautiful with a lovely selection of designs and great paper quality and it will brighten up the darkest of rooms and moods. It would make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – UK Edition – Magical Jungle 2018 Colouring Wall Calendar
Book Depository Worldwide – US Edition – https://www.bookdepository.com/Magical-Jungle-2018-Wall-Calendar-Johann-Basford/9781449482800/?a_aid=colouringitmom

Can’t get enough of Johanna’s illustrations and the ability to organise your life? Then check out the following reviews for another wall calendar, planner and page-a-day calendar:
Secret Garden 2018 Wall Calendar
Johanna Basford 2017-2018 16-Month Colouring Planner
Johanna Basford 2018 Colouring Day-to-Day Calendar

The image below was coloured with Holbein Artist’s Coloured Pencils, Prismacolor Premier Pencils and a Caran d’Ache Blender Pencil.

 

Fantasia – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fantasia is illustrated by Nicholas F. Chandrawienata and published and kindly sent to me to review by Phoenix Amulet Publishing. This book is one of the most talked about in the colouring groups on Facebook and has been one of the most difficult to get hold of after early US editions were printed with very disappointing paper quality, however, these issues have now been rectified and the book is produced to an extremely high standard and is readily available on Amazon US (details about International purchase at the bottom of the review above the photos). The book itself is 27.4 x 25.4cm, landscape orientation, paperback with flexible card covers with a fully coloured image from inside on the front. The book is spiral-bound on the left side and the pages are perforated but don’t come loose unless deliberately detached from the book. The 61 images are printed double-sided onto thick white paper, it’s not bright white but not off white either, it has a great amount of tooth (see photos below) and is ideal for layering and blending pencils and it doesn’t bleed or shadow with water-based pens when used carefully; alcohol markers will bleed through and you should always test any pens including water-based markers in an inconspicuous area to ensure you don’t ruin any reverse images as everyone colours differently. The images are all contained to a single page, none of them are spreads. The illustrations are really varied in content and while the majority are of people including their faces, upper bodies and whole bodies, a number of them are quite random too and include Easter eggs, a dinosaur, dragons, koi carp, roses, snowflakes, skulls and all sorts more. The most iconic images from this book and the ones that really sell it and look most spectacular when coloured are the images of people and these truly are transformed with colour, whether you use realistic flesh tones or go all out with green or purple tones instead, these images look unbelievable! Nicholas is an extremely talented illustrator and his work really is perfect, it’s beautiful, and really detailed and due to him being from Indonesia, there is a real Asian influence on his work which we don’t often see in colouring books and is a really fresh thing to see and colour. His work really does have to be seen to be believed so do check out the images below so you can see some of the variety and wide-ranging content as well as the beauty of his drawings.

In terms of mental health, this book is great, it’s so distracting and unusual and on one page you’re transported into prehistoric times where dinosaurs roamed the earth and on another you’re face to face with a mermaid, pirate, or even death. The illustrations are realistically drawn but much of the content is mythical or fantastical so there are no “correct” colour schemes and this book is definitely one to push you out of your comfort zone and get you trying new colour schemes and learning to colour flesh, fur or metal accurately. This book isn’t for the faint-hearted but if you’re brave you’ll really reap the rewards because it looks just incredible when coloured! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels do vary throughout each picture with most containing some large and some small spaces, for example a large open space of a face with much more detailed flowers around the edge; none of the spaces are particularly tiny apart from on the odd occasion so this book would be suitable for most levels of vision and fine motor control but do check the pictures of the pages below in order to ensure suitability. Three of the images have small text on them suggesting for you to add detail to a named section of the image which has been left uncharacteristically simple, these aren’t overly intrusive and you can always ignore the instructions like I did and just colour the image as it is. This book does mostly require a fairly high level of concentration but there are a few images that are made up of component parts which you could focus on when you’re feeling poorly and leave the full page portraits for day when you’re feeling better and up for a challenge. I really can’t rave about this book enough, it’s stunning and even though a lot of the content isn’t stuff I’d normally choose to colour, I can’t wait to work my way through every page in this book because the artwork is just so beautiful!

Overall, I can’t recommend this book highly enough, it’s absolutely gorgeous and a great challenge to get you out of your comfort zone, the paper is fantastic for pencil-lovers and the illustrations are incredible. It’s ideal for those with mental or physical health problems as it’s so distracting and isn’t ridiculously intricate so it’s accessible and if you’re prepared to sacrifice the reverse image, or you want to buy two copies so you don’t have to, then you can even remove your finished pieces and frame them to brighten up your darker days and remind yourself of all that you can achieve!

If you’d like to purchase a copy it’s currently available on Amazon US and for those of you in the UK and elsewhere don’t despair as they do ship to other countries though I’m not sure exactly where they do and don’t ship to. I tried checking out to my address in West Sussex, UK and they do allow it and including shipping the book costs just £17 or thereabouts which is a steal so do check it out! International group orders are often set up and run through a dedicated Facebook Group which can be found here and they also share their finished pages from the book so it’s a great place to start if you need inspiration!

The image below was coloured using Holbein Artists’ Coloured Pencils and blended with a Caran d’Ache Blender Pencil. 

Birdtopia 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Daisy Fletcher’s gorgeous colouring book, Birdtopia. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Daisy’s illustrations just a little too detailed and small, under each illustration is a small note stating what birds are drawn so that you can easily identify them and colour them realistically if you wish. The cover of the calendar is yellowy-cream card with the same images and design as the book cover, the title is printed in gold foil lettering and on the back are thumbnail pictures of all of the images inside; the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I tested Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. I completed my page using Derwent Inktense Pencils activated with minimal water and the paper held up very well to this with minimal warping or buckling. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. As with the Birdtopia book, this calendar has the quirky feature of having white colouring spaces but cream background printed throughout (except for the peacock page which is entirely white due to being a full page design), this isn’t a bad thing and many people think that this feature was one of the things that made Birdtopia so special but it’s worth mentioning and taking note of my photos below as it doesn’t suit everyone and is a bit of a surprise when you first look through the calendar.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured bird illustration, sometimes accompanied by a flower or plant. When writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. The majority of Daisy’s images are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistically drawn (though not realistically composed in terms of accurate plants or comparative sizes of things) and truly beautiful and just looking through the calendar is sure to lift your mood. These images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin and spindly thin throughout so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Daisy’s previous work, or if it’s new to you and you love birds and nature then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Birdtopia 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Birdtopi-2018-Colouring-Calendar-Daisy-Fletcher/9781786270498/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with minimal water.

Floribunda 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Leila Duly’s fabulous colouring book, Floribunda. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Leila’s illustrations just a little too detailed and small, each page has a beautifully written list of the flowers included, just like in the original book. The cover of the calendar is made of pale peachy-pink card with the same black line-drawn design as the book cover on the front, the title is in a large box at the top with pink foiled lettering and edging and on the back are thumbnail pictures of all of the images inside, the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I used Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured flower illustration from the inside covers of Floribunda.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. As with all of Leila’s images, they are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistic and truly beautiful and just looking through the calendar is sure to lift your mood. Leila’s images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is very thin throughout  so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Leila’s previous work, or if it’s new to you and you love flowers then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Floribunda 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Floribund-2018-Colouring-Calendar-Leil-Duly/9781786270474/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils and Faber-Castell Polychromos Pencils.

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Tidevarv (Seasons) Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tidevarv is the fourth instalment of colouring books illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Hanna’s first three books, Dagdrömmar (Daydreams), Sommarnatt (Summer Nights), and Magisk Gryning (Magical Dawn). The latest book is identical in format so if you already have a previous title of hers then skip to paragraph two, for those of you who are new to her work, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are a beautiful lemon yellow colour with a black and white design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is black with gold lettering (these books look really luxurious on the shelf and look like classic tomes). The pages are glue and string-bound and the pages are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist of single and double-page spreads.

The image content is gorgeous, varied, and possibly the best yet! This time, they’re organised into four sections of season-themed images starting with Spring and ending with Winter. The vast majority of the images are heavily nature-centred and realistically drawn but with Hanna’s signature quirkiness and magic added to them with gemstone fruit, anthropomorphised animals, and hair morphing into fruit, florals and even migrating geese. This book contains the second largest number of women (18) with seasonal accessories, beautiful headdresses, piercings and tattoos, these are in my opinion, the best drawings of women that Hanna has given us so far, they’re beautiful and so inventive, and in keeping with the seasonal theme, however, if you’re not interested in colouring people then don’t despair, these are not the majority of the images and there are loads of images of animals, flowers, plants, fruit and lots of gemstones as always! There is so much content in each of these books, it’s hard to sum it all up in a written description but the book contains everything from potion bottles, birds, mushrooms, seedlings, beetles, and mice, to snakes, fish, berries, cats, candles, houses, lanterns, Christmas baubles, presents and stars, it’s absolutely jam-packed with content. The illustrations are all highly decorative and ornate, they are beautiful in black and white but they’re completely brought to life with colour! Hanna’s work has always been beautiful but the added theme of seasons is spectacular, it’s really brought a new dimension to her work and has led to some really creative and beautiful illustrations.

In terms of mental health, this book is just wonderful, it offers escapism, natural imagery and lots of whimsy and it’s perfect for distraction even just by looking through the images! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout and mostly range from medium to high but a few have much larger open spaces. The detail is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! Unlike Hanna’s first book Daydreams, this book doesn’t contain any outline images or written prompts. This may be a welcome change for those of you who don’t like to draw. A number of the images are centralised and have large surrounding spaces so there are plenty of opportunities to create your own backgrounds if you wish, though of course this isn’t a requirement! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary in size and difficulty and they consist of a mixture of collections of components, portraits and scenescape images. This makes it ideal for good and bad days because you can work on one gem or potion bottle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels.

I would highly recommend this book to anyone who loves natural images, highly ornate illustrations, and anyone who likes all things pretty or magical. Hanna’s books are genuinely stunning and some of my favourites, I love just looking through them and this is definitely my favourite with the seasonal theme, it’s added another dimension and gives the book more flow.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

The image below was coloured using Holbein Artists’ Colored Pencils and Prismacolor Premier Coloured Pencils.

Sagor Och Sägner (Tales and Legends) En Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Sagor Och Sägner is the second colouring book illustrated Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Emelie’s first book, Sagolikt. This latest book is different in format from Sagolikt, it’s the same format as Hanna Karlzon and Maria Trolle’s books, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are pale pink with a mostly coloured design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is burgundy with gold lettering. The pages are glue and string-bound and are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist solely of single-page spreads apart from one double-page spread at the back.

The title translates as Tales and Legends and that’s exactly what you get in this book, images of fantastical creatures, scenes from fairy stories and, I assume, characters from Swedish folktales. The content is floral, girly, and quite similar, but not samey, to Sagolikt. The images are decorative and very nature and animal-focused. There are lot of mice and bunnies as well as doll-like girls and characters from stories. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The illustrations are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together but would look equally good removed from the book and framed. The images include mice, princesses, gnomes, flowers, woodland creatures, snow globes, a whale, teacups, a dragon, and lots of other beautiful objects and animals. Many of the pages depict imaginative imagery from a snow queen to a fortune-telling cat, a hare carrying a house on its back to mice being read a bedtime story, and fairies to mice showering in a teacup and so much more! The images contain a lot of realistic items used in very imaginative ways including lemons, teapots, cakes and acorns, all made into houses. The pictures are all very cute, fun and often light-hearted and they look absolutely stunning once you’ve added a splash of colour to them!

In terms of mental health, this book is lovely because it’s based around fairy-tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of objects that you can practice realistic colouring of wood, metal or fur on if you wish. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like tales and legends, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

If you’re a fan of Emelie’s work then please do join my dedicated Facebook group where you can share your coloured pages from all of her books and postcard books.

The image below was coloured using Holbein Artists’ Colored Pencils and blended with a Caran d’Ache Blender Pencils.

Romantic Country: The Third Tale – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Romantic Country: The Third Tale is published and kindly sent to me to review by St Martin’s Griffin. I’ve been looking forward to this book being published for such a long time and I was delighted when it arrived just a few days ago and I was able to complete my Romantic Country collection. I think that the second book is my personal favourite, it seems the most cohesive and most exciting in terms of content, however, this third instalment is beautiful too though the story does jump around from us being shown Elena meeting Joset the duck in Chapter 4 to seeing new scenes of shops and places we’ve seen in previous books as well as visiting new islands and areas. The book is illustrated by Eriy, a Japanese artist who creates her work using a toothpick dipped in ink. This whole book took approximately 900 toothpicks and because of the way the lines are created they’re not a uniform thickness and aren’t a stark black colour (more on this later). This series was the series I’ve been hoping would be made, with its childlike charm but with adult levels of intricacy, it’s what I always felt was missing for me in JB’s books, don’t get me wrong, hers are stunningly beautiful, I really love them, but they’re a little too perfect for my imagined perfect series. Eriy’s books are utterly charming, not quite perfect, and truly heart-warming and that’s what makes them so wonderful.

This book is square, the same size as the bestsellers, paperback, with a removable paper dust jacket with partially coloured images from the book on the front and back. The book itself has brown card covers with two line drawings from inside the book and blank covers on the inside. The paper is a lovely rich creamy colour (it’s hard to describe but it’s a little warmer in colour than the paper in Johanna’s first two books but not yellowy and it’s the same as in the previous Romantic Country titles), and it’s thick and doesn’t bleed or shadow with water-based pens when used carefully, it also holds up well to water and doesn’t bleed through with Derwent Inktense pencils. The paper is lightly textured and while you can’t get loads of layers, pencils do lay down well on it and it’s perfectly possible to get some lovely blending and layering. The spine is glue and stitch-bound so it’s durable but a little difficult to get to the centre of each spread, however, spines of this type do ease up with use so do persevere. The images are printed double-sided and borderless and are a mixture of single and double-page spreads so a little of each image is lost into the spine to begin with.

The images themselves are beautiful, charming, and begging to be coloured and are split into the following 5 chapters: 1. Peaceful Days in the North; 2. Peaceful Days in the South; 3. Beautiful Island Scenes; 4. Good Times for Elena and Joset; 5. The Passage of Time in the Secret Forest. The book starts with a single page spread showing a map of the islands of Cocot (the name of the land in which the first two books are set, which was dreamt up in the imagination of Eriy when she was a child), depicting the landmarks introduced in this book. Following this, are two double-page spreads showing mapped scenes of Sarryska Island and Cocot North, and Uisce and Melati Islands and their landmarks which are pictured in more detail later in the book so you can clearly see where they’re situated in relation to each other. Following the maps, the images show beautiful scenes of children posting letters to Santa Claus, vegetable carts, snow-capped castles, farmyard scenes, cutlery and crockery, a library, Island traditional dress, a lamp shop, inside a boat, a picnic, fairies, mermaids, a dragon receiving healthcare, a witch’s hat shop, and so much more. Each image is shown as a thumbnail at the back of the book too with a short description telling you more about each place and life there. At the back of the book are two fully colourable pages with single-sided scenes to cut out and assemble into a 3D shop that Elena and her duck friend Joset, are visiting.

In terms of mental health, I doubt there’s a book (or series) that’s better for it in all honesty! Certainly for mine anyway! The illustrations are so charming and because they have a beautiful childlike quality to them they really have a nostalgic aspect which will remind you of colouring books you used as a child but with so much more detail and intricacy that it’s still very entertaining as an adult. The content is wonderful because it whisks you off to a simpler, happier, gentler place where there is a slower pace of life and mythical creatures live alongside people and even witches are good. The line thickness varies throughout because Eriy draws with a toothpick and so it naturally varies however the majority of the lines are thin but not spindly so they’re perfectly colourable with moderate vision and fine motor control. The lines themselves are not a stark black, they’re an uneven brown because they’re drawn in dipping ink and while this may not sound great and does take a little getting used to, it truly adds so much charm to the drawings and these illustrations just wouldn’t look right drawn in harsh, black, perfect lines. The images range in intricacy and detail from large open spaces in some of the landscape pages, to small intricate details of vegetables, books and leaves, and everything in between, it’s very wide-ranging but the intricacy level in this book is significantly higher in most images than in Romantic Country though most of the images would still be suitable for those with moderate, or higher, vision or fine motor control so this is a great book for nearly anybody! The images are detailed and contain lots of things to look at and colour but most are not so overwhelming that you don’t know where or how to start and because they’re all depicting real things like buildings, plants, and food, they’re easy to work out colour schemes for whether that be subtle pastels, realistic browns and greys, or bright fantastical colours, this book isn’t so perfect that you don’t want to touch it which is part of its huge appeal. The images are less cohesive in this book and don’t tell a chronological story, however, they do create a wonderful sense of place and they offer great escapism as you walk through the streets, castles, countryside and shops, by the end of the book you really feel like you’ve visited the fantastical lands and you’ll be planning your next visit as soon as you can!

I would highly recommend this book to anyone who likes to colour scenes, landscapes, shops, food and flowers. This is one of the most beautiful books I’ve ever seen, it’s cute, pretty, whimsical, magical and charming and it truly is the book of my dreams, and hopefully of yours. If you don’t already have the first two Romantic Country titles then get them too, this series is truly perfect!

If you’d like to purchase a copy of this gorgeous book then it’s available here:
Amazon UK – Romantic Country: The Third Tale
Book Depository Worldwide – https://www.bookdepository.com/Romantic-Country-The-Third-Tale-Eriy/9781250133830/?a_aid=colouringitmom

Book 1 and 2 are available here.

The image below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache Blender Pencil.