Holbein Artists’ Colored Pencils

Summer Nights Artist’s Edition (Sommarnatt Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Summer Nights Artist’s Edition is illustrated by Hanna Karlzon and published and kindly sent to me to review by Gibbs Smith. This book was originally published in Sweden under the title Sommarnatt Tavelbok and this book is identical, apart from the language. This Artist’s Edition is also identical in format to those published for Hanna’s other books, Daydreams, and Magical Dawn and therefore my review is mostly identical apart from the content section and the photos. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale peach colour (not identical to the book which is paler and pinker) with black and white line drawings of Hanna’s butterflies and beading with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The 20 illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The illustrations chosen are a good cross-section of images from the Summer Nights colouring book (reviewed by me here), there’s a huge range of content including butterflies, birds, owls, jewels, houses, insects, cats, flowers, leaves and finally, one of Hanna’s signature female illustrations. The images are all printed the same size as the original colouring book so if you’re able to colour that, you’ll also be able to colour these with no difficulty and Hanna’s chosen a lovely range that will look incredible finished and framed or gifted to others. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one flower or beetle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful, a wonderful cross-section and very calming.

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Summer Nights Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Summer-Nights-Hann-Karlzon/9781423646570/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Coloured Pencils and the background was created using Panpastels.

The Flower Year: A Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Flower Year: A Colouring Book is published and very kindly sent to me to review by Laurence King Publishing. This book is the second colouring book offering from Leila Duly who illustrated the hugely successful and utterly stunning, Floribunda, reviewed by me here. This new book is a different format, with somewhat different content and very different production however, rest assured, it’s equally beautiful and an absolute must-have! Below the review are photos of inside so you can have a sneak-peek and if you want to view the whole thing you can see my silent video flick-through here.

This book is quite small at 23 x 18cm, it’s hardback with a pale pink linen-style cover in a slightly different shade from Floribunda, with black floral line drawings on the front and back covers and beautiful moss green interior and first and last pages. The spine of the book is stitch-bound and it is glued onto a flexible fabric tape strip which makes it easier to access the gutter in the center of the pages though in some cases this is still tricky and you’ll lose a little of some of the images. The illustrations are printed double-sided and are a mixture of single and double-page spreads. The paper is medium/thick, cream and very smooth, it’s similar to the paper used in Swedish colouring books though it has less texture; it’s ideal for water-based pens which apply smoothly and don’t bleed or shadow (do always test in an inconspicuous place as we all colour differently), I coloured my page with oil-based pencils (Holbeins and Polychromos’s) and found that I struggled to get even coverage as they didn’t want to blend very well and I was left with a slightly patchy appearance, even without any visible tooth to the paper, until I used a blending pencil (see photos below), this may be user error, but as many of us know, certain papers work better with certain types of pencils and I found that it performed much better with wax-based pencils when testing my Prismacolor Premier Pencils. The book contains a sage green satin ribbon bookmark which is very handy for keeping your page and really adds an extra touch of luxury in addition to the pale pink foiling which adorns the title on the cover and the spine.

The illustrations contain images of flowers from throughout the year with a title page for each month, starting with January and ending in December, each bordered with plants and flowers from that month, following each are 7 pages of floral illustrations containing a range of content styles including double-page spreads, single page spreads, collections of individual flower images and 7 pages with a written quote and a smaller flower image. There is a huge variety of content from birds to butterflies, dragonflies to berries and of course, heaps and heaps of flowers including, a dog rose, foxglove, bluebells, fuchsia, hellebore and plants including mistletoe, holly, horse chestnut and English oak. Some of the pages show small scenes of a zoomed in flowering plant or birds perched on branches, others show a small section of a whole plant, similar to images found in spotters guides and old-fashioned nature books, these collections have the flower’s name added on the page so they’re easy to identify. One of the best things about this book is that all of the pages are shown as thumbnails in the index and underneath each is a list of all of the flowers and birds depicted meaning that those of us who wish to colour the flowers realistically can, with great ease. A number of the pages have centralized images or sweeping spreads with large spaces left where you could add your own backgrounds or imagery if you wish, however this is by no means necessary and the pages will look finished and stunning, regardless of whether you add extras or not.

In terms of mental health, this book is wonderful, just as Floribunda was. The images are so realistic and they’re just packed with detail so even just looking through the pages is very calming and it really feels like you’re taken on a journey through the flowers and plants of the British seasons. I particularly like the way the book is split into months and that all of the illustrations are grouped together in this way, it means that you could just work through it in order or even colour the pages from each month as you go through the calendar year and see if you can spot some of those flowers when you’re out and about, I’ve certainly been noticing lots of crocuses (apparently January flowers) and daffodils outside my flat recently, as well as lots of birds, though I’ve not seen any wrens which are pictured for March, maybe I’ll see one soon. Nature-themed imagery is one of the best types for mental health because it’s so innately soothing and calming, even with no colour added, Leila’s illustrations are an absolute work of art and they are truly brought to life once coloured. The line thickness is spindly thin throughout, and while this does make it quite tricky to colour the images, they just wouldn’t look right with a thicker line, their beauty is in their delicacy. The intricacy and detail levels do vary from larger open spaces on periwinkles and bindweed to much smaller spaces of berries and lily-of-the-valley, but really you will need very good vision and fine motor control to get the most out of this book; I have good levels of both and it required a lot of time and patience to stay within the lines, even whilst colouring over many of the detailed sections. You will also need a good level of concentration to enjoy this book, while it will certainly cheer you up and calm you down on your worse days, it requires a lot of focus in order to stay within the lines and identify each section so that you’re not accidentally colouring a petal in leaf colours so this book is one to keep for your better days. That being said, when you’re well enough to colour it, it offers wonderful escapism and is extremely absorbing, leafing through the pages is like taking a garden walk, it really transports you outdoors and through forests, meadows and hedgerows.

Overall, I would highly recommend this book to nature-lovers and those with very good vision and fine motor control, Leila’s illustrations are second to none and while this book is absolutely beautiful as it is, it’ll be an absolute stunner when it’s full to the brim with colour. This is one book that I really hope I can colour from cover to cover in my lifetime because the end result will be incredible. While the paper can be a bit tricky with certain pencils, do persevere, I promise it’s worth the effort!

If you’d like to purchase a copy of The Flower Year, it’s available to pre-order here:
Amazon UK – The Flower Year: A Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/The-Flower-Year/9781780679532/?a_aid=colouringitmom

If you’d like to purchase a copy of Floribunda it’s available here:
Review – Floribunda: A Flower Colouring Book
Amazon UK – Floribunda: A Flower Colouring Book (Colouring Books)
Book Depository Worldwide – http://www.bookdepository.com/Floribund-Leil-Duly/9781780677767/?a_aid=colouringitmom

The image below was coloured using a combination of Holbein Artist’s Coloured Pencils and Faber-Castell Polychromos Pencils. I also used a Caran d’Ache Blender.

Birdtopia: 20 Colour-In Postcards – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia: 20 Colour-In Postcards are published and kindly sent to me to review by Laurence King Publishing. These postcards are of illustrations taken from the Birdtopia Colouring Book which was one of the most unusually formatted books I’ve ever seen during my time reviewing. This postcard book is paperback with card covers made of the same card as the postcards themselves, it’s bound with beautiful red tape creating a lay-flat binding meaning you can reach all of the edges when colouring. Each of the 20 postcards have a thin lined border around them and the main background of each is printed in cream, just like the original book, with white backgrounds for all of the colourable sections on the birds and plants. The card itself is white, thick, and lightly textured, it’s a little tricky to build up layers with pencils but patience helps and it doesn’t bleed, shadow or spread with water-based pens; alcohol pens will heavily shadow and bleed to the back but won’t bleed through onto the next design though do always pop a protective sheet behind your work, just in case! The binding allows the postcards to be kept in the book if you’re careful not to twist the spine, or remove them if you wish for gifting or framing. All of the postcards are portrait orientation apart from one landscape image. The illustrations themselves are all taken directly from the book with very little editing of the content, a few are drastically reduced in size, others are smaller but much closer to the original size, none appear to be larger. On the reverse of each postcard is space to write, four address lines and a beautiful floral bordered space for a postage stamp, in the bottom left corner (when looking at the back in a landscape orientation) the birds illustrated are named so that if you wish to colour them realistically you can. Each image contains one, or more, birds and usually a plant of some kind so there is a good variety and plenty of interest in each picture. Some of the birds include the European Robin, the Plate-Billed Mountain Toucan, the Pileated Woodpecker, and Chilean Flamingo, there is a good range of British and exotic birds to suit all tastes.

In terms of mental health, these postcards make the ideal manageable project, they’re small enough to manage in one sitting but the images are also made up of lots of component parts so you could colour just one section if you wish. The line thickness is spindly thin throughout and you will have to have very sharp pencils or fineliners to avoid going over the lines. The intricacy and detail levels vary a little but all of the postcards have high to very high levels of intricacy so you will need exceedingly good vision and fine motor control to enjoy these as the majority of the images are printed on a much smaller scale than in the original book. The content of the images is very natural and realistic and I found it quite calming just looking through the images let alone actually colouring them, the illustrations are very good at grounding you. Because the drawings are of real birds and flowers and the birds are all identified, it’s easy to look up the colours of each and colour them realistically if you wish so that you don’t have to worry about choosing colour schemes when you’re feeling stressed or anxious.

I would highly recommend these postcards to bird-lovers and those who love to colour nature and natural images, who don’t mind a bit of the surreal. The images are beautifully drawn and if the cream background doesn’t bother you then this book is sure to be a winner and the card quality is great!

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK – Birdtopia: 20 Colour-In Postcards
Book Depository Worldwide – https://www.bookdepository.com/Birdtopia/9781780679419/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils.

Floribunda: A Flower Colouring Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda: A Flower Colouring Journal is illustrated by Leila Duly and published and kindly sent to me to review by Laurence King Publishing. These journals often come shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you may not be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect, those of you familiar with Leila’s first colouring book, Floribunda, will know just how stunning her artwork is and now some of the smaller elements have been collated into this journal. It’s really luxurious from its pale pink hardback cover with a beautiful floral scene from the book, to the black linen-style spine, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! It is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy shell pink ribbon bookmark so you can easily find your place each time and on every other double-page is a small image from Leila’s Floribunda colouring book. The 37 illustrations include lots of the single flower illustrations which were printed in colour on the inside covers of her original book, they are printed in a very similar size to those and therefore look very delicate on the page. Of these illustrations, around 5 are printed twice, first towards the front of the book and then towards the end, these include the freesia, iris, delphinium, and two others. They look beautiful left uncoloured or brightened up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers and first and last pages are pale pink and the first internal page of the book has a large floral image with a small lined space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink lines do transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is lovely because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration though you do have to focus very hard to not colour over the lines. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are very intricate and detailed, and the lines are possibly the thinnest I’ve seen with the illustrations much smaller than those in the original colouring book pages and a similar size to their coloured counterparts on the inside covers of it, therefore you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. When compared to the two previous colouring journals Laurence King have published, I was very slightly disappointed with this one as there are no foiled elements on the cover (apart from the title on the removable paper strip), no metallic coloured edging to the pages, and half the number of colourable designs also including 5 repeats. This seems a little bit of a shame, however, as a standalone product it’s simply beautiful, I just feel the two journals of Johanna Basford’s artwork were better value for money as they had double the number of illustrations but for Floribunda fans this journal will still be ideal.

I would highly recommend this journal for stationery addicts, those who love to write and ‘need’ a new notebook, and fans of Floribunda and the stunning work of Leila Duly. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is one little flower. This journal is delicate and beautiful and a lovely addition to the colouring journal range.

You can purchase a copy here:
Amazon UK – Floribunda: A Flower Colouring Journal
Book Depository Worldwide – https://www.bookdepository.com/Floribund-Leil-Duly/9781780679402/?a_aid=colouringitmom

The images below were coloured using Holbein Artists’ Coloured Pencils.

Magisk Gryning (Magical Dawn) Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magisk Gryning is the third instalment of colouring books illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Hanna’s original two books, Dagdrömmar (Daydreams) and Sommarnatt (Summer Nights). The latest book is identical in format so if you already have a previous title of hers then skip to paragraph two, for those of you who are new to her work, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are a very pale lilac colour with a black and white design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is black with gold lettering (these books look really luxurious on the shelf and look like classic tomes). The pages are glue and string-bound and the pages are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist of single and double-page spreads.

The image content is really varied and utterly beautiful! The pictures are very nature-centred as always but not all of them are realistic or as you’d find nature in real-life and this book has a good heap of magic and mystery in it too. This book contains the largest number of images of women (20) with flowing hair, floral tattoos and piercings but if you’re not interested in colouring people, don’t despair, these are not the majority and there are heaps of images of animals, flowers and plants and lots of gems for those of you who, like me, are addicted to colouring gemstones! There are also loads of potion bottles in this one. It’s hard to describe the sheer amount of content within this book but some of the pages include pictures of birds, jewellery, cats, beetles, arrows, mushrooms, butterflies, moths, sand timers, flowers, and just so much more! The illustrations are all drawn in a very ornate, highly decorative style and they’re just beautiful and they look incredible when coloured! Hanna’s books are pretty similar to each other so it’s difficult to make each review different, a few have criticised them as being same-y but this book has taken a more magical turn and is more human-centred and has lots more gems than the previous titles so those who are fans will still love it but it does also offer a little more variety compared to the first two titles.

In terms of mental health, this book is just wonderful, it offers escapism, natural imagery and lots of whimsy and it’s perfect for distraction even just by looking through the images! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout and mostly range from medium to high but a few have much larger open spaces. The detail is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! Unlike Hanna’s first book Daydreams, this book doesn’t contain any outline images or written prompts. This may be a welcome change for those of you who don’t like to draw. A number of the images are centralised and have large surrounding spaces so there are plenty of opportunities to create your own backgrounds if you wish, though of course this isn’t a requirement! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary in size and difficulty and they consist of a mixture of collections of components, portraits and scenescape images. This makes it ideal for good and bad days because you can work on one gem or potion bottle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels.

I would highly recommend this book to anyone who loves natural images, highly ornate illustrations, and anyone who likes all things pretty or magical. Hanna’s books are genuinely stunning and some of my favourites, I love just looking through them and this is possibly my favourite as it has so many gems and I can’t wait to colour it cover to cover!

If you’d like to purchase a copy it’s available right now from Sweden from the sites below:
Pen Store – https://www.penstore.com/art-design/magisk-gryning
Bokus – http://www.bokus.com/bok/9789163612688/magisk-gryning-malarbok/

Alternatively, if you’re happy to wait, you can pre-order a copy of the English language edition which will be published to the same specifications in April by Gibbs Smith.
Amazon UK – Magical Dawn
Book Depository Worldwide – https://www.bookdepository.com/Magical-Dawn-Coloring-Book-Hann-Karlzon/9781423646594/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils.

Vinternatt 20 Vykort (Winter Night 20 Postcards) – A Review

Vinternatt Postcards are illustrated by Hanna Karlzon, and published and kindly sent to me to review by Pagina Förlag. These postcards are not taken from a book and have been published as a standalone postcard set and Hanna has categorically stated that there are no plans to turn these, or her other winter-themed postcard set, Vinterdrommar/Winter Dreams, into a full length colouring book. This postcard book contains 20 postcards, it’s paperback with thick card covers and a black tape binding. The cover is a pale blue with an illustration from inside the book with beautiful silver foiling accents and writing on the spine. The book has a lay flat binding meaning there is no spine to contend with so you’re able to reach and colour the entirety of the image; the postcards are easy to remove if you wish so they can be sent or gifted or even framed but they’ll stay in the book as long as you’re careful not to twist the spine. The cards are a cream colour which looks quite vintage, it’s fairly smooth with a light texture and is perfect for blending and shading with pencils but pens glide over it seamlessly too. Alcohol markers won’t bleed if you’re careful and they don’t spread, they do shadow onto the reverse so bear this in mind if you’re wanting to write on the back. The postcards are printed single-sided and on the reverse are printed three address lines and space for a stamp with little star doodles within it. The drawings mostly have a small border around them but 4 are full page, they will be pretty easy to frame if you wish to do so. The illustrations are all very similar to those used in the Daydreams and Winter Dreams postcard sets in terms of intricacy level and content, none are impossible to colour and all will look beautiful when finished. The images are very nature-based and for the first time in a postcard set two of Hanna’s female drawings have been included which is a lovely addition. There are a good number of gems which many of you will know I’m a huge fan of colouring and the illustrations also include lots of birds, stars, a cat, candles, a crown, a beautiful house, lanterns, a beetle and more. They’ve all got a bit of added whimsy and fantasy which is a huge part of what gives Hanna’s images such charm and sets them apart from others. These images are all winter themed with a real Nordic style to them, there’s nothing Christmas-themed in this book and if you’re looking for that then I’d recommend the Vinterdrommar/Winter Dreams set, this set is very bird and star heavy and it’s really ornate and highly decorated.

In terms of mental health, these postcards are just perfect! Postcards offer a smaller project which is less daunting to start and takes far less time to make progress on or finish than a full book page. The card is ideal for using any mediums and because they’re single-sided they’re perfect for framing so you can brighten up your darker days by just looking at all of the wonderful pages you’ve created, a great way of lifting your spirits. These postcards are nature-based and I find this the best thing for mental health as they’re very calming and peaceful and if you struggle to conjure up colour palette ideas you can just go with the one nature already created or spice things up a little if you’re feeling brave. The line thickness is consistently thin throughout but it’s not spindly thin. The intricacy and detail levels are pretty high but none of the spaces are impossible to colour. You will need fairly good vision and fine motor control to get the most out of these postcards. As for concentration level, these pages are ideal because their smaller size means they take less concentration and you can focus on individual aspects if you prefer and colour just one star or bird rather than focusing on the whole picture at once. These postcards are ideal for good and bad days, they’re a manageable size and I personally find them very inspiring and easy to get into without having to stress over colours for hours, I can just dive right in. If you need any inspiration then just search online using Hanna’s name or the book title and you’ll find heaps of ideas to get you going!

Overall, I would highly recommend these postcards, they’re all beautifully illustrated and they’re perfect for days when you’re feeling poorly, down, or your concentration is waning. They make an ideal project to send to others, to frame, or to keep in the book and they’re truly beautiful even just to look through uncoloured!

If you’d like to purchase a set they’re available here:
Pen Store – https://www.penstore.com/art-design/vinternatt-20-postcards-to-color
Bokus – http://www.bokus.com/bok/9789163612664/vinternatt-20-vykort-att-farglagga/

The image below was coloured using Holbein Artists’ Colored Pencils, the background was coloured using a black Sharpie and the white highlights were added using a White Sakura Gelly Roll Gel Pen.

Tangle Wood Collector’s Art Edition – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tangle Wood Collector’s Art Edition is illustrated by Jessica Palmer and published and kindly sent to me to review by Search Press Publishing. This book is the artist’s edition of Jessica’s hugely popular debut colouring book, Tangle Wood, which I reviewed almost 18 months ago, she’s since gone on to produce two further titles, Tangle Bay and Tangle Magic. This artist’s edition is a different format from the original and contains 20 images, some originally single pages and others a full double-page spread, I’ve included photos of all of the pages below so that you can see if your favourites are included and decide if this book is for you. It’s currently listed on Amazon with a release date in the UK as the 31st of March but my contact at Search Press is expecting their own website to have stock by the end of January and Amazon doesn’t usually take long after that so do get your pre-order in (links below) and you’ll be sure to get a copy as soon as it’s available.

The book itself is very large, measuring 25 x 33cm (the same size as Floribunda and the JB artist’s editions), it’s paperback with covers made of the same card as the pages inside, it’s thick card which is a beautiful cream colour, lightly textured and perfect for use with water-based pens which don’t bleed sideways or through, and pencils which layer and blend beautifully. I tested my Stabilo Point 88 Fineliners and they didn’t shadow onto the back, they just seemed to glide on top instead of saturating the paper. Cream isn’t everyone’s favourite page colour but it definitely adds a vintage feel and seems more natural than pure white so it really fits the woodland theme and also means you’re left with a less harsh contrast if you decide to leave the background uncoloured. The 20 images are printed single-sided onto the card and all of them are landscape, some are single page images from the original book which are printed a little larger, and others are double-page spreads which have been shrunk to fit the new page size. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but do stay put as long as you’re careful and don’t twist the spine too much, mine arrived pretty stiff. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits.

The images included are all from the original version of Tangle Wood, unlike most artist’s editions, the majority of these images are actually smaller than in the original book, I personally don’t think this was the best decision as Jessica’s illustrations are some of the most detailed around and it would have been lovely to have slightly larger scale versions to get our teeth into. There are also some slightly odd image choices like the floral frame which doesn’t actually fill the page or have enough space in the middle to draw much of your own imagery, or the floral spray with a small hummingbird, I was very disappointed to see that the gingerbread house wasn’t included apart from as a faded background for the bio on the back page. However, those niggles aside, the book is lovely and the images are really beautiful. Of the 20 images, 3 are printed larger than the original, 11 are printed smaller than the original, and the rest are the same size (see comparison photos below). The illustrations are printed in a different order from the book and don’t show the journey through the wood as the original did, there also isn’t a treasure hunt aspect though there are jewellery pieces hidden in each illustration. On the back of each page it says “Hand Coloured By” with a line to write your name and then “On” followed by space to write the date, you could also add the colouring mediums you used as a great record for the future.

In terms of mental health, this book is great, Jessica’s work contains so much detail that there’s constantly something to look at and notice, there’s a really good mix of images from up-close plants and insects to more scenic pages and all of the chosen illustrations will look beautiful framed if you wish. The linework is fairly consistent throughout and is thin and spindly thin, the detail levels do vary because the scale of the images varies and it ranges from the tiniest of details up to much larger open spaces. While you will need pretty good vision and fine motor control, don’t forget that you don’t have to colour in each tiny section individually and you can get great effects from colouring over sections and using the black linework as pattern or texture through your colouring, I often do this with Jessica’s illustrations and it’s really effective. The drawings themselves are really natural and evocative and are sure to spark your imagination as well as calm you down, Jessica’s illustrations feel very peaceful so they’re great for slowing down a racing mind. A number of the images have large spaces where you could add your own backgrounds but this is by no means necessary and the pages will look beautiful with or without any additions. There is also a variance in the amount of content on each page so you can tackle a simpler page on bad days or a more complex design on days where you can focus and concentrate more fully. Fans of the original book are sure to love this edition, it feels quite different from the original but it has many more uses and is ideal for using heavy/wet media that you can’t use on double-sided pages.

Overall, I would highly recommend this book, while the image choice and layout is a little disappointing, this may just be my personal taste and what is here is very lovely and will look stunning finished and framed. The book itself would make a wonderful gift or you could colour and frame a page for a loved one, or just brighten up your own home with your wonderful creations, I will certainly be framing my own soon, I just love how my owl turned out!

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Tangle Wood Collector’s Art Edition
Book Depository Worldwide – https://www.bookdepository.com/Tangle-Wood-Jessic-Palmer/9781782214878/?a_aid=colouringitmom
Search Press Website – https://www.searchpress.com/book/9781782214878/tangle-wood-collector-s-art-edition

The image below was coloured using Holbein Artists’ Colored Pencils and the background with PanPastels.

Holbein Artists’ Colored Pencils 150 Set – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Holbein Artists’ Colored Pencils aren’t very well known yet, but they really should be! These pencils are from my personal collection and I purchased them just a few weeks ago, since then, I’ve used them every chance I’ve had and I have to say, I love them, they’re quite possibly my favourite pencils! It was quite a risk clicking the buy button because they’re pretty expensive and I could find very few reviews so it was a bit of a leap of faith but the completed pages I’d seen were so beautiful that I just had to have them and see what they were like.

Availability, Cost and Set Sizes
The pencils are Japanese and are available in open stock in Japan but almost impossible to find out of sets anywhere else in the world, they’re also not available in shops worldwide and can therefore only be bought online outside Japan. There is a huge variety of set sizes and palettes ranging from a set of 12 all the way up to the full 150 set which is available either in a sturdy cardboard box (this is the set I bought and am reviewing), or in an incredibly beautiful looking wooden box with trays in wooden drawers. These pencils are expensive so they’re a real investment and it’s really worth shopping around as the set I bought I’ve seen ranging from £227 all the way up to well over £300, some places to look for them are Ebay, Amazon UK and US (check the US ships to you) and Amazon Japan which was where I bought my set (see bottom of post above photos for info about how to order from Amazon Japan and a direct link to the set).

Colour Range and Presentation
The pencils are available in 150 colours and what sets these apart from any other set I’ve seen is the sheer variety and range of pastel colours, you also get 6 metallic colours and 6 fluorescents as well. The colour range is very varied and doesn’t feel shade-heavy in any shades and I haven’t particularly found it lacking in colours either though I do always hanker for more browns but this is one of the easiest colours to make when mixing other shades together, I’ve just not got around to making a colour mixing chart yet. The pencils themselves look most similar to the Faber-Castell Polychromos pencils, they have a full colour round barrel which is thick and feels very well made, the wood casing is perfectly formed on all 150 of my pencils with no scratches, splits or off-centre leads. The non-colouring end is rounded and also coloured so your pencil lead can’t come loose from the casing and be pushed out the end like Prismas have been known to do. The pencils have gold writing, and a gold ring, similar to that on the Polychromos pencils but it’s much further from the end (see photos below), so they’re easy to tell apart. The pencils themselves are thicker than normal, the same thickness as Polychromos and they have a substantial, thick lead. Each pencil has a unique colour name and number printed on it and the lightfastness star rating.

Packaging
The packaging is superb and possibly the best I’ve seen for pencils (excluding the extortionately priced wooden box/drawer sets you can buy), the box is made of very thick cardboard and it doesn’t warp or twist at all, inside the lid it lists all of the pencils with their English and Japanese colour names, their unique colour number which is what they’re ordered by on this list and a chart with dots indicating which sets each pencil can be found in which is very useful for discovering the differences between sets and also being able to buy the smallest possible set when you start running low on certain colours! Each layer of pencils has a sheet of packing foam over it which helps absorb vibrations during transit, there is also an instruction manual which is sadly written in Japanese, though there are a lot of pictures so you can mostly guess at the techniques it’s teaching, and a small booklet containing the same packaging information as the box lid and opening out to show a colour sample of each pencil. The box contains three thick cardboard trays of pencils, each has a plastic insert that has individual slots for each pencil to sit in, the edges of two of my plastic inserts did arrive a bit broken however this isn’t affecting use, the cardboard trays have well-attached blue ribbon loops to aid lifting them out and this prevents warping and twisting of the trays. The pencils arrive pre-sharpened but not to a fine point, they all have a flattened end as if the tip has been cut off or they’ve been sharpened against something (see photo below), I’ve never seen this in a set of pencils before. A number of them also arrived with a strange residue on them that seemed a bit waxy, odd as the pencils are oil-based, this easily rubs, sands, or sharpens off though and it’s visible on the pencils it affects as the tip looks cloudy (see photo below) so there’s no reason to ruin your colouring page, just check the tip and clean it first and then you’re good to go.

Sharpening
The pencils sharpen beautifully, I use a T’Gaal Adjustable Pencil Sharpener which is arguably the best sharpener around (read my review of it here) and I’ve had no breakages and they sharpen to a nice point. The leads are relatively hard, significantly harder than Prismacolor Premiers and a tad softer than Faber-Castell Polychromos so they keep sharp for a good while during colouring and the tips don’t crumble. I personally use the “1” setting on my sharpener as I hate losing lots of wood at once and prefer to use a shorter point which is why in the photos below the point is short, these pencils hold up well on all of the T’Gaal’s settings including the longest point.

Blending
The pencils blend like a dream! Prismacolor Premiers are arguably the best and easiest pencils to blend due to their soft core but these Holbein pencils are a pretty close second and I found them a little bit easier to blend than Faber-Castell Polychromos. As yet, the only time I’ve needed to use a blending pencil has been when I’ve wanted to fade to white but haven’t wanted to lighten the colour by blending with a white pencil (see the blue, purple and pink gems in the photo below). They are really easy to layer, giving a good even coverage and being very sensitive to pressure, they have a beautiful vibrant pigment as you can see from the photographs of my colour charts below which I’ve not filtered or edited in any way, that’s truly how they look in real life! The pencil barrel colour is very similar and pretty accurate to the lead colour, but as always, I would still recommend creating a colour chart, it’s a great way of getting used to the pencils and how they perform on paper/card and it’s a really handy resource to have so that you can easily compare within and between brands so you can make perfect colour choices!

Erasing and Smudging
The pigment of the pencils erases pretty well, even when fully burnished, obviously you’ll never be able to completely remove all of the pigment, especially when burnished, but a surprising amount does come off, particularly when using a battery operated eraser which was what I used for the test below. As with all pencil pigments, it does smudge a little with pressure however, the smudge below was only created from deliberately rubbing at the pencil with my finger and will only smudge during normal use if you get any pencil “dust” which happens very little in use as these pencils really don’t crumble.

Overall, these are expensive and they’re not an item to purchase lightly, however, I can’t recommend them highly enough, there are no production issues at all in my set and none that I’ve heard of within the colouring community, the colour choices are unique and vibrant, they blend beautifully and are a great addition for those looking for more colours who already have any other pencil sets as these don’t contain a huge number of duplicate colour options. They sharpen well, with no issues and the packaging protects them well and makes them really easy to use without needing to decant them elsewhere unless you want to. These pencils would be a wonderful first artist’s grade set, or in addition to others and the pastel colours are just incredible! If you’re wanting to splash out on a new set then you should definitely consider these, I was so anxious about purchasing them but as soon as they arrived and I finished stroking the pretty colours and actually started using them, my fears were allayed and I instantly fell in love with them as has everyone else I’ve seen using them!

Purchasing
If you’d like to purchase a set then you could try out a set of 12 though these are still just over £2 per pencil but at least you’ll then know if you like them and have spares if you then splurge on the full set.

Amazon UK:
12 Colour Pastel Shade Set
12 Colour Basic Shade Set
24 Colour Set in Tin
36 Colour Set in Tin
50 Colour Set in Cardboard Box
100 Colour Set in Cardboard Box
100 Colour Set in Wooden Box with Drawers
150 Colour Set (as reviewed here) in Cardboard Box
150 Colour Set in Wooden Box with Drawers

Amazon Japan
150 Colour Set (as bought by me and reviewed here) in Cardboard Box
All Holbein Pencil listings on Amazon Japan

Amazon Japan ordering instructions
Google Chrome has a pretty accurate page translate tool which I used, you’ll first need to set up an Amazon Japan account and add your payment details and postal address, do this first or it’s really difficult to accurately find out prices. Don’t get too excited when you discover the pencils are mega cheap, the postage and import duties are an absolute killer, this set of pencils worked out at about £165 but the postage and import taxes left me paying another £60, this is all calculated by Amazon and paid upfront so there should be no unexpected fees when they arrive with you though I can’t guarantee this but I didn’t pay anything extra for mine. They also arrived ridiculously quickly, I was told it would take 7 days from Japan to the UK with standard delivery and in fact they took just 4 which is quicker than some UK deliveries I’ve had! The delivery packaging wasn’t great, just a thin bit of paper wedged in the box with no bubble-wrap or anything but my pencils seem to be absolutely fine and the set packaging itself is really good and protective which will help avoid any damage.