Author: Lucy

Worlds Within Worlds – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Worlds Within Worlds is illustrated by Kerby Rosanes and published and kindly sent to me to review by Michael O’Mara. This book is the seventh title by Kerby and is not part of the Morphia series albeit it’s drawn in a very similar style but without the signature alien creatures and swirls of the earliest Morphia titles.

The book is 25cm square, the same size as Kerby’s previous titles and most other bestsellers. It’s paperback with black covers and white lettering. The images on the front and back covers are partially coloured and are both contained within the book. The spine is glue and string-bound and quite tight on arrival, it takes a bit of work to get it lying flat however you shouldn’t need to crack the spine to colour the entirety of each image. The majority of images don’t enter the gutter so it’s not a big issue and it will ease up with use. The paper is bright white and medium thickness, it has a light tooth and allows for blending and shading. I used Prismacolor Premier Pencils which blended very well. When using heavy pressure, some of the image on the reverse page did transfer to the opposite page so you may want to put a sheet of scrap paper under your work in order to prevent this, however it’s easily erased if it does happen. The book begins with a name plate spread and information about the new search and find element of the book, a key hidden on a tiny image of a main feature of the proceeding image hidden within each colouring design. The book then contains 83 pages of illustrations printed double-sided which are a mixture of single pages, paired designs and double-page spreads. The image content is extremely wide ranging and because there is no specific theme, it really does contain a bit of everything including themes that he’s previously drawn in his earlier titles. None of the images are repeats, a few of them are just the same subject, drawn differently including fish, nautilus, dragon, bees, skull, and stags. The vast majority of the images are of completely different subjects and all of them are drawn in a very different way from previously. The premise of the book is exactly as the title suggests of worlds within worlds including cities within Russian dolls, rabbit warrens in rabbits, terrariums containing fields and windmills, underwater asteroids and so much more. The imagery is so inventive and as with all of Kerby’s work, it constantly surprises you and each time you look at it you notice something new that you hadn’t spotted before. Kerby’s artwork is full of the weird and wonderful and although it can often be very tricky to know where to start, no matter what colour palette you choose, you’re sure to create a masterpiece, it’s almost impossible not to with line drawings like this!

In terms of mental health, this book is fantastic. It offers so much choice in image theme and the content can’t help but inspire you! I often feel very overwhelmed when looking at Kerby’s work and trying to choose an image to colour because they’re quite an undertaking because of the amount of stuff crammed into each drawing but I didn’t feel that way about this book and the page I coloured was the page I chose as my favourite on my first flick-through of the book which is pretty much unheard of for me! The images contain a wide range of intricacy and detail levels and although none could ever be described as simple, there is a good variety ranging from pages absolutely packed with content and hundreds of individual component parts all overlapping each other which can be quite difficult to visually distinguish, to much larger, less complicated images where a centralised object takes centre-stage and there are a few internal or surrounding details. On flicking through the book, these differences are apparent and it means that you can use this book during lots of different symptom levels and pick simpler images to colour on days where your concentration isn’t up to scratch and attack a much more complicated design on days where you’re really able to focus and not inadvertently identify things as background that shouldn’t be. This book is hugely distracting, even just to look through and it’s certainly helped me over the last week when I’ve struggled to focus on much at all and really needed a distraction, colouring my page took far longer than I expected but I’ve really enjoyed it and it’s certainly kept me busy and kept my mind occupied which I’ve been very grateful for. It’s a great book to get you out of your comfort zone because nothing is as it seems and you absolutely don’t need to stick to conventional or realistic colour schemes if you don’t want to.

I would highly recommend this book. It’s a great title to begin with to delve into the world of Kerby’s artwork and for those of us who’ve been fans for years, it’s a wonderful new title and theme to add to his previous works. The images are just incredible and feel very exciting and fresh, you’d never guess this was the 6th book of new images, it feels like a show-stopping debut! I can’t recommend it highly enough and although I often find that new books are my favourite of an illustrator’s, this isn’t just my favourite Kerby book because it’s new, it’s by far my favourite imagery of his and an absolute must-have for followers and fans of his work!

If you’d like to purchase a copy, it’s available here:
Amazon UK – Worlds Within Worlds
Book Depository Worldwide – https://www.bookdepository.com/Worlds-Within-Worlds-Kerby-Rosanes/9781912785124/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Pencils.

My video review and flick through can be found here.

New Year Update – January 2020

So, it’s 2020, my brain still can’t get used to that but hopefully it’ll catch on soon. Happy New Year! It’s been an absolute age since I blogged or vlogged. I had intended to update you all shortly after I moved but that was all just crazy and now here we are, nearly 3 months on. I’m never sure why I make these plans and goals because I know when I make them that I’ll never manage to stick to them and lo and behold, I haven’t! As ever, there ends up being so much to tell you all and so much happening that I often get overwhelmed or put off by the sheer amount of stuff to try and get out and so I put it off. But I’m finally here writing and hopefully making sense.

The biggest change and update is that Joe and I bought a flat and have moved. We bought at the end of October, I spent the whole of that week frantically decorating so that it was ready for us to move into and 8 days after buying, we moved in with help from family and friends. Unfortunately, we moved during a storm with 60mph winds and sideways rain so we did have a few casualties in our possessions but mostly it went fine, especially under the circumstances! It’s been quite a whirlwind since then. We’ve had various issues with the previous owner that have really taken the shine and excitement out of moving. We’re hoping that most of those major issues are now dealt with and we’re finally starting to calm down and enjoy the place but even on completion day we had some horrid news that we had to pay an extra £5200 that we were unaware of ahead of time thanks to various misunderstandings so we didn’t have a typical completion day at all and we spent a lot of that day in shock. It meant that we didn’t take any photos of us, no champagne to toast such a monumental day. I’m really sad that it all transpired the way it did because we’ll never get that back. It was completely understandable given that so much bad stuff was going on but it’s such a shame that we’ll never have those experiences at our first home again. We didn’t do it when we moved in together 6 years ago because we moved into the property on different days and this time it was because of shock. We completely overlooked our 8-year Anniversary the week after we moved in too because we were just so swamped with tasks to do in between Joe starting a new job and trying to navigate our way around the insane number of boxes that were piled up to head height in every room.

Since then, we’ve settled a lot more and although we’re not completely sorted out, we’re mostly unpacked and hopefully by next week things should be much more under control after a furniture delivery at the end of this week. We’ve had various issues to contend with including problems with windows that we weren’t aware of, various bodged jobs that we’ve discovered and bailiffs turning up at our door on my birthday, the week before Christmas, seeking out the previous owner. It’s not been the best and it’s meant that I’ve not really talked to most people about our move or shared anything on social media because most people are so excited and full of positivity in this situation and that’s not been the case for us. I’ve found it quite isolating to be honest because I had struggled so much in the lead up to the move after it was dragged out for an additional 2 months beyond what we were expecting. I was thinking I’d be sighing with relief as soon as my solicitor phoned and I could collect the keys and that was exactly what happened until 4 hours later when we found out about the huge fee we had to pay the following month. I was all ready to give the flat back and unpack our stuff at home and just live out our days there. Ultimately, it’s all worked out. At least I think it has, I say that quite tentatively currently because it’s not been that long and with the amount of random, unexpected curve balls that have been thrown our way recently, I’m not holding my breath that we’re beyond all of that yet. But hopefully we are and if so, then it was worth it and it’s worked out. Though it has put us off moving for a lot of years and it has made us less trustful of other people thanks to how much our seller has messed us about.

The positive things of living here are that the flat is larger so there is more space for our stuff and I feel much less claustrophobic and trapped. The space also means there’s more room for me to sort through my possessions and hopefully clear out some of those at a later point. I was able to decorate with the colours that we’d chosen ourselves and those have worked out really nicely and I’m really proud of the job I did and how homely and “us” it feels. It’s also so quiet here. I really struggle with noise sensitivity and we had pretty noisy neighbours at our last flat and it’s so much quieter here. There’s a real sense of community here too, our neighbour opposite is an absolute sweetie and really looks out for us – we were out for the day on my birthday and he heard the postman knocking and getting no answer at ours so he went out and requested the postman leave our parcels with him to save us a trip to collect them from the post office (he didn’t know it was my birthday and we have no arrangement with him for this, he just did it off his own back). We got 3 Christmas cards through our door from other flats having only lived here for 7 weeks; the same number we received in the 6 years we lived at our last flat. People say hello and talk to each other, it’s tidy and clean in the communal areas, almost everyone had a wreath on their door at Christmas. It’s just lovely! We have really nice views over a local park and we’re not properly overlooked in any of our rooms. We’ve got huge windows that let in lots of light, despite no longer being south facing and we have gas central heating, instead of night storage heaters and that’s just such a luxury! It’s hard to explain and probably doesn’t make much sense but despite my anxiety being worse at the moment, I feel calmer here. I don’t feel as stressed or unsettled in myself and I feel more able to keep on top of cleaning and tidying and managing the flat than I did before.

That being said, my anxiety is worse and in particular my agoraphobia. I don’t have any specific plans or reasons to go out and so often, I just don’t. I didn’t go out this year until the 12th and that was only because I realised I’d not been out yet and forced myself to go with Joe to collect my mum and her partner from the airport. I’m trying to psych myself up to go out more often but even when I think about that I can feel my brain pulling away and coming up with reasons not to. I’ve also hit my yearly period of questioning my life, my purpose and what on earth I’m going to do with myself and my time. As ever, I feel completely lost and useless as well as bored and I’m spending an inordinate amount of time trying to work out what direction I want to go in and if there’s any way at all of earning money and not feeling so rubbish about myself! I have various plans that I’m really hoping I might actually get on with this year and I’m desperately hoping that some of those might bring in some money. It’s hard not to blame yourself or lower your self-esteem when you see other people succeeding in so many ways and doing all of the things you want to be able to do and realising you’re nowhere near being able to do any of that. I spent time last week researching how to train in various types of therapy and realised that the chance of that happening without a lottery win is minute. It’s SO expensive and time consuming to train and my brain so often feels like complete mush that I have no idea how I’d ever go back to formal education despite absolutely loving learning. I’ve already mostly ruled out my dream career of becoming a Clinical Psychologist because it’s so competitive, high stress and difficult to get into but I had really hoped that I’d be able to become a therapist and now even that is looking further and further away. I’m a very goal-orientated person and find that life makes far more sense when I know what I’m working towards and how I intend to get there. I’m also very career-orientated, especially as I don’t plan to have children and so most of my goals are focused on work and how I’m going to spend my time and so when I have huge wobbles or my plans fall through or change drastically, I really struggle to make sense of that or catch up. It makes me feel really lost and very panicked because I don’t cope well with the unknown and I’m very aware that I’m turning 30 at the end of this year and my life is absolutely not how I’d hoped or planned and I seem to be drifting further and further from what I wanted. It doesn’t feel like my life is changing direction, it doesn’t feel like I’m now travelling on a different path towards a different goal. It just feels like I’m lost and drifting aimlessly but further away from all of the things I’d dreamed of. I keep hoping that my purpose will reveal itself, that I’ll stumble upon a career that’s meant for me, that doesn’t require thousands of pounds of investment or unbearable pressure and demands on my already frazzled mind. I’m not sure that I believe it’ll happen but I can’t keep torturing myself by researching things at the moment, only to find out just how unattainable my chosen options are so I’m trying to just focus on the present and do the best I can with that.

Another thing I’ve noticed recently is that my ability to start things is hugely diminished. “Well” me would be shocked at how much “ill” me changes and how differently my brain works. I’ve always been someone who thought it was better to start, and to try, than to not give it a go for fear of failing or not finishing. At the moment, I struggle to start most things because I’m so worried about failing or making a mess of them. A lot of this is down to lack of confidence which is an ever-present problem for me. I question myself about everything and it’s what’s stopped me from blogging or vlogging and what’s stopped me from reviewing, doing any of my hobbies or beginning anything new because I talk myself out of it all before I’ve even started. I’m never sure how to get beyond this. I try to just ignore it and start anyway but I end up freaking out and not doing it because there are so many ways in which I could mess up or regret starting. It’s infuriating but very real at the moment. I’m trying very hard to push past it and do the things that I can do in the hopes that I’ll work up to the scarier things at a later point. It’s still early days since we moved and I know I’ve had to deal with a huge amount of changes over the last few months. It always takes me a long time to process and catch up but it does feel very unfair to be plagued by so much self-doubt and lack of ability to ‘do’ things because it means I don’t have much distraction or much to show myself about my abilities or uses. Hopefully I’ll find a use and purpose for myself again soon.

All sorts of other stuff has been going on since I last posted an update but this is already massive and before I lose confidence and chicken out from posting this I’m going to take a deep breath, press upload, and send it out into the ether. I’m working on psyching myself up to post more often both about mental health and about colouring and I’m hoping to one day be brave enough to do a video tour of our new flat. I have no idea when any of that will happen; it always takes way longer than I plan or hope for but know that I’m working on it and I hope to be back soon!

* The photo was taken during the first week of owning our flat during a quick lunch break whilst decorating my bedroom

How to Draw Inky Wonderlands (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
How to Draw Inky Wonderlands is by Johanna Basford who very kindly sent me a UK and US edition to review. This review is of the US edition, (my UK review can be found here) which is published by Penguin. I have also written a comparison post which can be found here, or the video comparison post can be found here.

This book is completely different from anything previously produced by Johanna and in fact, anything else I’ve seen on the market. Rather than being a colouring book, Johanna has welcomed us into her world to teach us her secrets in order to allow us all to be more creative and draw our own colouring pages and additions. As soon as I heard about the premise of the book I was very excited but also really nervous; I’ve always wanted to learn to draw but struggle to be patient or practice enough to actually improve. However, if anyone can teach me to draw, it’s colouring book queen, Johanna Basford, and spoiler alert, it’s actually working! Loads of people state that they can’t draw and are lying through their teeth, they normally mean that they can’t create a hyper-realistic portrait of someone that looks identical to a photograph. I, however, am serious about my lack of talent for drawing, I genuinely struggle to draw straight lines, circles or evenly-spaced stars and my sheep, age 28, are still drawn as clouds with stick legs and smiley faces. They’re adorable but no one believes anyone over the age of 8 drew them.

The book itself is paperback and unlike the majority of Johanna’s colouring books, it’s rectangular, not square and measures 21.5 by 25.5cm, making it the same size as Ivy and the Inky Butterfly and the same height as all of the US editions of Johanna’s colouring books. There is no removable dust cover this time, instead having flexible card covers with ½ French flaps which open out front and back to reveal a beautiful flower, leaf and butterfly design that is fully colourable, it isn’t waxy and is very smooth meaning most mediums will be suitable for colouring it, just be careful with alcohol markers in case they bleed through to the external covers. The spine and covers are white with black text, the cover has gold foiling accents and the title is backed with a beautiful duck egg blue background. The spine is glue-bound which you’ll need to be careful with, a number of people have reported previous titles published in the US falling apart so you will need to be gentle with this edition when trying to open it flat for drawing in. The paper is the same as that used in previous US editions of Johanna’s titles from Magical Jungle onwards, this paper was created and named after Johanna it’s beautiful, it’s not the same paper as used in the UK editions. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils. It has a good level of tooth so it can cope with pencil lines being drawn and erased and the Staedtler Pigment Liners that Johanna uses herself and recommends drawing with work beautifully on the paper. The only issue I had was that my 0.2 nib pen slightly feathered and spread on the page, however, none of my other pens really did this so it may just be a dodgy pen but just bear it in mind and do check out the photos below to see what I mean. Using the Staedtler Pigment Liners means that your drawings will match Johanna’s and blend in really well with the printed artwork so your drawings won’t stand out as “different” from the content that’s already on the page. The paper is ideal for pencils and water-based pens and you only need to avoid alcohol makers or particularly wet media. As ever, there’s a test page at the back of the book where you can check out how each of your tools and mediums behaves.

This is very much a drawing book, it’s not a colouring book with a few drawing tips included. Upon opening the book, you find a beautiful title page, name page and introduction including tips and a materials list. The book is then split into 3 themed sections: Garden, Ocean, and Forest. There are no page numbers in the book and no contents page. The book is printed double-sided with each double page depicting at least one drawing technique, often many more. The drawings are all split up into really clear sections most of which are visually displayed in steps along with accompanying written instructions. There is a real range of different size projects included from small and simple requiring just a few very easy steps, to much more time-consuming and complicated and requiring more focus and ability to replicate well.

For the vast majority of the tutorials, each step is numbered and the step you’re currently drawing is printed in black, with the previously drawn sections in paler grey so that you can easily identify what elements you’re adding each time. Once you’ve drawn the whole image you then go over it all with pen and once dry, erase the pencil lines and voila, you’ve got your own illustration which is highly likely to surprise you, mine certainly did! There is a huge range of content for the tutorials including loads of different types of flowers and leaves, fish and other sea creatures including crabs and lobsters, ships, objects, borders, and different types of motifs including crests, symmetrical, repeating and circular. The possibilities are endless once you’ve learnt the basics and Johanna has a real knack for making it all seem very simple and easy rather than difficult and daunting so before you know it, you’re drawing things you never expected to be able to. It can be really anxiety-inducing starting something new, especially when it’s something you’ve struggled with before and find frustrating but this book is so different from any others I’ve seen and doesn’t make things just sound simpler, it actually breaks each drawing down into simpler steps so that you’re drawing very basic shapes and creating amazing things with them. There is real talent in being able to teach a skill in that way and make it so inclusive and accessible.

The tutorials are ideal for starting to learn to draw but they’re also fantastic to help you continue because once you’ve started you’ll start noticing how other images are created and what shapes they’re made up of. I often find inspiration very lacking when I try to draw and if you’re like me then I highly recommend going through Johanna’s colouring books and you’ll be absolutely inundated with ideas to the point where the only difficulty you’ll have will be choosing what to draw first! Learning to draw is apparently like exercising, it won’t come naturally or easily at first and it’ll often feel like it’s not worth it but the more you practice, the more you’ll improve and the easier it will become and eventually you’ll be creating your own things rather than copying the original tutorials.

In terms of mental health, I’ll be completely honest and say that before receiving the book, I was dreading writing this section because I thought I was going to have to say it was bad because I’ve always found drawing stressful. However, I’m pleased to say that this isn’t the case and actually, I think this book is great for mental health as long as you have a little patience because it makes it surprisingly simple and learning to draw the few things I have with this book has been by far the least frustrating drawing experience I’ve ever had! I’m not just saying that because I’m a huge fan of Johanna, I honestly was so nervous about reviewing this book because I didn’t want to have to write a negative review or say that although it was lovely, I was still unteachable. How wrong I was! Just as Johanna has been telling us, anyone can learn to draw. I’m certainly not an artist, I’m not ever going to get paid for anything my pen puts on paper (apart from my signature on a job contract) but I can safely say that with practice, my drawings will no longer look like a child’s and people won’t laugh when I tell them I drew it rather than a small kid. For me, that’s more progress than I ever thought I’d make and it’s a huge confidence boost too. That’s one reason why this book is ideal for those of us with mental health problems because it gives you the tools you need to actually succeed at learning a new skill and that’s sure to improve your self-esteem and confidence.

I would highly recommend the Johanna Basford journals for practising your drawing in, it’s what I’m currently using and I’ve had no issues at all with it so far. The features I’m particularly liking about using them are the ribbon bookmark which I can use to mark my place, the paper which is lovely and thick and a great surface to draw on and takes erasing well, and the motifs already printed on each double-page spread which offer great inspiration and make the whole process much less daunting, at least for me, because I’m not starting on a completely blank page, each one has already been started for me! I intend to work through in order, dating my drawings as I go so that I can hopefully see my progress over time.

Overall, I would highly recommend this book, even to those of you who absolutely cannot draw because Johanna really will teach you! I already miss getting my yearly fix of colouring pages from her but the fact that she’s teaching us how to draw our own comes a very close second for me and seeing everyone’s versions cropping up online is definitely spurring me on to practice and learn and be more creative. This book is spreading joy, even more so than Johanna’s colouring books do, and it’s boosting confidence and self-esteem all over the world. If you weren’t sure about getting a copy then I really would suggest getting one and seeing what you think and if you need further persuading then have a go at following Johanna’s video tutorials on her Facebook page and see what you can create!

If you’d like to purchase a copy it’s available here:
Book Depository Worldwide – https://www.bookdepository.com/How-Draw-Inky-Wonderlands-Johanna-Basford/9780143133940/?a_aid=colouringitmom

Video Review

How to Draw Inky Wonderlands (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
How to Draw Inky Wonderlands is by Johanna Basford who very kindly sent me a UK and US edition to review. This review is of the UK edition, (my US review can be found here) which is published by Virgin Books. I have also written a comparison post which can be found here, or the video comparison post can be found here.

This book is completely different from anything previously produced by Johanna and in fact, anything else I’ve seen on the market. Rather than being a colouring book, Johanna has welcomed us into her world to teach us her secrets in order to allow us all to be more creative and draw our own colouring pages and additions. As soon as I heard about the premise of the book I was very excited but also really nervous; I’ve always wanted to learn to draw but struggle to be patient or practice enough to actually improve. However, if anyone can teach me to draw, it’s colouring book queen, Johanna Basford, and spoiler alert, it’s actually working! Loads of people state that they can’t draw and are lying through their teeth, they normally mean that they can’t create a hyper-realistic portrait of someone that looks identical to a photograph. I, however, am serious about my lack of talent for drawing, I genuinely struggle to draw straight lines, circles or evenly-spaced stars and my sheep, age 28, are still drawn as clouds with stick legs and smiley faces. They’re adorable but no one believes anyone over the age of 8 drew them.

The book itself is paperback and unlike the majority of Johanna’s colouring books, it’s rectangular, not square and measures 21 by 25cm, making it the same size as Ivy and the Inky Butterfly and the same height as all of the UK editions of Johanna’s colouring books. There is no removable dust cover this time, instead having flexible card covers with ½ French flaps which open out front and back to reveal a beautiful flower, leaf and butterfly design that is fully colourable, it isn’t waxy and is very smooth meaning most mediums will be suitable for colouring it, just be careful with alcohol markers in case they bleed through to the external covers. The spine and covers are white with black text, the cover has gold foiling accents and the title is backed with a beautiful pink background. The spine is glue and string-bound which makes it very durable but a little tricky to get it to lie flat for drawing in however little to none of the content enters the spine and therefore you don’t lose much in the gutter. The paper is the same as that used in previous UK editions of Johanna’s titles from Magical Jungle onwards, this paper was found through a global hunt and it’s beautiful, it’s not the same paper as used in the US editions. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils. It has a good level of tooth so it can cope with pencil lines being drawn and erased and the Staedtler Pigment Liners that Johanna uses herself and recommends drawing with work beautifully and seamlessly on the paper with no feathering, spreading, shadowing or bleeding and they blend in beautifully with the printed artwork so your drawings won’t stand out as “different” from the content that’s already on the page. The paper is ideal for pencils and water-based pens and you only need to avoid alcohol makers or particularly wet media. As ever, there’s a test page at the back of the book where you can check out how each of your tools and mediums behaves.

This is very much a drawing book, it’s not a colouring book with a few drawing tips included. Upon opening the book, you find a beautiful title page, name page and introduction including tips and a materials list. The book is then split into 3 themed sections: Garden, Ocean, and Forest. There are no page numbers in the book and no contents page. The book is printed double-sided with each double page depicting at least one drawing technique, often many more. The drawings are all split up into really clear sections most of which are visually displayed in steps along with accompanying written instructions. There is a real range of different size projects included from small and simple requiring just a few very easy steps, to much more time-consuming and complicated and requiring more focus and ability to replicate well.

For the vast majority of the tutorials, each step is numbered and the step you’re currently drawing is printed in black, with the previously drawn sections in paler grey so that you can easily identify what elements you’re adding each time. Once you’ve drawn the whole image you then go over it all with pen and once dry, erase the pencil lines and voila, you’ve got your own illustration which is highly likely to surprise you, mine certainly did! There is a huge range of content for the tutorials including loads of different types of flowers and leaves, fish and other sea creatures including crabs and lobsters, ships, objects, borders, and different types of motifs including crests, symmetrical, repeating and circular. The possibilities are endless once you’ve learnt the basics and Johanna has a real knack for making it all seem very simple and easy rather than difficult and daunting so before you know it, you’re drawing things you never expected to be able to. It can be really anxiety-inducing starting something new, especially when it’s something you’ve struggled with before and find frustrating but this book is so different from any others I’ve seen and doesn’t make things just sound simpler, it actually breaks each drawing down into simpler steps so that you’re drawing very basic shapes and creating amazing things with them. There is real talent in being able to teach a skill in that way and make it so inclusive and accessible.

The tutorials are ideal for starting to learn to draw but they’re also fantastic to help you continue because once you’ve started you’ll start noticing how other images are created and what shapes they’re made up of. I often find inspiration very lacking when I try to draw and if you’re like me then I highly recommend going through Johanna’s colouring books and you’ll be absolutely inundated with ideas to the point where the only difficulty you’ll have will be choosing what to draw first! Learning to draw is apparently like exercising, it won’t come naturally or easily at first and it may feel like it’s not worth it but the more you practice, the more you’ll improve and the easier it will become and eventually you’ll be creating your own things rather than copying the original tutorials.

In terms of mental health, I’ll be completely honest and say that before receiving the book, I was dreading writing this section because I thought I was going to have to say it was bad because I’ve always found drawing stressful. However, I’m pleased to say that this isn’t the case and actually, I think this book is great for mental health as long as you have a little patience because it makes it surprisingly simple and learning to draw the few things I have with this book has been by far the least frustrating drawing experience I’ve ever had! I’m not just saying that because I’m a huge fan of Johanna, I honestly was so nervous about reviewing this book because I didn’t want to have to write a negative review or say that although it was lovely, I was still unteachable. How wrong I was! Just as Johanna has been telling us, anyone can learn to draw. I’m certainly not an artist, I’m not ever going to get paid for anything my pen puts on paper (apart from my signature on a job contract) but I can safely say that with practice, my drawings will no longer look like a child’s and people won’t laugh when I tell them I drew it rather than a small kid. For me, that’s more progress than I ever thought I’d make and it’s a huge confidence boost too. That’s one reason why this book is ideal for those of us with mental health problems because it gives you the tools you need to actually succeed at learning a new skill and that’s sure to improve your self-esteem and confidence.

I would highly recommend the Johanna Basford journals for practising your drawing in, it’s what I’m currently using and I’ve had no issues at all so far. The features I’m particularly liking about using them are the ribbon bookmark which I can use to mark my place, the paper which is lovely and thick and a great surface to draw on and takes erasing well, and the motifs already printed on each double-page spread which offer great inspiration and make the whole process much less daunting, at least for me, because I’m not starting on a completely blank page, each one has already been started for me! I intend to work through in order, dating my drawings as I go so that I can hopefully see my progress over time.

Overall, I would highly recommend this book, even to those of you who absolutely cannot draw because Johanna really will teach you! I already miss getting my yearly fix of colouring pages from her but the fact that she’s teaching us how to draw our own comes a very close second for me and seeing everyone’s versions cropping up online is definitely spurring me on to practice and learn and be more creative. This book is spreading joy, even more so than Johanna’s colouring books do, and it’s boosting confidence and self-esteem all over the world. If you weren’t sure about getting a copy then I really would suggest getting one and seeing what you think and if you need further persuading then have a go at following Johanna’s video tutorials on her Facebook page and see what you can create!

If you’d like to purchase a copy it’s available here:
Amazon UK – How to Draw Inky Wonderlands
Book Depository Worldwide – https://www.bookdepository.com/How-Draw-Inky-Wonderlands-Johanna-Basford/9780753553190/?a_aid=colouringitmom

Video Review

Video Post – Unboxing How to Draw Inky Wonderlands (UK and US Editions) by Johanna Basford

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Today I received the most exciting parcel of goodies from Johanna Basford. Check out my video to see what was inside, see the UK and US edition of her new book, How to Draw Inky Wonderlands, due out in October, and to hear me get so excited that I stop being able to make sense. Reviews, flip throughs and comparison videos and written posts will be coming soon!

If you’d like to pre-order a copy it’s available here:
Amazon UK – How to Draw Inky Wonderlands
Book Depository Worldwide – https://www.bookdepository.com/How-Draw-Inky-Wonderlands-Johanna-Basford/9780753553190/?a_aid=colouringitmom

Confidence

This is a word that comes up on my blog time and time again and in fact in conversation with me too. I seem to somehow come across as this confident, extroverted person who means business and even in the throes of an anxiety disorder I exude this to others. I have literally no idea how. You see, deep down, in fact not that deep, you barely even need to scratch the surface most days, I’m a bundle of nerves, worries and self-doubt. I have absolutely no idea how I manage to cover this up and yet time and time again I’m described as confident despite feeling anything but. I don’t overly mind this but I do sometimes worry, especially when I’m doing videos, that people think that I’m somehow different from them because although I’m ill, I’m still confident, but this couldn’t be further from the truth. Although I’m good at talking and am known for my inability to shut up, ever, I spend a lot of time worrying about it, analysing what I’ve said afterwards and time just rolling my eyes at myself and wishing I’d said something different or just stopped talking altogether. I annoy myself often and yet somehow I can’t stop and carry on talking rubbish. Just because I talk a lot and am viewed as loud doesn’t mean that I have any self-assurance about the value of what I’m saying or my authority to say it.

You probably wouldn’t believe the amount of time that I spend comparing myself to others and wishing I was different. If I spent half of that amount of time actually doing something productive or changing myself in a specific way then chances are I’d be more like the people I so admire. But I’m never sure in what way to even change, what bits to add, what bits to take away, and so I just continue to compare and wish I was more like them. It probably sounds ridiculous and I always feel that way when I talk to people about it in my real life but I don’t even feel like I’m ill in the right way. There seem to be acceptable ways of being ill and unacceptable ways and I’m pretty sure that I’m mostly in the latter camp. I’m not half as productive or effective as the majority of people I know who are mentally ill and in terms of social media advocation, I’m really low down. I don’t have the energy, capacity or will power to stick to a posting schedule and I have literally no idea how other bloggers and mental health advocates manage to create the sheer volume of content that they do. I often look at the list of posts that I’ve published for ideas and come to a halt because I just don’t know what to write about anymore, I’ve done the big and obvious things like describing what it’s like to live with depression and anxiety, what my appointments with my psychiatrist have been like and sharing updates when I’ve had big positive or negative changes in my health but apart from that my ideas seem to have run out. For someone who absolutely always has something to say, I seem to have a lot less to write than I’d like to admit.

I often wonder why this is and I think it’s because of the topic of this exact post – confidence. So often, I’ll talk myself out of even starting a post because I question it or decide that no one will care or I won’t do the topic justice. I spend a colossal amount of time now wondering who the hell I think I am and why anyone would care what I have to say when I’m one tiny voice in a sea of much more competent bloggers. They are able to function, even to make a career out of this, to get paid for their publishing, create regular content to an actual schedule and even go viral! I know it’s silly to be competitive about blogging but I tend to wonder what I’m doing wrong and what I could change in order to reach more people or make more of an impact. I’m not interested in fame or getting rich from this but I’m desperate to make a bigger and more meaningful difference than I currently am and I can never work out an effective way of doing so. We all go through blips of low confidence and second-guess ourselves but I seem to be the complete opposite and have blips of belief in myself followed by weeks and months of not even wanting to try because I just know that I’m not capable and feel like I’ve got nothing valuable to say. Lack of confidence regularly goes hand in hand with setting the bar increasingly high and so now I feel extreme pressure to post something really valuable and worthwhile because it’s been such a long time between each post and so I really need to share something worthy of people bothering to read it. The more I think like that, the harder it is to conjure up an idea that could possibly match those criteria and hence I go for months at a time of posting nothing because nothing ever makes the cut. I even start posts and they just get lost in a drafts folder, often never to be seen again. I wish I wasn’t such a perfectionist and would just share more frequently in the hopes that doing so would help me get beyond this. I try to talk myself into sharing some of the posts that I don’t think are up to scratch or finishing off some of the half-written drafts that I’ve lost count of the number of. I get to the point of thinking that any video, no matter how random or disjointed would be better than sharing absolutely nothing but then I get whatever the YouTube equivalent of stage fright is and just can’t be coherent. It’s a real nightmare! I’m lonely, I’m isolated and I know I’m one of what must be thousands of people in the world who feel the same way. I want to be able to voice our experience, to shine a light on what it’s like and to get some of the thoughts that spend hours swirling round and round in my head, out and into the world in the hopes that it might quieten my mind just a little and have at least one of you reading or watching saying “hey, that happens to me too, I’m not alone”. But the lack of confidence renders me mute. You’re probably sat reading this half shouting at the screen that it clearly doesn’t and this must be a lie because there you are reading a post that I’ve written but this was actually written ages ago and it’s taken until now to muster up the courage to post it. This lack of confidence isn’t an act and it’s something that try as I might, I’ve not won the battle with for over a year and I see no end to that arriving anytime soon. I question myself constantly, I try to talk myself into posting something, anything, and yet the vast majority of the time I don’t even get as far as starting before I’ve talked myself out of it and decided it’s pointless and no one would be interested anyway. Once I finally have written something I usually feel that it’s not coherent, is far too negative or just sounds whiny and after getting a particularly hurtful comment from someone I know after sharing one of my last blog posts, my confidence is even lower and I second-guess myself even more.

My hope in posting this post, albeit quite late, is that it might spur me on with continuing rather than starting again. I continually try to not leave huge breaks between posts and then time just passes by and my anxiety about needing to post something spectacular increases to an unbearable point. I’ve lost count of the number of times I’ve opened this document and wanted to just post it on my blog and then chickened out. Normally when this happens I’ll get a friend or family member to read it and check it’s ok and get them to make suggestions for edits but I don’t even have the confidence to do that. I finally asked my partner earlier in the week to read this but he forgot and I’ve not been brave enough to ask him since. He never judges me and always tries to boost my confidence but I’m so worried this is bad or whiny that I can’t face getting someone to check. By the time this is posted I’ll have almost certainly had to psych myself up, hold my breath and mentally scream at myself to just hit the damn ‘publish’ button and I’ll probably feel sick for ages afterwards waiting to see what reaction it gets and whether I’m going to be criticised again. I think I’ll always be amazed when people describe me as confident when a constant stream of all of this is permanently running through my mind.

I normally try to end posts on a poignant note but I’m all out of those. I’ll try to be back soon with more posts and videos. If you have any suggestions or requests then do let me know in the comments or via the contact me tab where you can contact me privately. I don’t have any ideas for future posts at the moment so any ideas are gratefully received.

World of Flowers Postcards (Ein Paradies Voller Blumen 24 Postkarten) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers Postcards (Ein Paradies Voller Blumen 24 Postkarten) is published by MVGVerlag and is from my personal collection. This book of postcards is published in German and appears to be the only edition of postcard images from World of Flowers; it contains 24 postcard images from the original book. Each postcard is printed single-sided and the back of each is printed with the same very faint grey floral design from the book with a dotted outline for a stamp containing a dragonfly image and 4 dotted address lines so that you can send them to friends, family and loved ones. The postcards are not perforated but are easily removable, almost too easily as the binding is very fragile so the book may well not stay together long-term but this does mean that you’ll be able to easily detach the postcards with no damage. The postcards are made of medium-thick, bright white card, they’re a little smaller than the Magical Jungle and Lost Ocean postcards but are produced to a much higher standard and there are no issues at all with these. The card doesn’t bleed or shadow at all with water-based pens and has a lovely tooth for pencils so you can really layer and blend and shade with ease. Alcohol markers are highly likely to bleed-through so pop a protective sheet behind your work to avoid any accidents. The postcards are a mixture of landscape (18) and portrait (6) orientated images. The vast majority of the postcards are zoomed in sections of the images rather than scaled down versions of the whole page which is a huge improvement on the previous titles’ postcards and makes for a really enjoyable colouring experience. A great selection of images has been chosen and although they’re obviously all flower-themed they’re surprisingly different and varied and don’t feel at all samey. There’s everything from centralised images to wallpaper spreads, scenes of jars and bottles to potted succulents, vases of flowers to floral patterns and even a beautiful bumblebee.

In terms of mental health, these postcards are great! As many of you know, my absolute favourite thing to colour is postcards because they’re a manageable size and give you much quicker results than regular colouring book pages. They’re also single-sided meaning that you can use almost any medium you like and they’re easily removable so that you can share your coloured images with others as gifts or to display or use for your own projects to brighten up a room or anywhere else you put them! The line thickness is thin and occasionally spindly thin throughout, you’ll need pretty good vision and fine motor control but it doesn’t need to be perfect for the majority of these images. You can block-colour the sections if you wish or spend time blending and shading or even colouring over some of the internal lines as texture so there are lots of options for different skill levels and different physical abilities. Postcards are a great project for when your symptoms are problematic or your concentration is poor because they don’t take so long and give you a good sense of achievement. The postcards are absolutely beautiful and would look lovely as they are or with heaps of colour added, the choice is yours.

I would highly recommend these postcards, they’re beautiful, a great choice of images and they’re all colourable. The card is ideal for any medium and they’re produced to a really high standard! I can’t rave about them enough, I absolutely love them and they’re one of my very favourite colouring products!

If you’d like to purchase a copy, it’s available here:
Amazon UK – Ein Paradies Voller Blumen 24 Postkarten (World of Flowers Postcards)
Book Depository Worldwide – https://www.bookdepository.com/Ein-Paradies-voller-Blumen-Johanna-Basford/9783747400487/?a_aid=colouringitmom

Review and full flick through

The images below were coloured with Stabilo Point 88 Fineliners and Caran d’Ache Luminance Pencils.

 

Johanna Basford 2020 Weekly Colouring Planner – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2020 Weekly Colouring Planner is published and was very kindly sent to me to review by Andrews McMeel Publishing. This planner is the perfect combination of organisation and colouring with space to write plans, appointments and notes, whilst also having weeks and weeks of colouring for you to do too. This planner is paperback with flexible pale cream card covers which have a beautiful black line-drawn flower and leaf design from World of Flowers on the front and back with a white floral design drawn on black on the insides of the covers, the front cover has rose gold foiling accents and the front and back cover have removable pale pink card strips with the information about the planner and the barcode etc printed on them. The planner is spiral-bound and measures 21.6 x 19.6cm, the covers aren’t especially sturdy so I’d be careful about travelling with it much and you’ll want to keep it safe somewhere rather than stuffing it in a bag or it’ll get damaged very quickly. This isn’t the best planner I’ve seen in terms of features and organisation, but for the combination of colouring and organising, it’s perfect and strikes a really good balance.

Unlike the previous editions of this planner, this one now only runs for 12 months, not 16 which I personally think is a very sensible change, it therefore runs from Monday the 30th of December 2019 to Sunday the 3rd of January 2021. The planner is printed double-sided and starts with a one-page overview of the year 2020 and then the planner itself starts with an image on the left of each double-page spread from one of Johanna’s seven colouring books, images from all seven (Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, Johanna’s Christmas, Ivy and the Inky Butterfly, and World of Flowers) are included, and the week’s days and dates with writing space for each on the right (this is in the same style as normal planners with added leafy accents and leafy lettering for the month title at the top). Each week runs from Monday to Sunday with equal space to write for each day, the dates are on the right and important festivals and bank holidays etc are written in small text on the left of the page, as well as the country it’s celebrated in. After the planner pages, which make up the vast majority of the book, there is a double-page spread with sections for each month of 2021 for you to add your advance plans to. Following this is a full page of 2019 dates and a full page of 2021 dates, followed by 5 lined pages where you can write notes (all with added leaf accents) and the final page is a colouring test page where you can test out your mediums to check for bleed through.

The paper this time is pale cream rather than bright white (it is the same paper as last time and it’s less yellow than the Secret Garden book paper and more cream than the ivory paper in World of Flowers; see photo below of the different paper colours), lightly textured and medium thickness, sadly it does shadow a fair bit with water-based pens but it doesn’t bleed through; I’d strongly advise writing in pencil throughout or you’ll ruin the image on the reverse either with shadowing or indentation from ballpoint pens. Pencils work well on this paper so I’d suggest mostly colouring with pencils and using water-based pens if you don’t mind the shadowing showing through on the planner pages. A great selection of images from Johanna’s books are included with some being sections of original images at the original size and others being the whole page shrunk down to fit on the planner page so some of the illustrations are quite tricky to colour neatly but almost none look impossible as long as you use a good set of fineliners or sharp pencils. Because this is the fourth planner and the publisher has tried not to duplicate images it means that a number of my favourite images from her first few colouring books haven’t been included as they were in the first two planners, however, we’ve got new images from those as well as from the newest book, World of Flowers, and there are some lovely inclusions so there’s no disappointment to be had with this planner and it really is a great mix between organisation and colouring (two of my favourite things)!

In terms of mental health, this colouring planner is ideal. It gives you a manageable goal of colouring one page per week which could either be next week’s page so that it’s coloured ready for that week or this week’s page so you can colour as you plan. You could even colour it ahead for the whole year. The pages are a great size to practice colour schemes for your copy of the actual books, or even to try out colouring mediums on a smaller page. The spiral-binding makes it easy to access the whole page and none of the images go into the spine, it’s also ideal because once you’ve finished using the planner at the end of 2020, the pages are easy to remove for framing or gifting if you want to get more use out of your works of art. There isn’t a treasure hunt element in this planner and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This planner is perfect for fans of Johanna’s work and it is a beautiful way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this planner if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order but a few have been cleverly chosen to fit celebrations like a heart for the week of Valentine’s Day, a skull for Halloween and images from Johanna’s Christmas through December. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are quicker to finish and likely to cause less frustration.

I would highly recommend this colouring planner to fans of Johanna’s work and to those who love to be organised. It’s a great combination of planner and colouring pages and the size and format is ideal for those who find the full-size book pages too daunting. It’s great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the year it runs for; you can even remove the images afterwards and frame or gift them.

If you’d like to purchase a copy it’s available below:
Amazon UK – Johanna Basford 2020 Weekly Colouring Planner
Book Depository Worldwide – https://www.bookdepository.com/Johanna-Basford-2020-Weekly-Colouring-Planner-Activity-Diary-Johanna-Basford/9781449497613/?a_aid=colouringitmom
Andrews McMeel – http://publishing.andrewsmcmeel.com/basford-2020-calendars

Video Flick-Through and Review

The image below was coloured with Stabilo Point 88 Fineliners.

Johanna Basford 2020 Colouring Day-to-Day Calendar in a Keepsake Box – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2020 Colouring Day-to-Day Calendar is published and was very kindly sent to me to review by Andrews McMeel Publishing. This page-a-day calendar arrives in shrink-wrapped plastic which keeps the keepsake box clean and free from damage. The keepsake box is made of thick ivory card which is covered all over (including the bottom) with a black line-drawn flower and leaf design from World of Flowers and the top and all four sides of the box have rose gold foiling accents. The box opens with a hinge-style (the lid remains attached at the top) with two pieces of black ribbon holding it open at a >90degree angle; the inside of the lid and the box are lined with black paper with white flower and foliage designs; the box is fully colourable if you wish. A black ribbon allows easy access to lift out all of the loose calendar pages which aren’t bound in any way so it’s easy to pick out which ones to colour, move them around, leave them out to dry if using wet media and so on.

The pages are the same size and format as any other page-a-day calendar, the illustration is on the left and takes up two thirds of the page and on the right at the top is a leafy-lettered title of the month and at the bottom is the date and day, above this in small text are written the important festivals and celebrations and the country they’re celebrated in; as with all others, Saturday and Sunday share a page so there are approximately 314 pages of colouring for you to complete over the year. The pages are pale cream (just like the 2019 edition) rather than bright white (they are less yellow than the Secret Garden book paper and more cream than the ivory paper in Magical Jungle and World of Flowers; see photo below of the different paper colours), thin (slightly thicker than copier paper), and lightly textured, pencils don’t build up many layers on this paper but I’m sure those of you who are more talented than me will have more luck with this and create wonderful masterpieces; water-based pens do heavily shadow and may bleed through if you’re particularly heavy-handed but the images are printed single-sided so really you can use whatever mediums you like, these pages would be ideal for testing out new mediums or trialling colour schemes.

The illustrations themselves are all taken from Johanna Basford’s seven currently published colouring books, Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, Johanna’s Christmas, Ivy and the Inky Butterfly, and World of Flowers. I have carefully looked through all of the images and there are no new images, all are directly from the original books. Some of them are the whole page scaled down, others are sections of the page printed at the original size, others are zoomed in sections which are printed larger than the original so there is a really good mix of detailed sections, larger spaced illustrations to practice blending and shading on, and whole pages which you’ll need your finest of fineliners and sharpest of pencils to colour accurately. The lid is designed to display the current day’s page in but it will hold plenty more pages than this so you could easily place a month’s worth in there before having to move them under the proceeding days’ pages.

In terms of mental health, this page-a-day calendar is fantastic because it provides you with a manageable size of project to attempt each day, you could colour the page in a few minutes or really take your time to try out new techniques and spend much longer, it’s entirely up to you. You could colour the day’s page ahead of time or on the day itself, you could even spend the next few months colouring the whole thing ready to look at your beautiful work throughout the coming year, or even to gift to someone else (what a labour of love that would be and it would make an incredible present if you could bear to part with your work, perhaps you could start if off for them to finish?). The pages are a great size to practice colour schemes for your copies of the actual books, or even to try out colouring mediums on a smaller page. The loose pages make it easy to access the page you need without having to move the whole block around all the time and it means you don’t have to worry at all about bleed through. At the end of the year you could even cut out all of the images and create collages, small framed pictures or gifts or even add them to cards or craft projects so this is a really versatile product that goes way beyond just being a calendar! There isn’t a treasure hunt element in this calendar and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This page-a-day calendar is perfect for fans of Johanna’s work and it is a beautiful new way of using her illustrations. The line thickness varies a little throughout from medium to spindly thin and the intricacy and detail levels are often much higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this calendar if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order and there are no duplicates, a number of the calendar pages show parts of the same original image but these are all of different aspects of it, with varying size or depicting different areas (see images below) and this is by no means the majority of the pages, most are of entirely separate illustrations or aspects within them, they also mostly don’t appear to duplicate the images used in the 2017, 2018, or 2019 editions of this calendar so those of you who already have those won’t be disappointed by lots of duplicates. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are much quicker to finish and likely to cause less frustration, they’re also fantastic for trying out new things without worrying about ruining a whole page in your books.

I would highly recommend this page-a-day calendar to fans of Johanna’s work and to those who love to be organised. It’s a great size and format, ideal for those who find the full-size book pages too daunting. It’s also great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the year it runs for; you can even remove the images afterwards and frame or gift them or even use them in craft projects and the box will make a wonderful keepsake.

If you’d like to purchase a copy of this page-a-day colouring calendar, it’s available here:
Amazon UK – Johanna Basford 2020 Colouring Day-to-Day Calendar
Book Depository Worldwide – https://www.bookdepository.com/Johanna-Basford-2020-Colouring-Day-Day-Calendar-Johanna-Basford/9781449497590/?a_aid=colouringitmom
Andrews McMeel – http://publishing.andrewsmcmeel.com/basford-2020-calendars

Full video flick-through and review

The image below was coloured using Stabilo Point 88 Fineliners.

World of Flowers 2020 Colouring Wall Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers 2020 Colouring Wall Calendar is published and was very kindly sent to me to review by Andrews McMeel Publishing. This calendar is beautiful and is the same format as the previous JB wall calendars. The calendar itself is the same size as most others at 12 inches square, making it significantly larger than Johanna’s books. It includes 13 of Johanna’s signature and most well-known designs from her seventh colouring book, World of Flowers (this calendar doesn’t include any new images), an illustration for each month of the year and one at the beginning for a 4-month overview of September to December 2019. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar size.

The whole calendar, including the covers, is made of thick pale cream paper which is good quality (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in World of Flowers; see photo below of the different paper colours) – I thought it was going to bleed with water-based pens and watercolours but there was no bleed-through at all and only some shadowing when using my darker fineliners (in last year’s calendar) and no bleed-through or shadowing with Derwent Inktense pencils activated with water. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The images are printed much larger in the calendar than in the book so this is a great purchase for those of you who found Johanna’s books just a little too detailed and small. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The paper is quite smooth but has a little tooth and I didn’t have any issues with getting a few layers built up with my Caran d’Ache Luminance pencils in a previous edition. The waterlily image below was coloured with Derwent Inktense pencils, activated with water and I experienced no bleed-through and only minimal buckling when I used a bit too much water. The calendar is spiral-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a small hole at the top, this is smaller than on normal calendars and doesn’t fit a nail through it so you’ll have to very carefully hang it up with string (be careful so you don’t rip the pages). The cover has signature rose gold foil accents and is fully colourable, as always, and each calendar page has lots of tiny leaf accents and each month has a leafy lettering title. My only issue with the whole calendar is the foiling from the front cover, it’s embossed which therefore leaves debossed sections on the first image (the one I coloured) which is printed on the inside cover above the 4-month 2019 overview, it worked surprisingly well colouring with the Derwent Inktense pencils because once activated with water, I was able to smooth out the colour which I also think would be the case with paints or water-based pens, however, you’re likely to struggle with normal pencils because the colour doesn’t apply evenly over these sections (see before and after photos below) and looks like you’ve coloured over something, a similar effect to when you do brass or bark rubbing so just be mindful of this when colouring the first image.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. This time, there isn’t an inky treasure hunt. World of Flowers returned to Johanna’s usual high levels of intricacy and so the slightly larger size printing is a huge bonus to give you a little extra wiggle-room and ability to add blending and shading. There is a really good variety of images, needing varying levels of concentration which can be used to keep you occupied and distracted when you’re feeling anxious or low, or requiring less focus if you need a more relaxing colouring experience. Johanna’s images are really good for practising mindfulness techniques because many require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is medium/thin throughout so there is some leeway when colouring.

I would highly recommend this for any colouring fan who needs a calendar in their life. Johanna fans won’t be disappointed with this calendar, it’s beautiful with a lovely selection of designs and great paper quality and it will brighten up the darkest of rooms and moods. It would make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – World of Flowers 2020 Wall Calendar
Book Depository Worldwide – https://www.bookdepository.com/Johanna-Basford-World-Flowers-2020-Colouring-Square-Wall-Calendar-Johanna-Basford/9781449497606/?a_aid=colouringitmom
Andrews McMeel – http://publishing.andrewsmcmeel.com/basford-2020-calendars

Full video flick-through and review

The image below was coloured with Derwent Inktense Pencils activated with water.