Coloring

Magnificent Animals: A Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magnificent Animals: A Coloring Book is published and kindly sent to me to review by National Geographic. The book is 24 cm square, paperback with flexible card covers with 1/3 French flaps, the cover has green foiling embellishments and the inside covers and first and last page have a continuous pattern and animal image that is fully colourable. The spine of the book is glue bound and fairly stiff to begin with, the images are printed single-sided and are perforated so none of the images enter the spine. All of the images are single-page spreads printed on the righthand page. The paper is bright white, medium thickness with a small amount of texture allowing a few layers of pencil to be built up for blending and shading; water-based pens shadow but don’t bleed, alcohol markers will bleed through so put some protective paper behind your work to protect the next page. The images themselves are each of a different animal and are hugely wide-ranging including a: horse, peacock, koala, seahorse, armadillo, mandarin duck, sheep, preying mantis, meerkats, zebra, heron, bears, ants, scorpion, panda, stag beetle, cow, butterflies and so many more creatures. The image style varies hugely and while the cover states that it was created by one illustrator, these images don’t look hand-drawn and my guess is that they were created digitally as a number of them have the same patterns or backgrounds as each other. The illustrations are very similar in style to many of the Shutterstock images that we’ve seen and while none of them are the same as any I’ve seen before, they do feel quite similar to a number of books I’ve seen in the past. Sadly, I’m disappointed by the artwork, I expected the illustrations to be very realistic due to being published by National Geographic but only the outlines are realistic, the majority of the animals have patterns added to them which don’t look remotely like the texture of their fur, feathers or skin and I’m guessing have been added for interest and extra colouring space, normally I don’t mind this but it seems like a wasted opportunity when we could have had a realistically drawn book with such a wealth of different animals pictured, many of which I’ve never seen in a colouring book before. Many of the backgrounds aren’t remotely related to the content especially the peacock with snowflakes and it just seems a bit haphazard and thrown together, the only continuity seems to be the animal theme as the way the animals are drawn as well as their patterns and backgrounds is so varied. I do think I’d have been much more keen on the content if I hadn’t known who the publisher was and imagined the type of content first so others may well be much happier with the contents than I am.

In terms of mental health, this book offers a lot of distraction, there is heaps to colour in each image and the patterns add a lot of extra spaces if you want to colour each section separately, there’s plenty to keep you absorbed and focused which is great for those with an anxious or racing mind. The line thickness is fairly consistent throughout and remains thin, the intricacy and detail levels are high in the majority of images and therefore you’ll need pretty good vision and fine motor control to enjoy this book and get the most out of it. You will also need a very good level of concentration for the vast majority of these images as there are a lot of component parts to identify and lots of fiddly bits to colour so you’ll probably want to save it for your better days rather than getting frustrated by it on days where you can’t properly focus. There is a huge variety of imagery and some really quirky and unusual animal choices which is a nice change from a lot of animal-themed books which tend to stick to the cute, fluffy, cuddly types, it’s nice to see a good range or insects, reptiles and wacky mammals. The single-sided printing means you can use any medium you fancy and the perforations make the pages easy to remove to stick up and brighten your walls or frame for your kids’ bedrooms if you like.

Overall, I was disappointed by the lack of realism in the images but the content is very wide-ranging, quirky and fun and you’re getting a lot of images for your money. The production quality is good and very useful for those who like to use wet media and alcohol markers, it’s certainly a book that’s grown on me but it does still feel quite generic and haphazard.

If you’d like to purchase a copy it’s available here:
Amazon UK – Magnificent Animals: A Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/National-Geographic-Magnificent-Animals-An-Adult-Coloring-Book-Hayrullah-Kay/9781426218156/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

Life Under the Lens: A Scientific Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Life Under the Lens: A Scientific Colouring Book is illustrated, self-published, and kindly sent to me to review by Jennifer Delaney. This book is A4, paperback with flexible card covers and a partially coloured image from inside on the front. The spine is glue-bound and the images are printed single-sided, the majority of them are centralised but a few are full-page and therefore do enter the spine which you may need to break if you wish to reach the entirety of the image. The paper is white, thin and standard Createspace type paper, it’s lightly textured and fine for a few layers of pencil and water-based pens shadow and do bleed occasionally so if using these or alcohol markers do make sure that you put some spare paper behind to protect the next page. The content includes 50 images of things you’d look at under a microscope and contains everything from bacteria and funghi to algae, cells and teeny tiny creatures. The images are printed single-sided but on the opposite page is information about the illustration so that you can easily identify it and find out some facts about each one. The illustrations each have a realistically drawn outline and features and all are filled with highly detailed and decorative patterns so that they’re fun to colour whilst still being quite accurate scientifically, this is a great combination and one that really brings the world of science and art together. Some of the pictures include: cyanobacteria, radiolarians, diatoms, volvox, female pinecone, tilia cordata, cup fungus, rotifers, shrimp zoea, mosquito pupa and so much more, there is a really wide range of content and something to please any level of biologist or budding scientist.

In terms of mental health, this book is very distracting, it’s not pretty but I wouldn’t expect it to be and it’s a really novel concept and unlike anything else I’ve seen in the nearly 300 books I’ve now reviewed. The information included is really useful, not only for identifying what’s in each image so you can colour it realistically if you wish, but also so you can learn something new and you could even use it to start off research into our microscopic world, it would be an ideal starting point. Of course, you don’t have to colour realistically, I’m really pleased with my rainbow coloured diatom and may have to make it my mission to colour the whole book in rainbows to spice it up! The line thickness is consistent throughout and remains very thin, the intricacy and detail levels vary a fair amount with some images consisting of lots of small details and others including larger open spaces so there is a range of difficulty levels but you will need pretty good vision and fine motor control to get the most from this book. The pages include varying amounts of content from component pictures to a large centralised image so they need varying levels of concentration and you’ll be able to find an image to suit any mood, symptom level or ability to focus. The patterns within each image are great for giving you something to focus on, ideal if your mind is racing and your thoughts won’t settle. Once you’ve finished colouring the pages you could carefully remove them from the book and frame them to make a cute and quirky gift for a scientist in your life, or to jazz up your office or study space.

Overall, I would highly recommend this book to science-lovers, it’s unusual, quirky and interesting and would make a great stocking filler (yes, I’m already thinking about Christmas) or present for the scientist in your life who has everything! It’s great fun to colour, informative and interesting and different from any other colouring books.

If you’d like to purchase a copy, it’s available to order here:
Amazon UK – Life Under the Lens: A Scientific Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Life-Under-the-Lens-Jennifer-Delaney/9781999742201/?a_aid=colouringitmom

The image below was coloured with Stabilo Point 88 Fineliners.

Fantasia – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fantasia is illustrated by Nicholas F. Chandrawienata and published and kindly sent to me to review by Phoenix Amulet Publishing. This book is one of the most talked about in the colouring groups on Facebook and has been one of the most difficult to get hold of after early US editions were printed with very disappointing paper quality, however, these issues have now been rectified and the book is produced to an extremely high standard and is readily available on Amazon US (details about International purchase at the bottom of the review above the photos). The book itself is 27.4 x 25.4cm, landscape orientation, paperback with flexible card covers with a fully coloured image from inside on the front. The book is spiral-bound on the left side and the pages are perforated but don’t come loose unless deliberately detached from the book. The 61 images are printed double-sided onto thick white paper, it’s not bright white but not off white either, it has a great amount of tooth (see photos below) and is ideal for layering and blending pencils and it doesn’t bleed or shadow with water-based pens when used carefully; alcohol markers will bleed through and you should always test any pens including water-based markers in an inconspicuous area to ensure you don’t ruin any reverse images as everyone colours differently. The images are all contained to a single page, none of them are spreads. The illustrations are really varied in content and while the majority are of people including their faces, upper bodies and whole bodies, a number of them are quite random too and include Easter eggs, a dinosaur, dragons, koi carp, roses, snowflakes, skulls and all sorts more. The most iconic images from this book and the ones that really sell it and look most spectacular when coloured are the images of people and these truly are transformed with colour, whether you use realistic flesh tones or go all out with green or purple tones instead, these images look unbelievable! Nicholas is an extremely talented illustrator and his work really is perfect, it’s beautiful, and really detailed and due to him being from Indonesia, there is a real Asian influence on his work which we don’t often see in colouring books and is a really fresh thing to see and colour. His work really does have to be seen to be believed so do check out the images below so you can see some of the variety and wide-ranging content as well as the beauty of his drawings.

In terms of mental health, this book is great, it’s so distracting and unusual and on one page you’re transported into prehistoric times where dinosaurs roamed the earth and on another you’re face to face with a mermaid, pirate, or even death. The illustrations are realistically drawn but much of the content is mythical or fantastical so there are no “correct” colour schemes and this book is definitely one to push you out of your comfort zone and get you trying new colour schemes and learning to colour flesh, fur or metal accurately. This book isn’t for the faint-hearted but if you’re brave you’ll really reap the rewards because it looks just incredible when coloured! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels do vary throughout each picture with most containing some large and some small spaces, for example a large open space of a face with much more detailed flowers around the edge; none of the spaces are particularly tiny apart from on the odd occasion so this book would be suitable for most levels of vision and fine motor control but do check the pictures of the pages below in order to ensure suitability. Three of the images have small text on them suggesting for you to add detail to a named section of the image which has been left uncharacteristically simple, these aren’t overly intrusive and you can always ignore the instructions like I did and just colour the image as it is. This book does mostly require a fairly high level of concentration but there are a few images that are made up of component parts which you could focus on when you’re feeling poorly and leave the full page portraits for day when you’re feeling better and up for a challenge. I really can’t rave about this book enough, it’s stunning and even though a lot of the content isn’t stuff I’d normally choose to colour, I can’t wait to work my way through every page in this book because the artwork is just so beautiful!

Overall, I can’t recommend this book highly enough, it’s absolutely gorgeous and a great challenge to get you out of your comfort zone, the paper is fantastic for pencil-lovers and the illustrations are incredible. It’s ideal for those with mental or physical health problems as it’s so distracting and isn’t ridiculously intricate so it’s accessible and if you’re prepared to sacrifice the reverse image, or you want to buy two copies so you don’t have to, then you can even remove your finished pieces and frame them to brighten up your darker days and remind yourself of all that you can achieve!

If you’d like to purchase a copy it’s currently available on Amazon US and for those of you in the UK and elsewhere don’t despair as they do ship to other countries though I’m not sure exactly where they do and don’t ship to. I tried checking out to my address in West Sussex, UK and they do allow it and including shipping the book costs just £17 or thereabouts which is a steal so do check it out! International group orders are often set up and run through a dedicated Facebook Group which can be found here and they also share their finished pages from the book so it’s a great place to start if you need inspiration!

The image below was coloured using Holbein Artists’ Coloured Pencils and blended with a Caran d’Ache Blender Pencil. 

Mythomorphia: An Extreme Colouring and Search Challenge – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mythomorphia is illustrated by Kerby Rosanes, and published and kindly sent to me to review by Michael O’Mara Books. This is the third and final book in the series after Animorphia and Imagimorphia. This book has a mythical theme and is a bit less intricate and less morphing than the first two books and contains fewer alien creatures than Animorphia too, that being said, it’s still incredible and really has to be seen to be believed, it’s probably the best book on the market with a mythological theme because of the sheer variety of creatures pictured.

The book is 25cm square, the same size as Animorphia and other bestsellers by JB and MM, it’s paperback with a black card cover with bright red lettering and a dragon (UK copy: other countries’ editions have different coloured lettering but the content is the same in all of the books titled Mythomorphia) in Kerby’s signature style which hints at what’s inside. The paper is bright white, very lightly textured and medium thickness, it doesn’t appear to shadow with water-based fineliners as long as you’re careful but do always check your pens somewhere inconspicuous to make sure you don’t ruin any reverse images. The paper is good for pencils and allows for a few layers for blending and shading. The ink does transfer a little when pressure is applied so when you’re using pencils pop a scrap piece of paper behind to avoid transfer. The book contains 80 images which are printed double-sided and include single (18) and double-page spreads (including 7 paired images which don’t enter the spine and have separate but similar designs on each page, and 24 traditional double-page spreads which do enter the spine and aren’t stand-alone images). The book has a glue- and stitch-bound spine which is fairly tight on arrival and the images are borderless so you do lose a strip of each image into the spine and unfortunately a number of the double-page spreads do have large sections of the creature’s body which enter the gutter however these are accessible if you break the spine. The content itself is all based around mythology and mythological creatures and a truly huge range are pictured from unicorns to mermaids, a hydra to a phoenix, different types of dragons and loads of hybrid creatures including a basilisk, manticore, cockatrice, faun, griffin and many, many more. While many of these creatures are drawn in Kerby’s typical morphine style, a number of them are drawn without morphs and simply as scenes. The morphing parts consist of all sorts of things from rock, flames and waves to smoke, flowers, bats and trees as well as a couple in Kerby’s most well-known style including lots of random objects, plants and swirls. The images are incredible and as always, they’re packed with content to look at and colour, the range of mythological creatures is astounding and a number of them were beasts I’d never heard of so I’ve had a great time researching them and the stories behind them!

In terms of mental health, this is one book that’s absolutely fantastic for distraction! It takes quite a lot of concentration to identify all of the parts of the picture let alone start choosing colours so this really is a book that will help you get through the days when your mind is racing and you need to be able to switch off. It’s not a book for the faint-hearted because each image takes a very long time and a lot of work but it’s so worth it and the effects you can create are amazing! This book doesn’t have any pages where you need to add your own doodles, I’m really pleased about this because I can’t draw at all so I’m glad that all of them are finished this time and ready to colour! The images are very cohesive and they contain such a variety of creatures, most of the images have some shading and texture drawn in but not loads (check out the pictures below to decide if you like this feature or not). The line thickness varies throughout but mainly sticks around the thin mark so you need fairly good vision and fine motor control, but definitely not perfect to enjoy this book! There is also a treasure hunt with 3 pages at the back of the book showing all of the items you can hunt for within the images, followed by thumbnails showing the answers. This book is ideal for those of you who have a fairly good attention span so that you can really get involved in the images and the content is so absorbing that you really do get out of your head and away from your thoughts and become immersed in what you’re colouring. The images have a variety of intricacy and detail levels so you can use simpler images on bad days and more detailed images on days where you’re able to focus better so it’s a great book for those of you with fluctuating conditions. Because the beasts are mythological there are no “correct” colour schemes so you can really go to town with your outlandish colour schemes or if you need a bit of help then have a quick Google, you’re sure to find film or art representations of most of them that you can use as inspiration for your colour choices.

I would highly recommend this book for male and female colourers who love all things weird, wonderful, and mythological. This book is packed with amazing images that are great fun to colour, it’s stunning, overwhelming at times and one that really gets your creative juices flowing so grab your pencils and get colouring mythology!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – Mythomorphia
Book Depository Worldwide – https://www.bookdepository.com/Mythomorphi-Kerby-Rosanes/9781910552261/?a_aid=colouringitmom

If you’d like a copy of either of Kerby’s previous books then they can be found here:
Animorphia
Amazon UK – Animorphia
Book Depository Worldwide – https://www.bookdepository.com/Animorphi-Kerby-Rosanes/9781910552070/?a_aid=colouringitmom

Imagimorphia
Amazon UK – Imagimorphia
Book Depository Worldwide – https://www.bookdepository.com/Imagimorphi-Kerby-Rosanes/9781910552148/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils.

Abenteuer Natur (Adventurous Nature) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Abenteuer Natur is published by Christophorus Verlag GMBH and illustrated by Richard Merritt who very kindly sent me a copy to review. You may not know his name but you’re sure to know his work because he’s one half of the incredible duo who illustrated The Menagerie, The Aviary, The Aquarium and The Labyrinth and he also solely illustrated another German published colouring book, Tierzauber (Animal magic), last year. He’s well-known for his stunning drawings of highly intricate, hyper detailed and patterned animals and these have been featured in the Art Therapy series of books which was where I first discovered his work. Abenteuer Natur translates as Adventurous Nature and the content really doesn’t disappoint with a wide range of exotic and unusual animals pictured inside.

This book is 22.5cm square, a little smaller than the bestsellers, paperback, with thick card covers that are double-thickness and open out to reveal pairs of animal images at the front and back that are contained within the book. The covers are soft-feel and have gold foiling accents on both the front and back images. The spine is glue and stitch bound so it’s durable but a little tight, however this will ease up with use. The formatting inside is different from Tierzauber and this time the images are printed single-sided and all are perforated meaning they can easily be removed for colouring or framing but these perforations are quite subtle and therefore the pages will only come out if you remove them, not accidentally.  The paper is bright white, medium thickness with a bit of tooth, you can get a few layers with pencils but it’s a little tricky to blend and shade, water-based pens do shadow but this isn’t a problem due to the pages being single-sided and you could use alcohol markers as long as you put some protection behind the page to avoid bleed through. The 27 images are of a huge range of exotic and unusual animals including Mandarin Ducks, Warthogs, Humpback Whales, a Bushbaby, Bison, Grasshopper and loads more. Everything is pictured from insects to sea creatures, land mammals to tree inhabitants, birds to reptiles and everything in between. So many things from the animal kingdom are pictured including lots of animals that aren’t often found in other colouring books.

In terms of mental health, if you love animals, or at least love colouring them, then this book is sure to help! I have always found Richard’s illustrations wonderful for my own mental health because there are so many small sections to colour and really focus your mind on which is ideal when I’m very anxious and need to get out of my head. The images are all filled with lots of patterns creating small sections that you can colour within or colour over and leave as texture behind your work so although this book is very intricate and detailed, it doesn’t have to be used in that way so it’s ideal for almost anyone, regardless of vision or fine motor control depending on how you wish to use it. The line thickness is consistent throughout and is medium/thin so again, it’s suitable for almost anyone but not those with particularly poor vision or dexterity. Unlike in The Menagerie series, there is no added colour so you’re free to add your own backgrounds and colour schemes to every image. While a number of the animals are featured in the Menagerie series, they are all drawn differently (see comparison photos below) so you won’t be getting any duplicates if you want copies of both. Images of nature and animals are fantastic for calming you down and these images are particularly good because there are so many sections to attend to. The size of the book means the pages are a bit more manageable which is great for those of you with poor concentration as these pages will take less time to colour than The Menagerie which is much larger. While these illustrations are all of realistic animals, the patterns within allow you to use natural or totally outlandish colour schemes as and how you wish and both will look equally fabulous! The images are really cohesive and great fun to colour and they would look amazing removed from the book and framed for a really funky office or a cutesy nursery.

I would highly recommend this book to people who love colouring animals, to fans of Richard’s work and The Menagerie or Art Therapy series, and to anyone who likes intricate and detailed images. This is a beautiful book with fabulous and unusual imagery, even the inside and outside covers are colourable with alcohol markers so this book is a true example of a fully colourable colouring book.

If you’d like to purchase a copy it’s available here:
Amazon UK – Abenteuer Natur
Book Depository Worldwide – https://www.bookdepository.com/Abenteuer-Natur-Richard-Merritt/9783862303786/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners, Stabilo 68 Fibre-tips and Staedtler Triplus Fineliners.

I recently created a dedicated Facebook Group for artwork by Richard Merritt, Claire Scully and all that found in the Art Therapy series, Menagerie series and those books illustrated singly by either of them. This group can be found here and I’d love you to join and share you work!

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Harry Potter Magical Artefacts Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Harry Potter Magical Artefacts Colouring Book is published and kindly sent to me to review by Studio Press. This book is the fourth in the Harry Potter Colouring Book series and my reviews of the first, second, and third can be found here. Grab your wand, bring a lantern, swat up on your incantations and let’s get delving into the magical artefacts of the wizarding world. This book is paperback with a glossy accented cover and a pale blue spine, it’s A4 in size and glue-bound meaning that a little of some images is lost. The images are a mixture of single and double-page spreads with many of the single pages having a thin border meaning that they’re not lost into the spine. The book contains 96 pages which are printed double-sided. The paper is bright white and thick (they’ve sorted out the paper issues since the first book), and didn’t bleed or shadow when tested with water-based pens, it’s lightly textured and perfect for pencils, you can get plenty of layers for blending and shading! It also held up fine to light use of water when activating the Derwent Inktense Pencils.

The images are drawn by multiple illustrators so they’re cohesive in content but some are drawn quite differently from each other. The images themselves include almost no stills from the film this time. There are a number of images based on concept art for the films and a few patterns are included which do feel a bit like “filler” images but there are fewer of these in this book than the first two (about 4 full page patterns) however, at least 24 pages are images with a centralised object overlaying a repeating pattern, like my coloured page of the sorting hat, and these get quite samey and dull. A huge number of different artefacts are pictured from obvious inclusions of wands, brooms, a time-turner, the Sorting Hat and horcruxes, to many of the items sold by the Weasley twins, book covers, the Marauders’ Map, Delores Umbridge’s cat plates and lots more. There are single and double-page spreads of objects and posters. This time there aren’t many pictures of characters though a few are included  At the end of the book are a number of full colour pages of the images included in the book meaning you can either copy the colour schemes in those or pick your own, they’re also great for helping you re-live the magic of the films and get yourself back into the world of Hogwarts – as if any of us ever left! I have to say, this book feels quite samey when compared to the previous three and they haven’t been brilliantly represented as specific titles due to the first book containing a real mixture of images and then the following three being specific aspects, many of the most obvious of which had already been featured in the first book. It just feels like it’s lacking, we’ve already had images of wands in two books, we’ve already seen the quidditch balls and different brooms, the collection of images is just quite random and the most obvious wizarding artefacts aren’t pictured well due to being shown in previous books.

In terms of mental health, this book doesn’t have an awful lot of impact on it unless you’re a Harry Potter Mega Fan in which case it’s likely to considerably lift your mood and give you hours and hours of distraction and enjoyment. The images take a long time to colour if you want them to look realistic so you will need fairly good levels of concentration. The line thickness varies from very thin to thick but mostly it remains thin so you will definitely need good vision and fine motor control to get the most out of this book. The best part of this book is that it has coloured pages at the back which can be used to copy or give inspiration for colour schemes, you can also easily google the objects and artefacts in order to work out exactly how to colour them so they look true to the film, or you can go it alone and try out your own colour schemes with purple broomsticks, glittery wands and rainbow time-turners – it doesn’t have to be realistic, remember it’s a magical world! Some of the illustrations are very intricate and detailed and others are much simpler with larger open spaces so this book does have a variety of difficulty levels to accommodate your good and bad days.

All in all, this is a good book, but I’m left disappointed, it feels samey and lacklustre and the image style gets boring quite quickly, I think a trick was missed by creating the first generic themed book, it really took away from the subsequent three specific titled books as the best bits of each had already been pictured. However, if you’re wanting to finish off the set, or you’re just a bit less picky than me then this book may be for you. The paper quality is good and there’s a wide range of objects and artefacts pictured, I just feel they could have been pictured in a better, more exciting and inspiring way.

If you’d like to purchase a copy it’s available here:
Amazon UK – Harry Potter Magical Artefacts Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Harry-Potter-Magical-Artefacts-Colouring-Book/9781783705924/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Derwent Inktense Pencils activated with water.

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

Millie Marotta’s Animal Kingdom Book of Prints – A Review and Comparison of UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta’s Animal Kingdom Book of Prints is published in the UK by Batsford Books who kindly sent me a copy to review, and is published by Lark crafts in the US and I purchased a copy of this edition myself.

Comparison

  • The US edition contains 18 prints and the UK edition contains 20, the additional images are the octopus and the lobster.
  • The card in the US edition is MUCH thinner than the UK edition, it feels like school card and is very flexible whereas the card in the UK edition is thick and much less bendy, similar in thickness to the card used in Johanna Basford’s Artist’s Editions.
  • The spine on my US edition broke really quickly because it’s only very lightly glued and the pages are already completely loose from the book covers despite very careful handling, the pages in the UK edition are glued more strongly.

The book itself is 25 x 33cm, paperback with flexible card covers that have a re-jigged version of the Animal Kingdom book cover on the front. The book has a lay-flat binding which is quite stiff to begin with but loosens up over time, each card page is glued onto the spine and it’s therefore easy to remove them for framing or gifting so do be careful not to twist the spine if you wish for your pages to remain in the book. The images are each printed single-sided and are mostly portrait with 4 landscape images (2 in the US edition). The card is thick, white, lightly textured and lovely to use with any medium, my pencils were a dream to blend and shade with, water-based pens don’t bleed, shadow or spread and alcohol markers will work well too, just make sure you pop a protective sheet behind to ensure no bleed-through. The images are all taken from Millie Marotta’s debut colouring book, Animal Kingdom, and all are printed the same size as the originals. No text is added to any of the pages and the majority of them contain large open spaces around them so you’re free to add your own imagery or backgrounds if you wish but this certainly isn’t a requirement and with or without, the pages will look incredible. I’ve included photos below of all of the illustrations including the two additional images in the UK edition of the octopus and lobster. The images contain a good range of animals from the book and a really good range of Millie’s different illustration styles including full page designs, floral component parts, and centralised single animals.

In terms of mental health, this book is great because it offers a manageable project which you can frame or gift once finished, this is ideal for cheering up dark days or for boosting your confidence and self-esteem because you’ll have evidence and proof on your walls of just what you can create and achieve; the colouring projects I have displayed in my flat never fail to make me smile, even on really bad days. The line thickness, as with all of Millie’s work, is spindly thin and the images all contain really high levels of intricacy and detail so it’s really geared up for those of us with very good vision and fine motor control. The pages contain a range of amounts of content from a centralised animal to a page filled with leaves and a bird so there are some pages that will take much less time than others. Millie’s work has very natural stopping points but does require a lot of concentration so this is a book to either colour in small chunks or to save for your good days when you can focus well. While the images are all filled with huge amounts of detail, these sections don’t all have to be coloured individually and can easily be coloured over so that they show up as texture underneath (see my lobster below). The nature-themed imagery is very calming and distracting because there’s so much to look at on each page and Millie’s work is some of the best I’ve found to work on when I’m feeling anxious and need to really focus on something other than the thoughts swirling round my head.

Overall, I would highly recommend this book to fans of Millie’s work and those who want to be able to frame or gift their finished pages. I would recommend the UK edition over the US edition as the card is much thicker, the binding is more sturdy and you get 2 extra images to colour. This is a lovely new format for Millie’s images and one that I hope will be reproduced for all of her other titles.

If you’d like to purchase a copy of either edition of the book, they’re available here:
UK Edition
Amazon UK – Millie Marotta’s Animal Kingdom Book of Prints
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotts-Animal-Kingdom-Book-of-Prints-Millie-Marott/9781849944014/?a_aid=colouringitmom
US Edition
Amazon UK – Millie Marotta’s Animal Kingdom Book of Prints to Color
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotts-Animal-Kingdom-Millie-Marott/9781454710318/?a_aid=colouringitmom

If you’d like to frame your work, you can find frames of the correct size here on Amazon.

The images below are coloured using Stabilo Point 88 Fineliners (Giraffes), and Prismacolor Premier Pencils (Lobster).