Nature

The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds is illustrated by Rachel Cloyne and published and kindly sent to me to review by Nosy Crow. This book is the latest in a huge series of Colouring Books of Cards and Envelopes, the others have all been illustrated by Rebecca Jones and had nature and animal themed cards, this new book is one of two which have been created in partnership with the British Museum and while the production quality and style is identical, the content is quite different, to read more about that skip to the third paragraph.

The book itself is large at 28cm square, it’s paperback with a flexible card cover with gold foiling lettering and detail. Inside the front cover are instructions detailing how to fold the envelopes for the cards. Following this are pages of colourable cards with two on each page connected by tabs on perforated pages which are very easy to remove from the book with no issues or bending and a thin strip that the perforation is attached to that you can cut off with scissors to neaten up the card edges. There are 24 cards, each with a unique design, and all 4 sides of the cards have illustrations on that you can colour including a “Coloured For You By…” section on the back, they measure 13.5cm square when folded. Following the card pages are 24 unique envelope designs that match the cards perfectly and are printed in the same order as the cards so it’s very easy to match up the paired cards and envelopes together. The envelopes have illustrations on the front, each of the four flaps, and the whole of the back of the page which makes up the inside of the envelope has a repeating design on it that can be coloured if you wish. The folding instructions are very clear and easy to follow and the pre-scored lines on the cards and envelopes allow for a perfect fold every time. On the very last page of the book are 24 circular stickers with matching designs to seal the envelopes with. One small gripe I have is that these stickers are arranged in a random order and it’s not clear which card many of them are designed for, with many being suitable for a number of cards which just irks the perfectionist in me.

The card itself is bright white, medium thickness and lightly textured. I experienced absolutely no bleeding and very minimal shadowing when using water-based pens; alcohol markers will bleed through. Pencils would be ideal for these cards if you’re wanting more subtle colours, or wanting to blend and shade. The envelopes are printed onto bright white, thick paper which I didn’t experience any bleed through of water-based pens on but did get the lightest of shadowing when I coloured too slowly and the ink saturated the paper a bit much so do be careful if you’re wanting the inside of your envelopes to remain pristine for colouring too. Sadly, the space left on the front of a few of the envelopes is pretty small and not exactly suitable for a normal length postal address and there is also no space for a postage stamp. You could add an address label, and simply stick the postage stamp over the design but for perfectionists like me this isn’t an option and it is a shame this wasn’t quite thought through. When posting these cards to friends and family I will be popping the whole thing inside a normal envelope so that I can keep the envelope design intact.

The content is unusual to say the least, the artist took inspiration from objects from the British Museum’s collections and so rather than showing scenes or the objects themselves each card shows a pattern inspired by the original object. The theme is animals and birds and each card has an animal or bird themed pattern or scene on it, similar to that found on the original object. I wasn’t a fan of how the patterns translated into cards in the other title Fabulous Flowers and Perfect Patterns, but these animal cards have actually worked quite well, there is a good level of interest and the scenes and patterns are nicely drawn and seem a bit less random. I still don’t like these cards as much as the original sets created in conjunction with the National Trust as they were cuter and more fun to colour but these are nice nonetheless. The artwork in this book is much more polished than that in the other British Museum title and there are no issues with varying line thicknesses or pale print, these lines are a consistent size and properly black. There is a good variety of images inspired by all sorts of different objects, each one handily noted on the back of the card so you can research each object to find out what it looks like and use the original colours or your own imagination if you choose. On the inside of the back cover are small photographs, each shown in order and labelled, of the objects the cards are based on, these are a bit small to see for giving proper inspiration but it’s nice to know what you’re looking for when researching the objects online if you wish. The animals and birds include all sorts from camels to dragons, peacocks to horses, elephants to tigers and rabbits to hippopotami, there’s a great range of animals included and all sorts of types of images including mosaics, patterns and scenes.

In terms of mental health, this book is pretty good, it’s got loads to colour and makes a great project, it’s always nice to colour something with a purpose and you could either display the cards yourself once they’re finished, or send them coloured or uncoloured to family and friends, they could be a great way of getting non-colourers started! The line thickness is consistent throughout and remains thin but not spindly thin. The intricacy and detail levels vary with the envelopes being less intricate than the cards which are highly detailed and intricate, therefore, you’ll need pretty good vision and fine motor control to enjoy these cards. You will need good levels of concentration but the cards do have lots of component parts so you can always colour a small section on a bad day or a full card and envelope on days when you’re feeling more capable. These cards take a surprisingly long time to colour so you’re really getting good value for money with these sets as you’ve got hours and hours of colouring time as well as something really useful and usable that can then be sent to others to share the colouring joy! The content is nature-inspired and quite cute, not as cute as the original titles but pleasing to colour nonetheless.

Overall, these cards are nice, I’m not wowed by the content but they’re a clever idea and they’re cute designs, certainly unlike any I’ve seen in any other book. They are a good combination of history, antiques and colouring and would make a great quirky present for someone. The production quality, as always, is outstanding and I’m sure these cards will appeal to many.

If you’d like to purchase a copy, it’s available here:
Amazon UK – The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds
Book Depository Worldwide – https://www.bookdepository.com/British-Museum-The-Colouring-Book-of-Cards-and-Envelopes-Amazing-Animals-and-Beautiful-Birds-Rachel-Cloyne/9781788000017/?a_aid=colouringitmom

The card below was coloured with Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns is illustrated by Rachel Cloyne and published and kindly sent to me to review by Nosy Crow. This book is the latest in a huge series of Colouring Books of Cards and Envelopes, the others have all been illustrated by Rebecca Jones and had nature and animal themed cards, this new book is one of two which have been created in partnership with the British Museum and while the production quality and style is identical, the content is quite different, to read more about that skip to the third paragraph.

The book itself is large at 28cm square, it’s paperback with a flexible card cover with gold foiling lettering and detail. Inside the front cover are instructions detailing how to fold the envelopes for the cards. Following this are pages of colourable cards with two on each page connected by tabs on perforated pages which are very easy to remove from the book with no issues or bending and a thin strip that the perforation is attached to that you can cut off with scissors to neaten up the card edges. There are 24 cards, each with a unique design, and all 4 sides of the cards have illustrations on that you can colour including a “Coloured For You By…” section on the back, they measure 13.5cm square when folded. Following the card pages are 24 unique envelope designs that match the cards perfectly and are printed in the same order as the cards so it’s very easy to match up the paired cards and envelopes together. The envelopes have illustrations on the front, each of the four flaps, and the whole of the back of the page which makes up the inside of the envelope has a repeating design on it that can be coloured if you wish. The folding instructions are very clear and easy to follow and the pre-scored lines on the cards and envelopes allow for a perfect fold every time. On the very last page of the book are 24 circular stickers with matching designs to seal the envelopes with. One small gripe I have is that these stickers are arranged in a random order and it’s not clear which card many of them are designed for, with many being suitable for a number of cards which just irks the perfectionist in me.

The card itself is bright white, medium thickness and lightly textured. I experienced absolutely no bleeding and very minimal shadowing when using water-based pens; alcohol markers will bleed through. Pencils would be ideal for these cards if you’re wanting more subtle colours, or wanting to blend and shade. The envelopes are printed onto bright white, thick paper which I didn’t experience any bleed through of water-based pens on but did get the lightest of shadowing when I coloured too slowly and the ink saturated the paper a bit much so do be careful if you’re wanting the inside of your envelopes to remain pristine for colouring too. Sadly, the space left on the front of a few of the envelopes is pretty small and not exactly suitable for a normal length postal address and there is also no space for a postage stamp. You could add an address label, and simply stick the postage stamp over the design but for perfectionists like me this isn’t an option and it is a shame this wasn’t quite thought through. When posting these cards to friends and family I will be popping the whole thing inside a normal envelope so that I can keep the envelope design intact.

The content is unusual to say the least, the artist took inspiration from objects from the British Museum’s collections and so rather than showing scenes or the objects themselves each card shows a pattern inspired by the original object. While this was a clever idea, I’m not personally convinced that it’s translated very well, the cards just seem a bit random with no specific theme and the illustrations aren’t very pretty. As with all artwork, it’s very subjective and I’m sure that some people will love these cards but sadly, I’m not one of them and I’m not sure any recipients I might send them to would really understand the imagery. That being said, they’re nicely drawn and contain a good variety of images inspired by all sorts of different objects, each one handily noted on the back of the card so you may be able to research each object to find out what it looks like and use the original colours or your own imagination if you choose. On the inside of the back cover are small photographs, each shown in order and labelled, of the objects the cards are based on, these are a bit small to see for giving proper inspiration but it’s nice to know what you’re looking for when researching the objects online if you wish. The lines the cards are drawn in are a little strange, in previous titles they have been perfectly black but a number of these aren’t truly black and are a little faded, they also vary in thickness a bit as if they’ve been drawn with a fountain pen rather than a specific sized nib, this gives the images a slightly sketchy feel.

In terms of mental health, this book is quite niche, for those who like history, antiques, and quirky patterns, this book would be ideal, there’s loads to colour in it and it’ll keep you occupied for hours, however, I do think the imagery is a little dull and won’t appeal to the majority of people. The line thickness whilst a little varying as described above is consistent throughout and is thin and spindly thin. The intricacy and detail levels are very high throughout, significantly higher than previous titles in the series and therefore you’ll need very good, near perfect, vision and fine motor control to avoid going over the lines. You will also need very high levels of concentration or to colour for short periods of time as the designs can be difficult to decipher when tired or symptomatic. I wouldn’t advise these cards for days when you’re feeling anxious as the level of focus required is likely to be too high and you might find yourself feeling more on edge rather than calmer. The content is nature-inspired and non-geometric so it’s quite pleasing to the eye and has an obviously hand-drawn quality which is always nicer to colour than computer-generated “perfect” images.

Overall, I’m personally not a fan of these cards but for those with an interest in British Museum artefacts, this book may well be perfect and the content is certainly unlike any other book I’ve seen. It would possibly be the perfect book for the history student or fan who has everything. The production quality, as always, is outstanding and I’m sure these cards will appeal to some.

If you’d like to purchase a copy, it’s available here:
Amazon UK – The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns
Book Depository Worldwide – https://www.bookdepository.com/British-Museum-The-Colouring-Book-of-Cards-and-Envelopes-Fabulous-Flowers-and-Perfect-Patterns-Rachel-Cloyne/9780857638625/?a_aid=colouringitmom

The card below was coloured with Stabilo Point 88 Fineliners.

Life Under the Lens: A Scientific Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Life Under the Lens: A Scientific Colouring Book is illustrated, self-published, and kindly sent to me to review by Jennifer Delaney. This book is A4, paperback with flexible card covers and a partially coloured image from inside on the front. The spine is glue-bound and the images are printed single-sided, the majority of them are centralised but a few are full-page and therefore do enter the spine which you may need to break if you wish to reach the entirety of the image. The paper is white, thin and standard Createspace type paper, it’s lightly textured and fine for a few layers of pencil and water-based pens shadow and do bleed occasionally so if using these or alcohol markers do make sure that you put some spare paper behind to protect the next page. The content includes 50 images of things you’d look at under a microscope and contains everything from bacteria and funghi to algae, cells and teeny tiny creatures. The images are printed single-sided but on the opposite page is information about the illustration so that you can easily identify it and find out some facts about each one. The illustrations each have a realistically drawn outline and features and all are filled with highly detailed and decorative patterns so that they’re fun to colour whilst still being quite accurate scientifically, this is a great combination and one that really brings the world of science and art together. Some of the pictures include: cyanobacteria, radiolarians, diatoms, volvox, female pinecone, tilia cordata, cup fungus, rotifers, shrimp zoea, mosquito pupa and so much more, there is a really wide range of content and something to please any level of biologist or budding scientist.

In terms of mental health, this book is very distracting, it’s not pretty but I wouldn’t expect it to be and it’s a really novel concept and unlike anything else I’ve seen in the nearly 300 books I’ve now reviewed. The information included is really useful, not only for identifying what’s in each image so you can colour it realistically if you wish, but also so you can learn something new and you could even use it to start off research into our microscopic world, it would be an ideal starting point. Of course, you don’t have to colour realistically, I’m really pleased with my rainbow coloured diatom and may have to make it my mission to colour the whole book in rainbows to spice it up! The line thickness is consistent throughout and remains very thin, the intricacy and detail levels vary a fair amount with some images consisting of lots of small details and others including larger open spaces so there is a range of difficulty levels but you will need pretty good vision and fine motor control to get the most from this book. The pages include varying amounts of content from component pictures to a large centralised image so they need varying levels of concentration and you’ll be able to find an image to suit any mood, symptom level or ability to focus. The patterns within each image are great for giving you something to focus on, ideal if your mind is racing and your thoughts won’t settle. Once you’ve finished colouring the pages you could carefully remove them from the book and frame them to make a cute and quirky gift for a scientist in your life, or to jazz up your office or study space.

Overall, I would highly recommend this book to science-lovers, it’s unusual, quirky and interesting and would make a great stocking filler (yes, I’m already thinking about Christmas) or present for the scientist in your life who has everything! It’s great fun to colour, informative and interesting and different from any other colouring books.

If you’d like to purchase a copy, it’s available to order here:
Amazon UK – Life Under the Lens: A Scientific Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Life-Under-the-Lens-Jennifer-Delaney/9781999742201/?a_aid=colouringitmom

The image below was coloured with Stabilo Point 88 Fineliners.

Fantasia – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fantasia is illustrated by Nicholas F. Chandrawienata and published and kindly sent to me to review by Phoenix Amulet Publishing. This book is one of the most talked about in the colouring groups on Facebook and has been one of the most difficult to get hold of after early US editions were printed with very disappointing paper quality, however, these issues have now been rectified and the book is produced to an extremely high standard and is readily available on Amazon US (details about International purchase at the bottom of the review above the photos). The book itself is 27.4 x 25.4cm, landscape orientation, paperback with flexible card covers with a fully coloured image from inside on the front. The book is spiral-bound on the left side and the pages are perforated but don’t come loose unless deliberately detached from the book. The 61 images are printed double-sided onto thick white paper, it’s not bright white but not off white either, it has a great amount of tooth (see photos below) and is ideal for layering and blending pencils and it doesn’t bleed or shadow with water-based pens when used carefully; alcohol markers will bleed through and you should always test any pens including water-based markers in an inconspicuous area to ensure you don’t ruin any reverse images as everyone colours differently. The images are all contained to a single page, none of them are spreads. The illustrations are really varied in content and while the majority are of people including their faces, upper bodies and whole bodies, a number of them are quite random too and include Easter eggs, a dinosaur, dragons, koi carp, roses, snowflakes, skulls and all sorts more. The most iconic images from this book and the ones that really sell it and look most spectacular when coloured are the images of people and these truly are transformed with colour, whether you use realistic flesh tones or go all out with green or purple tones instead, these images look unbelievable! Nicholas is an extremely talented illustrator and his work really is perfect, it’s beautiful, and really detailed and due to him being from Indonesia, there is a real Asian influence on his work which we don’t often see in colouring books and is a really fresh thing to see and colour. His work really does have to be seen to be believed so do check out the images below so you can see some of the variety and wide-ranging content as well as the beauty of his drawings.

In terms of mental health, this book is great, it’s so distracting and unusual and on one page you’re transported into prehistoric times where dinosaurs roamed the earth and on another you’re face to face with a mermaid, pirate, or even death. The illustrations are realistically drawn but much of the content is mythical or fantastical so there are no “correct” colour schemes and this book is definitely one to push you out of your comfort zone and get you trying new colour schemes and learning to colour flesh, fur or metal accurately. This book isn’t for the faint-hearted but if you’re brave you’ll really reap the rewards because it looks just incredible when coloured! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels do vary throughout each picture with most containing some large and some small spaces, for example a large open space of a face with much more detailed flowers around the edge; none of the spaces are particularly tiny apart from on the odd occasion so this book would be suitable for most levels of vision and fine motor control but do check the pictures of the pages below in order to ensure suitability. Three of the images have small text on them suggesting for you to add detail to a named section of the image which has been left uncharacteristically simple, these aren’t overly intrusive and you can always ignore the instructions like I did and just colour the image as it is. This book does mostly require a fairly high level of concentration but there are a few images that are made up of component parts which you could focus on when you’re feeling poorly and leave the full page portraits for day when you’re feeling better and up for a challenge. I really can’t rave about this book enough, it’s stunning and even though a lot of the content isn’t stuff I’d normally choose to colour, I can’t wait to work my way through every page in this book because the artwork is just so beautiful!

Overall, I can’t recommend this book highly enough, it’s absolutely gorgeous and a great challenge to get you out of your comfort zone, the paper is fantastic for pencil-lovers and the illustrations are incredible. It’s ideal for those with mental or physical health problems as it’s so distracting and isn’t ridiculously intricate so it’s accessible and if you’re prepared to sacrifice the reverse image, or you want to buy two copies so you don’t have to, then you can even remove your finished pieces and frame them to brighten up your darker days and remind yourself of all that you can achieve!

If you’d like to purchase a copy it’s currently available on Amazon US and for those of you in the UK and elsewhere don’t despair as they do ship to other countries though I’m not sure exactly where they do and don’t ship to. I tried checking out to my address in West Sussex, UK and they do allow it and including shipping the book costs just £17 or thereabouts which is a steal so do check it out! International group orders are often set up and run through a dedicated Facebook Group which can be found here and they also share their finished pages from the book so it’s a great place to start if you need inspiration!

The image below was coloured using Holbein Artists’ Coloured Pencils and blended with a Caran d’Ache Blender Pencil. 

Mythomorphia: An Extreme Colouring and Search Challenge – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mythomorphia is illustrated by Kerby Rosanes, and published and kindly sent to me to review by Michael O’Mara Books. This is the third and final book in the series after Animorphia and Imagimorphia. This book has a mythical theme and is a bit less intricate and less morphing than the first two books and contains fewer alien creatures than Animorphia too, that being said, it’s still incredible and really has to be seen to be believed, it’s probably the best book on the market with a mythological theme because of the sheer variety of creatures pictured.

The book is 25cm square, the same size as Animorphia and other bestsellers by JB and MM, it’s paperback with a black card cover with bright red lettering and a dragon (UK copy: other countries’ editions have different coloured lettering but the content is the same in all of the books titled Mythomorphia) in Kerby’s signature style which hints at what’s inside. The paper is bright white, very lightly textured and medium thickness, it doesn’t appear to shadow with water-based fineliners as long as you’re careful but do always check your pens somewhere inconspicuous to make sure you don’t ruin any reverse images. The paper is good for pencils and allows for a few layers for blending and shading. The ink does transfer a little when pressure is applied so when you’re using pencils pop a scrap piece of paper behind to avoid transfer. The book contains 80 images which are printed double-sided and include single (18) and double-page spreads (including 7 paired images which don’t enter the spine and have separate but similar designs on each page, and 24 traditional double-page spreads which do enter the spine and aren’t stand-alone images). The book has a glue- and stitch-bound spine which is fairly tight on arrival and the images are borderless so you do lose a strip of each image into the spine and unfortunately a number of the double-page spreads do have large sections of the creature’s body which enter the gutter however these are accessible if you break the spine. The content itself is all based around mythology and mythological creatures and a truly huge range are pictured from unicorns to mermaids, a hydra to a phoenix, different types of dragons and loads of hybrid creatures including a basilisk, manticore, cockatrice, faun, griffin and many, many more. While many of these creatures are drawn in Kerby’s typical morphine style, a number of them are drawn without morphs and simply as scenes. The morphing parts consist of all sorts of things from rock, flames and waves to smoke, flowers, bats and trees as well as a couple in Kerby’s most well-known style including lots of random objects, plants and swirls. The images are incredible and as always, they’re packed with content to look at and colour, the range of mythological creatures is astounding and a number of them were beasts I’d never heard of so I’ve had a great time researching them and the stories behind them!

In terms of mental health, this is one book that’s absolutely fantastic for distraction! It takes quite a lot of concentration to identify all of the parts of the picture let alone start choosing colours so this really is a book that will help you get through the days when your mind is racing and you need to be able to switch off. It’s not a book for the faint-hearted because each image takes a very long time and a lot of work but it’s so worth it and the effects you can create are amazing! This book doesn’t have any pages where you need to add your own doodles, I’m really pleased about this because I can’t draw at all so I’m glad that all of them are finished this time and ready to colour! The images are very cohesive and they contain such a variety of creatures, most of the images have some shading and texture drawn in but not loads (check out the pictures below to decide if you like this feature or not). The line thickness varies throughout but mainly sticks around the thin mark so you need fairly good vision and fine motor control, but definitely not perfect to enjoy this book! There is also a treasure hunt with 3 pages at the back of the book showing all of the items you can hunt for within the images, followed by thumbnails showing the answers. This book is ideal for those of you who have a fairly good attention span so that you can really get involved in the images and the content is so absorbing that you really do get out of your head and away from your thoughts and become immersed in what you’re colouring. The images have a variety of intricacy and detail levels so you can use simpler images on bad days and more detailed images on days where you’re able to focus better so it’s a great book for those of you with fluctuating conditions. Because the beasts are mythological there are no “correct” colour schemes so you can really go to town with your outlandish colour schemes or if you need a bit of help then have a quick Google, you’re sure to find film or art representations of most of them that you can use as inspiration for your colour choices.

I would highly recommend this book for male and female colourers who love all things weird, wonderful, and mythological. This book is packed with amazing images that are great fun to colour, it’s stunning, overwhelming at times and one that really gets your creative juices flowing so grab your pencils and get colouring mythology!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – Mythomorphia
Book Depository Worldwide – https://www.bookdepository.com/Mythomorphi-Kerby-Rosanes/9781910552261/?a_aid=colouringitmom

If you’d like a copy of either of Kerby’s previous books then they can be found here:
Animorphia
Amazon UK – Animorphia
Book Depository Worldwide – https://www.bookdepository.com/Animorphi-Kerby-Rosanes/9781910552070/?a_aid=colouringitmom

Imagimorphia
Amazon UK – Imagimorphia
Book Depository Worldwide – https://www.bookdepository.com/Imagimorphi-Kerby-Rosanes/9781910552148/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils.

My Colorful Town: A Coloring Tour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
My Colorful Town: A Coloring Tour is illustrated by Chiaki Ida, a Japanese illustrator, and published and kindly sent to me to review by Get Creative 6. This book is pretty similar in style to the Romantic Country series by Eriy (reviewed by me here) and if you liked those books, you’re likely to be a fan of this too. This book was originally published in Japan and was somewhat different in format with it being larger, and including a few extra pages and some postcards. This edition has been translated into English.

This book is 22.4cm square, paperback, with flexible card covers and partially coloured images from inside the book. The spine is glue and string-bound and eases up with use, some of the images do reach the centre of the spine and therefore a little is lost but the majority of the images aren’t full-page and have a border so the spine isn’t an issue for most of the pages. The images are printed double-sided and are a mixture of double and single-page spreads. The paper is cream, medium thickness and smooth with very little tooth, it coped well with my Prismacolor Premiers but may not cope so well with oil-based pencils which you’ll possibly struggle to layer; water-based pens shadow but don’t bleed so you’ll probably want to avoid using these. The images themselves are all of shop exteriors, interiors and produce, at the back of the book is a double-page spread depicting a map of the street. The shops include a book shop, bakery, patisserie, dress shop, shoe shop, clock shop, art shop, antique shop, café, flower shop, fruit and veg market and food stalls. There is a real variety of things to colour from shop fronts and brickwork to furniture, cakes, fruit and veg and flowers, there are outfits, metalwork, wood, and so much more so there are plenty of techniques to perfect to make this book look amazing. There is a little girl who you follow through the book into the shops, she isn’t named or mentioned in the book so I’m guessing it’s meant to be Chiaki Ida herself, taking us on a childhood walk through the town.

In terms of mental health, this book is lovely, it has a very charming feel to it and the imagery feels really nostalgic and heartwarming and takes you back to simpler times where you don’t have a care in the world. The line thickness is consistent throughout and is thin, verging on spindly thin. The intricacy and detail levels vary somewhat with the majority of the pages being very intricate and detailed with a few having larger open spaces and less detailed imagery. You’ll need pretty good vision and fine motor control to enjoy this book. The majority of the images will be best kept for your good days because they’re just packed full with content and in a number of the pages there aren’t overly obvious stopping points, however, if you’re really keen to colour this on a day when you’re quite symptomatic, you could pick one of the pages filled with collection images and colour just one cake or clock rather than a whole shop front. You will need very good concentration levels to complete most of the pages but you can always colour in sections so that it’s easier to focus. You can use realistic colour schemes if you wish, or go more outlandish, bricks can always be blue and wood doesn’t have to be brown so spice things up if you fancy, these images will look amazing no matter what colours you choose!

Overall, I would highly recommend this book to those of you who liked Romantic Country and those looking for a nostalgic, warm, characterful colouring book. The illustrations are meticulously drawn, realistic but also slightly cartoony and therefore they’re not so perfect that they feel intimidating to start. It’s yet another beautiful Japanese colouring book, filled with charm!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – My Colorful Town: A Coloring Tour
Book Depository Worldwide – https://www.bookdepository.com/My-Colorful-Town-Chiaki-Id/9781942021599/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premiers and blended with a Caran d’Ache Blender Pencil.

Romantic Country: The Third Tale – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Romantic Country: The Third Tale is published and kindly sent to me to review by St Martin’s Griffin. I’ve been looking forward to this book being published for such a long time and I was delighted when it arrived just a few days ago and I was able to complete my Romantic Country collection. I think that the second book is my personal favourite, it seems the most cohesive and most exciting in terms of content, however, this third instalment is beautiful too though the story does jump around from us being shown Elena meeting Joset the duck in Chapter 4 to seeing new scenes of shops and places we’ve seen in previous books as well as visiting new islands and areas. The book is illustrated by Eriy, a Japanese artist who creates her work using a toothpick dipped in ink. This whole book took approximately 900 toothpicks and because of the way the lines are created they’re not a uniform thickness and aren’t a stark black colour (more on this later). This series was the series I’ve been hoping would be made, with its childlike charm but with adult levels of intricacy, it’s what I always felt was missing for me in JB’s books, don’t get me wrong, hers are stunningly beautiful, I really love them, but they’re a little too perfect for my imagined perfect series. Eriy’s books are utterly charming, not quite perfect, and truly heart-warming and that’s what makes them so wonderful.

This book is square, the same size as the bestsellers, paperback, with a removable paper dust jacket with partially coloured images from the book on the front and back. The book itself has brown card covers with two line drawings from inside the book and blank covers on the inside. The paper is a lovely rich creamy colour (it’s hard to describe but it’s a little warmer in colour than the paper in Johanna’s first two books but not yellowy and it’s the same as in the previous Romantic Country titles), and it’s thick and doesn’t bleed or shadow with water-based pens when used carefully, it also holds up well to water and doesn’t bleed through with Derwent Inktense pencils. The paper is lightly textured and while you can’t get loads of layers, pencils do lay down well on it and it’s perfectly possible to get some lovely blending and layering. The spine is glue and stitch-bound so it’s durable but a little difficult to get to the centre of each spread, however, spines of this type do ease up with use so do persevere. The images are printed double-sided and borderless and are a mixture of single and double-page spreads so a little of each image is lost into the spine to begin with.

The images themselves are beautiful, charming, and begging to be coloured and are split into the following 5 chapters: 1. Peaceful Days in the North; 2. Peaceful Days in the South; 3. Beautiful Island Scenes; 4. Good Times for Elena and Joset; 5. The Passage of Time in the Secret Forest. The book starts with a single page spread showing a map of the islands of Cocot (the name of the land in which the first two books are set, which was dreamt up in the imagination of Eriy when she was a child), depicting the landmarks introduced in this book. Following this, are two double-page spreads showing mapped scenes of Sarryska Island and Cocot North, and Uisce and Melati Islands and their landmarks which are pictured in more detail later in the book so you can clearly see where they’re situated in relation to each other. Following the maps, the images show beautiful scenes of children posting letters to Santa Claus, vegetable carts, snow-capped castles, farmyard scenes, cutlery and crockery, a library, Island traditional dress, a lamp shop, inside a boat, a picnic, fairies, mermaids, a dragon receiving healthcare, a witch’s hat shop, and so much more. Each image is shown as a thumbnail at the back of the book too with a short description telling you more about each place and life there. At the back of the book are two fully colourable pages with single-sided scenes to cut out and assemble into a 3D shop that Elena and her duck friend Joset, are visiting.

In terms of mental health, I doubt there’s a book (or series) that’s better for it in all honesty! Certainly for mine anyway! The illustrations are so charming and because they have a beautiful childlike quality to them they really have a nostalgic aspect which will remind you of colouring books you used as a child but with so much more detail and intricacy that it’s still very entertaining as an adult. The content is wonderful because it whisks you off to a simpler, happier, gentler place where there is a slower pace of life and mythical creatures live alongside people and even witches are good. The line thickness varies throughout because Eriy draws with a toothpick and so it naturally varies however the majority of the lines are thin but not spindly so they’re perfectly colourable with moderate vision and fine motor control. The lines themselves are not a stark black, they’re an uneven brown because they’re drawn in dipping ink and while this may not sound great and does take a little getting used to, it truly adds so much charm to the drawings and these illustrations just wouldn’t look right drawn in harsh, black, perfect lines. The images range in intricacy and detail from large open spaces in some of the landscape pages, to small intricate details of vegetables, books and leaves, and everything in between, it’s very wide-ranging but the intricacy level in this book is significantly higher in most images than in Romantic Country though most of the images would still be suitable for those with moderate, or higher, vision or fine motor control so this is a great book for nearly anybody! The images are detailed and contain lots of things to look at and colour but most are not so overwhelming that you don’t know where or how to start and because they’re all depicting real things like buildings, plants, and food, they’re easy to work out colour schemes for whether that be subtle pastels, realistic browns and greys, or bright fantastical colours, this book isn’t so perfect that you don’t want to touch it which is part of its huge appeal. The images are less cohesive in this book and don’t tell a chronological story, however, they do create a wonderful sense of place and they offer great escapism as you walk through the streets, castles, countryside and shops, by the end of the book you really feel like you’ve visited the fantastical lands and you’ll be planning your next visit as soon as you can!

I would highly recommend this book to anyone who likes to colour scenes, landscapes, shops, food and flowers. This is one of the most beautiful books I’ve ever seen, it’s cute, pretty, whimsical, magical and charming and it truly is the book of my dreams, and hopefully of yours. If you don’t already have the first two Romantic Country titles then get them too, this series is truly perfect!

If you’d like to purchase a copy of this gorgeous book then it’s available here:
Amazon UK – Romantic Country: The Third Tale
Book Depository Worldwide – https://www.bookdepository.com/Romantic-Country-The-Third-Tale-Eriy/9781250133830/?a_aid=colouringitmom

Book 1 and 2 are available here.

The image below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache Blender Pencil.

Rhapsody in the Forest – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Rhapsody in the Forest is illustrated by Kanoko Egusa, a Japanese artist, who very kindly sent me a copy to review. Kanoko’s work is yet to be picked up by a US or UK publisher which is a real shame because her work is truly stunning, it’s unlike anything we’ve seen before in the UK but is similar to many of the other beautiful Japanese books on the market, they have such a lovely quality to them and are very whimsical and cute with plenty of detail. Kanoko has created two books so far, this one and a second called Menuet de Bonheur which I’ve reviewed here.

The book itself is just under 25cm square, paperback with very flexible card covers and a beautiful thick paper dust jacket with linework from inside the book. The pages are printed double-sided and the spine is glue-bound, the images are printed full-page and therefore do enter the spine so you’ll need to be careful when trying to reach the centre of the pages not to break the spine or you may end up loosening the pages. The paper is white, medium/thin and very lightly textured, it doesn’t bleed or shadow with water-based pens but do make sure you check this somewhere inconspicuous as we all colour differently, pencils blend and shade well despite the lack of tooth in the paper and sparing amounts of water were tolerated very well and didn’t cause bleeding when I used my Derwent Inktense Pencils. The images are a mixture of single and double-page spreads and the content is all heavily nature-based with lots of animal characters. The book is printed in Japanese so it’s not possible to read the text at the beginning of the book which I assume explains what’s happening through the pages but most of the scenes are pretty self-explanatory.

The illustrations contain all sorts of imagery from food to flowers, postage stamps to books, circus and nautical scenes and lots and lots of animals in various stages of anthropomorphosis from very animal-like, possibly wearing a hat, to very anthropomorphic and doing human jobs like decorating cakes, trick-or-treating, and even going to a ball. They are very natural and filled with detail, objects, and plenty to look at and the content is really wide-ranging and very pretty. I’m not entirely sure what the specific theme of the book is but it seems like it’s following the lives of lots of woodland and more exotic creatures and their travels, tales, exploits and even parties! It’s a really lovely theme for a book and the pictures are truly exquisite and beautiful! Five of the pages have black or grey backgrounds which is quite novel and a nice addition to the book.  Of the two books, I personally prefer this one as it’s more natural and less anthropomorphic which suits my tastes more, however, both are just gorgeous! At the back of the book are two light brown pages, the first has two postcard sized images which can be cut out and coloured, the second has 5 illustrations each with dotted lines drawn around them so that they can be cut out and attached to cards or used as gift tags etc either coloured or uncoloured.

In terms of mental health, this book is fantastic, it’s so calming and distracting and there’s just so much to look at in each picture so it’s really absorbing. It also offers wonderful escapism because you can create stories about what the animals are doing and what they might be baking a cake or wearing their best outfits for and immerse yourself in their lovely world. The book feels really peaceful and reminds me of my childhood reading Beatrix Potter’s wonderful stories about animals, I’m sure Peter Rabbit and Mrs Tiggywinkle would fit right in with Kanoko’s forest of creatures and you could have great fun naming all of the characters depicted in this beautiful book. The line thickness is pretty consistent throughout and is thin but not spindly thin so it’s perfectly colourable. The intricacy and detail levels vary throughout from very detailed sections with lots of intricate parts to much larger sections where you can really go to town with your blending and shading if you wish; this book would be suitable for those with moderate to good vision and fine motor control. This book will require a fairly good level of concentration but there are lots of natural stopping points so you can colour for as little or as much time as you want and still get a good sense of accomplishment. The amount of content in each page varies so some are centralised single page images, others are fully covered double-page spreads and a few have spaces where you could add your own imagery or backgrounds if you wish.

Overall, I would highly recommend this book and Kanoko’s second book, Menuet de Bonheur, both are truly beautiful, really natural and calming and just charming to look through. Having seen lots of coloured images from inside, these illustrations are really brought to life with colour and they look spectacular when finished.

If you’d like to purchase a copy, it is available on Amazon but price varies so do check there as well as Amazon Japan (postage is steep but does reduce per item if you buy more than one thing) and check Etsy too where an increasing number of Japanese and other International colouring books are being stocked for a reasonable price.

Amazon UK – Rhapsody in the Forest

The image below was coloured using Derwent Inktense Pencils activated with water.

Menuet de Bonheur – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Menuet de Bonheur is illustrated by Kanoko Egusa, a Japanese artist, who very kindly sent me a copy to review. Kanoko’s work is yet to be picked up by a US or UK publisher which is a real shame because her work is truly stunning, it’s unlike anything we’ve seen before in the UK but is similar to many of the other beautiful Japanese books on the market, they have such a lovely quality to them and are very whimsical and cute with plenty of detail. Kanoko has created two books so far, this one and a second called Rhapsody in the Forest which I’ve reviewed here.

The book itself is just under 25cm square, paperback with very flexible card covers and a beautiful, thick, dusky pink, paper dust jacket with linework from inside the book. The pages are printed double-sided and the spine is glue-bound, the images are printed full-page and therefore do enter the spine so you’ll need to be careful when trying to reach the centre of the pages not to break the spine or you may end up loosening the pages. The paper is white, medium/thin and very lightly textured, it doesn’t bleed or shadow with water-based pens but do make sure you check this somewhere inconspicuous as we all colour differently, pencils blend and shade well despite the lack of tooth in the paper and sparing amounts of water were tolerated very well and didn’t cause bleeding when I used my Derwent Inktense Pencils. The images are a mixture of single and double-page spreads and the content is all heavily nature-based with lots of animal characters. The book is printed in Japanese so it’s not possible to read the text at the beginning of the book which I assume explains what’s happening through the pages but most of the scenes are pretty self-explanatory.

The illustrations contain all sorts of imagery from flowers to teacups, baby clothes to fruit baskets, fireworks to vegetables and lots and lots of animals in various stages of anthropomorphosis. This book contains many more human-like animals than Rhapsody in the Forest and it appears to show family life from bathing the children to hanging up washing, reading a bedtime story to food shopping, preparing dinner to going on holiday and even depicting a wedding! The images are very natural and filled with detail, objects, and plenty to look at and the content is really wide-ranging and very pretty. Animal family life is a really lovely theme for a book and the pictures are truly exquisite and beautiful, it feels like you’re taking a peek into their life and stepping into their story. Three of the pages have black backgrounds which is quite novel and a nice addition to the book. At the back of the book are two light brown pages, the first has two postcard sized images which can be cut out and coloured, the second has 5 illustrations each with dotted lines drawn around them so that they can be cut out and attached to cards or used as gift tags etc either coloured or uncoloured.

In terms of mental health, this book is fantastic, it’s so calming and distracting and there’s just so much to look at in each picture so it’s really absorbing. It also offers wonderful escapism because you can create stories about what the animals are doing and immerse yourself in their lovely world. The book feels really peaceful and reminds me of my childhood reading Beatrix Potter’s wonderful stories about animals, I’m sure Peter Rabbit and Mrs Tiggywinkle would fit right in with Kanoko’s creatures and you could have great fun naming all of the characters depicted in this beautiful book. The line thickness is pretty consistent throughout and is thin but not spindly thin so it’s perfectly colourable. The intricacy and detail levels vary throughout from very detailed sections with lots of intricate parts to much larger sections where you can really go to town with your blending and shading if you wish; this book would be suitable for those with moderate to good vision and fine motor control. This book will require a fairly good level of concentration but there are lots of natural stopping points so you can colour for as little or as much time as you want and still get a good sense of accomplishment. The amount of content in each page varies so some are centralised single page images, others are fully covered double-page spreads and a few have spaces where you could add your own imagery or backgrounds if you wish.

Overall, I would highly recommend this book and Kanoko’s first book, Rhapsody in the Forest, both are truly beautiful, really natural and calming and just charming to look through. Having seen lots of coloured images from inside, these illustrations are really brought to life with colour and they look spectacular when finished, they’re also ideal for practising colouring fur!

If you’d like to purchase a copy, it is available on Amazon but price varies so do check there as well as Amazon Japan (postage is steep but does reduce per item if you buy more than one thing) and check Etsy too where an increasing number of Japanese and other International colouring books are being stocked for a reasonable price.
Amazon UK – Menuet de Bonheur

The image below was coloured using Derwent Inktense Pencils activated with water.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.