Johanna Basford

Staedtler Ergosoft Pencils: 36 Set Click through to see the 12 new shades and read my review!

Staedtler Ergosoft Triangular Coloured Pencils: 36 Colours – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Staedtler Ergosoft Triangular Coloured Pencils: 36 Set are made and kindly sent to me to review by Staedtler, a well-known German Stationery brand. These pencils are endorsed by Johanna Basford (colouring queen) so I was very excited to see what all the fuss is about and if they’d live up to expectations. The pencils are wax-based, I usually prefer oil-based but these (and Prismacolor Premiers) are definitely changing my mind. They have triangular barrels which are entirely coated in the exact colour of the pencil lead so they’re very easy to identify with little need for a colour chart. Each side of the pencil carries printed information: Staedtler ergosoft, space to write your name (ideal for kids or those going to art classes who want to identify their own supplies easily), and the colour number. The pencils arrive pre-sharpened and are very easy to sharpen in a normal sharpener, despite the triangular shape and they sharpen to a really nice point. The pencils are now available in 36 different colours and I was sent the 36 set to review which come in a single layer tin (ideal for having out whilst colouring and not losing your pencils). Other sets available are the 12 set in a blue stand-up box, the 12 set in a cardboard box, the 24 set in a Johanna Basford themed cardboard box and 24 set in a blue stand-up box, the pencils are also available as open stock meaning you can order one or two to trial before buying a full set if you’re unsure. The ergosoft pencils are also available in watercolour so do check what you’re ordering, I will be reviewing the watercolour ergosoft pencils at a later date (the major visible difference between the two is that the watercolour pencils have a blue barrel and a coloured tip – see photo below).

The pencils themselves are smooth to touch and the ergonomic triangular design makes them very comfortable to hold which is ideal for those of us with joint problems, issues with grip strength or easily dented fingers, I have lots of problems with the shape of pens and pencils, especially when colouring for long periods of time for reviewing, and these are one of the comfiest sets I’ve come across. The pencil leads have a white coating which adheres the leads to the wooden pencil sheath and this protective coating helps to reinforce the lead core in order to prevent breakage. I have used these pencils for a long time and have had no issues with breakage or problems with sharpening so these are very well-made. The leads are quite hard but they have a good vibrant pigment meaning you get a bright colour without needing a lot of pressure. However, because the leads are quite hard, you do need to use quite a bit of pressure when colouring toothier paper so I’d advise these for smoother paper if you have joint problems or you’re going to have to press quite hard to get a bold, full colour with no white gaps. I also noticed that while the pigment is very vibrant, you do get a wax bloom when using the hardest pressure and this makes blending more difficult than with oil-based pencils because you can’t get many layers before the wax bloom builds up so much that it interferes with colour lay down.

The pencils do blend fairly well together but you will need to be careful with your layering because the wax builds up quickly. Because the pigment is so bright, it’s quite difficult to get a pale even coverage with a thin layer on toothy paper so these pencils are much better for vibrant, burnished colouring, rather than pale, thin layers. They erase very well, even when coloured and burnished, obviously some pigment is left but a surprising amount is removed with very little effort so these pencils would be ideal for those who regularly colour over the lines, or who want to create highlights in their work. These pencils are in the mid-range price category and vary hugely in price. They’re quite expensive when full-price but when on sale they’re much more affordable and better value for money and if you can get a set on sale then I’d highly recommend them. These are definitely a great wax-based pencil.

The pencils used to only be available in 24 colours and there have been lots of questions in the colouring community about what shades are now included in the new 36 set. A really good range of colours have been added across the spectrum and pretty much one of each colour has been added in to help fill in the gaps that were there before so there is now a better range of greens, we have a lilac, a beautiful turquoise and two new browns amongst others. You can see the added colours in the photos below as well as the mandala page which I coloured exclusively with the 12 new colours, they look a little strange on their own because none of them are core colours, they’re all in-between shades to fill in the gaps but in conjunction with the other 24 pencils they look beautiful and the set covers a really good selection of colours with very few shades now missing that you can’t ‘mix’ by combining a couple of the pre-existing colours. For those who already have the 24 set, who are wondering whether it’s worth investing in this new set (sadly the 12 new colours aren’t available as a set on their own though you can buy all of them open stock), I would suggest that yes, it’s definitely worth getting them, the new shades are really useful, the tin is a great way of storing them and having extra colours is always a huge bonus, I think we’re all hoping that Staedtler will add further colours at a later point though this hasn’t been announced but there are 60 colours in their watercolour set so we can dream!

If you’d like to purchase a set, they’re available here:
Amazon UK:
Set of 24 in blue stand up box
Set of 12 in blue stand up box
Set of 36 colours in tin

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Johanna Basford 2018 Page a Day Calendar - Colour a small image every day of the year and display in the beautiful keepsake box - click through to read my review and see more images!

Johanna Basford 2018 Colouring Day-To-Day Calendar in a Keepsake Box – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2018 Colouring Day-To-Day Calendar in a Keepsake Box is published and was very kindly sent to me to review by Andrews McMeel Publishing. This page-a-day calendar arrives in shrink-wrapped plastic which keeps the keepsake box clean and free from damage. The keepsake box is made of thick ivory card which is covered all over (including the bottom) with a black line drawn flower and foliage pattern most similar to the flower scenes in Secret Garden, the top and all four sides of the box have gold foiling accents. The box opens with a hinge-style (the lid remains attached at the top) with two pieces of black ribbon holding it open at a >90degree angle; the inside of the lid and the box are lined with black paper with white flower and foliage designs drawn in Johanna’s signature style; the box is fully colourable if you wish. A black ribbon allows easy access to lift out all of the loose calendar pages which aren’t bound in any way so it’s easy to pick out which ones to colour, move them around, leave them out to dry if using wet media and so on. The pages are the same size and format as any other page-a-day calendar, the illustration is on the left and takes up two thirds of the page and on the right at the top is a leafy-lettered title of the month and at the bottom is the date and day, above this in small text are written the important festivals and celebrations and the country they’re celebrated in; as with all others, Saturday and Sunday share a page so there are approximately 312 pages of colouring for you to complete over the year. The pages are pale cream this time rather than bright white (they are less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours), thin (slightly thicker than copier paper), and lightly textured, pencils don’t build up many layers on this paper but I’m sure those of you who are more talented than me will have more luck with this and create wonderful masterpieces; water-based pens do heavily shadow and may bleed through if you’re particularly heavy-handed but the images are printed single-sided so really you can use whatever mediums you like, these pages would be ideal for testing out new mediums or trialling colour schemes.

The illustrations themselves are all taken from Johanna Basford’s five currently published colouring books, Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, and Johanna’s Christmas, I have carefully looked through all of the images and there is one tree that I couldn’t find in any of her books and appears not to be from one and a couple of butterfly images that have been adapted from the originals to have line drawn butterflies and blacked out ones too but apart from these 3/4 images all of the images are directly from the books. Some of them are the whole page scaled down, others are sections of the page printed at the original size, others are zoomed in sections which are printed larger than the original so there is a really good mix of detailed sections, larger spaced illustrations to practice blending and shading on, and whole pages which you’ll need your finest of fineliners and sharpest of pencils to colour accurately. The lid is designed to display the current day’s page in but it will hold plenty more pages than this so you could easily place a month’s worth in there before having to move them under the proceeding days’ pages. At the bottom of the stack are 4 pages for you to test your colouring mediums on so that you can see how the paper behaves so you don’t have to accidentally ruin any proper pages.

In terms of mental health, this page-a-day calendar is fantastic because it provides you with a manageable size of project to attempt each day, you could colour the page in a few minutes or really take your time to try out new techniques and spend much longer, it’s entirely up to you. You could colour the day’s page ahead of time or on the day itself, you could even spend the next 4 months colouring the whole thing ready to look at your beautiful work throughout the coming year, or even to gift to someone else (what a labour of love that would be and it would make an incredible present if you could bear to part with your work, perhaps you could start if off for them to finish?). The pages are a great size to practice colour schemes for your copies of the actual books, or even to try out colouring mediums on a smaller page. The loose pages make it easy to access the page you need without having to move the whole block around all the time and it means you don’t have to worry at all about bleed through. At the end of the year you could even cut out all of the images and create collages, small framed pictures or gifts or even add them to cards or craft projects so this is a really versatile product that goes way beyond just being a calendar! There isn’t a treasure hunt element in this calendar and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This page-a-day calendar is perfect for fans of Johanna’s work and it is a beautiful new way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are often much higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this calendar if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order and there are no duplicates, a number of the calendar pages show parts of the same original image but these are all of different aspects of it, with varying size or depicting different areas (see images below) and this is by no means the majority of the pages, most are of entirely separate illustrations or aspects within them, they also don’t appear to duplicate the images used in the 2017 edition of this calendar so those of you who already have that won’t be disappointed by duplicates. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are much quicker to finish and likely to cause less frustration, they’re also fantastic for trying out new things without worrying about ruining a whole page in your books.

I would highly recommend this page-a-day calendar to fans of Johanna’s work and to those who love to be organised. It’s a great size and format, ideal for those who find the full-size book pages too daunting. It’s also great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the year it runs for; you can even remove the images afterwards and frame or gift them or even use them in craft projects and the box will make a wonderful keepsake.

If you’d like to purchase a copy of this page-a-day colouring calendar, it’s available here:
UK Edition
Amazon UK – Johanna Basford 2018 Colouring Day-To-Day Calendar in a Keepsake Box
US Edition
Amazon UK – Johanna Basford 2018 Coloring Day-To-Day Calendar in a Keepsake Box
Book Depository Worldwide – https://www.bookdepository.com/Johann-Basford-2018-Coloring-Day–Day-Calendar-Johann-Basford/9781449482787/?a_aid=colouringitmom

Can’t get enough of Johanna’s images? Below are my reviews of her new colouring planner and two new wall calendars so you can be fully organised and colour to your heart’s content for the coming year!
Magical Jungle 2018 Wall Calendar
Secret Garden 2018 Wall Calendar
Johanna Basford 2017-2018 16-Month Weekly Colouring Planner

The pages below were coloured using Stabilo Point 88 Fineliners and Magnetips Pens.

Johanna Basford 2017-18 Weekly Colouring Planner - a great combination of colouring and organisation, click through to read my review and see images of inside

Johanna Basford 2017-2018 16-Month Weekly Colouring Planner – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2017-2018 16-Month Weekly Colouring Planner is published and was very kindly sent to me to review by Andrews McMeel Publishing. This planner is the perfect combination of organisation and colouring with space to write plans, appointments and notes, whilst also having weeks and weeks of colouring for you to do too. This planner is paperback with flexible pale cream card covers which have a beautiful black floral and foliage design on the front and back with the negative image drawn in pale cream on the insides of the covers, the front cover has gold foiling accents and the front and back cover have removable brown card strips with the information about the planner and the barcode etc printed on them. The planner is spiral-bound and measures 21.6 x 19.6cm, the covers aren’t especially sturdy so I’d be careful about travelling with it much and you’ll want to keep it safe somewhere rather than stuffing it in a bag or it’ll get damaged very quickly. This isn’t the best planner I’ve seen in terms of features and organisation, but for the combination of colouring and organising, it’s perfect and strikes a really good balance. The planner runs for 16 months and starts from the 28th of August 2017 all the way to the 6th of January 2019. The planner is printed double-sided and starts with a one-page overview of the year 2018 and then the planner itself starts with an image on the left of each double-page spread from one of Johanna’s five colouring books, images from all five (Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle and Johanna’s Christmas) are included, and the week’s days and dates with writing space for each on the right (this is in the same style as normal planners with added leafy accents and leafy lettering for the month title at the top). Each week runs from Monday to Sunday with equal space to write for each day, the dates are on the right and important festivals and bank holidays etc are written in small text on the left of the page, as well as the country it’s celebrated in. After the planner pages, which make up the vast majority of the book, there is a double-page spread with sections for each month of 2019 for you to add your advance plans to. Following this is a full page of 2017 dates and a full page of 2019 dates, followed by 5 lined pages where you can write notes (all with added leaf accents) and the final page is a colouring test page where you can test out your mediums to check for bleed through.

The paper this time is pale cream rather than bright white (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours), lightly textured and medium thickness, sadly it does shadow a fair bit with water-based pens but it doesn’t bleed through; I’d strongly advise writing in pencil throughout or you’ll ruin the image on the reverse either with shadowing or indentation from ballpoint pens. Pencils work well on this paper so I’d suggest mostly colouring with pencils and using water-based pens if you don’t mind the shadowing showing through on the planner pages. A great selection of images from Johanna’s books are included with some being sections of original images at the original size and others being the whole page shrunk down to fit on the planner page so some of the illustrations are quite tricky to colour neatly but almost none look impossible as long as you use a good set of fineliners or sharp pencils. Because this is the second planner and the publisher has tried not to duplicate images it means that a number of my favourite images from her first three colouring books haven’t been included as they were in the 2016/17 planner, however, we’ve got new images from those as well as from the newer two books and there are some lovely inclusions so there’s no disappointment to be had with this planner and it really is a great mix between organisation and colouring (two of my favourite things)!

In terms of mental health, this colouring planner is ideal. It gives you a manageable goal of colouring one page per week which could either be next week’s page so that it’s coloured ready for that week or this week’s page so you can colour as you plan. You could even colour it ahead if you’re quick but you’ll need to get a wriggle on as it’s already been running for a week. The pages are a great size to practice colour schemes for your copy of the actual books, or even to try out colouring mediums on a smaller page. The spiral-binding makes it easy to access the whole page and none of the images go into the spine, it’s also ideal because once you’ve finished using the planner at the end of 2018, the pages are easy to remove for framing or gifting if you want to get more use out of your works of art. There isn’t a treasure hunt element in this planner and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This planner is perfect for fans of Johanna’s work and it is a beautiful way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this planner if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order but a few have been cleverly chosen to fit celebrations like a heart for the week of Valentine’s Day, a skull for Halloween week 2018 and images from Johanna’s Christmas through December. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are quicker to finish and likely to cause less frustration.

I would highly recommend this colouring planner to fans of Johanna’s work and to those who love to be organised. It’s a great combination of planner and colouring pages and the size and format is ideal for those who find the full-size book pages too daunting. It’s great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the 16 months it runs for; you can even remove the images afterwards and frame or gift them.

If you’d like to purchase a copy it’s available below, there has been a delay in getting stock to retailers and therefore Johanna has released a free download of the pages for September which can be found here.
UK Edition
Amazon UK – Johanna Basford 2017-2018 16-Month Weekly Colouring Planner
US Edition
Amazon UK – Johanna Basford 2017-2018 16-Month Weekly Coloring Planner
Book Depository Worldwide – https://www.bookdepository.com/Johann-Basford-2017-2018-16-Month-Coloring-Weekly-Planner-Calendar-Johann-Basford/9781449482794/?a_aid=colouringitmom

Can’t get enough of Johanna’s illustrations and the ability to organise your life? Then check out the following reviews for two different wall calendars and a page-a-day calendar too.
Magical Jungle 2018 Wall Calendar
Secret Garden 2018 Wall Calendar
Page a day calendar

The image below was coloured using Holbein Artist’s Coloured Pencils.

Magical Jungle 2018 Colouring Wall Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle 2018 Colouring Wall Calendar is published and was very kindly sent to me to review by Andrews McMeel Publishing. This calendar is beautiful and is the same format as the previous JB wall calendars. The calendar itself is the same size as most others at 12 inches square, making it significantly larger than Johanna’s books. It includes 13 of Johanna’s signature and most well-known designs from her fourth colouring book, Magical Jungle (this calendar doesn’t include any new images), an illustration for each month of the year and one at the beginning for a 4-month overview of September to December 2017. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar size. The whole calendar, including the covers, is made of thick pale cream paper which is good quality (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours) – I thought it was going to bleed with water-based pens but there was no bleed-through at all and only some shadowing when using my darker fineliners. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The images are printed larger in the calendar than in the book so this is a great purchase for those of you who found Johanna’s books just a little too detailed and small. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The paper is quite smooth but has a little tooth and I didn’t have any issues with getting a few layers built up with my Holbein and Prismacolor pencils. The calendar is spiral-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a small hole at the top, this is smaller than on normal calendars and doesn’t fit a nail through it so you’ll have to very carefully hang it up with string (be careful so you don’t rip the pages). The cover has signature gold foil accents and is fully colourable, as always, and each calendar page has lots of tiny leaf accents and each month has a leafy lettering title.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The slightly larger image size means it’s more suitable to those of you who don’t have perfect vision or fine motor control. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. There is a small inky treasure hunt within the pages, like in the book, but I feel this was a bit of a pointless venture because some of the items you’re expected to find are the entire subject of the image e.g. one chameleon, one toucan or one tiger, rather than hidden within the image, two of the months don’t have this, January and November. Magical Jungle was Johanna’s least intricate and detailed book and while a few of the pages are quite intricate, a number of them have much larger, open spaces so there is a really good variety of images needing varying levels of concentration which can be used to keep you occupied and distracted when you’re feeling anxious or low, or requiring less focus if you need a more relaxing colouring experience. Johanna’s images are really good for practising mindfulness techniques because many require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin throughout but it’s not spindly so there is a little leeway when colouring, especially in those images with larger spaces.

I would highly recommend this for any colouring fan who needs a calendar in their life. Johanna fans won’t be disappointed with this calendar, it’s beautiful with a lovely selection of designs and great paper quality and it will brighten up the darkest of rooms and moods. It would make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – UK Edition – Magical Jungle 2018 Colouring Wall Calendar
Book Depository Worldwide – US Edition – https://www.bookdepository.com/Magical-Jungle-2018-Wall-Calendar-Johann-Basford/9781449482800/?a_aid=colouringitmom

Can’t get enough of Johanna’s illustrations and the ability to organise your life? Then check out the following reviews for another wall calendar, planner and page-a-day calendar:
Secret Garden 2018 Wall Calendar
Johanna Basford 2017-2018 16-Month Colouring Planner
Johanna Basford 2018 Colouring Day-to-Day Calendar

The image below was coloured with Holbein Artist’s Coloured Pencils, Prismacolor Premier Pencils and a Caran d’Ache Blender Pencil.

 

Secret Garden 2018 Colouring Wall Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Secret Garden 2018 Colouring Wall Calendar is published and was very kindly sent to me to review by Andrews McMeel Publishing. This calendar is beautiful and is the same format as the previous JB wall calendars. The calendar itself is the same size as most others at 12 inches square, making it significantly larger than Johanna’s books. It includes 13 of Johanna’s signature and most well-known designs from her first colouring book, Secret Garden (this calendar doesn’t include any new images), an illustration for each month of the year and one at the beginning for a 4-month overview of September to December 2017. A Secret Garden Wall Calendar was also published in 2016 and I reviewed that too, none of the images are duplicates between calendars so this is an entirely new selection of images from the book rather than a differently dated copy of the 2016 calendar. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar size. The whole calendar, including the covers, is made of thick pale cream paper which is good quality (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours) – I thought it was going to bleed with water-based pens but there was no bleed-through at all and only some shadowing when using my darker fineliners. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The images are printed larger in the calendar than in the book so this is a great purchase for those of you who found Johanna’s books just a little too detailed and small. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The paper is quite smooth but has a little tooth and I didn’t have any issues with getting a few layers built up with my Holbein and Prismacolor pencils. The calendar is spiral-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a small hole at the top, this is smaller than on normal calendars and doesn’t fit a nail through it so you’ll have to very carefully hang it up with string (be careful so you don’t rip the pages). The cover has signature gold foil accents and is fully colourable, as always, and each calendar page has lots of tiny leaf accents and each month has a leafy lettering title.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The slightly larger image size means it’s more suitable to those of you who don’t have perfect vision or fine motor control. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. There is a small inky treasure hunt within the pages, like in the book, unlike the Secret Garden 2016 Calendar and the 2017 Enchanted Forest Calendar, these are actually properly hidden objects though there is no key so it can be a little tricky to know exactly what you’re looking for, only one or two are extremely obvious to find due to being the entire or central subject of the image (e.g. find one owl)! As with all of Johanna’s images, they are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low. Johanna’s images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin throughout but it’s not spindly so there is a little leeway when colouring.

I would highly recommend this for any colouring fan who needs a calendar in their life. Johanna fans won’t be disappointed with this calendar, it’s beautiful with a lovely selection of designs and great paper quality and it will brighten up the darkest of rooms and moods. It would make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – UK Edition – Secret Garden 2018 Colouring Wall Calendar
Book Depository Worldwide – US Edition – https://www.bookdepository.com/Secret-Garden-2018-Wall-Calendar-Johann-Basford/9781449484682/?a_aid=colouringitmom

Can’t get enough of Johanna’s illustrations and the ability to organise your life? Then check out the following reviews for another wall calendar, planner and page-a-day calendar:
Magical Jungle 2018 Wall Calendar
Johanna Basford 2017-2018 16-Month Colouring Planner
Johanna Basford 2018 Colouring Day-to-Day Calendar

The image below was coloured using Stabilo Point 88 Fineliners.

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

Wonderlands by Johanna Basford – A Review

Ever since I found Johanna’s first colouring book, Secret Garden, I’ve been on a mission to have copies of all of the books and formats that get published of her work. A quick google search alerted me to an elusive book called Wonderlands which was the first book published in her name but this was either out of stock, unavailable or selling for crazy amounts of money for a used copy on Amazon or Ebay because it’s now out of print, with no plans to re-publish. I had pretty much given up hope of ever getting a copy unless I won the lottery. That was until a week ago when I saw that a few people in the colouring community had suddenly managed to find copies and that they weren’t having to re-mortgage their homes in order to get them. I contacted two of them straight away and both got back to me and were really helpful in showing me how to find the book on the publisher’s website (it’s very well hidden, even googling numerous times and trying different search terms didn’t come up with the ability to buy it) and I got ordering. I ordered it last week and just 7 days later I had a copy in my hands and wowee was it worth the 2 year wait and countless hours trying to hunt a copy down in that time.

Wonderlands is not a colouring book and was never designed to be one. The paper is white and thick though subsequent designs can be seen through it and it has a visible horizontal grain, a small section of pages (16 sides) are black paper with a vertical grain with white line drawings printed on them. I have not tested the paper with any colouring mediums as this book is now my pride and joy and I won’t be going near it with pencils or pens so if you wish to colour it you will need to test your mediums on an inconspicuous area but do bear in mind that paper with grain can bleed badly with any type of liquid and it may therefore only be suitable for pencils rather than pens. The content of the book is mostly from Johanna’s Wonderlands art exhibition which was displayed at Dundee Contemporary Arts from the 4th of May to 7th of July 2013. As such, the illustrations are some of the most detailed I’ve ever seen and have not been designed with colouring in mind and are therefore very black-heavy with much less white space left than we’re used to in Johanna’s work. Many of these illustrations have been shrunk down from much larger depictions in order to fit the book’s pages and therefore the intricacy and detail levels are second-to-none. I can only imagine how wonderful it would have been to see the original exhibition but luckily we are able to take our own mini tour within the pages of this book.

Looking through the book feels almost like you’re looking into Johanna’s mind, you can see her creative process working and there are hints and precursors to all of her colouring books and projects. I studied Creative Textiles for GCSE and therefore love seeing the process from initial ideas and mood boards all the way through to the finished display pieces and this book really feels like you’re able to go on that journey and you can see the first glimpses of certain pages from the colouring books we know and love from the owl tree and lily pond in Secret Garden to the monkeys of Magical Jungle. The content of this book is much more wide-ranging and less specific and is also more jumbled up within each page with one page containing objects ranging from an octopus to a cactus, a dustbin to a whale, a playing card to a ladder and even a lightbulb. This book is honestly spectacular and while it’s not for colouring, anyone who’s a fan of Johanna’s work will find that this book is an absolute must-have. Not every page has a design on it but the ordering of these blank pages is quite random throughout, there are a few single-sided pages but the majority are double-sided. The image styles range from ribbons across the page with vast blank spaces around them to repeating patterns like we saw in Lost Ocean, centralised images of trees and other objects to centralised mirror image designs and some lovely two-page spreads where the original image is shown in its entirety on one side and a section zoomed into on the other so you can see some of the wonderful detail more closely. The illustrations cover such an expanse of content from alphabets drawn in flowers and leaves and another in robots and machinery, to people ranging from Sumo wrestlers to Beefeaters, Royal Guards and little ballerinas, there’s a whole page dedicated to junk food including gingerbread men and burgers and others just consisting of butterflies, moths, or pyramids of animals. As with all of Johanna’s work, each illustration is stunning and one of the best features of this book is the section of photographs at the back which shows the exhibition itself and shows the scale of some of the pieces she created, we’ve seen sneaky peeks of some of these in newspaper articles and in her studio videos where we’ve seen her beautifully doodled dog statue and framed cuckoo clock designs and it’s wonderful seeing them in situ in the book, my personal favourite being the beautiful sailboat with seaweed imagery which clearly inspired Lost Ocean. The black pages are different again with the images all printed in a slightly greyish white and looking a little less crisp than the black-lined illustrations do, they look a tad more smudgy and as if they were created with paint or screen-printing rather than a pen but nevertheless they’re beautiful and the content here is very natural and nature-based from Oriental-style motifs to a beautiful double-page spread of peacocks, a floral heart very similar to the one in Secret Garden, to a beautiful pond and rainforest ribbon. The book feels quite sectioned off with it starting with black on white illustrations, then moving to white on black, then back to black on white and finally ending with 16 pages of photographs from the exhibit, despite this sectioning, the book feels really cohesive and does feel like a journey through the exhibition itself and Johanna’s mind and creative process. At the very back of the book all of the works of art are titled and information about the commissions and exhibit is given which gives great context for where the pieces are from and why they were created.

In terms of mental health, this book has certainly been fantastic for my own and has already given me hours of enjoyment and calm. Looking through the pages has really opened up a new world for  me and I’ve loved looking at all of the different aspects and details and each time I look through I see something new because it’s just so jam-packed with content. The paper has a lovely feel to it and it’s just a really tactile book with plenty to keep you occupied for hours. The spine is glue-bound so you’ll need to be a little careful not to break it by opening the pages too far. I’ve really loved adding this book to my Johanna Basford collection and it’s possibly my favourite book because it’s just so beautiful and wide-ranging. The cover has a black and white illustrated removable dust jacket with full French flaps and this could be completely coloured if you wish though I shall be leaving mine as is, the black and white is just so striking and the paper it’s printed on has a lovely soft feel.

Overall, I can’t recommend this book highly enough, if you’re looking for a colouring book then this isn’t for you as many of the details and designs are impossibly small and wouldn’t be colourable but for fans of Johanna’s work who want to see more of her art and discover where the books we colour have come from this book is ideal. The production of the book is wonderful and while it may seem a little pricey at £20 + £5 postage (more for International deliveries) it’s truly a beautiful book that I think is worth every penny, it’s becoming harder and harder to find and I have no idea how much stock the publisher has left (it currently states Low Stock on the site) so I certainly wouldn’t put off ordering it if you’re desperate for a copy, you won’t be disappointed and it really is a very special creation.

If you’d like to purchase a copy of the book it’s available here: Dundee Contemporary Arts

For a silent full video flick-through of the book, please click here.

Enchanted Forest Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Enchanted Forest Journal is illustrated by Johanna Basford and published and kindly sent to me to review by Laurence King Publishing. I will freely admit to being a total stationery addict – I love nothing more than a brand new pen or notebook, so when I saw that our colouring Queen Johanna Basford had released another colouring journal, I had to have a copy, her first colouring journal Secret Garden can be found reviewed by me here. This journal comes shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you won’t be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect. It’s really luxurious from its hardback cover with a beautiful woodland scene from the book and gold foiling accents, to the black linen-style spine and beautiful gold-edged pages, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! The journal is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy cream ribbon bookmark so you can easily find your place each time and on every double-page is a small image from Johanna’s Enchanted Forest colouring book. The 72 illustrations include loads of different leaves, fish, birds, owls, feathers and more, and they look stunning on each double-page spread either left uncoloured or brightening it up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers are cream with black line drawings of Johanna’s flower patterns which can be coloured and the first page of the book has space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink does transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is fantastic because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are intricate and detailed, some at the same level as contained in the original book and others are much smaller and therefore more intricate and detailed so if you’re wanting to colour these images you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. I found that the illustrations are ideal for testing out colour schemes and techniques ready for doing my ‘best’ version in my copy of Enchanted Forest but this is also a great stand-alone journal.

I would highly recommend this journal for Johanna Basford fans, stationery addicts, and those who love to write and ‘need’ a new notebook. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is a sprig of leaves or a little fox. This journal is gorgeous and certainly the best I’ve seen and its gold-edged pages are a lovely addition.

You can purchase a copy here:
Amazon UK – Enchanted Forest Journal
Book Depository Worldwide (cover shown is incorrect but item is right) – http://www.bookdepository.com/Johann-Basfords-Enchanted-Forest-Journal-Johann-Basford/9781780679181/?a_aid=colouringitmom

The images below were coloured using Stabilo Point 88 fineliners and Prismacolor Premier Coloured Pencils.

Staedtler Noris Colour 24 Pencils – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Staedtler are a hugely well-known brand worldwide and they produce a large range of stationery products ranging from kids’ products all the way up to artist grade products, with a huge selection in between. The Staedtler Noris Colour pencils (not to be confused with the Staedtler Noris Club Pencils) are a budget option at around £4/5 for the full 24 colour set. These are some of the cheapest pencils around so how do they stack up against some of the slightly pricier options like the Staedtler Ergosoft pencils (reviewed here) and the Marco Raffine pencils (reviewed here)?

The Noris Colour pencils are available in up to 24 individual colours and come in sets of 6, 12, and 24 and come in standard Staedtler packaging, or Johanna Basford themed packaging (do hunt around as prices for the packaging can vary and the contents is exactly the same). The pencils themselves have a hexagonal barrel with two black sides, black-lined corners, and 4 coloured sides that are the same colour as the pencil lead. They arrive pre-sharpened and have flattened ends which show the perfectly centred cores which are a standard thickness. The barrels have a soft feel to them and they’re not slippery. The colours cover a good range of shades in the 24 pack and include white, black, grey, a flesh tone, 3 browns, 3 greens, a true red, one purple and plenty of pinks and blues, and two each of yellow and orange. The pencils are wax-based. Sadly, I’m really not a fan of these pencils. The leads are extremely hard, the hardest I’ve come across and they’re very waxy with very little pigment. I found it really difficult to get an even coverage that didn’t have streaks through it and I just couldn’t get any vibrancy. Even when creating my colour chart I struggled to not have huge lines through the fully burnished sections and I pressed so hard whilst colouring with them that I ended up with a blister and nearly went through the page. The pencils do blend ok if you use very light layers, but again, there’s no vibrancy from them. The pigment does erase well, especially when using a battery-operated eraser so these would be useful for those of you who go over the lines a fair bit, and for those wanting to create highlights. Sadly, any of you who suffer from joint pain, have weak grip, or are elderly, will really struggle to use these pencils unless you’re wanting to just do light block colouring and no blending or shading. The sheer amount of pressure needed to get any level of pigment on the page is higher than I’d ever want for a pencil and I ended up with dents and blisters on my fingers after colouring one full page.

The pencils do sharpen well and don’t crumble at all or create dust. The hardness of the lead means it keeps a good point which lasts for ages, mostly because so little of the pigment goes onto the paper when colouring. I haven’t had any issues with breakages or splintering so the lead and pencil barrel seem to be well-made. For the price, you can’t expect a lot but for me, even at this price, I wouldn’t buy them unless they were literally all I could afford. These pencils would be ideal for school children but I can’t recommend them for anyone else, the colours are so pale, the leads are so hard, and they’re so difficult to get colour onto the page how and where you want it. While the Staedtler Ergosofts and Marco Raffines are both a fair bit more expensive, I’d strongly advise opting for those pencils because they’re both highly pigmented, easy to blend and you don’t get an achy blistered hand just by looking at them. I really don’t like writing negative reviews but honestly, I can’t really find anything positive to say about these pencils, they made colouring really stressful for me and the only reason I finished the picture was to show a fully coloured page for this review.

If you’d still like to purchase a set of these pencils they’re available below:
Amazon UK: Staedtler Noris Colour 24 Pencil Set