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Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.
The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.
As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.
In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.
I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!
If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom
The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.
is published and was very kindly sent to me to review by Laurence King Publishing. Enchanted Forest, illustrated by Johanna Basford is one of the worldwide bestselling colouring books and with good reason – the images are stunning, beautifully detailed, tantalisingly intricate and beautifully put together. However, many of us colourers found that the spine caused a problem because some of the middle of each image was lost into it and the double-sided printing meant that those of us who wanted to use pens of any kind had to sacrifice a number of images on the reverse or resort to colouring with mediums we weren’t so keen on. These issues were taken on board by the publisher and they have responded with this Artist’s Edition.
is published by Blue Star and illustrated by Mark Coyle and was kindly sent to me by them to review. This book is ideal for any dragon-lovers and it really does exactly what it says, it includes loads of images of different dragons. The book itself is A4, paperback and glue-bound meaning a little of each image is lost into the spine. The illustrations are printed single-sided so there are no issues with bleeding and they are all portrait-oriented designs. The paper is bright white, medium thickness and lightly textured so it’s great for pens and pencils. The images are all drawn by one illustrator so the book has a very cohesive feel, the dragons are pictured alone, in groups, on mountains, flying, in space, and they are all drawn to look like different species, in different poses. Many are winged, some are not, some are fire-breathing, some are three-headed, some are scaly, others are smooth or horned, there really is a very wide variety so it doesn’t get boring at any point despite all 34 images being dragon-themed.
is illustrated by Harriet Popham, published by Harper Collins and is from my personal collection. I was extremely excited about the prospect of this book as soon as I found out about its publication and had to wait weeks until its publishing date to see what it was going to be like. I saw a few photos of inside and was really disappointed but after managing to find it reduced a few days after launch, I decided to give it a go and I’m SO glad I did as the images I saw weren’t representative of the contents at all! Get your apron on, oven pre-heating and let’s head into the Great British Bake Off tent and see if this book is a recipe for success. Without further ado – on your marks, get set, colour! Get yourself ready for a truly cake-tastic review!
is published by Laurence King Publishing and was very kindly sent to me to review by Midas PR. Secret Garden, illustrated by Johanna Basford is the worldwide bestselling colouring book and with good reason – the images are stunning, beautifully detailed, tantalisingly intricate and beautifully put together. However, many of us colourers found that the spine caused a problem because some of the middle of each image was lost into it and the double-sided printing meant that those of us who wanted to use pens of any kind had to sacrifice a number of images on the reverse or resort to colouring with mediums we weren’t so keen on. These issues were taken on board by the publisher and they have responded with this Artist’s Edition.
is illustrated and was kindly sent to me for review by Edwina Mc Namee. This gorgeous book is filled with 50 images of all things winged, feathery, mystical and magical. The book is paperback, glue-bound and printed single-sided with no border so a little of each image is lost into the spine but this really is only a little. The book is slightly smaller than A4 and has a gorgeous aqua coloured cover that can almost certainly be coloured in so you’ve practically got an extra colouring page on the front and it also has a lovely “This book belongs to” page. Almost all of the images are portrait but a few are printed landscape so that more can be fitted onto the page. The book has a lovely cohesive image style because it’s all been hand-drawn by the very talented Edwina who clearly has a love of all things feathery. The images include all sorts of birds, headdresses, bats, butterflies, insects and unicorns. They are drawn with varying line thicknesses from thin to thick with most being medium/thick, they don’t look overly heavy though. The paper is bright white and pretty thin, my fibre-tip pens which hardly ever bleed did bleed through all over the back of the page so if you’re using anything that bleeds do put a scrap sheet behind your work so that you don’t ruin the next picture.
In The Midst Of Madness 