Flowers

Floribunda: A Flower Colouring Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda: A Flower Colouring Journal is illustrated by Leila Duly and published and kindly sent to me to review by Laurence King Publishing. These journals often come shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you may not be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect, those of you familiar with Leila’s first colouring book, Floribunda, will know just how stunning her artwork is and now some of the smaller elements have been collated into this journal. It’s really luxurious from its pale pink hardback cover with a beautiful floral scene from the book, to the black linen-style spine, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! It is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy shell pink ribbon bookmark so you can easily find your place each time and on every other double-page is a small image from Leila’s Floribunda colouring book. The 37 illustrations include lots of the single flower illustrations which were printed in colour on the inside covers of her original book, they are printed in a very similar size to those and therefore look very delicate on the page. Of these illustrations, around 5 are printed twice, first towards the front of the book and then towards the end, these include the freesia, iris, delphinium, and two others. They look beautiful left uncoloured or brightened up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers and first and last pages are pale pink and the first internal page of the book has a large floral image with a small lined space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink lines do transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is lovely because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration though you do have to focus very hard to not colour over the lines. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are very intricate and detailed, and the lines are possibly the thinnest I’ve seen with the illustrations much smaller than those in the original colouring book pages and a similar size to their coloured counterparts on the inside covers of it, therefore you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. When compared to the two previous colouring journals Laurence King have published, I was very slightly disappointed with this one as there are no foiled elements on the cover (apart from the title on the removable paper strip), no metallic coloured edging to the pages, and half the number of colourable designs also including 5 repeats. This seems a little bit of a shame, however, as a standalone product it’s simply beautiful, I just feel the two journals of Johanna Basford’s artwork were better value for money as they had double the number of illustrations but for Floribunda fans this journal will still be ideal.

I would highly recommend this journal for stationery addicts, those who love to write and ‘need’ a new notebook, and fans of Floribunda and the stunning work of Leila Duly. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is one little flower. This journal is delicate and beautiful and a lovely addition to the colouring journal range.

You can purchase a copy here:
Amazon UK – Floribunda: A Flower Colouring Journal
Book Depository Worldwide – https://www.bookdepository.com/Floribund-Leil-Duly/9781780679402/?a_aid=colouringitmom

The images below were coloured using Holbein Artists’ Coloured Pencils.

Tangle Wood Collector’s Art Edition – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tangle Wood Collector’s Art Edition is illustrated by Jessica Palmer and published and kindly sent to me to review by Search Press Publishing. This book is the artist’s edition of Jessica’s hugely popular debut colouring book, Tangle Wood, which I reviewed almost 18 months ago, she’s since gone on to produce two further titles, Tangle Bay and Tangle Magic. This artist’s edition is a different format from the original and contains 20 images, some originally single pages and others a full double-page spread, I’ve included photos of all of the pages below so that you can see if your favourites are included and decide if this book is for you. It’s currently listed on Amazon with a release date in the UK as the 31st of March but my contact at Search Press is expecting their own website to have stock by the end of January and Amazon doesn’t usually take long after that so do get your pre-order in (links below) and you’ll be sure to get a copy as soon as it’s available.

The book itself is very large, measuring 25 x 33cm (the same size as Floribunda and the JB artist’s editions), it’s paperback with covers made of the same card as the pages inside, it’s thick card which is a beautiful cream colour, lightly textured and perfect for use with water-based pens which don’t bleed sideways or through, and pencils which layer and blend beautifully. I tested my Stabilo Point 88 Fineliners and they didn’t shadow onto the back, they just seemed to glide on top instead of saturating the paper. Cream isn’t everyone’s favourite page colour but it definitely adds a vintage feel and seems more natural than pure white so it really fits the woodland theme and also means you’re left with a less harsh contrast if you decide to leave the background uncoloured. The 20 images are printed single-sided onto the card and all of them are landscape, some are single page images from the original book which are printed a little larger, and others are double-page spreads which have been shrunk to fit the new page size. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but do stay put as long as you’re careful and don’t twist the spine too much, mine arrived pretty stiff. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits.

The images included are all from the original version of Tangle Wood, unlike most artist’s editions, the majority of these images are actually smaller than in the original book, I personally don’t think this was the best decision as Jessica’s illustrations are some of the most detailed around and it would have been lovely to have slightly larger scale versions to get our teeth into. There are also some slightly odd image choices like the floral frame which doesn’t actually fill the page or have enough space in the middle to draw much of your own imagery, or the floral spray with a small hummingbird, I was very disappointed to see that the gingerbread house wasn’t included apart from as a faded background for the bio on the back page. However, those niggles aside, the book is lovely and the images are really beautiful. Of the 20 images, 3 are printed larger than the original, 11 are printed smaller than the original, and the rest are the same size (see comparison photos below). The illustrations are printed in a different order from the book and don’t show the journey through the wood as the original did, there also isn’t a treasure hunt aspect though there are jewellery pieces hidden in each illustration. On the back of each page it says “Hand Coloured By” with a line to write your name and then “On” followed by space to write the date, you could also add the colouring mediums you used as a great record for the future.

In terms of mental health, this book is great, Jessica’s work contains so much detail that there’s constantly something to look at and notice, there’s a really good mix of images from up-close plants and insects to more scenic pages and all of the chosen illustrations will look beautiful framed if you wish. The linework is fairly consistent throughout and is thin and spindly thin, the detail levels do vary because the scale of the images varies and it ranges from the tiniest of details up to much larger open spaces. While you will need pretty good vision and fine motor control, don’t forget that you don’t have to colour in each tiny section individually and you can get great effects from colouring over sections and using the black linework as pattern or texture through your colouring, I often do this with Jessica’s illustrations and it’s really effective. The drawings themselves are really natural and evocative and are sure to spark your imagination as well as calm you down, Jessica’s illustrations feel very peaceful so they’re great for slowing down a racing mind. A number of the images have large spaces where you could add your own backgrounds but this is by no means necessary and the pages will look beautiful with or without any additions. There is also a variance in the amount of content on each page so you can tackle a simpler page on bad days or a more complex design on days where you can focus and concentrate more fully. Fans of the original book are sure to love this edition, it feels quite different from the original but it has many more uses and is ideal for using heavy/wet media that you can’t use on double-sided pages.

Overall, I would highly recommend this book, while the image choice and layout is a little disappointing, this may just be my personal taste and what is here is very lovely and will look stunning finished and framed. The book itself would make a wonderful gift or you could colour and frame a page for a loved one, or just brighten up your own home with your wonderful creations, I will certainly be framing my own soon, I just love how my owl turned out!

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Tangle Wood Collector’s Art Edition
Book Depository Worldwide – https://www.bookdepository.com/Tangle-Wood-Jessic-Palmer/9781782214878/?a_aid=colouringitmom
Search Press Website – https://www.searchpress.com/book/9781782214878/tangle-wood-collector-s-art-edition

The image below was coloured using Holbein Artists’ Colored Pencils and the background with PanPastels.

Romantic Country: The Second Tale – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Romantic Country: The Second Tale is published by St Martin’s Griffin and is from my personal collection. Ever since Romantic Country was published in April, I’ve been eagerly anticipating this second instalment in the three-part series. I didn’t think it was possible to love a book more than Romantic Country, but I do love The Second Tale more, it feels more in depth and has even more exciting content as well as all of the beauty and charm of the first book. It’s illustrated by Eriy, a Japanese artist who creates her work using a toothpick dipped in ink. This whole book took approximately 1200 toothpicks and because of the way the lines are created they’re not a uniform thickness and aren’t a stark black colour (more on this later). This series was the series I’ve been hoping would be made, with its childlike charm but with adult levels of intricacy, it’s what I always felt was missing for me in JB’s books, don’t get me wrong, hers are stunningly beautiful, I really love them, but they’re a little too perfect for my imagined perfect series. Eriy’s books are utterly charming, not quite perfect, and truly heart-warming and that’s what makes them so wonderful.

This book is square, the same size as the bestsellers, paperback, with a removable paper dust jacket with partially coloured images from the book on the front and back. The book itself has brown card covers with a wraparound line drawing from inside the book and blank covers on the inside. The paper is a lovely rich creamy colour (it’s hard to describe but it’s a little warmer in colour than the paper in Johanna’s first two books but not yellowy and it’s the same as in Romantic Country), and it’s thick and doesn’t bleed or shadow with water-based pens when used carefully, it also held up well to water and didn’t bleed through at all with my Derwent Inktense pencils. The paper is lightly textured and while you can’t get loads of layers, pencils do lay down well on it and it’s perfectly possible to get some lovely blending and layering. The spine is glue and stitch-bound so it’s durable but a little difficult to get to the centre of each spread, however, spines of this type do ease up with use so do persevere. The images are printed double-sided and borderless and are a mixture of single and double-page spreads so a little of each image is lost into the spine to begin with. The images themselves are beautiful, charming, and begging to be coloured and are split into the following 5 chapters: 1. The Glow of Beautiful Old Castles; 2. Magnificent Lakeside and Mountain Landscapes; 3. Fairies and Works of Nature; 4. The Witch and the Hidden Secret Forest; 5. Cheerful Town Scenes. The book starts with a single page spread showing a map of Cocot (the name of the land in which the book is set, which was dreamt up in the imagination of Eriy when she was a child), depicting the landmarks introduced in this book. Following this, are two double-page spreads showing mapped scenes of the landmarks which are pictured in more detail later in the book so you can clearly see where they’re situated in relation to each other. Following the maps, the images show beautiful scenes of mushroom villages, shopping streets, witches’ houses, shop interiors, vegetable gardens, interiors and exteriors of castles, windmills, churches, underwater scenes including a mermaid, holiday scenes including Halloween and Easter, fairy houses, village markets and so much more! Each image is shown as a thumbnail at the back of the book too with a short description telling you more about each place and life in Cocot, you will truly want to move there and never leave! At the back of the book is a removable fold-out poster featuring the main character who is followed through the book (a little girl called Elena) and her duck friend Joset, which is fully colourable and can be cut out and glued together to create two beautiful 3D scenes showing a castle interior and the forest.

In terms of mental health, I doubt there’s a book that’s better for it in all honesty! Certainly for mine anyway! The illustrations are so charming and because they have a beautiful childlike quality to them they really have a nostalgic aspect which will remind you of colouring books you used as a child but with so much more detail and intricacy that it’s still very entertaining as an adult. The content is wonderful because it whisks you off to a simpler, happier, gentler place where there is a slower pace of life and mythical creatures live alongside people and even witches are good. The line thickness varies throughout because Eriy draws with a toothpick and so it naturally varies however the majority of the lines are thin but not spindly so they’re perfectly colourable with moderate vision and fine motor control. The lines themselves are not a stark black, they’re an uneven brown because they’re drawn in dipping ink and while this may not sound great and does take a little getting used to, it truly adds so much charm to the drawings and these illustrations just wouldn’t look right drawn in harsh, black, perfect lines. The images range in intricacy and detail from large open spaces of the stained glass window page I coloured and scenery, to small intricate details of vegetables, books and leaves, and everything in between, it’s very wide-ranging but the intricacy level in this book is significantly higher in most images than in Romantic Country though most of the images would still be suitable for those with moderate, or higher, vision or fine motor control so this is a great book for nearly anybody! The images are detailed and contain lots of things to look at and colour but most are not so overwhelming that you don’t know where or how to start and because they’re all depicting real things like buildings, plants, and food, they’re easy to work out colour schemes for whether that be subtle pastels, realistic browns and greys, or bright fantastical colours, this book isn’t so perfect that you don’t want to touch it which is part of its huge appeal. The images are really cohesive and almost tell a story as you walk through the streets, castles, countryside and shops, by the end of the book you really feel like you’ve visited Cocot and you’ll be planning your next visit as soon as you can!

I would highly recommend this book to anyone who likes to colour scenes, landscapes, shops, food and flowers. This is one of the most beautiful books I’ve ever seen and I’m pretty sure it’s my favourite with its charming illustrations and beautiful thick paper. This book is cute, pretty, whimsical, magical and charming and it truly is the book of my dreams, and hopefully of yours, if you don’t already have Romantic Country then get that too, this series is truly perfect!

If you’d like to purchase a copy of this gorgeous book then it’s available here:
Amazon UK – Romantic Country: The Second Tale
Book Depository Worldwide – http://www.bookdepository.com/Romantic-Country-The-Second-Tale-Eriy/9781250117281/?a_aid=colouringitmom

You can find my review of Romantic Country here. Or it’s available to purchase here:
Amazon UK – Romantic Country
Book Depository Worldwide – http://www.bookdepository.com/Romantic-Country-Fantasy-Coloring-Book-Eriy/9781250094469/?a_aid=colouringitmom

Romantic Country: The Third Tale will be published in May 2017 and is available to pre-order here:
Amazon UK – Romantic Country: The Third Tale
Book Depository Worldwide – http://www.bookdepository.com/Romantic-Country-The-Third-Tale-Eriy/9781250133830/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with water which I applied as sparingly as possible.

Hidden Nature Frame Fantasia: A Colouring Book to Keep Your Favourite Moments – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Hidden Nature Frame Fantasia is published and kindly sent to me to review by Promopress and illustrated by Toc De Groc – a Barcelona based trio of ladies who run a design studio. They were the creators of the stunning book Hidden Nature and this second book is just as beautiful with a different theme but similar style. This book is square (the same size as the bestsellers), paperback, with a beautiful floral embossed white card cover and removable paper slip with the title and coloured illustrations from inside the book. The spine of the pages isn’t attached to the cover apart from at the back and it’s a lay-flat binding meaning you can access the entirety of the page, and that you can remove them if you wish. The book contains 45 single-sided images with a frame in each one that you could cut out and then add a photo or your own drawing and then frame the whole thing for yourself or others. The paper is bright white and really thick (160gsm), it’s not card-like but it’s some of the thickest paper I’ve seen in a colouring book and there isn’t even a hint of bleed-through or shadowing with water-based pens so it’s perfect with all of your water-based markers and with pencils whose colours will show up beautifully on the paper. The images are borderless and all contain nature-themed illustrations with lots of hidden features throughout and each one contains a frame of varying size, shape, and number. One of the things that stands out most about this book is the little cat who is hidden within each page (bar one – the motorcycle page). He’s shown in various different sizes throughout and sometimes he’s the main feature of the image and other times he’s hidden somewhere for you to find. The image content is really varied, all nature-themed, but with loads of different objects and animals added in, all covered in florals. The themes range from love to music, Christmas to under the sea, tropical to afternoon tea, travel to makeup and so much more. Great numbers of animals are also included from unicorns to birds, turtles to flamingoes, butterflies to dogs and of course lots and lots of cats! Some of the images are of scenes, some are set up like still life, some are object shapes made out of lots of flowers and leaves, and others have animals hidden within them. Each one is single-sided with a peach coloured back page with co-ordinating white line art. At the very back of the book is a double page spread of beautiful lettering in both upper and lower case which you could trace over to add greetings or initials to your frames if you wish.

In terms of mental health, this book is great, it’s filled with nature which is ideal for calming you down and helping you to relax and zone out but it’s all drawn in a cartoony style which brings character and whimsy to the images. The frames are a really novel concept and they’re ideal because they give you a project with a goal at the end and the finished pages, once removed from the book, would be fantastic to add photos, greetings or drawings to and then gifted either as they are or framed. The illustrations are drawn in a consistently thin line throughout so this isn’t an ideal book for those of you with poor vision or fine motor control issues, but the line isn’t spindly thin so it’s manageable to stay within the lines when you’re colouring. The intricacy and detail levels vary throughout but range from medium to high levels of intricacy and most of the images contain a lot of details meaning there are lots of different parts to colour on each page though you can of course colour over these in blocks if you choose. The images are quirky and fun and will be sure to bring a smile to your face, they don’t take themselves too seriously and this book doesn’t feel intimidating or too perfect to colour in like some others do. This is a friendly book that starts off with a page where you can write your name and continues into a beautiful, floral-filled world where you can get lost and colour in whatever colours you fancy without realism forcing you to colour everything a specific colour. I personally found this book very calming and relaxing and it really did cheer me up on some of my darker days while I was colouring it ready to review. The images are varied and often made up of lots of component parts so if you’re having a bad day and your concentration is poor you could colour just one flower, or cupcake, or heart and then go back to it when you’re feeling better, or on good days you can plough your way through the pages that are filled with detail and intricacy.

I would highly recommend this book to anyone that likes nature based images, and anyone who likes cartoon-style drawings. The images are quirky and whimsical and are a great combination of objects and animals intertwined with natural florals and they’re drawn so beautifully that they’re just crying out for colour to be added. This is a fabulous book for pen fans who want to be able to use their water-based pens without having to worry about the dreaded bleed-through and those who want to colour pretty floral images.

You can purchase a copy here:
Amazon UK – Hidden Nature Frame Fantasia
Book Depository Worldwide – http://www.bookdepository.com/Hidden-Natures-Frame-Fantasi-Toc-de-Groc/9788416504442/?a_aid=colouringitmom

If you like the look of this book then check out the first one in the series here:
Review – Hidden Nature
Amazon UK – Hidden Nature: A Colouring Escape for Grown-ups
Book Depository Worldwide – https://www.bookdepository.com/Hidden-Nature-Toc-de-Groc/9788415967729/?a_aid=colouringitmom

The image below was colouring using Stabilo Point 88 Fineliners and Stabilo 68 fibre-tips.

Millie Marotta 2017 Diary – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta 2017 Diary was published and very kindly sent to me to review by Batsford Books. This diary is a smidge over A5 size, hardback, with white covers with a beautiful scaled down version of the Wild Savannah book cover with hints of colour added and touches of gold foiling on the front. The diary is kept closed with a black elastic strap and there is no writing on the covers apart from 2017 in gold foil, there’s also a removable thick wrap-around slip of green paper with gold foil writing stating it’s the Millie Marotta Diary with the bar code on the back. Inside the diary the front and back are black double-page spreads with the publishing information printed at the front, followed by the diary pages and 26 illustrations taken from Millie’s third colouring book, Wild Savannah. The pages are bright white and medium thickness for a diary, the pages are unlined and consist of a week to view on the left page and a blank page on the right that just shows the dates of the current month in the bottom right hand corner leaving you plenty of space to write notes, doodle, jot down lists etc. Each week starts on a Monday and the dates are separated by a line with Saturday and Sunday sharing one. The diary begins with a Personal Details page where you can write your address, work details, and useful numbers, following this are year views of 2017 and 2018 both sharing a single page. At the beginning of each month is a pair of images from Wild Savannah, some are double-page spreads and others are two separate single images. Sadly, the paper isn’t very thick for colouring and doesn’t have much texture at all, water-based pens bleed through (see photo below) and pencils are pretty difficult to work with, especially if you’re wanting to blend or shade, my wax-based Prismacolor pencils worked fairly well but my Polychromos pencils were difficult to use. When writing in the diary, I’d advise using a pencil or biro to avoid ruining the reverse of the page, I’d personally stick to pencil and write lightly so that you don’t get pressure marks and indentations affecting the colouring pages. The images are all scaled down from the originals and are mostly full page designs shrunk to fit on the A5 pages with a few that are the centre sections of the image, also scaled down to fit the page.

In terms of mental health, this colouring diary is a great combination of colouring pages and useful diary so that you can colour and plan your year all in one place. There’s plenty of space for writing so you won’t run out of space to write your plans and you could colour the designs as and when it takes your fancy or at the start of each month where the colouring page appears, you could complete them in order or randomly, the choice is yours! The illustrations are all vastly scaled down from the originals so the intricacy and detail levels are through the roof on most of the images so you will need perfect vision and fine motor control and some mega sharp pencils to enjoy colouring these pages. The line thickness is spindly thin throughout so there’s no margin for error! This diary has fewer colouring pages than most others I’ve seen and it’s definitely much more diary than colouring book, it sadly hasn’t been printed on great paper for colouring but it’ll be fine to write on so fans of Millie’s work may want to just leave the line drawings as they are, they look beautiful just in black and white.

Overall, I would recommend this diary but it’s certainly not the best I’ve seen with thinner, smoother paper than I’d like and fewer colourable pages. It’s a lovely addition to any die-hard Millie Marotta collection and it’s beautiful to look at but the pictures are pretty tricky to colour well due to not being able to use pens without bleed-through or blend pencils particularly well.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Millie Marotta 2017 Diary
Book Depository Worldwide – http://www.bookdepository.com/Millie-Marotta-2017-Diary-Millie-Marotta/9781849943932/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

Millie Marotta Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta Journal is published and very kindly sent to me to review by Batsford Books. Colouring notebooks and journals are becoming increasingly popular as people are wanting to combine their love of colouring with their desire to write, many people associate journaling or writing a diary with adding doodles but for those of us with no drawing or doodling talent, the colouring notebook solves the problem of wanting to be creative but not being able to draw. This journal is a smidge over A5 size, hardback, with white covers with a beautiful black and white line drawing of some of Millie’s birds with hints of colour added and touches of gold foiling on the front. The journal is kept closed with a black elastic strap and there is no writing on the covers, just a removable thick wrap-around slip of green paper with gold foil writing stating it’s the Millie Marotta Journal with the bar code on the back so there is nothing printed on the journal itself other than the bird pattern. Inside the journal the front and back are black double-page spreads with the publishing information printed at the back, followed by 192 pages of ruled paper and 15 illustrations taken from Millie’s third colouring book, Wild Savannah. The pages are bright white and medium thickness for a notebook, the ruled lines are narrow so you can get loads of writing on each page. 15 illustrations are placed evenly throughout the book and these take up a full single page, interspersed between each image is a small bird drawing in a corner of a page which is also colourable. Sadly, the paper isn’t very thick for colouring and doesn’t have much texture at all, water-based pens bleed through (see photo below) and pencils are pretty difficult to work with, especially if you’re wanting to blend or shade, my wax-based Prismacolor pencils worked fairly well but my Polychromos pencils were difficult to use. When writing in the journal, I’d advise using a pencil or biro to avoid ruining the reverse of the page, I’d personally stick to pencil and write lightly so that you don’t get pressure marks and indentations affecting the colouring pages. The images are all scaled down from the originals and are mostly full page designs shrunk to fit on the A5 pages with a few that are the centre sections of the image, also scaled down to fit the page.

In terms of mental health, this colouring journal is a great combination of colouring pages and lined notebook so that you can colour and journal all in one place. There’s heaps of space for writing so you won’t run out for months and you could colour the designs as and when it takes your fancy or each time you’ve written up to a colouring page, you could complete them in order or randomly, the choice is yours! The illustrations are all vastly scaled down from the originals so the intricacy and detail levels are through the roof on most of the images so you will need perfect vision and fine motor control and some mega sharp pencils to enjoy colouring these pages. The line thickness is spindly thin throughout so there’s no margin for error! This journal has fewer colouring pages than most others I’ve seen and it’s definitely much more journal than colouring book, it sadly hasn’t been printed on great paper for colouring but it’ll be lovely paper to write on so fans of Millie’s work may want to just leave the line drawings as they are, they look beautiful just in black and white.

Overall, I would recommend this journal but it’s certainly not the best I’ve seen with thinner, smoother paper than I’d like and fewer colourable pages. It’s a lovely addition to any die-hard Millie Marotta collection and it’s beautiful to look at but the pictures are pretty tricky to colour well due to not being able to use pens without bleed-through or blend pencils particularly well.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Millie Marotta Journal
Book Depository Worldwide – http://www.bookdepository.com/Millie-Marotta-Wild-Savannah-Journal-Millie-Marotta/9781849943802/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Pencils and the bird was tested with Stabilo Point 88 Fineliners which bled through.

Millie Marotta’s Curious Creatures: A Colouring Book Adventure – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta’s Curious Creatures is published by Batsford Books who are very kindly sending me a review copy. After discovering that it had been released early in the UK in some Waterstone’s stores, I sent my boyfriend out on a mission and he dutifully delivered me a copy as I just couldn’t wait to see inside, this might seem excessive to some but I’m sure the die-hard colouring fans will understand the need to have a book the first moment you possibly can, normally I’d feel a bit silly for being so uncontrollable but this book is so beautiful that all guilty thoughts have gone out the window and I’m just thrilled to have an extra week to look through this stunning book. Everyone has their own favourites of Millie’s images and we all debate about which of her previous books is our favourite or the best, well for me, this is without doubt, the best book of hers by a big margin! So, before I get so enthusiastic that I forget to tell you all the important information, here’s my actual review.

Curious Creatures is the fourth book in Millie’s animal-centred adult colouring book series. It’s the same size and shape (25cm square) as her previous books, paperback, with flexible card covers with black and white line drawings that hint at some of the curious creatures within the pages and these illustrations have highlights of colour added as well as gold foiling on them and the title. The spine is a beautiful purple colour which compliments the other spine colours really well and they look gorgeous on the shelf together (see photo below). The covers have French flaps which each have a paired down version of the front cover on the outside and inside is a pale blue background with white line drawings of moths (this isn’t really colourable and is different from the format of Millie’s three previous titles). The spine is glue and string-bound so it’s very durable but it does mean that a little of some of the images is lost into it until it eases up with a bit of use. The images are a mixture of single and double-page spreads, and while I felt like there were more double-page spreads in this book, I counted and it’s actually the same number as the previous titles, some single-pages must just pair up very well and feel like they’re double pages without actually being so. The paper is bright white and lightly textured, it’s the same paper as the previous titles and doesn’t bleed but does shadow a little with water-based pens; pencils work beautifully and blend and shade really well.

The book starts with a two-page introduction from Millie herself where she explains her illustration process and how hard she found it to narrow down the choice of animals to be included. Following this are heaps of illustrations of the strangest, weirdest, most beautiful and downright curious creatures. The images include a hermit crab, Bactrian camel, chambered nautilus, sea slugs, moths, flying fish, poison dart frog, tufted puffin, jewel beetles and so much more. There are five matching spreads where there is a more detailed version on the left and a less detailed copy of the same image on the right where you can add your own details and patterns if you wish but there are no written hints so it’s entirely up to you what you do with these pages. A fabulous new feature at the back of this book is a two-page list of all of the creatures in order of their inclusion in the book. This list has the English and scientific name (Latin name) for each creature and it makes identifying them super easy and also means that you can quickly google images of each creature so you can find out what they look like if you’re keen on the natural look in your colouring; it’s also a great way of finding out more information about some of the stranger creatures on the planet and I’ve already learnt loads of interesting facts! These images feel a little fuller and more finished than Millie’s previous books, there’s a little more scenery and a little more added to backgrounds such as clouds or bubbles so the blank spaces are a bit less empty, this isn’t intrusive for those wanting to create their own backgrounds though, it just helps it look a bit more finished for those who don’t want to create their own.

In terms of mental health, this book is fantastic. There is so much to look at, so much to discover, that it’s incredibly distracting and really focuses your mind on the illustrations themselves rather than any difficult thoughts or feelings you may be having. The image content is totally absorbing and nature-based images are the best for relieving symptoms of mental illness. This book is very intricate, but don’t let that scare you, you can use pencils, fine-nibbed felt tips, fineliners and gel pens, all with great effects and most of the images aren’t so detailed that you’re put off or overwhelmed. If you have vision problems or issues with fine motor control then you may struggle with this book but for any of the rest of you I’d suggest giving this book a go and persevering into a more intricate world. The natural scenes of animals, flowers and trees definitely create a sense of calm and this will be one of my go-to books when I really need to focus on something and be distracted. It’s detailed enough that you have to focus and concentrate and this lends itself wonderfully to drowning out any anxious or disturbing thoughts you may want to shift. The line thickness is consistent throughout and is very thin so I’d advise colouring during the day or near a very good desk lamp. The images are really cohesive in their curiousness and they are truly fascinating to look through.

I can’t praise this book highly enough, I love Millie’s work and this book is absolutely stunning and just enthralling. The illustrations lend themselves to whatever colour scheme you fancy whether that be realistic, rainbow, monochrome, black and white, mixed media, or anything else you can dream up. This book has by far the most varied, interesting and intriguing content and I’m sure that it will become a firm favourite just like her previous titles, possibly even exceeding them!

If you’d like to purchase a copy it’s available here:
Amazon UK – Millie Marotta’s Curious Creatures
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marottas-Curious-Creatures-Millie-Marotta/9781849943659/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-tip Pens.

WORLDWIDE GIVEAWAY and Review – Tangle Magic: A Spellbinding Colouring Book With Hidden Charms

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tangle Magic is illustrated by Jessica Palmer, published and kindly sent to me to review by Search Press Publishing. Search Press have very kindly offered to sponsor a Worldwide Giveaway for 2 copies of Tangle Magic (entry details at the bottom of this post, just above the photos). I am blown away by this book and have spent more time than I should have just looking through the pages, always noticing something new, there’s just so much detail included and so many aspects that aren’t immediately obvious but that you notice over time. I nearly cried when I saw that I had very kindly been mentioned in the dedication (see photo below) and that so many of my ideas for image content had been used, most notably the wonderful crystal ball, free from tangles so we can all colour it realistically, Jessica, from the bottom of my heart, thank you, for the dedication, for including us colourists in your inspiration process, and for creating such a wonderful third book! Emotional, mushy bit over, let’s get on with the actual review!

This book is 22.2cm square (10 inches), softback with a soft touch flexible card cover with line drawings on the front and back which are contained within the book and the pages are flexibound meaning they’re quite tight to begin with but the spine eases up with use and Search Press have reliably informed me that with sensible amounts of bending (including bending the covers so far back that they touch each other completely) the spine will hold up and you’ll be able to access the entire page. I’m yet to be brave enough to try this but you can certainly get very close to the centre of each image without much difficulty and the pages are stitch-bound which always increases durability. The paper is thick, bright white and lightly textured, (the same as Tangle Bay), water-based pens don’t bleed or shadow as long as you’re careful and there is plenty of tooth to be able to build up layers of pencil for blending and shading. The outlines of the images aren’t 100% permanent so when using pencils or heavy pressure, make sure you pop a spare sheet of paper behind your work to protect the proceeding page, the transfer is fully erasable but the paper will save time so you don’t have to be erasing things.

The book contains 75 pages of double-sided images which consist of a mixture of single and double-page spreads and they are filled with all manner of magical things. The content is a little different from what you might be expecting so I’ll describe it as best I can and have posted lots of photos of inside the book below so you can see inside for yourself. I was expecting to see predominantly magical paraphernalia and while there is plenty of that, the content is far more wide-ranging than I was expecting, I was thinking mostly witches, potions, magic wands and tricks, and there is lots of that, but there are also lots of anthropomorphised animals throughout which are either magical themselves, or in some cases performing magic tricks, or even the subject of spells. There are fairy tales included from the princess and the pea and what looks to be Aladdin in duck form, to a snow queen swan (or goose) and the characters of the nursery rhyme Hey Diddle Diddle and even the owl and the pussycat who appeared in Tangle Bay (they appear to be favourites of Jessica’s). All things weird, wacky, spellbinding, mystical and magical are included and while it’s not especially traditional, the wide-ranging content is fantastically diverse and covers everything from witches and potions to tarot cards and fortune telling, magic spells and rabbits out of hats, enchanted creatures and objects, and heaps of mythical creatures including a phoenix, unicorns, dragons, a lizard king and lots of other anthropomorphised creatures. This book is the perfect third instalment of the Tangle series and is a great combination of the heavily tangled and patterned designs from Tangle Wood, and the more whimsical anthropomorphised animals that we found in Tangle Bay. Tangle Magic is packed with content, all of which is original and fresh whilst still being very much drawn in Jessica’s signature hyper-detailed style. The book doesn’t tell a story or have a particular feeling of continuity but it is extremely cohesive and very much sticks to the magical brief. Unlike the previous two titles, there aren’t any pages with any particularly large open spaces left and there is only one frame rather than several so this book is much more geared towards those who want to just colour instead of adding their own drawings and features, though there is still plenty of space for backgrounds to be added if you wish! At the beginning of the book is a beautiful full-colour gemstone colouring tutorial and there are plenty of gems drawn that you can practice on throughout the book to perfect your skills!

In terms of mental health, this book offers fantastic escapism and will provide wonderful distraction from even the most intrusive of thoughts or symptoms. The line thickness varies a little throughout but mostly it’s thin and spindly then so you’ll definitely need very good vision and fine motor control to enjoy this book. The intricacy and detail levels are extreme and second to none, however don’t be put off, while there is a very high level of detail and intricacy, you can easily colour over this (see my chameleon picture) and use it as texture underneath rather than colouring within each section which makes it far less daunting and overwhelming and also means that your vision and fine motor control don’t need to be so good! There is so much to look at within each page that you really do get transported into Jessica’s wonderful, whimsical world and I have found this book fantastic for my mood because the illustrations are of nature which is inherently calming, but they’re also spiced up with lots of fun, humour and intrigue which piques your interest and keeps you focused on the here and now rather than being lost in your thoughts. This book is absolutely beautiful, hyper-detailed and will look absolutely incredible coloured in because there’s so much variety and because the content is magical you can use whatever colours you like and have purple dogs, red ducks and bright blue owls, the only limit is your imagination!

I would highly recommend this books to fans of Jessica’s previous books Tangle Wood and Tangle Bay, Tangle Magic has returned to the hyper-detailed zentangled patterns, with a wonderful whimsical scattering of anthropomorphised animals to lift your mood and fill the book with fun. All things magical and mystical are pictured and the content is extremely wide-ranging so there’s sure to be something to suit everyone.

If you’d like to purchase a copy of the book it’s available to pre-order here –
Amazon UK – Tangle Magic
Book Depository Worldwide – http://www.bookdepository.com/Tangle-Magic-Jessic-Palmer/9781782214632/?a_aid=colouringitmom
Search Press (first stock will arrive there next week so this is the fastest way of ordering a copy) – https://www.searchpress.com/book/9781782214632/tangle-magic

Jessica’s first two books can be found reviewed by me here – Tangle Wood, Tangle Bay.

The image below was coloured using Faber-Castell Polychromos Pencils and the magic was coloured over using Sakura Gelly Roll Clear Stardust Gel Pen.

WORLDWIDE GIVEAWAY: Search Press have very kindly offered to sponsor a Worldwide Giveaway for one person to win two copies of Tangle Magic, one for them, and one to share with a friend. If you’d like to enter, head over to my Facebook Page and enter here by 8PM GMT on Sunday the 31st of July.

The Fourth One and Only Colouring Book for Adults – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Fourth One and Only Colouring Book for Adults (One and Only Colouring / One and Only Coloring) is published and was very kindly sent to me to review by Phoenix Yard Books. This book is the fourth in the One and Only series, you can read my reviews of its predecessors here: First, Second, and Third. It is smaller than A4 but larger than A5, paperback and pretty thick as it contains a whopping 144 images! The paper-quality is pretty good, bright white, non-textured and fairly thick and I found that as long as I didn’t over colour with my felt-tips it didn’t bleed but did a little with my fineliners and it did shadow a little with both so be aware of this before getting stuck into an image with a reverse that you’re also very keen to colour. As with the other books in the One and Only series, this book contains a truly huge variety of images which are mostly patterns, shapes and line designs but with a fair helping of floral images thrown in – there are fewer images of ‘things’ in this title than the previous ones so this really is a book for lovers of patterns and the abstract. The line thicknesses vary enormously from fineliner thickness to much thicker, marker-style lines and everything in between. A couple of the images have black backgrounds with small white spaces to colour and a couple of these also have white outlines. The spine of the book is glue and string-bound and this is fairly stiff at first but with some work it does become more pliable meaning it becomes easier to lie flat over time but that a thin strip of each image is lost into the spine and unable to be coloured. The book is printed double-sided; most of the designs are single pages but some are double-page spreads and obviously the middle of these can’t be reached.

From a mental health perspective this is a fabulous starter book because it contains such a huge variety of images, line thicknesses, intricacies and design styles. If you’re new to colouring and not yet sure what sorts of images you want to get into, or indeed if you even want to pick a specific area then this book is ideal for helping you choose as most aspects are covered with the most notable exceptions being people and mandalas. This book will keep you occupied for a very long time and every time I flick through it I discover a new image that I’ve not noticed before. The sheer number of images makes this book great value and it would certainly be one I’d be adding to my list if I’d not already been sent a copy. The variety means the images are great for lots of different moods, some are calming and soothing with flowing lines, others are more distracting (great if you’re anxious) with intricate details and beautiful petals to really take your time over colouring in, others still are vibrant and energetic and feel like they’d perk you up on a low day and increase your feeling of energy. This book is great for anyone, whether you have 20:20 vision and love to colour tiny details, or have visual problems that mean you need chunkier pictures to colour, fine motor control is not a requirement for this book because there are so many images that have thicker lines that you’ll easily be able to colour within or thinner lines that you can colour over if you so choose.

I would highly recommend this book for those of you on a tight budget who want a lot of images for your money, those of you who have a lot of variance in symptoms and want one book to cover all of your different levels of severity, and those of you who are just dipping your toe into the colouring world and want to try lots of different styles. Of course, seasoned colourers like myself should also seriously consider purchasing a copy as this book is very different from most on the market and is a lovely size being not too small but not overwhelmingly large so that it takes weeks to complete an image. The paper quality isn’t ideal for pens and is best suited to pencils. This book really is one that can be described as the only one you’ll ever need, though be warned, colouring is highly addictive and I don’t know anybody who manages to stick at buying just one book!

If you’d like to purchase a copy then it can be found here:
Amazon UK – The Fourth One and Only Colouring Book for Adults (One and Only Colouring / One and Only Coloring)
Book Depository Worldwide – http://www.bookdepository.com/The-Fourth-One-and-Only-Coloring-Book-for-Adults-null/9781907912979/?a_aid=colouringitmom

If you like the look of this book, you’ll love the other books published by Phoenix Yard, my reviews can be found here – Phoenix Yard Book Titles

The image below was coloured using Stabilo 68 Fibre-tips.

Romantic Country: A Fantasy Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Romantic Country: A Fantasy Coloring Book is published by St Martin’s Griffin and is from my personal collection. This book has been on my radar for months and it’s been absolute torture waiting for it to arrive, especially as it was published in the US at the beginning of March and not until the 12th of April here in the UK. You can imagine my disappointment when my copy arrived damaged on Tuesday and I had to wait another day for my new copy to arrive and to finally be able to break out my pencils and get colouring. However, it was worth the wait! This book is genuinely stunning and I think it might even be my favourite book! Eriy, the illustrator is Japanese and creates her work using a toothpick dipped in ink. This whole book took approximately 700 toothpicks and because of the way the lines are created they’re not a uniform thickness and aren’t a stark black colour (more on this later). This is the book I’ve been hoping would be made, with its childlike charm but with adult levels of intricacy, it’s what I always felt was missing for me in JB’s books, don’t get me wrong, hers are stunningly beautiful, I really love them, but they’re a little too perfect for my imagined perfect book. Eriy’s book is utterly charming, not quite perfect, and is truly heart-warming and that’s what makes it so wonderful.

This book is square, the same size as the bestsellers, paperback, with a removable paper dust jacket with partially coloured images from the book on the front and back. The book itself has brown card covers with a wraparound line drawing from inside the book and blank covers on the inside. The paper is a lovely rich creamy colour (it’s hard to describe but it’s a little warmer in colour than the paper in Johanna’s first two books but not yellowy), and it’s thick and doesn’t bleed or shadow with water-based pens when used carefully. The paper is lightly textured and while you can’t get loads of layers, pencils do lay down well on it and it’s perfectly possible to get some lovely blending and layering. The spine is glue and stitch-bound so it’s durable but a little difficult to get to the centre of each spread, however, spines of this type do ease up with use so do persevere. The images are printed double-sided and borderless and are a mixture of single and double-page spreads so a little of each image is lost into the spine. The images themselves are beautiful, charming, and begging to be coloured and are split into the following 5 chapters: 1. Hill and Town Overlooking a Clock Tower; 2. Stories of Castles; 3. A Villagescape with Beautiful Forests and Lakes; 4. A Town Where Genial People Live; 5. Windmills are a Symbol of This Village. The book starts with 3 double-page spreads of maps of Cocot, the name of the land in which the book is set, which was dreamt up in the imagination of Eriy when she was a child. She has created 3 books, all depicting Cocot, the other two of which are only currently available on Amazon Japan (links at the end of this review) but hopefully they’ll be picked up and published in English editions soon. Following the maps, the images show beautiful scenes of shop-filled streets, cakes and pastries, tea rooms, luxurious castle interiors, magical castle exteriors, walks through the woods, hilly scenes, farms, windmills and just so much more! Each image is shown as a thumbnail at the back of the book too with a short description telling you more about each place and life in Cocot, you will truly want to move there and never leave! At the back of the book is a removable fold-out poster featuring the main character who is followed through the book (a little girl called Elena) and her duck friend Joset, which is fully colourable and can be cut out and glued together to create a beautiful 3D scene.

In terms of mental health, I doubt there’s a book that’s better for it in all honesty! Certainly for mine anyway! The illustrations are so charming and because they have a beautiful childlike quality to them they really have a nostalgic aspect which will remind you of colouring books you used as a child but with so much more detail and intricacy that it’s still very entertaining as an adult. The content is wonderful because it whisks you off to a simpler, happier, gentler place where there is a slower pace of life and cakes are probably calorie-free, food is simple and delicious, and horse-drawn carriages are the only method of transport. The line thickness varies throughout because Eriy draws with a toothpick and so it naturally varies however the majority of the lines are thin but not spindly so they’re perfectly colourable with moderate vision and fine motor control. The lines themselves are not a stark black, they’re an uneven brown because they’re drawn in dipping ink and while this may not sound great and does take a little getting used to, it truly adds so much charm to the drawings and these illustrations just wouldn’t look right drawn in harsh, black, perfect lines. The images range in intricacy and detail from large open spaces of pine trees and buildings to small delicate flowers in window boxes and everything in between, it’s a wide range but almost all of the images would be suitable for anyone who doesn’t have poor vision or fine motor control so this is a great book for nearly anybody! The images are detailed and contain lots of things to look at and colour but they’re not so overwhelming that you don’t know where or how to start and because they’re all depicting real things like buildings, plants, and food, they’re easy to work out colour schemes for whether that be subtle pastels, realistic browns and greys, or bright fantastical colours, this book isn’t so perfect that you don’t want to touch it which is part of its huge appeal. The images are really cohesive and almost tell a story as you walk through the streets, castles, countryside and shops, by the end of the book you really feel like you’ve visited Cocot and you’ll be planning your next visit as soon as you can!

I would highly recommend this book to anyone who likes to colour scenes, landscapes, food and flowers. This is one of the most beautiful books I’ve ever seen and I’m pretty sure it’s my favourite with its charming illustrations and beautiful thick paper. This book is cute, pretty, whimsical, magical and charming and it truly is the book of my dreams, and hopefully of yours!

If you’d like to purchase a copy of this gorgeous book then it’s available here:
Amazon UK – Romantic Country: A Fantasy Coloring Book
Book Depository Worldwide – http://www.bookdepository.com/Romantic-Country-Fantasy-Coloring-Book-Eriy/9781250094469/?a_aid=colouringitmom

Books 2 and 3 are available on Amazon Japan here:
Book 2 – Romantic Country – The Second Tale
Book 3 – Romantic Country – The Third Tale

The image below was coloured using Faber-Castell Polychromos Pencils.