Adult Coloring Book

Mijn Wonderlijke Wereld Part 5 - Click through to read my review, watch my flick through and see internal photos

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 5

Mijn Wonderlijke Wereld Part 5 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 4 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fifth in her series of books and my reviews of her other titles can be found HERE and she’s already created 2 more books with different titles since these. Part 5 ventures further afield than the first three books and takes us on an exotic journey through the Orient with Chinese and Japanese art and animals featured. The book itself is paperback, nearly 24.5cm square, with a gorgeous turquoise cover with beautiful gold foiled accents on a Chinese dragon image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening, however the pages this time are perforated which is ideal if you want to remove them for colouring or framing. The images are printed single-sided this time and all of the images are therefore single page designs. The paper is white, thick (thicker than all of her previous books) and lightly textured, it provides a good surface for blending and shading pencils, it doesn’t bleed or shadow with water-based pens and alcohol markers will be fine to use as long as you pop some protective sheets behind your work. The content is all drawn in Masja’s signature paisley style so while the images are Oriental themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from Chinese dragons, koi carp, ornaments, mandalas, patterns, cranes, cherry blossom, ponds, and more. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex spread when you’re feeling well, none of the images are overwhelming as they’re all contained to one side so the book feels very accessible. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

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Mijn Wonderlijke Wereld Part 4 - Click through to read my review, see photos and watch my video flick through

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 4

Mijn Wonderlijke Wereld Part 4 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 5 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fourth in her series of books and my reviews of her other titles can be found HERE as well as my review of Part 5 HERE and she’s already created 2 more books with different titles since these. Part 4 ventures further afield than the first three books and takes us on an exotic journey through India and its animals. The book itself is paperback, nearly 24.5cm square, with a bright yellow cover with beautiful blue foiled accents on a peacock image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening. The images are printed double-sided and are a mixture of single and double-page spreads. The paper is white, thick and lightly textured, it doesn’t bleed and only very minimally shadows with the darkest water-based pens and provides a good surface for blending and shading with pencils; alcohol markers should be avoided as they’ll ruin the reverse image and bleed through. The content is all drawn in Masja’s signature paisley style so while the images are Indian themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from giraffes and peacocks, to scarabs and elephants, scorpions and florals to parakeets and ponds. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex double-page spread when you’re feeling well. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Tillsammans Målarbok (Together Colouring Book) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tillsammans Målarbok (Together Colouring Book) is illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. This book is in an artist’s edition format but this is the only format it’s available in, it’s not a full-size colouring book or postcard book. It is identical in format to the artist’s editions (tavelboks) of Hanna’s other books, Daydreams (Dagdrommar), Summer Nights (Sommarnatt) and Magical Dawn (Magisk Gryning) and therefore my review is mostly identical apart from the content section and the photos, skip to paragraph 2 for information about the content. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale lemon colour with a black and white line drawing of one of the portraits (found inside) with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The 20 illustrations are all portraits of women and 15 of these have been chosen from Hanna’s 4 previous colouring books and 5 have been newly created for this book specifically. The images Hanna has chosen are a really good cross-section and seem to be some of the favourites of the colouring community, none of the previously published images have been printed in artist’s edition format so while it’s not all new content, it is all newly published in the single-sided format printed on card. There are a range of different portraits from two women together to single women face on, some in side profile and others showing a whole person. Each image contains various different objects and accessories including gems, metal, jewellery, mushrooms, flowers, birds, shells, moths, crowns, and candles, there is a really good variety despite them all being portraits of women. Those images taken from previous colouring books are all printed the same size as the originals so if you’re able to colour those, you’ll also be able to colour these with no difficulty. The pictures would all look amazing framed for yourself or gifted to others and because the faces are mostly quite large they’re great to practice skin tone colouring on and really push yourself out of your comfort zone. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is great, it’s very absorbing and ideal for those who want to colour realistically and learn how to colour people. The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and objects makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty but unlike many of Hanna’s images that consist of lots of component parts, these are all portraits and scenes and therefore they don’t have such natural stopping points for those wanting to just colour in short bursts, you can still colour just one flower or just the eyes but it’s not so easy to come to an obvious point to stop, however, if you don’t mind stopping part-way through an image then this book would be ideal for using on good and bad days. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have her previous books and really want to colour more people, while 75% of the artwork can be found in Hanna’s previous books, this gives you the opportunity to colour those pages again and use different colour schemes or wetter media without ruining a reverse image and you can also frame them for wonderful gifts or beautiful decoration for your own home. This book is ideal for those who use wet media and alcohol markers and the illustrations are a great cross-section of Hanna’s portraits.

If you’d like to purchase a copy, it’s available from Printworks. A Dutch edition will be published in March 2018 by BBNC Uitgevers and it will be called Karakter.

The image below was coloured using Faber-Castell Polychromos Pencils and a White Sakuara Gelly Roll Gel Pen. I used the skin tone tutorial from Colorist’s Special Effects by Helen Elliston.
Buy on Amazon UK – Colorist’s Special Effects
Buy on Book Depository – goo.gl/CrS7DU

The Book of Prehistoric Beasts – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Book of Prehistoric Beasts is illustrated by Angela Rizza, published and kindly sent to me to review by Buster Books. This book is enormous, at a whopping 29cm square, it’s hardback with gorgeous deep green covers and all printing on both covers is silver foiled so it’s a really luxurious feeling book! The spine is glue and string-bound and very durable, it’s a little tricky to get to the very centre of the images but this is only a few millimetres. The images are printed single sided and on the back of each page is lots of information about each creature that is pictured including its name, size, diet, what it looked like, when it lived and facts about its environment. The paper is bright white, medium thickness and smooth, it takes soft pencils well but harder pencils may be a struggle to build up layers for blending due to the lack of tooth; alcohol makers will bleed through the page which you may not mind if you don’t wish to read the information on the back, and water-based pens don’t bleed or shadow, though do test them in an inconspicuous area to check. The book starts with a double-page spread showing the timeline of creatures and they’re shown in this order through the book from the earliest period, Devonian, 419.2 million years ago, all the way up to Quaternary, 2.6 million years ago. The images are split into 4 chapters including different time periods: Devonian, Carboniferous and Permian; Triassic and Jurassic; Cretaceous; and Tertiary and Quaternary. The images themselves are all full page spreads, each containing a few prehistoric creatures. A huge number of creatures are pictured, 87 in fact, and these mainly consist of dinosaurs but do include other, older creatures (I’m not sure if these class as dinosaurs) and younger creatures; the beasts include: gigantoscorpio, dimetrodon, ammonite, icthyosaurus, brachiosaurus, archaeopteryx, microraptor, tyrannosaurus, quetzalcoatlus, mononykus, triceratops, basilosaurus, megalodon, glyptodon, mammuthus, smilodon and gigantopithecus, and so many more, all of the creatures are pictured on the double-page timeline at the beginning of the book and then shown drawn in their habitats and to scale in the colouring pages. This book is every dinosaur-lovers’ dream, my brother was obsessed with dinosaurs growing up and I was therefore forced into knowing an awful lot more about them than I wanted to at the time, knowledge that has come in handy for many random reasons since and this book definitely covers all of the most well-known dinosaurs and prehistoric creatures, as well as others that you may never have heard of and can start to research if you wish.

In terms of mental health, you’re unlikely to find a more distracting book. The production quality is very high and from the cover and the very first page, you’re transported back in time to millions of years ago where gigantic beasts roamed the land and the landscape was unrecognisable, you instantly become immersed in this world as you learn facts about the animals and start to colour them and their habitats. It’s not calming as such, not in the same was as colouring landscapes and more familiar animals, but it’s really is very distracting and absorbing which is great for those of us with anxious, racing minds. The line thickness is consistent throughout and remains medium and thin. The intricacy and detail levels are quite variable depending on the creature and its landscape but there are a lot of details drawn in as well as a lot of dotted shading (ideal for beginner colourists who want to learn more about colouring realistically and learning where light and shade should be), therefore you will need moderate to good levels of vision and fine motor control to enjoy this book. This book is actually published with kids in mind though they’ll need to be quite mature and artistic to get the most out of it and have a good reading age as there are a lot of tricky animal names to contend with, at a guess, I’d suggest this book for kids aged 8 and above and I’d highly recommend it for big kids (adults!) too because we could all do with learning just a little bit more about the fascinating world of dinosaurs. The illustrations have been very cleverly curated to mostly include more than one creature and sometimes all of them are land or sea creatures and other time part of the image is above ground and other sections are underwater. None of the images feel random, haphazard or badly staged, they’re all really well-drawn and feel quite like uncoloured versions of the images found in regular dinosaur fact books and encyclopaedias. The scenes and animals are drawn pretty realistically and mostly don’t have patterns added to them unless it’s assumed they had those in real life, obviously there may be some inaccuracies as with most historic representations of velociraptors which show them featherless and significantly larger than they possibly could have been, but the artist has clearly worked hard to make these look as realistic as possible within the confines of the majority only being found as fossilised skeletons and a lot of guesswork having to be done about their external features, colouring and patterns.

Overall, this is a great book for those who already love prehistoric beasts, and those wanting to know more. The book is ideal for children and adults and the pages look amazing once coloured and you could even remove them from the book and frame them for you dinosaur-fanatic children (or yourself) if you wish, they’d look great as a series on the wall in a bedroom or playroom or even a classroom! The paper is pretty good and the facts and information about each beast is a huge added bonus.

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK- The Book of Prehistoric Beasts
Book Depository Worldwide – https://www.bookdepository.com/The-Book-of-Prehistoric-Beasts-Jonny-Marx-Angela-Rizza/9781780554976/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Colored Pencils.

Dromenvanger (Dream Catcher - Dutch edition of Zemlja Snova) click through to read the review, see photos, a video flick-through and my comparison to Zemlja Snova!

WORLDWIDE GIVEAWAY and Review – Dromenvanger (Dutch edition of Zemlja Snova)

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Dromenvanger is published and kindly sent to me to review by BBNC Utigevers and illustrated by Tomislav Tomic. They have also very kindly provided me with an extra copy which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 31st of October, to enter please click here Dromenvanger is the Dutch edition of the original Croatian book, Zemlja Snova, the titles translate slightly differently with Dromenvanger meaning Dream Catcher and Zemlja Snova meaning Dreamland/Land of Dreams. There have been huge debates online ever since Dromenvanger was announced about whether it was the same book or a new one and I can categorically state that it is the same book with the same artwork, however, there will be a new book by Tomislav Tomic later in the year, due out in December, it currently doesn’t have an announced title but I will update you all as soon as I know anything further and if you join my Fan group for the artist then you’ll be the first to know as we have reps from the publisher in our group who make announcements from time to time. I have written a comparison post and recorded a comparison video detailing the 21 differences between Dromenvanger and Zemlja Snova, the written post can be found here and the video comparison here.

This book is one of the best I’ve ever seen. After reviewing over 300 books, there aren’t that many that manage to take my breath away, but this one still does, it’s stunning and the illustrations are just incredible! The book is just over 25cm square, the same size as the UK bestsellers, paperback, with flexible card covers and a partially coloured image from inside the book on the front cover and blank inside covers. The spine is lightly glue and string-bound and the binding is fairly tight on arrival meaning that it’s durable and hard-wearing but also a bit tricky to get to the very centre of some of the images. The images are a mixture of single and double-page spreads and are printed double-sided. The paper is cream, thick and lightly textured, as far as I can see it’s the same paper as is used in all Dutch edition colouring books published by this company, it’s great for pencils though it can be a bit tricky with oil-based pencils like Faber-Castell Polychromos and Holbeins but Prismacolor Premiers work brilliantly. Water-based pens don’t shadow or bleed though do test in an inconspicuous area because we all colour differently and you don’t want to ruin a picture, fear not if your pens do shadow or bleed because the illustrations certainly lend themselves well to beautiful blending and shading of pencils. The book contains 81 pages of illustrations and they are genuinely incredible! The images are all fantasy-based and include lots of dragons, mermaids, unicorns, fairies, tree-men, and so much more. Over half of the spreads are double-page designs which are either scenes, depicting all manner of things from castles to sea voyages, gnome villages to woodland, dragons to underwater scenes, or paired images that can be coloured separately but are strongly linked with the opposite page (see photos below). I could go on for days describing the imagery, there is just so much to look at, when you first look at each image you start to get a feel for the general theme of the spread whether it be a castle, village or underwater scene, but as you look closer you discover lots of hidden things from gnomes to mermaid tails, working animals or birds’ nests, flowers growing off dragons and even hidden villages. The illustrations are just packed full with details and stories and they will take you ages to colour so this book is certainly good value for money! The ink is very permanent and doesn’t transfer even with very hard pressure from pencils and the paper doesn’t dent or curl either so it’s very good quality. The line print quality is good too with smooth lines throughout and no pixelation to be found! While a few of the spreads do enter the spine, care has been taken in the majority for them to not enter it, or for there to not be much detail there which is ideal for people who can’t bear to break the spine in order to colour the entire page.

In terms of mental health, wowee, I found this book exceptional! It offers so much to look at that it’s the perfect distraction for even the most persistent symptoms and it just draws you in to a magical fantastical world filled with mythical creatures, princes and princesses, castles, fairies and more. The more you look at the images, the more you see and the more you get drawn in and it’s done wonders for my anxiety during what has been a very challenging and anxiety-filled week. This book will be ideal for those of you who love fantasy colouring and also nature because so much of it is animal and scene-based so it’s combined 2 of our favourite things into one incredible book! The line thickness is consistent throughout and is thin with spindly thin details (it’s pretty similar to the linework in Johanna Basford’s books), the illustrations are very detailed and intricate so there are lots of tiny spaces which you can colour within or colour over if you prefer to use them as texture underneath your colour. You will need pretty good vision and fine motor control in order to enjoy this book and you’ll need some good sharp pencils so that you don’t go over the lines too much. I would highly recommend investing in a T’Gaal sharpener so that you can keep your pencils as sharp as possible! There are plenty of natural stopping points so this book is ideal for those with fluctuating conditions or concentration levels as you can colour one flower, all of the bricks or an entire dragon, you can also focus on a single page or go all out on a double-page spread. The pages for the most part are pretty busy and there’s loads to see so it can be a little tricky at times to identify all of the parts and sections so you will need good concentration for that part to ensure that you’re colouring a petal and not a foot accidentally! The content of the illustrations is totally absorbing and this book will look just incredible when it’s finished cover to cover. I adore this book, even just flicking through the pages gets me out of my head and calms my anxiety down and colouring it is just so much fun because you can use any colours you fancy from more natural colours to fantastical colours like blue for tree trunks and oranges or purples for leaves, in a fantasy world the only limit is your imagination and these images will look amazing no matter what colours you choose!

Overall, I can’t recommend this book highly enough, it’s a genuine work of art and the new paper means that you can use pens or pencils with beautiful effects. The artwork would appeal to male and female colourists and is highly fantasy-based with a strong storybook theme and lots of natural imagery. The drawings are incredible and you’ll be hooked once you’ve seen inside! I’ve included lots of images from inside below as usual but this book really has to be seen to be believed so do check out my flick-through video below.

If you’d like to purchase a copy, it’s currently unavailable on Book Depository and Amazon UK but you can sign up for email alerts from Book Depository via the link below to be informed when it’s back in stock. Alternatively, you can order through Bol, a Dutch site which can be translated if accessed through Google Chrome. I will update details about availability as soon as I know more and the quickest and easiest way of finding out this information will be to join my fan group where 1500 avid fans of the book are eagerly awaiting its sale on Book Depository and will be sure to post as soon as they see it is.
Amazon UK – Dromenvanger 
Book Depository Worldwide – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom
Bol.com – https://www.bol.com/nl/p/dromenvanger/9200000080026444/?suggestionType=typedsearch#modal_open

Join my Fans of Zemlja Snova Facebook Group here.

You can see my videos of unboxing the book, a silent flick-through and my comparison to Zemlja Snova if you click on the relevant word.

Don’t forget, I’m running a Worldwide giveaway to win a copy of Dromenvanger by Tomislav Tomic, to enter click here by 23.59 GMT on October the 31st.

Click through to see my unboxing and video flick through of Dromenvanger, Dutch edition of Zemlja Snova by Tomislav Tomic

Dromenvanger (Dutch edition of Zemlja Snova) Unboxing and Video Flick Through

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Today I received two copies of Dromenvanger, the Dutch edition of Zemlja Snova. I will be running a Worldwide Giveaway for a copy soon (subscribe to my blog and to my FB page for updates about this) as well as reviewing it and posting a comparison about the similarities and differences between this and Zemlja Snova. Below you can see my unboxing video and a silent video flick-through of the book.

Pre-order a copy on Book Depository with free worldwide delivery – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom

Join my Fans of Zemlja Snova Facebook Group here.

Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.

Ivy and the Inky Butterfly: Comparison between the UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly will be released worldwide in just one week and I have been lucky enough to be sent a copy of the UK and US editions by Johanna Basford in order to write this comparison post for you all. Every time Johanna releases a new book there are huge online debates about which edition is “best” to buy, what the similarities will be and what will be different so I’m here to hopefully clear up any questions and queries you may have after the success of my comparison posts of the last 3 titles – Johanna’s ChristmasMagical Jungle, and Lost Ocean.

This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible, if you’d prefer to watch a video where I talk through and show all of the differences then click here. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those, they’re summarised at the bottom. Some of the very noticeable differences include size, image size and paper type so here goes with the most comprehensive list of similarities and differences that you’re likely to find online!

Click here to read the rest of the post on my dedicated Colouring Blog.

If you’d like to purchase a copy it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

Ivy and the Inky Butterfly: A Magical Tale to Colour (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Colour is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Virgin Books. I have also been sent a US edition of the book and will write a comparison post just as soon as I can, do subscribe to my blog on the right-hand side to be the first to know when it’s live. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.5 x 25cm making it the same height as the UK editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has coppery/bronze foiling accents which is quite subtle and very luxurious and aids the traditional storybook feeling! The spine is glue and string-bound which makes it very durable and easier to open out flat so you can reach the majority of the gutter and colour it. The paper is the same as that used in UK editions of Magical Jungle and Johanna’s Christmas, this paper was found through a global hunt and it’s beautiful, it is not the same paper as used in the US editions of these books which was created specifically for Johanna’s books and named after her. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your mediums behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned it, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

The image below was coloured with Staedtler Ergosoft Coloured Pencils.

Ivy and the Inky Butterfly: A Magical Tale to Color (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Color is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Penguin Books. I am also being sent a UK edition of the book and will write a comparison post just as soon as I can, do subscribe to my blog on the right-hand side to be the first to know when it’s live. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.8 x 25.4cm making it the same height as the US editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has mint green text backgrounds and beautiful gold and green foiling which is really luxurious and aids the traditional storybook feeling! The spine is glue-bound which makes it quite stiff on opening because the covers are glued a little to the front and back pages of the book, you’re likely to need to crack the spine in order to get the book to open fully but do be very careful because pages can fall out of glue-bound spines and that would be a bit of a disaster if you want to keep the story in order! The paper is the same ‘Johanna Basford’ paper as used in the US editions of Magical Jungle and Johanna’s Christmas, this is not the same as the paper used in the UK editions of any of these books which was sourced through a global hunt to find a suitable ivory paper. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your they behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned in, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, wood, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom

The image below was coloured with Holbein Artist’s Colored Pencils.

Ivy and the Inky Butterfly – Unboxing and Flick-Through

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

If you’d like to purchase a copy it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom